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Title Call # Category 2LDK 42429 Thriller 30 seconds of sisterhood 42159 Documentary A 42455 Documentary A2 42620 Documentary Ai to kibo no machi = Town of love & hope 41124 Documentary Akage = Red lion 42424 Action Akahige = Red beard 34501 Drama Akai hashi no shita no nerui mizu = Warm water under bridge 36299 Comedy Akai tenshi = Red angel 45323 Drama Akarui mirai = Bright future 39767 Drama Akibiyori = Late autumn 47240 Akira 31919 Action Ako-Jo danzetsu = Swords of vengeance 42426 Adventure Akumu tantei = Nightmare detective 48023 Alive 46580 Action All about Lily Chou-Chou 39770 Always zoku san-chôme no yûhi 47161 Drama Anazahevun = Another heaven 37895 Crime Ankokugai no bijo = Underworld beauty 37011 Crime Antonio Gaudí 48050 Aragami = Raging god of battle 46563 Fantasy Arakimentari 42885 Documentary Astro boy (6 separate discs) 46711 Fantasy Atarashii kamisama 41105 Comedy Avatar, the last airbender = Jiang shi shen tong 45457 Adventure Bakuretsu toshi = Burst city 42646 Sci-fi Bakushū = Early summer 38189 Drama Bakuto gaijin butai = Sympathy for the underdog 39728 Crime Banshun = Late spring 43631 Drama Barefoot Gen = Hadashi no Gen 31326, 42410 Drama Batoru rowaiaru = Battle royale 39654, 43107 Action Battle of Okinawa 47785 War Bijitâ Q = Visitor Q 35443 Comedy Biruma no tategoto = Burmese harp 44665 War Blind beast 45334 Blind swordsman 44914 Documentary Blind woman's curse = Kaidan nobori ryu 46186 Blood : Last vampire 33560 Blood, Last vampire 33560 Animation Blue seed = Aokushimitama blue seed 41681-41684 Fantasy Blue submarine -
Masaaki Hatsumi and Togakure Ryu
How Ninja Conquered the World THE TIMELINE OF SHINOBI POP CULTURE’S WORLDWIDE EXPLOSION Version 1.3 ©Keith J. Rainville, 2020 How did insular Japan’s homegrown hooded set go from local legend to the most marketable character archetype in the world by the mid-1980s? VN connects the dots below, but before diving in, please keep a few things in mind: • This timeline is a ‘warts and all’ look at a massive pop-culture phenomenon — meaning there are good movies and bad, legit masters and total frauds, excellence and exploitation. It ALL has to be recognized to get a complete picture of why the craze caught fire and how it engineered its own glass ceiling. Nothing is being ranked, no one is being endorsed, no one is being attacked. • This is NOT TO SCALE, the space between months and years isn’t literal, it’s a more anecdotal portrait of an evolving phenomenon. • It’s USA-centric, as that’s where VN originates and where I lived the craze myself. And what happened here informed the similar eruptions all over Europe, Latin America etc. Also, this isn’t a history of the Japanese booms that predated ours, that’s someone else’s epic to outline. • Much of what you see spotlighted here has been covered in more depth on VintageNinja.net over the past decade, so check it out... • IF I MISSED SOMETHING, TELL ME! I’ll be updating the timeline from time to time, so if you have a gap to fill or correction to offer drop me a line! Pinholes of the 1960s In Japan, from the 1600s to the 1960s, a series of booms and crazes brought the ninja from shadowy history to popular media. -
Horror of Philosophy
978 1 84694 676 9 In the dust of this planet txt:Layout 1 1/4/2011 3:31 AM Page i In The Dust of This Planet [Horror of Philosophy, vol 1] 978 1 84694 676 9 In the dust of this planet txt:Layout 1 1/4/2011 3:31 AM Page ii 978 1 84694 676 9 In the dust of this planet txt:Layout 1 1/4/2011 3:31 AM Page iii In The Dust of This Planet [Horror of Philosophy, vol 1] Eugene Thacker Winchester, UK Washington, USA 978 1 84694 676 9 In the dust of this planet txt:Layout 1 1/4/2011 3:31 AM Page iv First published by Zero Books, 2011 Zero Books is an imprint of John Hunt Publishing Ltd., Laurel House, Station Approach, Alresford, Hants, SO24 9JH, UK [email protected] www.o-books.com For distributor details and how to order please visit the ‘Ordering’ section on our website. Text copyright: Eugene Thacker 2010 ISBN: 978 1 84694 676 9 All rights reserved. Except for brief quotations in critical articles or reviews, no part of this book may be reproduced in any manner without prior written permission from the publishers. The rights of Eugene Thacker as author have been asserted in accordance with the Copyright, Designs and Patents Act 1988. A CIP catalogue record for this book is available from the British Library. Design: Stuart Davies Printed in the UK by CPI Antony Rowe Printed in the USA by Offset Paperback Mfrs, Inc We operate a distinctive and ethical publishing philosophy in all areas of our business, from our global network of authors to production and worldwide distribution. -
Aug CUSTOMER ORDER FORM
OrdErS PREVIEWS world.com duE th 18 aug 2013 aug COMIC THE SHOP’S PREVIEWSPREVIEWS CATALOG CUSTOMER ORDER FORM CUSTOMER 601 7 Aug13 Cover ROF and COF.indd 1 7/3/2013 3:05:51 PM Available only DEADPOOL: “TACO ENTHUSIAST” from your local BLUE T-SHIRT comic shop! Preorder now! THE WALKING DEAD: STREET FIGHTER: DOCTOR WHO: “THE DIXON BROS.” “THE STREETS” “DON’T BLINK” GLOW ZIP HOODIE RED T-SHIRT IN THE DARK T-SHIRT Preorder now! Preorder now! Preorder now 8 Aug 13 COF Apparel Shirt Ad.indd 1 7/3/2013 10:34:19 AM PrETTY DEADLY #1 ImAgE COmICS THE SHAOLIN COWBOY #1 DArk HOrSE COmICS THE SANDmAN: OVErTUrE #1 DC COmICS / VErTIgO VELVET #1 ELFQUEST SPECIAL: ImAgE COmICS THE FINAL QUEST DArk HOrSE COmICS SAmUrAI JACk #1 IDW PUBLISHINg SUPErmAN/WONDEr mArVEL kNIgHTS: WOmAN #1 SPIDEr-mAN #1 DC COmICS mArVEL COmICS Aug13 Gem Page ROF COF.indd 1 7/3/2013 9:04:01 AM Featured Items COMIC BOOKS & GRAPHIC NOVELS The Fox #1 l ARCHIE COMICS Uber Volume 1 Enhanced HC l AVATAR PRESS Imagine Agents #1 l BOOM! STUDIOS The Shadow Now #1 l D. E./DYNAMITE ENTERTAINMENT Cryptozoic Man #1 l D. E./DYNAMITE ENTERTAINMENT Peanuts Every Sunday 1952-1955 HC l FANTAGRAPHICS BOOKS Battling Boy GN/HC l :01 FIRST SECOND Letter 44 #1 l ONI PRESS 1 1 Ben 10 Omniverse Volume 1: Ghost Ship GN l PERFECT SQUARE X-O Manowar Deluxe HC l VALIANT ENTERTAINMENT Miss Peregrine’s Home For Peculiar Children HC l YEN PRESS BOOKS The Superman Files HC l COMICS Doctor Who 50th Anniversary Anthology l DOCTOR WHO Doctor Who: The Vault: Treasures from the First 50 Years HC l DOCTOR WHO Dc Comics Guide To Creating Comics Sc l HOW-TO Star Trek: Mr. -
Tolkien's Treatment of Dragons in Roverandom and Farmer Giles of Ham
Volume 34 Number 1 Article 8 10-15-2015 "A Wilderness of Dragons": Tolkien's Treatment of Dragons in Roverandom and Farmer Giles of Ham Romuald I. Lakowski MacEwan University in Edmonton, Canada Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Lakowski, Romuald I. (2015) ""A Wilderness of Dragons": Tolkien's Treatment of Dragons in Roverandom and Farmer Giles of Ham," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 34 : No. 1 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol34/iss1/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract An exploration of Tolkien’s depictions of dragons in his stories for children, Roverandom and Farmer Giles of Ham. Draws on “On Fairy-stories,” the Beowulf lecture, the Father Christmas letters, and a little-known “Lecture on Dragons” Tolkien gave to an audience of children at the University Museum in Oxford, as well as source Tolkien would have known: Nennius, The Fairy Queene, and so on. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Freecell and Other Stories
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Summer 8-4-2011 FreeCell and Other Stories Susan Louvier University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Other Arts and Humanities Commons Recommended Citation Louvier, Susan, "FreeCell and Other Stories" (2011). University of New Orleans Theses and Dissertations. 452. https://scholarworks.uno.edu/td/452 This Thesis-Restricted is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis-Restricted in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis-Restricted has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. FreeCell and Other Stories A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by Susan J. Louvier B.G.S. University of New Orleans 1992 August 2011 Table of Contents FreeCell .......................................................................................................................... 1 All of the Trimmings ..................................................................................................... 11 Me and Baby Sister ....................................................................................................... 29 Ivory Jupiter ................................................................................................................. -
Playmonster Expands Sleek Wood Vehicle Line, Automoblox, with Exclusive Designs for Target
PLAYMONSTER EXPANDS SLEEK WOOD VEHICLE LINE, AUTOMOBLOX, WITH EXCLUSIVE DESIGNS FOR TARGET All New Designs, Sizes and Stickers Bring More Collectability and Creative Play to the Brand! BELOIT, Wis. (June 28, 2019) —PlayMonster’s Automoblox®, an award-winning line of high- quality collectible toy vehicles that innovate the classic wooden toy car category, is seeing some new looks and fresh ideas! New mini vehicles that include reusable stickers feature the mix- and-match capability and fit in well with the existing vehicles, while adding a fresh look! Plus, there is now an all-new size, Micro Series, with new designs that still mix and match with the Mini Series vehicles! Automoblox Micro Series is an all new line of vehicles that may be small in size, but are massive fun! Exclusively available at Target stores and target.com, the Micro Series includes cool cars and trucks in single- and 2-packs. Each comes with reusable stickers to customize the vehicles! Collect multiple micro vehicles to mix and match the pieces and design a unique car, truck or van! The pieces are also interchangeable with those from the Mini Series for even more creative designs. Also exclusively at Target are new Mini Series vehicles featuring reusable stickers for customization! The cars and trucks come in single packs or a 3-pack. All vehicles sport a body made of European beech wood, and includes multiple interchangeable components, including tires and wheels, and now reusable stickers (Target exclusives only). With its mix-and-match creative design features, it’s easy enough for kids as young as 4 to get in on the fun, and the cool, collectible designs appeal to older kids and adults as well. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Temperance Flat Reservoir
Upper San Joaquin River Basin Storage Investigation Temperance Flat Reservoir Surface Storage Option Technical Appendix to the Phase 1 Investigation Report A Joint Study by: Bureau of Reclamation California Department Mid-Pacific Region of Water Resources In Coordination with: The California Bay-Delta Authority October 2003 Upper San Joaquin River Basin Storage Investigation San Joaquin River looking downstream towards Millerton Lake Temperance Flat Reservoir Surface Storage Option Technical Appendix to the Phase 1 Investigation Report A Joint Study by: Bureau of Reclamation California Department Mid-Pacific Region of Water Resources In Coordination with: Prepared by: The California Bay-Delta Authority October 2003 Surface Water Storage Option Technical Memorandum TEMPERANCE FLAT RESERVOIR UPPER SAN JOAQUIN RIVER BASIN STORAGE INVESTIGATION TABLE OF CONTENTS Chapter Page ACRONYMS AND ABBREVIATIONS..................................................................... viii EXECUTIVE SUMMARY ...................................................................................... ES-1 CHAPTER 1. INTRODUCTION ............................................................................... 1-1 STORAGE OPTIONS SUMMARY.....................................................................................1-1 SUMMARY OF PREVIOUS INVESTIGATIONS................................................................1-4 POTENTIAL IMPROVEMENTS.........................................................................................1-4 RM 274 Options..............................................................................................................1-4 -
Rulebook-Bios-Genesis-170515.Pdf
BY A. WHAT’S THIS GAME ABOUT? One to four players start as organic compounds shortly after Earth’s formation, represented by up to three Biont tokens. The Amino Acids (Player Red) command Metabolism, the lipids (Player Yellow) create cells, the pigments (Player Green) control energy absorption and storage, and the nucleic acids (Player Blue) control templated replication.1 Their goal is a double origin of life: first asAutocatalytic Life (a metabolic cycle reproducing its own constituents yet not replicating),2 and the second as Darwinian Life (an Organism using a template to replicate in an RNA world). Warning, this is a brutal game of survival. The players may decide to cooperate rather than compete, see C3. A less brutal variant is found in C4. The Event Phase starts the turn. Each event card encapsulates 200 million years, and the game may last 21 events (about 18 turns, the first 4 billion years of Earth’s 4.6 billion year history). Each event depicts which Landforms (cosmic, ocean, coastal shelf, or continent) are active for the turn. In the Assignment Phase, players attempt to create autocatalytic life by assigning one starting Biont to one of the Refugia, placards representing suitable hatcheries for life either on Earth or in space. These sites contain “building block” cubes called Manna, which reside in either disorganized (dead) or organized (metabolically-alive) populations. You may also assign a Biont to become a Parasite, if there are any Hosts available. To be suitable, a Host must have Mutations or Organs that you can invade as a Disease.