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Don Quixote and Legacy of a Caricaturist/Artistic Discourse
Don Quixote and the Legacy of a Caricaturist I Artistic Discourse Rupendra Guha Majumdar University of Delhi In Miguel de Cervantes' last book, The Tria/s Of Persiles and Sigismunda, a Byzantine romance published posthumously a year after his death in 1616 but declared as being dedicated to the Count of Lemos in the second part of Don Quixote, a basic aesthetie principIe conjoining literature and art was underscored: "Fiction, poetry and painting, in their fundamental conceptions, are in such accord, are so close to each other, that to write a tale is to create pietoríal work, and to paint a pieture is likewise to create poetic work." 1 In focusing on a primal harmony within man's complex potential of literary and artistic expression in tandem, Cervantes was projecting a philosophy that relied less on esoteric, classical ideas of excellence and truth, and more on down-to-earth, unpredictable, starkly naturalistic and incongruous elements of life. "But fiction does not", he said, "maintain an even pace, painting does not confine itself to sublime subjects, nor does poetry devote itself to none but epie themes; for the baseness of lífe has its part in fiction, grass and weeds come into pietures, and poetry sometimes concems itself with humble things.,,2 1 Quoted in Hans Rosenkranz, El Greco and Cervantes (London: Peter Davies, 1932), p.179 2 Ibid.pp.179-180 Run'endra Guha It is, perhaps, not difficult to read in these lines Cervantes' intuitive vindication of the essence of Don Quixote and of it's potential to generate a plural discourse of literature and art in the years to come, at multiple levels of authenticity. -
2022 Spain: Spanish in the Land of Don Quixote
Please see the NOTICE ON PROGRAM UPDATES at the bottom of this sample itinerary for details on program changes. Please note that program activities may change in order to adhere to COVID-19 regulations. SPAIN: Spanish in the Land of Don Quixote™ For more than a language course, travel to Toledo, Madrid & Salamanca - the perfect setting for a full Spanish experience in Castilla-La Mancha. OVERVIEW HIGHLIGHTS On this program you will travel to three cities in the heart of Spain, all ★ with rich histories that bring a unique taste of the country with each stop. Improve your Spanish through Start your journey in Madrid, the Spanish capital. Then head to Toledo, language immersion ★ where your Spanish immersion will truly begin and will make up the Walk the historic streets of Toledo, heart of your program experience. Journey west to Salamanca, where known as "the city of three you'll find the third oldest European university and Cervantes' alma cultures" ★ mater. Finally, if you opt to stay for our Homestay Extension, you will live Visit some of Madrid's oldest in Toledo for a week with a local family and explore Almagro, home to restaurants on a tapas tours ★ one of the oldest open air theaters in the world. Go kayaking on the Alto Tajo River ★ Help to run a summer English language camp for Spanish 14-DAY PROGRAM Tuition: $4,399 children Service Hours: 20 ★ Stay an extra week and live with a June 25 – July 8, 2022 Language Hours: 35 Spanish family to perfect your + 7-NIGHT HOMESTAY (OPTIONAL) Max Group Size: 32 Spanish language skills (Homestay July 8 - July 15 Age Range: 14-19 Add 10 service hours add-on only) Add 20 language hours Student-to-Staff Ratio: 8-to-1 Add $1,699 tuition Airport: MAD experienceGLA.com | +1 858-771-0645 | @GLAteens DAILY BREAKDOWN Actual schedule of activities will vary by program session. -
Space Situational Awareness
→ SPACE SITUATIONAL AWARENESS OUTLINE - Background - Purpose - Aims - Composition - Space Surveillance (SST) - Space Weather (SWE) - Near-Earth Objects (NEO) - Summary 2 BACKGROUND Image: Dan Durda – FIAAA 3 INTRODUCTION PURPOSE OF THE SSA PROGRAMME “The objective of the Space Situational Awareness (SSA) programme is to support the European independent utilisation of, and access to, space for research or services, through the provision of timely and quality data, information, services and knowledge regarding the space environment, the threats and the sustainable exploitation of the outer space surrounding our planet Earth.” - ESA Ministerial Council November 2008 4 INTRODUCTION AIMS OF THE SSA PROGRAMME • Independent utilisation of Space – Space assets are critical assets • Guarantee access to Space – Diplomatic, – Political – Regulatory – Technical • Serve EU “Lisbon Objectives” – New Applications – New Jobs – New Markets 5 INTRODUCTION CUSTOMERS FOR SSA SERVICES • European Governments • Space Insurance • United Nations – EU • Space Industry • Defence – National • Energy • Civil Protection – Regional – Surveying • European Space Agencies – Electrical Grid – ESA – Power Supply – National • Network Operations • Spacecraft Operators • Telecommunications – Commercial • Air Traffic Control – Academic • Search and Rescue Entities – Governmental 6 INTRODUCTION Current Objectives 2009 – 2012 • Preparatory Programme – Governance Definition – Data Policy – Architecture – Federation – Precursor Services – Radar Breadboard – Pilot Data Centres 2012 -
Literature and Cartography in Early Modern Spain: Etymologies and Conjectures Simone Pinet
18 • Literature and Cartography in Early Modern Spain: Etymologies and Conjectures Simone Pinet By the time Don Quijote began to tilt at windmills, maps footprints they leave on the surface of the earth they and mapping had made great advances in most areas— touch, they become one with the maps of their voyages. administrative, logistic, diplomatic— of the Iberian To his housekeeper Don Quijote retorts, world.1 Lines of inquiry about literature and cartography Not all knights can be courtiers, nor can or should all in early modern Spanish literature converge toward courtiers be knights errant: of all there must be in the Miguel de Cervantes’ Don Quijote. The return to the world, and even if all of us are knights, there is a vast heroic age of the chivalric romance, with its mysterious difference between them, because the courtiers, with- geography, contrasted with Don Quijote’s meanderings out leaving their chambers or the thresholds of the around the Iberian peninsula, is especially ironic in view court, walk the whole world looking at a map, with- of what the author, a wounded veteran of military cam- out spending a penny, or suffering heat or cold, hunger paigns (including Lepanto, a battle seen in many maps or thirst; but we, the true knights errant, exposed to the and naval views, and his captivity in Algiers, with com- sun, the cold, the air, the merciless weather night and parable cartographic resonance), probably knew about day, on foot and on horseback, we measure the whole cartography. earth with our own feet, and we do not know the ene- 2 A determining proof of the relation and a fitting epi- mies merely in painting, but in their very being. -
The Hera Mission
Dr. Patrick Michel Hera Investigation Team PI Université Côte d’Azur Observatoire de la Côte d’Azur CNRS, Lagrange Laboratory Nice, France The Hera Mission ESA UNCLASSIFIED - For Official Use Hera main aspects Role of space missions at ESA in NEO hazard mitigation • Understanding the problem (deflection modeling and simulations) 2001 • Ground versus space solutions analyses • Assessment of space component options 2002- • 6 parallel phase-0 studies (3 space telescopes, 3 rendezvous) Euneos Nero Earthguard 1 2004 • ESA’s NEO Mission Advisory Panel (NEOMAP) established • Kinetic impactor validation ranked highest importance 2004- • Don Quijote mission selected and studied up to phase-A level 2006 • SANCHO / Proba-IP orbiter up to phase A level studies, small deep-space Don Quijote Ishtar Simone 2008- mission to investigate impactor’s result 2009 • AIDA proposed by NASA: USA/impactor + ESA/impact assessment • ESA phase 0 and phase A studies on the observer spacecraft "AIM” (GSP) 2011- Proba-IP 2016 • Phase B1 study and “consolidation phase” for mission definition (GSTP) • HERA: impact observer spacecraft reformulation and optimization AIM 2017- • Phase B1 implementation + payload + technology breadboards (GSTP+SSA) Several concepts 2019 • DART phase-C kick-off on 15 May 2018 Hera iterated AIDA: An International Planetary Defense Mission U.S. National Research Council Committee “Defending Planet Earth: Near-Earth Object Surveys and Hazard Mitigation Strategies” Recommendation: “If [U.S.] Congress chooses to fund mitigation research at an appropriately high level, the first priority for a space mission in the mitigation area is an experimental test of a kinetic impactor along with a characterization, monitoring, and verification system, such as the Don Quixote mission that was previously considered, but not funded, by the European Space Agency. -
Don Quixote Press Release 2019
January 2019 Carlos Acosta’s celebrated production of Don Quixote returns Friday 15 February – Thursday 4 April 2019 Live Cinema relay: Tuesday 19 February 2019 #ROHDonQ Federico Bonelli and Sarah Lamb in Don Quixote, ©ROH/Johan Persson, 2013 Carlos Acosta’s vibrant dance production of Miguel de Cervante’s classic tale Don Quixote returns to the Royal Opera House this Spring. Created specially for The Royal Ballet in 2013, this stunning production tells the story of the bumbling knight Don Quixote and his ever-faithful squire Sancho Panza, and their efforts to help the young lovers Kitri and Basilio. This revival features exciting debuts from Lauren Cuthbertson, Yasmine Naghdi and Mayara Magri as Kitri and Matthew Ball, Alexander Campbell and Marcelino Sambé as Basilio. Don Quixote For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media includes a number of spectacular solos and pas de deux as well as outlandish comedy and romance as the dashing Basilio steals the heart of the beautiful Kitri. Don Quixote will be live streamed to cinemas on Tuesday 19 February as part of the ROH Live Cinema Season. Carlos Acosta previously danced the role of Basilio in many productions of Don Quixote. He was invited by Kevin O’Hare Director of The Royal Ballet, to re-stage this much-loved classic in 2013. Acosta’s vibrant production evokes sunny Spain with designs by Tim Hatley who has also created productions for the National Theatre and for musicals including Dreamgirls, The Bodyguard and Shrek. Acosta’s choreography draws on Marius Petipa’s 1869 production of this classic ballet and is set to an exuberant score by Ludwig Minkus arranged and orchestrated by Martin Yates. -
Is There a Hidden Jewish Meaning in Don Quixote?
From: Cervantes: Bulletin of the Cervantes Society of America , 24.1 (2004): 173-88. Copyright © 2004, The Cervantes Society of America. Is There a Hidden Jewish Meaning in Don Quixote? MICHAEL MCGAHA t will probably never be possible to prove that Cervantes was a cristiano nuevo, but the circumstantial evidence seems compelling. The Instrucción written by Fernán Díaz de Toledo in the mid-fifteenth century lists the Cervantes family as among the many noble clans in Spain that were of converso origin (Roth 95). The involvement of Miguel’s an- cestors in the cloth business, and his own father Rodrigo’s profes- sion of barber-surgeon—both businesses that in Spain were al- most exclusively in the hand of Jews and conversos—are highly suggestive; his grandfather’s itinerant career as licenciado is so as well (Eisenberg and Sliwa). As Américo Castro often pointed out, if Cervantes were not a cristiano nuevo, it is hard to explain the marginalization he suffered throughout his life (34). He was not rewarded for his courageous service to the Spanish crown as a soldier or for his exemplary behavior during his captivity in Al- giers. Two applications for jobs in the New World—in 1582 and in 1590—were denied. Even his patron the Count of Lemos turn- 173 174 MICHAEL MCGAHA Cervantes ed down his request for a secretarial appointment in the Viceroy- alty of Naples.1 For me, however, the most convincing evidence of Cervantes’ converso background is the attitudes he displays in his work. I find it unbelievable that anyone other than a cristiano nuevo could have written the “Entremés del retablo de las maravi- llas,” for example. -
He Dreams of Giants
From the makers of Lost In La Mancha comes A Tale of Obsession… He Dreams of Giants A film by Keith Fulton and Lou Pepe RUNNING TIME: 84 minutes United Kingdom, 2019, DCP, 5.1 Dolby Digital Surround, Aspect Ratio16:9 PRESS CONTACT: Cinetic Media Ryan Werner and Charlie Olsky 1 SYNOPSIS “Why does anyone create? It’s hard. Life is hard. Art is hard. Doing anything worthwhile is hard.” – Terry Gilliam From the team behind Lost in La Mancha and The Hamster Factor, HE DREAMS OF GIANTS is the culmination of a trilogy of documentaries that have followed film director Terry Gilliam over a twenty-five-year period. Charting Gilliam’s final, beleaguered quest to adapt Don Quixote, this documentary is a potent study of creative obsession. For over thirty years, Terry Gilliam has dreamed of creating a screen adaptation of Cervantes’ masterpiece. When he first attempted the production in 2000, Gilliam already had the reputation of being a bit of a Quixote himself: a filmmaker whose stories of visionary dreamers raging against gigantic forces mirrored his own artistic battles with the Hollywood machine. The collapse of that infamous and ill-fated production – as documented in Lost in La Mancha – only further cemented Gilliam’s reputation as an idealist chasing an impossible dream. HE DREAMS OF GIANTS picks up Gilliam’s story seventeen years later as he finally mounts the production once again and struggles to finish it. Facing him are a host of new obstacles: budget constraints, a history of compromise and heightened expectations, all compounded by self-doubt, the toll of aging, and the nagging existential question: What is left for an artist when he completes the quest that has defined a large part of his career? 2 Combining immersive verité footage of Gilliam’s production with intimate interviews and archival footage from the director’s entire career, HE DREAMS OF GIANTS is a revealing character study of a late-career artist, and a meditation on the value of creativity in the face of mortality. -
SPP MAB Active Body Small Planetary Platforms Assessment for Main Asteroid Belt Active Bodies
CDF STUDY REPORT SPP MAB Active Body Small Planetary Platforms Assessment for Main Asteroid Belt Active Bodies CDF-178(B) January 2018 SPP MAB Active Body CDF Study Report: CDF-178(B) January 2018 page 1 of 207 CDF Study Report SPP Main Asteroid Belt Active Body Small Planetary Platforms Assessment For Main Asteroid Belt Active Bodies ESA UNCLASSIFIED – Releasable to the Public SPP MAB Active Body CDF Study Report: CDF-178(B) January 2018 page 2 of 207 FRONT COVER Study Logo showing satellite approaching an asteroid with a swarm of nanosats ESA UNCLASSIFIED – Releasable to the Public SPP MAB Active Body CDF Study Report: CDF-178(B) January 2018 page 3 of 207 STUDY TEAM This study was performed in the ESTEC Concurrent Design Facility (CDF) by the following interdisciplinary team: TEAM LEADER AOCS PAYLOAD COMMUNICATIONS POWER CONFIGURATION PROGRAMMATICS/ AIV COST ELECTRICAL PROPULSION DATA HANDLING CHEMICAL PROPULSION GS&OPS SYSTEMS MISSION ANALYSIS THERMAL MECHANISMS Under the responsibility of: S. Bayon, SCI-FMP, Study Manager With the scientific assistance of: Study Scientist With the technical support of: Systems/APIES Smallsats Radiation The editing and compilation of this report has been provided by: Technical Author ESA UNCLASSIFIED – Releasable to the Public SPP MAB Active Body CDF Study Report: CDF-178(B) January 2018 page 4 of 207 This study is based on the ESA CDF Open Concurrent Design Tool (OCDT), which is a community software tool released under ESA licence. All rights reserved. Further information and/or additional copies of the report can be requested from: S. Bayon ESA/ESTEC/SCI-FMP Postbus 299 2200 AG Noordwijk The Netherlands Tel: +31-(0)71-5655502 Fax: +31-(0)71-5655985 [email protected] For further information on the Concurrent Design Facility please contact: M. -
Institut Für Weltraumforschung (IWF) Österreichische Akademie Der Wissenschaften (ÖAW) Schmiedlstraße 6, 8042 Graz, Austria
WWW.OEAW.AC.AT ANNUAL REPORT 2018 IWF INSTITUT FÜR WELTRAUMFORSCHUNG WWW.IWF.OEAW.AC.AT ANNUAL REPORT 2018 COVER IMAGE Artist's impression of the BepiColombo spacecraft in cruise configuration, with Mercury in the background (© spacecraft: ESA/ATG medialab; Mercury: NASA/JPL). TABLE OF CONTENTS INTRODUCTION 5 NEAR-EARTH SPACE 7 SOLAR SYSTEM 13 SUN & SOLAR WIND 13 MERCURY 15 VENUS 16 MARS 17 JUPITER 18 COMETS & DUST 20 EXOPLANETARY SYSTEMS 21 SATELLITE LASER RANGING 27 INFRASTRUCTURE 29 OUTREACH 31 PUBLICATIONS 35 PERSONNEL 45 IMPRESSUM INTRODUCTION INTRODUCTION The Space Research Institute (Institut für Weltraum- ESA's Cluster mission, launched in 2000, still provides forschung, IWF) in Graz focuses on the physics of space unique data to better understand space plasmas. plasmas and (exo-)planets. With about 100 staff members MMS, launched in 2015, uses four identically equipped from 20 nations it is one of the largest institutes of the spacecraft to explore the acceleration processes that Austrian Academy of Sciences (Österreichische Akademie govern the dynamics of the Earth's magnetosphere. der Wissenschaften, ÖAW, Fig. 1). The China Seismo-Electromagnetic Satellite (CSES) was IWF develops and builds space-qualified instruments and launched in February to study the Earth's ionosphere. analyzes and interprets the data returned by them. Its core engineering expertise is in building magnetometers and NASA's InSight (INterior exploration using Seismic on-board computers, as well as in satellite laser ranging, Investigations, Geodesy and Heat Transport) mission was which is performed at a station operated by IWF at the launched in May to place a geophysical lander on Mars Lustbühel Observatory. -
March 21–25, 2016
FORTY-SEVENTH LUNAR AND PLANETARY SCIENCE CONFERENCE PROGRAM OF TECHNICAL SESSIONS MARCH 21–25, 2016 The Woodlands Waterway Marriott Hotel and Convention Center The Woodlands, Texas INSTITUTIONAL SUPPORT Universities Space Research Association Lunar and Planetary Institute National Aeronautics and Space Administration CONFERENCE CO-CHAIRS Stephen Mackwell, Lunar and Planetary Institute Eileen Stansbery, NASA Johnson Space Center PROGRAM COMMITTEE CHAIRS David Draper, NASA Johnson Space Center Walter Kiefer, Lunar and Planetary Institute PROGRAM COMMITTEE P. Doug Archer, NASA Johnson Space Center Nicolas LeCorvec, Lunar and Planetary Institute Katherine Bermingham, University of Maryland Yo Matsubara, Smithsonian Institute Janice Bishop, SETI and NASA Ames Research Center Francis McCubbin, NASA Johnson Space Center Jeremy Boyce, University of California, Los Angeles Andrew Needham, Carnegie Institution of Washington Lisa Danielson, NASA Johnson Space Center Lan-Anh Nguyen, NASA Johnson Space Center Deepak Dhingra, University of Idaho Paul Niles, NASA Johnson Space Center Stephen Elardo, Carnegie Institution of Washington Dorothy Oehler, NASA Johnson Space Center Marc Fries, NASA Johnson Space Center D. Alex Patthoff, Jet Propulsion Laboratory Cyrena Goodrich, Lunar and Planetary Institute Elizabeth Rampe, Aerodyne Industries, Jacobs JETS at John Gruener, NASA Johnson Space Center NASA Johnson Space Center Justin Hagerty, U.S. Geological Survey Carol Raymond, Jet Propulsion Laboratory Lindsay Hays, Jet Propulsion Laboratory Paul Schenk, -
Asteroid Retrieval Feasibility Study
Asteroid Retrieval Feasibility Study 2 April 2012 Prepared for the: Keck Institute for Space Studies California Institute of Technology Jet Propulsion Laboratory Pasadena, California 1 2 Authors and Study Participants NAME Organization E-Mail Signature John Brophy Co-Leader / NASA JPL / Caltech [email protected] Fred Culick Co-Leader / Caltech [email protected] Co -Leader / The Planetary Louis Friedman [email protected] Society Carlton Allen NASA JSC [email protected] David Baughman Naval Postgraduate School [email protected] NASA ARC/Carnegie Mellon Julie Bellerose [email protected] University Bruce Betts The Planetary Society [email protected] Mike Brown Caltech [email protected] Michael Busch UCLA [email protected] John Casani NASA JPL [email protected] Marcello Coradini ESA [email protected] John Dankanich NASA GRC [email protected] Paul Dimotakis Caltech [email protected] Harvard -Smithsonian Center for Martin Elvis [email protected] Astrophysics Ian Garrick-Bethel UCSC [email protected] Bob Gershman NASA JPL [email protected] Florida Institute for Human and Tom Jones [email protected] Machine Cognition Damon Landau NASA JPL [email protected] Chris Lewicki Arkyd Astronautics [email protected] John Lewis University of Arizona [email protected] Pedro Llanos USC [email protected] Mark Lupisella NASA GSFC [email protected] Dan Mazanek NASA LaRC [email protected] Prakhar Mehrotra Caltech [email protected]