The Conceptualization of Duat Between the Old and the Middle Kingdoms
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The Song Elite's Obsession with Death, the Underworld, and Salvation
BIBLID 0254-4466(2002)20:1 pp. 399-440 漢學研究第 20 卷第 1 期(民國 91 年 6 月) Visualizing the Afterlife: The Song Elite’s Obsession with Death, the Underworld, and Salvation Hsien-huei Liao* Abstract This study explores the Song elite’s obsession with the afterlife and its impact on their daily lives. Through examining the ways they perceived the relations between the living and the dead, the fate of their own afterlives, and the functional roles of religious specialists, this study demonstrates that the prevailing ideas about death and the afterlife infiltrated the minds of many of the educated, deeply affecting their daily practices. While affected by contem- porary belief in the underworld and the power of the dead, the Song elite also played an important role in the formation and proliferation of those ideas through their piety and practices. Still, implicit divergences of perceptions and practices between the elite and the populace remained abiding features under- neath their universally shared beliefs. To explore the Song elite’s interactions with popular belief in the underworld, several questions are discussed, such as how and why the folk belief in the afterlife were accepted and incorporated into the elite’s own practices, and how their practices corresponded to, dif- fered from, or reinforced folk beliefs. An examination of the social, cultural, * Hsien-huei Liao is a research associate in the Department of East Asian Languages and Civilizations at Harvard University, U.S.A. 399 400 漢學研究第20卷第1期 and political impact on their conceptualization of the afterlife within the broad historical context of the Song is key to understand their beliefs and practices concerning the underworld. -
Functions and Uses of Egyptian Myth Fonctions Et Usages Du Mythe Égyptien
Revue de l’histoire des religions 4 | 2018 Qu’est-ce qu’un mythe égyptien ? Functions and Uses of Egyptian Myth Fonctions et usages du mythe égyptien Katja Goebs and John Baines Electronic version URL: http://journals.openedition.org/rhr/9334 DOI: 10.4000/rhr.9334 ISSN: 2105-2573 Publisher Armand Colin Printed version Date of publication: 1 December 2018 Number of pages: 645-681 ISBN: 978-2-200-93200-8 ISSN: 0035-1423 Electronic reference Katja Goebs and John Baines, “Functions and Uses of Egyptian Myth”, Revue de l’histoire des religions [Online], 4 | 2018, Online since 01 December 2020, connection on 13 January 2021. URL: http:// journals.openedition.org/rhr/9334 ; DOI: https://doi.org/10.4000/rhr.9334 Tous droits réservés KATJA GOEBS / JOHN BAINES University of Toronto / University of Oxford Functions and Uses of Egyptian Myth* This article discusses functions and uses of myth in ancient Egypt as a contribution to comparative research. Applications of myth are reviewed in order to present a basic general typology of usages: from political, scholarly, ritual, and medical applications, through incorporation in images, to linguistic and literary exploitations. In its range of function and use, Egyptian myth is similar to that of other civilizations, except that written narratives appear to have developed relatively late. The many attested forms and uses underscore its flexibility, which has entailed many interpretations starting with assessments of the Osiris myth reported by Plutarch (2nd century AD). Myths conceptualize, describe, explain, and control the world, and they were adapted to an ever-changing reality. Fonctions et usages du mythe égyptien Cet article discute les fonctions et les usages du mythe en Égypte ancienne dans une perspective comparatiste et passe en revue ses applications, afin de proposer une typologie générale de ses usages – applications politiques, érudites, rituelles et médicales, incorporation dans des images, exploitation linguistique et littéraire. -
Death and the Afterlife in Homer
Death and the Afterlife in Homer Death and what happens after death are universal concerns for humanity; around the world different cultures and religions contemplate our existence, and try to make sense of both our place in the world and our deaths. Although we no longer (for the most part) follow the religious beliefs of the ancient Greeks and Romans, their exploration of mortality and the afterlife can nonetheless be emotionally powerful and meaningful for us. In what follows, we will consider the presentation of death and the afterlife in some of the earliest Greek literature, Homer’s Iliad and Odyssey. The most common name for the underworld was Hades, a personified god and brother of Zeus, but also a place to which the souls of departed mortals go. Hades is in fact far more commonly mentioned as the underworld than as a personified god in Greek literature, although we do see him as an actual character in some myths, most famously in the story of the abduction of Persesphone by Hades, a tale told in the Homeric Hymn to Demeter. In post-classical times, the term Hades was adopted by Christian authors, including the early Church Fathers, Dante and Milton, to refer to the Christian concept of Hell. The term used is the same, but it is important to distinguish between the Christian conception of Hell and Hades. For Christians, Hell is a place to which the souls of the wicked descend after death, whereas the souls of the good are taken to Heaven to be with God. The ancient Greek concept is extremely different. -
The Underworld Krater from Altamura
The Underworld Krater from Altamura The Underworld krater was found in 1847 in Altamura in 1 7 Persephone and Hades Herakles and Kerberos ITALY southeastern Italy. The ancient name of the town is unknown, Hades, ruler of the Underworld, was the brother of Zeus (king of the gods) and Poseidon (god of The most terrifying of Herakles’s twelve labors was to kidnap the guard dog of the Underworld. APULIA Naples but by the fourth century bc it was one of the largest fortified Altamura the sea). He abducted Persephone, daughter of the goddess Demeter, to be his wife and queen. For anyone who attempted to leave the realm of the dead without permission, Kerberos (Latin, Taranto (Taras) m settlements in the region. There is little information about Although Hades eventually agreed to release Persephone, he had tricked her into eating the seeds Cerberus) was a threatening opponent. The poet Hesiod (active about 700 BC) described the e d i t e r of a pomegranate, and so she was required to descend to the Underworld for part of each year. “bronze-voiced” dog as having fifty heads; later texts and depictions give it two or three. r a what else was deposited with the krater, but its scale suggests n e a n Here Persephone sits beside Hades in their palace. s e a that it came from the tomb of a prominent individual whose community had the resources to create and transport such a 2 9 substantial vessel. 2 The Children of Herakles and Megara 8 Woman Riding a Hippocamp Map of southern Italy marking key locations mentioned in this gallery The inhabitants of southeastern Italy—collectively known as The Herakleidai (children of Herakles) and their mother, Megara, are identified by the Greek The young woman riding a creature that is part horse, part fish is a puzzling presence in the Apulians—buried their dead with assemblages of pottery and other goods, and large vessels inscriptions above their heads. -
What Is “The Book of Breathings”?
BYU Studies Quarterly Volume 11 Issue 2 Article 5 4-1-1971 What is “The Book of Breathings”? Hugh Nibley Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Nibley, Hugh (1971) "What is “The Book of Breathings”?," BYU Studies Quarterly: Vol. 11 : Iss. 2 , Article 5. Available at: https://scholarsarchive.byu.edu/byusq/vol11/iss2/5 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Nibley: What is “The Book of Breathings”? what is the book of breathingsBreathings HUGH NlNIBLEYBLEY MEET THE FAMILY upon their publication in 1967 the joseph smith papyri nos X and XI were quickly and easily identified as pages from the egyptian book of breathingsBreathings the frequent occur- rence of the word susnsnsnprovided a conspicuous clue and though the last page of the book the one that usually contains the title was missing its contents closely matched that of other egyptian writings bearing the title sh fhifbishishlsh t n susnsnsn com- monly translated book of Breabreathingthingss A most welcome guide to the student was ready at hand in J de Horhorrackborrackrack s text translation and commentary on a longer and fuller version of the same work pap louvre 3284 which he published in 1878 along with another version of the text louvre no 3291 and variant readings from a half -
The Bounds of Narrative in Don Delillo's Underworld
humanities Article The Bounds of Narrative in Don DeLillo’s Underworld: Action and the Ecology of Mimêsis Andrew Bowie Hagan Independent Scholar, Atlanta, GA 30309, USA; [email protected] Abstract: The interrelationship of natural and cultural history in Don DeLillo’s Underworld presents an ecology of mimesis. If, as Timothy Morton argues, ecological thought can be understood as a “mesh of interconnection,” DeLillo’s novel studies the interpretation of connection. Underworld situates its action in the Cold War era. DeLillo’s formal techniques examine the tropes of paranoia, containment, excess, and waste peculiar to the history of the Cold War. Parataxis and free-indirect discourse emphasize the contexts of reference in the novel, illustrating how hermeneutics informs the significance of boundaries. DeLillo’s use of parataxis exemplifies the conditions that propose and limit metaphor’s reference to reality, conditions that offer the terms for meaningful action. I utilize Paul Ricoeur’s hermeneutics to demonstrate how Underworld situates the reference to reality in its temporal and narrative condition. The historical situation of the novel’s narrative structure allows DeLillo to interrogate the role of discourse in producing and interpreting connection. Underworld offers layers of significance; the reader’s engagement with the novel’s discourse reaffirms the conditions of a meaningful relationship with reality in the pertinence of a metaphor. Keywords: contemporary fiction; ecocriticism; temporality; reference; metaphor; parataxis; epic; Citation: Hagan, Andrew Bowie. novel; immanence 2021. The Bounds of Narrative in Don DeLillo’s Underworld: Action and the Ecology of Mimêsis. Humanities 10: 40. https://doi.org/10.3390/ 1. Introduction h10010040 Figurative conditions present an ecology in Don DeLillo’s 1997 novel, Underworld.A work of fiction, the novel is grounded in the history and historiography of the Cold War Received: 1 January 2021 era. -
Death Attitudes and Perceptions of Death and Afterlife in Ancient Near Eastern Literature Leah Whitehead Craig Western Kentucky University
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by TopSCHOLAR Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 2008 A Journey Into the Land of No Return: Death Attitudes and Perceptions of Death and Afterlife in Ancient Near Eastern Literature Leah Whitehead Craig Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Comparative Methodologies and Theories Commons, History of Religions of Eastern Origins Commons, Other Religion Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Craig, Leah Whitehead, "A Journey Into the Land of No Return: Death Attitudes and Perceptions of Death and Afterlife in Ancient Near Eastern Literature" (2008). Honors College Capstone Experience/Thesis Projects. Paper 106. http://digitalcommons.wku.edu/stu_hon_theses/106 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. A Journey Into the Land of No Return: Death Attitudes and Perceptions of Death and Afterlife in Ancient Near Eastern Literature Leah Whitehead Craig Senior Honors Thesis Submitted to the Honors College of Western Kentucky University Spring, 2008 Approved by: _________________________________ _________________________________ -
Afroasiatic, 17N, 41N, 46, 65, 72-75 Akkadian,5,6,9, 14N, 16, 17N, 18N, 19, 28,33,40,43,44,45,47,55,56, 68N,80,81 'Anat (Canaani
Index Afroasiatic, 17n, 41n, 46, 65, 72-75 Canaanite shift (of ii too), 46, 49-50, 56, Akkadian,5,6,9, 14n, 16, 17n, 18n, 19, 78 28,33,40,43,44,45,47,55,56, Carthage, 21-22 68n,80,81 commerce: between Egypt and the Levant, 'Anat (Canaanite goddess), 13n, 47 10-14, 78 aleph, triple (333): miswritten by copyists, 7-8, 77,83-84 dating alphabet, 82 of sound changes, 41, 62, 63n, 66, 72 Amarna letters, 36, 38n, 45, 49n, 57 of texts, 1-3, 21n, 80-82 dama-usum(-gal-an-na) (Sumerian divine Dep, 11 name) 31-32, 80 dirt: as food of snakes, 25, 38 Arabic, 22, 28, 29, 30, 32, 33, 36, 38n, 40, dissimilation, 41n, 61n, 64n 42,43,44,46,47,49,55,56,68n, divine identifications, 50 69, 71, 73-75 Djer (Egyptian king) , IO Aramaic, 6, 9, 15, 17n, 21n, 28, 29, 30, 32, Dumuzi (Sumerian god), 31 33,36,38n,42,43,44,45,46,48, 50,53,55,56n,57,58,68n, 71-72, Eblaite, 10, 17, 19-20, 33n, 46, 55-56, 74n, 77-78. See also Aramaic text 80-81 in Demotic script. Egypto-Semitic, 63n, 72, 73, 74, 75 Aramaic text in Demotic script (Papyrus ejective(s), 12, 54, 68, 71 Amherst 63), 9n, 15n, 35, 42, 49n, Elamite, 9 50n,63n, 72 Epigraphic South Arabian, 55. See also assimilation, 30, 54-55, 56n, 77 Minaic, Qatabanian, and Sabaic augmentation, 18n, 43-44, 50n Eshmun (Phoenician god), 8-9 <ayin, Egyptian and Semitic, 63-72, 75-76 Eve,21n,29-30 Execration Texts, 48, 63, 64 Ba'alat (Byblian goddess), 13, 14, 78 backformation(s), 43-44 fallacy of overspecification, 74 Balaam, 35 foreign elements: in magic, 8-10, 79-80 Bible,snakesin, 5,6,26,38,41 foreign land: as epithet of foreign snake, Book ofAm-Duat, 18, 27n 24,26,51,80 Byblian (dialect), 35, 36, 42, 45, 46n, 54, foreigners: in Egypt during Old Kingdom, 56 62 Byblites (snakes), 14, 24, 38, 52-53, 80 Byblos, 10-14, 24, 25, 27, 33, 36, 38, 45, Geb (Egyptian earth-god, father of all 46,51,52,53,54,57, 78,80,82n snakes), 25, 27, 38, 39, 40 100 Index 101 genitalia, reptilian, 25, 39, 40, 44, 45 lion: as epithet for snake, 28, 33-34, 53 Genizah, Cairo, 19n London Medical Papyrus, 8-9, 29 glottal stop(s), 34, 42, 48, 62 glottalic. -
Egypt If One Wants to Provide a Brief Overview of Egyptian Di- Vinities
Originalveröffentlichung in: Sarah Iles Johnston (Hrsg.), Religions of the Ancient World. A guide, Cambridge, Mass. ; London 2004, S. 393-396 EGYPT Isis kneeling, from the sarcophagus of Amenophis II in the Valley of the Kings near Thebes. Hirmer Fotoarchiv thought, there are thousands upon thousands of further entities one could call minor gods to avoid placing them in the same category as “demons. ” A precedent for us- ing the terms major gods and minor gods is provided by a stele of Rameses IV (ca. n 52-1145 bce) from Abydos. Furthermore, no opposition between gods as greater and demons as lesser divine beings existed in an- cient Egyptian terminology. And finally, the creatures that today one might readily characterize as demons, such as many inhabitants of the Egyptian underworld — as depicted in the Book of Caverns, for instance —are rarely referred to as gods in Egyptian texts. Despite these difficulties, scholars have of course tried to determine what conditions must be fulfilled in order to speak of an ancient Egyptian supernatural being as a god. One definition that has found wide acceptance was proposed by Jan Assmann, who suggested that for the term to be properly applied three conditions must be fulfilled: the divinity must be associated with a cult or Egypt topographical site and must possess both a cosmic and a If one wants to provide a brief overview of Egyptian di- mythic dimension. In the case of Osiris, for example, vinities, including demons and the multitude of who clearly qualifies, long litanies (e.g., Book of the personifications, it is a good idea not to get bogged Dead, utterances 141-41) list the places where he was down in details. -
Statuette of a Snake-Legged Anubis in the National Museum, Warsaw 214 ALEKSANDRA MAJEWSKA
INSTITUT DES CULTURES MÉDITERRANÉENNES ET ORIENTALES DE L’ACADÉMIE POLONAISE DES SCIENCES ÉTUDES et TRAVAUX XXV 2012 ALEKSANDRA MAJEWSKA Statuette of a Snake-legged Anubis in the National Museum, Warsaw 214 ALEKSANDRA MAJEWSKA Among the images of Egyptian gods on display in the gallery of Ancient Egyptian Art at the National Museum in Warsaw there is an exceptional fi gurine of bronze with a jackal’s head, torso of a man and serpentine coils instead of legs. It is undoubtedly a representa- tion of Anubis, but suffi ciently unique to merit a broader commentary than the brief notes published on its subject so far.1 The iconographic and stylistic distinctness with regard to canonical representations of Anubis in Egyptian art indicate a background in the artistic production of an age in which a native tradition coexisted with Graeco-Roman culture. The Anubis statuette from the Warsaw National Museum is of composite form.2 It is made up of three independent elements: jackal’s head, male upper body and serpentine coils (Figs 1–4). The relatively small head features a long narrow snout. Set in deep sockets, the large slanting eyes with marked pupils look attentively to the front. Curly wisps of fur encircle the snout and neck, joining the tripartite wig to form a hairdo that skillfully softens the animality of the head. Preserved between the fl eshy ears of natural shape is the base of the broken crown. The harmoniously built male torso is characterized by ample pectoral muscles passing into a narrowed waist and softly modeled, slightly rounded abdominal muscles with a distinctly sunk navel. -
Interpretation of the Scenes of Amun in the Tombs of Gebel El-Mawta at Siwa
JFTH Vol. 17, Issue 2 (2020) ISSN: 2314-7024 E-ISSN: 2682-2180 Interpretation of the Scenes of Amun in the Tombs of Gebel El-Mawta at Siwa Heba Magdy Khalil Associate Professor- Tourist Guiding Department Faculty of Tourism and Hotels, Alexandria University, Egypt Abstract Two scenes appeared in the tombs of Gebel Western desert. It became very famous in the El-Matwa (one in the tomb of Si-Amun and Greco-Roman period because of the temple of the other in the tomb of the crocodile) the oracle that is dedicated to the main deity in representing a ram-headed figure holding a the Oasis, god Amun. The Mountain of the knife in his hand. This figure was interpreted dead (Gebel al-Mawta) is a hillside full of by all the scholars who dealt with Siwa tombs tombs, lies only one and a half km away from as god Amun. This could be related to the fact the center of the Siwa Oasis. There are about that god Amun was the main deity in the 600 tombs cut in the rock of the mountain. The th Oasis. However, it is unusual to see god Amun tombs dated back to the 26 Dynasty and the holding knife in his hand. As long as no Graeco-Roman era. They were later reused in inscription survived that could deciphere the the Roman era; as the mummies that were figure, the researcher aims at pointing out that found inside the tombs dated back to this this figure could be a demonic gatekeeper of period. -
Foreign Deities in Egypt
UCLA UCLA Encyclopedia of Egyptology Title Foreign Deities in Egypt Permalink https://escholarship.org/uc/item/7tr1814c Journal UCLA Encyclopedia of Egyptology, 1(1) Author Zivie-Coche, Christiane Publication Date 2011-04-05 Peer reviewed eScholarship.org Powered by the California Digital Library University of California FOREIGN DEITIES IN EGYPT المعبودات اﻻجنبية في مصر Christiane Zivie-Coche EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Zivie-Coche, 2011, Foreign Deities in Egypt. UEE. Full Citation: Zivie-Coche, Christiane, 2011, Foreign Deities in Egypt. In Jacco Dieleman, Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0027fcpg 1011 Version 1, April 2011 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0027fcpg FOREIGN DEITIES IN EGYPT المعبودات اﻻجنبية في مصر Christiane Zivie-Coche Ausländische Götter in Ägypten Dieux étrangers en Égypte The presence of foreign deities in the Egyptian pantheon must be studied in the light of the openness of Egyptian polytheism and as a reflection on cultural identity. Even if Egyptian self- identity was defined as intrinsically opposed to the Other, i.e. the foreigner, Egypt always maintained contact with its neighbors, particularly Nubia and the Near East. These intercultural contacts had an effect on the religion. Since the earliest times, deities like Dedoun, Ha, or Sopdu formed an integral part of the Egyptian pantheon, so much so that their likely foreign origin is not immediately perceptible.