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The All-Night Vigil Service for the Feast of the Theophany of Our Lord, God, and Savior Jesus Christ
The All-night Vigil Service for the Feast of the Theophany of our Lord, God, and Savior Jesus Christ 1 2 Our Father, who art in heaven, hallowed be thy name. Thy kingdom come, thy will be done on earth as it is in heaven. Give us this day our daily bread, and forgive us our trespasses as we forgive those who trespass against us, and lead us not into temptation, but deliver us from evil. Priest: For thine is the kingdom and the power and the glory, Father, Son, and Holy Spirit, now and ever and forever. Response: The All-night Vigil Service THE THEOPHANY OF OUR LORD, GOD, AND SAVIOR JESUS CHRIST. Since the secondGlory century, to the Father, the Church and to has the Son,celebrated and to the HolyBaptism Spirit, of Christ in the now and ever and forever. Amen. JordanPriest: RiverFor for thine our sanctificationis the kingdom and the power and the glory, Father, Son, and Holy Spirit, now and ever and forever. Response:However, if Matins is to follow,Great then Compline the priest vests in bright epitrachilion and phelonion, opens the Royal Doors, and preceded by the deacon with a candle, STAND incenses &the bwhole˙ ˙church.w Then the priest stands before the Holy Table, and the The priestdeacon vests at in the bright Ambon:A epitrachilion- men. and phelonion, opens the Royal Doors, and preceded by the deacon with a candle, incenses the whole church. Then the priest stands before the Holy Table, and the deacon at the Ambon: Deacon: Give the command! (Omit if there is no deacon) Deacon:& b œ WGive the command! œ ˙ ˙ œ œ W Response:Lord, have mercy. -
7Th Sunday After Pentecost Sunday of the Holy Fathers of the First Six Ecumenical Councils
1 7th Sunday after Pentecost Sunday of the Holy Fathers of the First Six Ecumenical Councils VESPERS: Tone 6 P. Regular Beginning C. Lord I have cried... 1. O Christ, triumphant over hell,/ Thou hast ascended upon the Cross,/ to raise up with Thyself those dwelling in the darkness of death./ Free among the dead,/ Thou pourest forth life from Thine own light:// O almighty Saviour, have mercy upon us. 2. Christ, having trampled upon death today,/ according to His word, rose up bestowing joy upon the world,/ that all of us shouting this hymn might say:/ O Fount of life, O Light that no man can approach,// O almighty Saviour, have mercy upon us. 3. Whither shall we sinners fly from Thee, O Lord,/ Who art everywhere in the creation?/ Into heaven? Thy abode is there./ Into hell? Thou hast trampled upon death./ Into the uttermost parts of the sea?/ Thy hand reaches thither, O Master./ We run to Thee and falling before Thee we pray:// O Thou, risen from the dead, have mercy upon us. Stichera for the Holy Fathers (Tone 6) 5/6 Before the ages Thou wast begotten of the womb of the Father without mother/ before the morning star;/ yet Arius calleth Thee a creature, refusing to glorify Thee as God,/ with audacity mindlessly confusing Thee, the Creator, with a creature,/ laying up for himself fuel for the everlasting fire./ But the Council in Nicaea proclaimed Thee to be the Son of God,// Who art equally enthroned with the Father and the Spirit. 7/8 Wisely did ye mend the robe of Christ/ which had been rent and torn by the jaws of dogs, O honoured fathers,/ unable to endure the sight of His nakedness,/ as of old Shem and Japheth could not bear to see their father’s nakedness./ And ye put to shame the mindlessness of those of like mind with Arius,// the namesake of wrath. -
Liturgical Functions of Late Byzantine Art: an Analysis of the Thessaloniki Epitaphios
Issue 5 2016 Funding for Vexillum provided by The Medieval Studies Program at Yale University Issue 5 Available online at http://vexillumjournal.org/ Liturgical Functions of Late Byzantine Art: An Analysis of the Thessaloniki Epitaphios JUDITH SHANIKA PELPOLA STANFORD UNIVERSITY The Thessaloniki Epitaphios, a late Byzantine embroidered textile, is an important piece to consider in the study of Byzantine art and its role in liturgy. In this paper, I undertake a stylistic and formalistic analysis of the inscriptions, depiction of the humanity of Christ, and treatment of time in the Thessaloniki Epitaphios to determine if the Epitaphios had liturgical rather than simply symbolic functions, thus helping contextualize Byzantine art within the Western canon. Analyzing the potential for the liturgical function of this piece additionally sheds light onto how Byzantine art itself should be classified with regards to the Western canon. Introduction The role of late Byzantine pieces in liturgical rites has been subject to a longstanding debate in the field, with one of the most recent subjects of this discussion being the Thessaloniki Epitaphios (see Figure 1). A silk on linen textile, the Epitaphios originates from Thessaloniki, Greece, circa 1300.1 Located on a trade route that connected Constantinople and Durazzo on the Adriatic, Thessaloniki was a key commercial port and site for religious pilgrimage in late Byzantium.2 Several stylistic features, in particular the expressiveness of the figures, suggest the Epitaphios was produced during the late Byzantine Palaiologan Dynasty (1259-1453), under which Thessaloniki reached its cultural height, and when there was a significant emphasis in the culture on liturgical rites.3 Thus, artworks created during the Palaiologan Dynasty invites scrutiny with respect to their roles as active participants in liturgical rites. -
August 18, 2019 Wishing All of You Who Were Born in ﺍألﺏ مﺎيكل شﺎهﻴن Dean/Pastor Father Michael G
The Dormition of our Most Holy Lady “This is none other than the House of God. the Theotokos and Ever Virgin Mary And this is the Gate of Heaven” Genesis 28:17 Concerning the Dormition of the Theotokos, this is what the Church has received from ancient times from the tradi- tion of the Fathers. When the time drew nigh that our Sav- ior was well-pleased to take His Mother to Himself, He declared unto her through an Angel that three days hence, He would translate her from this temporal life to eternity and bliss. On hearing this, she went up with haste to the Mount of Olives, where she prayed continuously. Giving thanks to God, she returned to her house and prepared whatever was necessary for her burial. While these things were taking place, clouds caught up the Apostles from the ends of the earth, where each one happened to be preach- ing, and brought them at once to the house of the Mother of God, who informed them of the cause of their sudden gathering. As a mother, she consoled them in their affliction as was meet, and then raised her hands to Heaven and prayed for the peace of the world. She blessed the Apostles, and, reclining upon her bed with seemliness, gave up her all-holy spirit into the hands of her Son and God. With reverence and many lights, and chanting burial hymns, the Apostles took up that God-receiving body and brought it to the sepulchre, while the Angels from Heaven chanted with them, and sent forth her who is higher than the Cherubim. -
St Nicholas Greek Orthodox Cathedral SUMMER COFFEE HOURS! Cordially Invites
August 1, 2017 Father’s Message Beloved Brothers and Sisters in Christ: Greetings in our Lord and Savior Jesus Christ! St. At the heart of the worship life of Orthodox Christians is the celebration of the Divine Liturgy. And at the heart of the Divine Liturgy is the celebration of the Holy Eucharist. This ritual is the most Nicholas ancient and universal in the history of our Church, going back all the way to our Lord and Savior Jesus Greek Christ, who instituted it at His last meal with His disciples before His death, called the “Mystical Supper” in our tradition. He declared the bread to be His Body, and the wine to be His Blood. We make this Orthodox miracle real again every time we repeat His words, and invoke God the Father to send down His Holy Cathedral Spirit to effect the change. How exactly this happens, our Church does not attempt to analyze; it is the “mystery” at the heart of the Mystical Supper. All we know is that it is the Lord’s ardent desire that we be united to Him and to one another not just spiritually, but also in a material, tangible way, through receiving AUGUST 2017 Holy Communion. In this manner, we are invited to experience a foretaste of God’s Kingdom already in this life, “for remission of sins and life everlasting.” Newsletter When the priest invokes the Holy Spirit, the prayer focuses on more than the bread and wine. The exact words are: “Once again we offer to you this spiritual worship without the shedding of blood, and we ask, pray, and entreat you: send down Your Holy Spirit upon us and upon these gifts here present- Points of ed.” The blessing, the sanctification is intended not just for what is in the chalice, but also on everyone Interest Inside: who is present for the worship service. -
A Dictionary of Orthodox Terminology Fotios K. Litsas, Ph.D
- Dictionary of Orthodox Terminology Page 1 of 25 Dictionary of Orthodox Terminology A Dictionary of Orthodox Terminology Fotios K. Litsas, Ph.D. -A- Abbess. (from masc. abbot; Gr. Hegoumeni ). The female superior of a community of nuns appointed by a bishop; Mother Superior. She has general authority over her community and nunnery under the supervision of a bishop. Abbot. (from Aram. abba , father; Gr. Hegoumenos , Sl. Nastoyatel ). The head of a monastic community or monastery, appointed by a bishop or elected by the members of the community. He has ordinary jurisdiction and authority over his monastery, serving in particular as spiritual father and guiding the members of his community. Abstinence. (Gr. Nisteia ). A penitential practice consisting of voluntary deprivation of certain foods for religious reasons. In the Orthodox Church, days of abstinence are observed on Wednesdays and Fridays, or other specific periods, such as the Great Lent (see fasting). Acolyte. The follower of a priest; a person assisting the priest in church ceremonies or services. In the early Church, the acolytes were adults; today, however, his duties are performed by children (altar boys). Aër. (Sl. Vozdukh ). The largest of the three veils used for covering the paten and the chalice during or after the Eucharist. It represents the shroud of Christ. When the creed is read, the priest shakes it over the chalice, symbolizing the descent of the Holy Spirit. Affinity. (Gr. Syngeneia ). The spiritual relationship existing between an individual and his spouse’s relatives, or most especially between godparents and godchildren. The Orthodox Church considers affinity an impediment to marriage. -
2014 Service Schedule for Great Lent, Holy Week, Pascha
Holy Wednesday, April 16 - 6:30pm Bridegroom Matins with Anointing Dear brothers and sisters in Christ, On Holy Wednesday evening, the theme of Bridegroom Matins shifts dramatically to the person of Judas at the Last Supper, who is sharing the Lord’s Table and, yet, is As we head into Great Lent and consider the things we will give up (usually preparing to betray Him. Afterwards, the priest will anoint all present with blessed meat, dairy, and some of the other things mentioned in the page opposite this oil reserved from the Vigil of Palm Sunday. (Service lasts 1 & 1/2 hours.) one), we might find ourselves despairing over the coming deprivation! But, Holy Thursday, April 17 - 3pm Vesperal Liturgy of Mystical Supper while a true fast is impossible without "giving things up," Lent can never be On Holy Thursday, we celebrate a Vesperal Liturgy that is sometimes call the reduced to "things I can't eat." Great Lent, rather, is a time for me--in and with the community of the Church--to take up a divine challenge to grow spiritually. Liturgy of the Mystical Supper. At this time, we commemorate the Last Supper The key ingredient in this effort is my "free acceptance" of this call. Only if I and enter into the eternal mystery of it, which is the Eucharist. (Service lasts freely take it up will this Lenten journey be God-pleasing and transformative. about 2 hours.) After the Liturgy, we will share a Lenten Common Meal. We will then move into the nave for the Matins with the 12 Passion Gospels. -
Glossary of Liturgical Terms
Glossary of Liturgical Terms Alleluia. (See Prokeimenon.) Antiphons. The first three hymns sung at the Divine Liturgy (Ps. 103; Ps. 146 and Only-begotten Son... the Beatitudes) are called Antiphons (steps) because they are sung in steps or stages by two Choirs singing opposite each other. Hence this type of singing in steps is called antiphonal. Apostikha. These are Stikhera accompanied by verses usually taken from the Psalms. The Apostikha is found at the end of Vespers and also at the end of Matins on ordinary weekdays. Canon. The Canon is a series of nine Canticles (or Odes) containing a number of Troparia in each, as well as a Theme Song (Irmos). The Canons are found at Matins, Compline, and certain other services in the Liturgical Cycle. Originally the nine Biblical Canticles were sung and short refrains inserted between each verse of the Canticle, but in time the Canticles themselves dropped out of general usage (except during Great Lent) and only the Theme Song (or Irmos), based on the theme of the original Canticle, and the refrains (now expanded) remained. The Second Ode is sung only as part of the Lenten Cycle and a tenth Biblical Canticle, the Magnificat is almost always sung after the Eighth Ode of the Canon. Dogmatic. This is a musical composition sung at Vespers and are so named because they speak of the dogma of the Two Natures of Christ. Ikos. This is a short composition that follows the Kontakion, between the Sixth and Seventh Odes of the Canon. Irmos. This is the Theme Song of each Ode of the Canon. -
November-December 2020 Trumpet
TrumpetThe Archangel Michael Church INSIDE THIS ISSUE Nov-Dec 2020 • Issue 52 • Archangel Michael Church • Port Washington, NY 2 Mission Statement 3 Fr. John’s Message 4 Fr. Michael’s Message 5 Worship Services & Sacraments 6 Stewardship Update 7 Parish Council Elections Mail In Ballot Request Form 8 Philoptochos 9 Ordination to the Diaconate 9 Adult Choir 10 Blood Drive 10 Sunday School 11 Preschool 11 Greek Language Institute 12 Greek Dance Troupe 13 GOYA 14 Byzantine Youth Choir 15 Community Photos 16 Calendars 21 Golf Outing Sponsors QUICK NEWS & EVENTS Sat. Nov. 7th Parish Council Nominations Close Sat., Nov. 7th: Vespers:Synaxis of the Archangels Sun., Nov. 8th: Synaxis of the Archangels Wed., Nov. 18th Due date for PC Election Mail-In Ballot Request Form Mon., Dec. 7th Final Post-mark date for PC Election Mail-In Ballots This year’s religious education theme is: “And you shall love the Lord your God Sat., Dec. 19th: Challenge Liturgy with all your heart, with all your soul, with all your mind, & Christmas Party Sundayand with all Themes your strength.” of (MarkGreat 12:30) Lent The art and graphic work donated by Jim Lolis. The Archangel Michael Church The Archangel Michael Greek Orthodox Church is dedicated to the continuation of Trumpet our Lord and Savior Jesus Christ’s ministry of salvation About the Parish through the proclamation Mission Archangel Michael Greek Orthodox Church and teaching of the Gospel. 100 Fairway Drive Statement Port Washington, New York 11050 We are a community of Phone: 516-944-3180 individuals and families who Fax: 516-944-3185 share the traditions and Website: ArchangelMichaelChurch.org Email: [email protected] ageless beliefs of our Holy Archangel Michael Church is a parish of the Direct Archdiocesan District and Orthodox Christian Faith. -
A Byzantine Christmas
VOCAL ENSEMBLE 26th Annual Season October 2017 Tchaikovsky: All-Night Vigil October 2017 CR Presents: The Byrd Ensemble November 2017 Arctic Light II: Northern Exposure December 2017 A Byzantine Christmas January 2018 The 12 Days of Christmas in the East February 2018 Machaut Mass with Marcel Pérès March 2018 CR Presents: The Tudor Choir March 2018 Ivan Moody: The Akáthistos Hymn April 2018 Venice in the East A Byzantine Christmas: Sun of Justice 1 What a city! Here are just some of the classical music performances you can find around Portland, coming up soon! JAN 11 | 12 FEB 10 | 11 A FAMILY AFFAIR SOLO: LUKÁŠ VONDRÁCˇEK, pianist Spotlight on cellist Marilyn de Oliveira Chopin, Smetana, Brahms, Scriabin, Liszt with special family guests! PORTLANDPIANO.ORG | 503-228-1388 THIRDANGLE.ORG | 503-331-0301 FEB 16 | 17 | 18 JAN 13 | 14 IL FAVORITO SOLO: SUNWOOK KIM, pianist Violinist Ricardo Minasi directs a We Love Our Volunteers! Bach, Beethoven, Schumann, Schubert program of Italy’s finest composers. n tns to our lol volunteers o serve s users ste re o oe ersonnel osts PORTLANDPIANO.ORG | 503-228-1388 PBO.ORG | 503-222-6000 or our usns or n ottee eers n oe ssstnts Weter ou re ne to JAN 15 | 16 FEB 21 us or ou ve een nvolve sne te ennn tn ou or our otent n nness TAKÁCS QUARTET MIRÓ QUARTET WITH JEFFREY KAHANE “The consummate artistry of the Takács is Co-presented by Chamber Music Northwest ou re vlue rt o te O l n e re rteul simply breathtaking” The Guardian and Portland’5 Centers for the Arts FOCM.ORG | 503-224-9842 CMNW.ORG | 503-294-6400 JAN 26-29 FEB 21 WINTER FESTIVAL: CONCERTOS MOZART WITH MONICA Celebrating Mozart’s 262nd birthday, Baroque Mozart and Michael Haydn string quartets DEC 20 concertos, and modern concertos performed by Monica Huggett and other PDX VIVALDI’S MAGNIFICAT AND GLORIA CMNW.ORG | 503-294-6400 favorites. -
8Th Sunday After Pentecost Sunday of the Holy Fathers of the First Six Ecumenical Councils
1 8th Sunday after Pentecost Sunday of the Holy Fathers of the First Six Ecumenical Councils VESPERS: Tone 7 P. Regular Beginning C. Lord I have cried... 1. O come let us rejoice in the Lo-ord/ Who destroyed the power of death and enlightened mankind,/ and let us cry aloud with the angels:// Glory to Thee, our Creator and our Saviour. 2. On our account Thou hast endured the Cross and the tomb:/ and as God Thou hast by death also put death to death:/ Therefore, we worship Thy Resurrection on the third day:// Glory to Thee, O Lord. 3. On beholding the Resurrection of the Creator,/ the Apostles, marveling, sang an angelic song of praise:/ Here is the glory of the Church,/ here the richness of the Kingdom:/ Glory be to Thee, O Lord,// Who hast suffered death for us. 4. O Christ, though Thou hast been taken captive by wicked men,/ Thou art my God and I am not shamed;/ I deny not that Thy back was scourged;/ I keep not hid that Thou wast nailed to the Cross./ I boast of Thy Resurrection, for Thy death is my life;// O almighty Lord, Who lovest mankind, to Thee be glory. Stichera for the Holy Fathers (Tone 6) 5/6 Before the ages Thou wast begotten of the womb of the Father without mother/ before the morning star;/ yet Arius calleth Thee a creature, refusing to glorify Thee as God,/ with audacity mindlessly confusing Thee, the Creator, with a creature,/ laying up for himself fuel for the everlasting fire./ But the Council in Nicaea proclaimed Thee to be the Son of God,// Who art equally enthroned with the Father and the Spirit. -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service.