September 2002 Volume 46 No. 7 Contents
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The All-Night Vigil Service for the Feast of the Theophany of Our Lord, God, and Savior Jesus Christ
The All-night Vigil Service for the Feast of the Theophany of our Lord, God, and Savior Jesus Christ 1 2 Our Father, who art in heaven, hallowed be thy name. Thy kingdom come, thy will be done on earth as it is in heaven. Give us this day our daily bread, and forgive us our trespasses as we forgive those who trespass against us, and lead us not into temptation, but deliver us from evil. Priest: For thine is the kingdom and the power and the glory, Father, Son, and Holy Spirit, now and ever and forever. Response: The All-night Vigil Service THE THEOPHANY OF OUR LORD, GOD, AND SAVIOR JESUS CHRIST. Since the secondGlory century, to the Father, the Church and to has the Son,celebrated and to the HolyBaptism Spirit, of Christ in the now and ever and forever. Amen. JordanPriest: RiverFor for thine our sanctificationis the kingdom and the power and the glory, Father, Son, and Holy Spirit, now and ever and forever. Response:However, if Matins is to follow,Great then Compline the priest vests in bright epitrachilion and phelonion, opens the Royal Doors, and preceded by the deacon with a candle, STAND incenses &the bwhole˙ ˙church.w Then the priest stands before the Holy Table, and the The priestdeacon vests at in the bright Ambon:A epitrachilion- men. and phelonion, opens the Royal Doors, and preceded by the deacon with a candle, incenses the whole church. Then the priest stands before the Holy Table, and the deacon at the Ambon: Deacon: Give the command! (Omit if there is no deacon) Deacon:& b œ WGive the command! œ ˙ ˙ œ œ W Response:Lord, have mercy. -
St Nicholas Greek Orthodox Cathedral SUMMER COFFEE HOURS! Cordially Invites
August 1, 2017 Father’s Message Beloved Brothers and Sisters in Christ: Greetings in our Lord and Savior Jesus Christ! St. At the heart of the worship life of Orthodox Christians is the celebration of the Divine Liturgy. And at the heart of the Divine Liturgy is the celebration of the Holy Eucharist. This ritual is the most Nicholas ancient and universal in the history of our Church, going back all the way to our Lord and Savior Jesus Greek Christ, who instituted it at His last meal with His disciples before His death, called the “Mystical Supper” in our tradition. He declared the bread to be His Body, and the wine to be His Blood. We make this Orthodox miracle real again every time we repeat His words, and invoke God the Father to send down His Holy Cathedral Spirit to effect the change. How exactly this happens, our Church does not attempt to analyze; it is the “mystery” at the heart of the Mystical Supper. All we know is that it is the Lord’s ardent desire that we be united to Him and to one another not just spiritually, but also in a material, tangible way, through receiving AUGUST 2017 Holy Communion. In this manner, we are invited to experience a foretaste of God’s Kingdom already in this life, “for remission of sins and life everlasting.” Newsletter When the priest invokes the Holy Spirit, the prayer focuses on more than the bread and wine. The exact words are: “Once again we offer to you this spiritual worship without the shedding of blood, and we ask, pray, and entreat you: send down Your Holy Spirit upon us and upon these gifts here present- Points of ed.” The blessing, the sanctification is intended not just for what is in the chalice, but also on everyone Interest Inside: who is present for the worship service. -
A Byzantine Christmas
VOCAL ENSEMBLE 26th Annual Season October 2017 Tchaikovsky: All-Night Vigil October 2017 CR Presents: The Byrd Ensemble November 2017 Arctic Light II: Northern Exposure December 2017 A Byzantine Christmas January 2018 The 12 Days of Christmas in the East February 2018 Machaut Mass with Marcel Pérès March 2018 CR Presents: The Tudor Choir March 2018 Ivan Moody: The Akáthistos Hymn April 2018 Venice in the East A Byzantine Christmas: Sun of Justice 1 What a city! Here are just some of the classical music performances you can find around Portland, coming up soon! JAN 11 | 12 FEB 10 | 11 A FAMILY AFFAIR SOLO: LUKÁŠ VONDRÁCˇEK, pianist Spotlight on cellist Marilyn de Oliveira Chopin, Smetana, Brahms, Scriabin, Liszt with special family guests! PORTLANDPIANO.ORG | 503-228-1388 THIRDANGLE.ORG | 503-331-0301 FEB 16 | 17 | 18 JAN 13 | 14 IL FAVORITO SOLO: SUNWOOK KIM, pianist Violinist Ricardo Minasi directs a We Love Our Volunteers! Bach, Beethoven, Schumann, Schubert program of Italy’s finest composers. n tns to our lol volunteers o serve s users ste re o oe ersonnel osts PORTLANDPIANO.ORG | 503-228-1388 PBO.ORG | 503-222-6000 or our usns or n ottee eers n oe ssstnts Weter ou re ne to JAN 15 | 16 FEB 21 us or ou ve een nvolve sne te ennn tn ou or our otent n nness TAKÁCS QUARTET MIRÓ QUARTET WITH JEFFREY KAHANE “The consummate artistry of the Takács is Co-presented by Chamber Music Northwest ou re vlue rt o te O l n e re rteul simply breathtaking” The Guardian and Portland’5 Centers for the Arts FOCM.ORG | 503-224-9842 CMNW.ORG | 503-294-6400 JAN 26-29 FEB 21 WINTER FESTIVAL: CONCERTOS MOZART WITH MONICA Celebrating Mozart’s 262nd birthday, Baroque Mozart and Michael Haydn string quartets DEC 20 concertos, and modern concertos performed by Monica Huggett and other PDX VIVALDI’S MAGNIFICAT AND GLORIA CMNW.ORG | 503-294-6400 favorites. -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service. -
Alexandru-Tsougras Paper
On the Methodology of Structural Analysis in Byzantine and Classical Western Music - A Comparison Maria Alexandru Department of Music, Aristotle University of Thessaloniki, Greece [email protected] Costas Tsougras Department of Music, Aristotle University of Thessaloniki, Greece [email protected], http://users.auth.gr/~tsougras Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM08) Thessaloniki, Greece, 3-6 July 2008, http://web.auth.gr/cim08/ Byzantine neumes show us how to sing, not that music is this one1 Background in Byzantine Musicology. The signs of the Old Byzantine notation and before the Reform of the Three Teachers (1814) are polyvalent. The very same sign can be interpreted in many different ways depending on the context. The decoding-rendition of the pieces written in middle-Byzantine notation requires the knowledge of orally transmitted performance rules which can be inferred to a great extent from the exegetical work of the Three Teachers and their pupils. During the last century the validity and age of such performance rules have been questioned in many publications (Psachos, Tillyard, Stathis, Husmann, Raasted, Lingas etc). Background in Western Music Theory. The reason why reductional analysis methodologies have yielded so remarkable results in the analysis of Western tonal music (from the 16th to the 20th century) is that, as proved by recent research in music history and the investigation of practical sources and manuscripts, the process of composing-out (Auskomponierung in Schenkerian terminology) has always been a major compositional practice (composing-out is the expansion of a fundamental structure through prolongations and elaborations in various ways and on differrent levels). -
Byzantine Hymnography and the Quest for Orthodox Unity: Notes on the Liturgical Commemoration of the Council of Chalcedon, Towar
Byzantine Hymnography and the Quest for Orthodox Unity: Notes on the Liturgical Commemoration of the Council of Chalcedon, Towards the Reconciliation of “Eastern” and “Oriental” Churches Gregory Tucker* Among the issues remaining to be addressed along the path to reconciliation between the “Eastern” and “Oriental” Orthodox is the characterisation of Oriental teachers as heretics in the liturgical texts of the Byzantine Rite. The mere suggestion of liturgical revision to reflect the agreement that multiple theological vocabularies are legitimate and therefore theologians associated with them should not be anathematized or deprecated has been met with fierce opposition from some Eastern Orthodox. This paper considers what might actually be involved in such a revision, taking as an example the texts for the commemoration of the Council of Chalcedon. It suggests that the extent of necessary revision would be far less than is perhaps feared. Keywords: Chalcedon, liturgy, liturgical revision, Byzantine Rite, Eastern Or- thodox, Oriental Orthodox Introduction From an Orthodox perspective, one of the great fruits of modern ecumen- ism1 has been the inauguration of a new phase in the relationship between the “Eastern” and “Oriental” Orthodox churches.2 An unofficial bilateral dialogue began in 1964, which became an official dialogue in 1985. Initial conversations correctly prioritised discussion of contested points in Chris- tology (disagreement over which contributed significantly to and, to a large * Gregory Tucker, Universität Regensburg, Universitätsstr. 31, 93503 Regensburg, Germa- ny, [email protected] 1 This paper will not address opposition on principle to ecumenical dialogue (including dialogue between separated Orthodox groups) which is a common–indeed, characteristic– feature of some traditions within contemporary Eastern Orthodoxy. -
Hierarchical Divine Liturgy NOTE: in Most Cases, Only Rubrics That Are Unique to the Bishop’S Presence Are Noted Here
Hierarchical Divine Liturgy NOTE: In most cases, only rubrics that are unique to the Bishop’s presence are noted here. After making three metanias in their respective places, the Priest and the Deacon bow together to the Bishop and then the Deacon says in a loud voice, “Bless, Master!” After the Priest completes, “Blessed is the Kingdom…” the Deacon and the Priest turn and bow together to the Bishop. The bow to the Bishop is repeated after every exclamation by the Priest. The Priest takes his place on the south side of the Holy Table facing north. The Deacon intones the Great Ektenia. At the commemoration of the Hierarchs, the Deacon turns, points his orarion and bows to the Bishop being commemorated while the Priest bows from the Royal Doors., and the choir quickly sings, "Eis polls eti, Despota." At the conclusion of the Ektenia, the Priest moves in front of the Holy Table to intone the exclamation. This process is repeated after each Ektenia. During the singing of the Antiphon, the first Deacon moves from the Icon of Christ back to his place near the Bishop, while the second Priest and second Deacon approach the Bishop, make one metania, ask the Bishop’s blessing and kiss his right hand. The second Priest proceeds through the Royal Doors and the second Deacon proceeds to stand before the Icon of the Theotokos. If there is only one Deacon serving, a Subdeacon may be asked to do this. If there is no Subdeacon, the Deacon remains in his place before the Icon of Christ and from there intones the two Little Ektenias. -
A Dictionary of Orthodox Terminology
A Dictionary of Orthodox Terminology A Dictionary of Orthodox Terminology Fotios K. Litsas, Ph.D. University of Illinois at Chicago © 1990-1996 Greek Orthodox Archdiocese of America -A- Abbess. (from masc. abbot; Gr. Hegoumeni). The female superior of a community of nuns appointed by a bishop; Mother Superior. She has general authority over her community and nunnery under the supervision of a bishop. Abbot. (from Aram. abba, father; Gr. Hegoumenos, Sl. Nastoyatel). The head of a monastic community or monastery, appointed by a bishop or elected by the members of the community. He has ordinary jurisdiction and authority over his monastery, serving in particular as spiritual father and guiding the members of his community. Abstinence. (Gr. Nisteia). A penitential practice consisting of voluntary http://www.goarch.org/access/Companion_to_Orthodox_Church/dictionary.html (1 of 47) [9/27/2001 3:51:58 PM] A Dictionary of Orthodox Terminology deprivation of certain foods for religious reasons. In the Orthodox Church, days of abstinence are observed on Wednesdays and Fridays, or other specific periods, such as the Great Lent (see fasting). Acolyte. The follower of a priest; a person assisting the priest in church ceremonies or services. In the early Church, the acolytes were adults; today, however, his duties are performed by children (altar boys). Aër. (Sl. Vozdukh). The largest of the three veils used for covering the paten and the chalice during or after the Eucharist. It represents the shroud of Christ. When the creed is read, the priest shakes it over the chalice, symbolizing the descent of the Holy Spirit. Affinity. (Gr. -
Dictionary of Religious Terms
IMPORTANT INFORMATION – Please Read! his lexicon began as a personal project to assist me in my efforts to learn more about my faith. All too often in my T readings I was coming across unfamiliar words, frequently in languages other than English. I began compiling a “small” list of terms and explanations to use as a reference. Since I was putting this together for my own use I usually copied explanations word for word, occasionally making a few modifications. As the list grew I began having trouble filling in some gaps. I turned to some friends for help. They in turn suggested this lexicon would be a good resource for the members of the Typikon and Ustav lists @yahoogroups.com and that list members maybe willing to help fill the gaps and sort out some other trouble spots. So, I present to you my lexicon. Here are some details: This draft version, as of 19 December 2001, contains 418 entries; Terms are given in transliterated Greek, Greek, Old Slavonic, Ukrainian, and English, followed by definitions/explanations; The terms are sorted alphabetically by “English”; The Greek transliteration is inconsistent as my sources use different systems; This document was created with MS Word 97 and converted to pdf with Adobe Acrobat 5.0 (can be opened with Acrobat Reader 4.0); Times New Roman is used for all texts except the Old Slavonic entries for which I used a font called IZHITSA; My sources are listed at the end of the lexicon; Permission has not been obtained from the authors so I ask that this lexicon remain for private use only. -
MAY 5, 2019 Cleveland, Ohio 44113 T 216
Ambo ST. THEODOSIUS ORTHODOX CATHEDRAL Mailing: 733 Starkweather Avenue MAY 5, 2019 Cleveland, Ohio 44113 T 216. 741. 1310 ST. THOMAS F 216. 623. 1092 SUNDAY www.sttheodosius.org - Archpriest John Zdinak, Dean [email protected] SS. CYRIL & METHODIUS Cell: 216. 554. 7282 - Protodeacon Daniel Boerio - Subdeacon Theodore Lentz, Sacristan - Reader Julius Kovach, Ecclesiarch & Choirmaster - Reader Paul Pangrace, Ambo Editor Divine Services Eve Sundays & Feast Days 5:00 PM Confessions 6:00 PM Great Vespers Sundays and Feast Days 8:40 AM 3rd and 6th Hour 9:00 AM Divine Liturgy * AMBO: Articles for publication should be submitted to: [email protected] by Wednesday of each week before noon. * CALENDAR: Event dates must be submitted by the 15th of each month. MAY 11 St. Theodosius Orthodox Cathedral Ambo - Page 1 Saint Methodius, Equal of the Apostles, and Enlightener of the Slavs, came from an illustrious and pious family living in the Greek city of Thessalonica. Saint Methodius was the oldest of seven brothers, Saint Constantine [Cyril was his monastic name] was the youngest. At first Saint Methodius was in the military and was governor in one of the Slavic principalities dependent on the Byzantine Empire, probably Bulgaria, which made it possible for him to learn the Slavic language. After living there for about ten years, Saint Methodius later received monastic tonsure at one of the monasteries on Mount Olympus (Asia Minor). Saint Constantine eventually joined his brother Saint Methodius on Olympus, spending his time in unceasing prayer and reading the works of the holy Fathers. The emperor soon summoned both of the holy brothers from the monastery and sent them to preach the Gospel to the Khazars. -
Ordination Text
Taa\\nnstvo Svqq]]ensttvvaa Mys Mysterytery of of OrdinationOrdination 2 THE ORDINATION OF A CANDLE-BEARER, REA DERDER ANDAND CANTORCANTOR The candidate who desires to be made a candle-bearer, is brought by the archdeacon to the middle of the church and makes three metanias. He bows before the bishop three times and, approaching the bishop, bows his head. The bishop makes a sign of the cross over his head three times. Then, he places his hand on the head of the candidate, and says following prayer: O Lord, Who enlighten all creation with the light of your wonders, Who know the deeds of men even before they came into being know beforehand every- one’s life-decisions, Who strengthen those who want to serve You, beautify your servant, N., who has cho- sen to become a candle-bearer before your holy mys- teries with spotless and most pure adornments, so that enlightened, he may meet You in the world to come and may receive the incorruptible crown of life, and with your elect may rejoice in everlasting bliss: Exclamation: For You are holy and glorified is your most hon- orable and sublime name, Father, Son, and Holy Spirit, now and for ever and ever. Choir: Amen. The bishop gives a candle to the candidate, who kisses the candle and the hand of the bishop. 3 The bishop says: Blessed is our God, always, now and for ever and ever. Choir: Amen. The candidate, with a burning candle in his hand, says: Heavenly King, Advocate, Spirit of Truth, Who are every- where present and fill all things, Treasury of Blessings, Bestower of Life, come and dwell within us; cleanse us of all that defiles us, and, O Good One, save our souls. -
2019 WSMI Binders
Sacred Music Institute Winter 2019: East Meets West Sts. Constantine & Helen Orthodox Church 1225 East Rosemeade Parkway, Carrollton, Texas 75007 – (214) 350-2104 Friday, February 15, 2019 10:00 Welcome (Paul Jabara, Fr. David Lewis) 10:30 Vocal Technique (Anamaria Popescu) 11:30 East Meets West: Communion Hymn and Prayer of Saint Simeon 1:00 Lunch 2:00 Keeping Liturgy Prayerful (Chris Farha) 3:00 Western Rite: Introduction (Bishop JOHN) 3:30 Rehearsal: Western Rite Vespers (Kh. Rebecca Alford) 5:00 Western Rite Vespers 6:00 Dinner 7:00 Vocal Technique (Anamaria Popescu) 7:30 Rehearsal: Hierarchical Divine Liturgy (Paul Jabara) Saturday, February 16, 2019 9:30 Vocal Technique (Anamaria Popescu) 10:00 Breakout Sessions • Presanctified Liturgy (Dn. John El Massih) • Gregorian Chant (Ian Abodeely) • Music Theory (Kh. Nancy Hanna Long) • Conducting (Mareena Boosamra Ball) 12:00 Lunch 1:00 Rehearsal: Hierarchical Divine Liturgy (Paul Jabara) 2:00 Breakout Sessions (Repeated) 4:00 Rehearsal: Eastern Rite Vespers (Deacon John El Massih) 5:00 Eastern Rite Vespers 6:00 Dinner 7:00 What Makes Music Sacred? (Anamaria Popescu) Sunday, February 17, 2019 9:00 Orthros 10:00 Divine Liturgy 12:00 Lunch 2:00 Eastern and Western Worship (Bishop JOHN) 3:00 Choral Placement (Mareena Boosamra Ball) 4:00 Sight-Singing: New Music (Panel) 6:00 Dinner at Spring Creek Barbeque His Eminence Archbishop of New York and The Most Reverend Metropolitan of Metropolitan 36 JOSEPH All North America ANTIOCHIAN ORTHODOX CHRISTIAN ARCHDIOCESE OF NORTH AMERICA February 15, 2019 Dear Paul, Deacon John, Esteemed Members of the Department of Sacred Music, and Beloved Participants of the Winter Sacred Music Institute: Greetings and blessings in the Name of Our Lord, God, and Savior, Jesus Christ! I am very pleased to welcome you to Carrollton, Texas for the Winter Sacred Music Institute.