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The Anime Galaxy Japanese Animation As New Media
i i i i i i i i i i i i i i i i i i i i Herlander Elias The Anime Galaxy Japanese Animation As New Media LabCom Books 2012 i i i i i i i i Livros LabCom www.livroslabcom.ubi.pt Série: Estudos em Comunicação Direcção: António Fidalgo Design da Capa: Herlander Elias Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom 2012 ISBN: 978-989-654-090-6 Título: The Anime Galaxy Autor: Herlander Elias Ano: 2012 i i i i i i i i Índice ABSTRACT & KEYWORDS3 INTRODUCTION5 Objectives............................... 15 Research Methodologies....................... 17 Materials............................... 18 Most Relevant Artworks....................... 19 Research Hypothesis......................... 26 Expected Results........................... 26 Theoretical Background........................ 27 Authors and Concepts...................... 27 Topics.............................. 39 Common Approaches...................... 41 1 FROM LITERARY TO CINEMATIC 45 1.1 MANGA COMICS....................... 52 1.1.1 Origin.......................... 52 1.1.2 Visual Style....................... 57 1.1.3 The Manga Reader................... 61 1.2 ANIME FILM.......................... 65 1.2.1 The History of Anime................. 65 1.2.2 Technique and Aesthetic................ 69 1.2.3 Anime Viewers..................... 75 1.3 DIGITAL MANGA....................... 82 1.3.1 Participation, Subjectivity And Transport....... 82 i i i i i i i i i 1.3.2 Digital Graphic Novel: The Manga And Anime Con- vergence........................ 86 1.4 ANIME VIDEOGAMES.................... 90 1.4.1 Prolongament...................... 90 1.4.2 An Audience of Control................ 104 1.4.3 The Videogame-Film Symbiosis............ 106 1.5 COMMERCIALS AND VIDEOCLIPS............ 111 1.5.1 Advertisements Reconfigured............. 111 1.5.2 Anime Music Video And MTV Asia......... -
Un Affare Di Famiglia Di Kore-Eda Hirokazu
Un affare di famiglia di Kore-eda Hirokazu uscita: 13 settembre 2018 durata: 121 minuti I materiali stampa sono scaricabili dall’area press del sito www.bimfilm.com UN AFFARE DI FAMIGLIA CAST ARTISTICO Shibata Osamu Lily Franky Shibata Nobuyo ANDO Sakura Shibata Aki MATSUOKA Mayu Shibata Hatsue KIKI Kilin Shibata Shota JYO Kairi Hojo Juri SASAKI Miyu CAST TECNICO Regia / Sceneggiatura / Montaggio KORE-EDA Hirokazu Musica Originale HOSONO Haruomi (Victor Entertainment) Direttore della Fotografia KONDO Ryuto Luci FUJII Isamu Suono TOMITA Kazuhiko Scenografia MITSUMATSU Keiko Aoi Pro. Inc. Produzione Aoi Pro. Inc. Produttori Esecutivi ISHIHARA Takashi Tom YODA NAKAE Yasuhito Produttori Associati OSAWA Megumi ODAKE Satomi Produttori MATSUZAKI Kaoru YOSE Akihiko TAGUCHI Hijiri 2 UN AFFARE DI FAMIGLIA Sinossi Dopo uno dei loro furti, Osamu e suo figlio si imbattono in una ragazzina in mezzo ad un freddo glaciale. Dapprima riluttante ad accoglierla, la moglie di Osamu acconsente ad occuparsi di lei dopo aver appreso le difficoltà che la aspettano. Benché la famiglia sia così povera da riuscire a malapena a sopravvivere commettendo piccoli reati, sembrano vivere felici insieme finché un incidente imprevisto porta alla luce segreti nascosti che mettono alla prova i legami che li uniscono... 3 UN AFFARE DI FAMIGLIA Intervista a Kore-eda Hirokazu Ha deciso di realizzare questo film dopo aver appreso di casi di famiglie che continuano a percepire illegalmente le pensioni dei genitori deceduti da anni. Il suo intento era quello di rappresentare una famiglia da un punto di vista diverso rispetto ai suoi precedenti film? La prima cosa che mi è venuta in mente è stata la frase: “Solo i crimini ci tenevano uniti”. -
Δόξα / Докса.– 2018. – Вип. 2 (30). 161
160 Δόξα / Докса.– 2018 – Вип. 2 (30). Δόξα / Докса.– 2018. – Вип. 2 (30). 161 the theory of art]. v 2 tt. Moskva, Giley, t. 1, 392 p. DOI: https://doi.org/10.18524/2410-2601.2018.2(30).146569 11. Kandinsky V.V. (1990) O dyhovnom v iskusstve [About the spiritual in art]. UDC 141.78/340.121+(520)/791.228 Konstantin Rayhert L., Rejim dostupa: http://thelib.ru/books/kandinskiy_vasiliy/ THE POSTMODERN THEOLOGY OF o_duhovnom_v_iskusstve.html “NEON GENESIS EVANGELION” AS A CRITICISM 12. Koynonia (2011) Filosofia Inshogo ta bogoslovy spilkyvany [The philoso- This study analyzes Japanese animation series ‘Neon Genesis Evangelion’ in phy of the other and theology of communication]. Spezvipysk № 2, Harkiv- the context of postmodern theology as a cultural analysis and criticism. My Kiev, Dukh i Litera, 440 p. selection of the series as a research object is motivated by Hideaki Anno, the 13. Krimsky S .B. (1992) Kontury dyhovnosty: novie konteksti identifikacii creator of the series, who used some Christian concepts, symbols and themes [Contours of Spirituality: New Identification Contexts], Voprosy filosofii. in ‘Neon Genesis Evangelion’. ‘Neon Genesis Evangelion’ in all its varia- Moskva, № 12, p. 21–28. tions is a specific mythology of the beginning and ending of life on Earth. The 14. Kirlezev A. I. (2011) Postsekularnoe: kratkay interpretacia [Postsecular: a life on Earth began accidentally, and it was caused by the representatives of brief interpretation], Logos. Moskva, № 3 (82), p. 100–106. the dying extraterrestrial race (so-called ‘First Ancestral Race’). The life on 15. Lectorsky V. A. (1996) Dyhovnost I racionalnost [Spirituality and rationality], Earth can be ended by human beings due to the humans’ scientific curiosity – Voprosy filosofii. -
SHOPLIFTERS a FILM by KORE-EDA HIROKAZU FUJI TELEVISION NETWORK, GAGA CORPORATION Et AOI PRO INC
SHOPLIFTERS A FILM BY KORE-EDA HIROKAZU FUJI TELEVISION NETWORK, GAGA CORPORATION et AOI PRO INC. present LILY FRANKY • ANDO SAKURA • MATSUOKA MAYU • KIKI KILIN SHOPLIFTERS A FILM BY KORE-EDA HIROKAZU 121 MIN. – JAPAN – 2018 – 1.85 – 5.1 INTERNATIONAL PRESS Manlin STERNER Cell : +33 6 63 76 31 13 [email protected] JAPANESE PRESS Naeko YODA Cell: +81 50 3537 6138 (main) – +81 70 3330 2912 (sub) [email protected] Chieko NEMOTO Cell: +81 50 3537 6268 (main) – +81 70 3330 2920 (sub) [email protected] Kenji SASAKI Cell: +81 50 3537 6503 (main) – +81 70 3330 2927 (sub) [email protected] Presskit and stills downloadable from www.wildbunch.biz SYNOPSIS After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them… INTERVIEW WITH KORE-EDA HIROKAZU Director You decided to make this film after learning about incidents of families illegally receiving the pensions of parents who had already died years ago. Was your inten- tion to depict a family from a different angle compared to your previous films? The first thing that came to my mind was the tagline: “Only the crimes tied us together”. In Japan, crimes like pension frauds and parents making their children The later scenes showing the family being split up are heartbreaking. -
Tesis Anime Diseño
UNIVERSIDAD PROVINCIAL DE CÓRDOBA Licenciatura en Diseño UNIVERSIDAD PROVINCIAL DE CÓRDOBA Trabajo final de licenciatura Trabajo final de licenciatura Autores Características que conforman el estilo anime como recurso en áreas de Diseño Mariano Diani Maximiliano Fernández Directores Lic. Carolina Menso Lic. Sebastián Aguirre Co Director Lic. Silvina Barraud Córdoba 2017 UNIVERSIDAD PROVINCIAL DE CÓRDOBA Trabajo final de licenciatura Trabajo final de licenciatura Autores Características que conforman el estilo anime como recurso en áreas de Diseño Mariano Diani Maximiliano Fernández Directores Lic. Carolina Menso Lic. Sebastián Aguirre Co Director Lic. Silvina Barraud Córdoba 2017 Agradecemos a quien esté leyendo este trabajo, a los que incentivaron su realización, en especial a nuestros familiares. 5 ÍNDICE 1. Marco teórico 6 10. Mercado de consumo del anime 26 a) Tema principal 7 b) Situación problemática 7 10. 1. Consumo del anime en Argentina 37 c) Preguntas de investigación 7 d) Relevancia de la investigación 7 11. El mundo anime 49 e) Palabras claves 8 f) Líneas de investigación 8 12. El anime en las áreas del Diseño 61 g) Objetivos 8 h) Hipótesis 8 13. El Diseño en el anime 78 2. Relevamiento del campo 9 14. Características del estilo anime 88 3. Marco operativo 10 15. Argentina en el anime 103 4. Antecedentes 11 16. El estilo anime como recurso 122 4. 1 Análisis de antecedentes 12 17. Apéndice 134 5. Marco metodológico 15 17. 1. Símbolos del anime 135 6. Conclusiones preliminares 17 17. 2. Primeras técnicas 145 7. Resultados esperados 17 17. 3. Autores fundamentales del anime 146 8. Resumen 18 18. -
2013 Toronto Japanese Film Festival
2013 Toronto Japanese Film Festival: 2 Weeks 18 Films トロント日本語映画祭２０１３：２週間で１８作品上映 Summer Events Preview 夏のイベント紹介 May 2013 2013年5月 Vol.39 Issue 5 1 2012-13 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Peter Wakayama VP, Legacy Art Ito 日 2 JCCC Annual Bazaar VP, Management Ann Ashley VP, Strategic Planning Donna Davis 2 May Movie Secretary Sharon Marubashi Treasurer Chris Reid 系 Directors Ken Fukushima 3 Nikkei Heritage Centre Inscriptions Chris Hope Shari Hosaki 文 Warren Kawaguchi 4-5 Upcoming events Lorene Nagata Christine Nakamura Yuki Nakamura 化 6-7 Heritage News Cary Rothbart Nao Seko 8-10 TJFF Movie Lineup Takato Yamashita 会 Advisors Mackenzie Clugston (Ambassador of Canada to Japan) 11-13 Community News Sid Ikeda Miki Kobayashi 館 Mickey Matsubayashi 17-20 日本語紙面 Steve Oikawa Fred Sasaki 役 Connie Sugiyama Foundation Chair Shari Hosaki JCCC Staff 員 James Heron Executive Director [email protected] 416-441-2345 ext.224 及 Kathy Tazumi Accounting/General Administration Manager [email protected] 416-441-2345 ext.229 び Calendar of Events Christine Takasaki Community Events/Volunteer Coordinator May [email protected] 416-441-2345 ext.221 ス Thu 2 Ken Fukushima Exhibit Opening Haruko Ishihara Community Rentals Sat 4 JCCC Bazaar [email protected] 416-441-2345 ext.228 タ Sat 18 Karaoke Club Christine Seki Corporate Rentals/Programming and Business Development Mon 20 JCCC closed – Victoria Day [email protected] 416-441-2345 ext.231 ッ Thu 23 Origami workshop Sally Kumagawa -
Anime's Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and The
Manji 1 Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and the Negotiation of Japanese War Memory A thesis Age submitted in fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Rufus C. Manji University of Canterbury 2020 Manji 2 Contents Table of Contents 1. Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and the Negotiation of Japanese War Memory ........................................................................................ 1 1.1. Contents ........................................................................................................................ 2 1.2. Abstract ......................................................................................................................... 4 1.3. Acknowledgements ....................................................................................................... 6 2. Introduction .............................................................................................................. 7 3. Chapter 1: Superflat, Subculture, and National Trauma .........................................13 3.1. Takashi Murakami and superflat ................................................................................. 14 3.1.1. A genealogy of superflat subculture ........................................................................................ 20 3.1.2. Framing JNP: Japan’s Postmodern Condition ....................................................................... 32 3.1.3. The Database & Animalisation -
Anime's Atomic Legacy: Takashi Murakami, Miyazaki
Manji 1 Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and the Negotiation of Japanese War Memory A thesis Age submitted in fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Rufus C. Manji University of Canterbury 2020 Manji 2 Contents Table of Contents 1. Anime’s Atomic Legacy: Takashi Murakami, Miyazaki, Anno, and the Negotiation of Japanese War Memory ........................................................................................ 1 1.1. Contents ........................................................................................................................ 2 1.2. Abstract ......................................................................................................................... 4 1.3. Acknowledgements ....................................................................................................... 6 2. Introduction .............................................................................................................. 7 3. Chapter 1: Superflat, Subculture, and National Trauma .........................................13 3.1. Takashi Murakami and superflat ................................................................................. 14 3.1.1. A genealogy of superflat subculture ........................................................................................ 20 3.1.2. Framing JNP: Japan’s Postmodern Condition ....................................................................... 32 3.1.3. The Database & Animalisation -
Disaster Prevention Pamphlet for Foreign Residents
Miyazaki Disaster Prevention Prefecture Takachiho Town Hinokage Nobeoka Gokase Town City Pamphlet for Foreign Town Morotsuka Village Kadogawa Shiiba Town Village Misato Residents Town Hyuga City Tsuno Kijo Town (English) Nishimera Town Village Kawaminami Town Saito City Takanabe Town Shintomi Ebino Aya Town City Kobayashi Town Kunitomi This pamphlet is also available in City Town Takaharu Town Miyazaki Japanese, Chinese and Korean. City Miyakonojo A digital version can be downloaded from City Mimata Town the website of the Miyazaki International Nichinan City Foundation (https://www.mif.or.jp). Kushima City ※This pamphlet has been updated from the previous version published in 2012. When a disaster happens, the first thing you should do is PROTECT YOURSELF. Miyazaki Prefecture, and Japan as a whole, is well-known for its beautiful natural scenery. However, it is also prone to frequent natural disasters. In response to the increased number of natural disasters occurring in recent years, a number of strategies to cope with and prepare for a natural disaster have been put in place. The most important thing when thinking about what to do if a disaster strikes is “self-preservation” – everyone should take care to protect themselves first in the event of a disaster. In this pamphlet, we will give you some information on how to prepare for natural disasters. ※ The information written in this pamphlet is considered to be the bare minimum of information necessary to educate people about natural disasters. It is very important for everyone to seriously consider what kind of natural disasters may occur in their surrounding area and take every action possible to lessen the potential damage in such an event. -
Under the Open Sky
Under the Open Sky (Original title: Subarashiki Sekai) Length: 126min. / Release in Japan: Feb 11, 2021 SYNOPSIS Mikami, an ex-yakuza of middle age with most of his life in prison, gets released after serving 13 years of sentence for murder. Hoping to find his long lost mother, from whom he was separated as a child, he applies for a TV show and meets a young TV director Tsunoda. Meanwhile, he struggles to get a proper job and fit into society. His impulsive, adamant nature and ingrained beliefs cause friction in his relationship with Tsunoda and those who want to help him. INTERVIEW with Director NISHIKAWA Miwa --How were you inspired by the novel that this film is based on? Mr. Ryuzo Saki’s novel, Mibuncho (tr. “Inmate Files”), is written like a documentary about an actual murderer’s life after his release from prison. I encountered this novel around 30 years after its publication and was surprised at how rigorous the adventure is for someone to go back to a “normal life” once they step off the path. The social system has changed in the past 30 years, but people’s thoughts and attitude toward ex-convicts have not to the same degree. Do we live in a society that gives us a second chance at life? I feel that everybody in Japan harbors an unspoken anxiety and suffocation by an unforgiving world. --You conducted exhaustive research and took four years to write the screenplay. It’s my first time making a film based on a story written by another author and also about a real person, which is a huge responsibility as the director. -
Leonardo Bustamante
UNIVERSIDADE DE BRASÍLIA DEPARTAMENTO DE DESIGN INSTITUTO DE ARTES LEONARDO MONTEIRO BUSTAMANTE Moon.exe: Curta-metragem de animação Brasília 2019 LEONARDO MONTEIRO BUSTAMANTE Moon.exe: Curta-metragem de animação Relatório apresentado ao Curso de Design do Departamento de Design do Instituto de Artes da Universidade de Brasília como parte dos requisitos para obtenção do título de Bacharel em Design. Orientador: Prof. Dr. Tiago Barros Pontes e Silva Brasília 2019 Dedico este trabalho à Abacatinho e Cristalzinho, que vocês se tornem pessoas determinadas e felizes AGRADECIMENTOS Ao Prof. Dr. Tiago Barros Pontes e Silva, pela atenção e apoio durante o processo de definição e orientação, assim como toda a paciência que teve em me aguentar. Ao Departamento de Design do Instituto de Artes da Universidade de Brasília, pela oportunidade de realização do curso. À Ânia Oliveira Gomes, Caio Ayres Farage e Pedro do Prado Vizioli, por me apoiarem e motivarem durante o projeto. “Anywhere can be paradise as long as you have the will to live. After all, you are alive, so you will always have the chance to be happy. As long as the Sun, the Moon, and the Earth exist, everything will be all right.” ― Yui Ikari RESUMO O presente projeto foi criado procurando relatar o processo de design utilizado durante a produção de um curta-metragem de animação. Desde a análise do contexto social contemporâneo que o instigou, a pesquisa e respeito do tema, a concepção narrativa, pré- produção, e produção do curta. O processo de design consistiu na adaptação da metodologia de criação de animações utilizada nos grandes estúdios, porém de forma mais simplificada, levando em conta que a produção seria realizada por apenas 1 animador. -
(Not): an Eco-Phenomenological Reading of Neon Genesis Evangelion1
NARRATIVES / AESTHETICS / CRITICISM THE MECHA THAT THEREFORE WE ARE (NOT): AN ECO-PHENOMENOLOGICAL READING OF NEON GENESIS EVANGELION1 GIUSEPPE GATTI Name Giuseppe Gatti peculiar synergy between themes, forms of storytelling Academic centre Roma Tre University and “out-of-joint” consumption, the Japanese robotic E-mail address [email protected] animation series thematized and popularized content and perspectives on mediated experience that I define as KEYWORDS “eco-phenomenological”: “phenomenological” because (i) Anime; enactivism; presence; ecophenomenology; narrative it reevaluates the quality of the subjective experience in its ecosystem. historical and biocultural context; “ecological” because (ii) it look at the environment as an intelligent system; and (iii) it proposed a multidisciplinary approach between the human ABSTRACT sciences and the life sciences. In the late 1960s, Japanese animation inaugurated a The article proposes an analysis of the forms of prolific science fiction strand which addressed the topic narration and reception of the anime series Neon of mediated experience. In a context of transnational Genesis Evangelion (1995-1996), in its ability to have reception and consumption of anime, the “robotic” subgenre intercepted, synthesized and internationally popularized (particularly the one that will be called “mecha” in the in an innovative and almost unparalleled way, the 1980s, i.e., narratives of giant robots piloted by a human complexity of the eco-phenomenological perspective. within) occupies a strategic place. By highlighting the Views and epistemological approaches at the center of the contemporary scientific and cultural debate will 1 The author thanks Ilaria De Pascalis, Jacopo Nacci and the anonymous referees for be reconstructed, discussed and analyzed through the their valuable comments and suggestions.