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Emancipation in Postmodernity : Political Thought in Japanese Science Fiction Animation Issue Date: 2017-03-14 BIBLIOGRAPHY

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Emancipation in Postmodernity : Political Thought in Japanese Science Fiction Animation Issue Date: 2017-03-14 BIBLIOGRAPHY Cover Page The handle http://hdl.handle.net/1887/46672 holds various files of this Leiden University dissertation Author: Nakamura, Mari Title: Emancipation in postmodernity : political thought in Japanese science fiction animation Issue Date: 2017-03-14 BIBLIOGRAPHY Abrams, J. J. 2006. Mission: Impossible III. Film. Paramount Pictures. Abrams, J.J. 2015. Star Wars: The Force Awakens - Comic-Con 2015 Reel - Star Wars: Episode VII The Force Awakens. Accessed September 7. http://www.starwars.com/video/star-wars-the-force-awakens-comic-con-2015-reel. Adorno, Theodor W. 1991. “Cultural Industry Reconsidered.” In The Culture Industry: Selected Essays on Mass Culture, edited by J. M. Bernstein, translated by Anson G. Rabinbach, 98– 106. London and New York: Routledge. Adorno, Theodor W., and Max Horkheimer. [1944] 1997. Dialectic of Enlightenment. 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Buzan, Barry. 2010. “America in Space: The International Relations of Star Trek and Battlestar Galactica.” Millennium: Journal of International Studies 39 (1): 175–180. doi:10.1177/0305829810371016. Calichman, Richard F. 2004. Takeuchi Yoshimi: Displacing the West. Ithaca, NY: Cornell University East Asia Program. Cameron, James. 1986. Aliens. Film. Twentieth Century-Fox. Campbell, David. 1992. Writing Security: United States Foreign Policy and the Politics of Identity. Manchester, UK: Manchester University Press. 193 Carey, John. 1999. “More’s Conundrum.” In The Faber Book of Utopias, edited by John Carey, 38– 46. London: Faber & Faber. ———. 2000. “Introduction.” In The Faber Book of Utopias, edited by John Carey, xi – xxvi. London: Faber & Faber. Carr, E. H. [1939] 2001. The Twenty Years’ Crisis 1919-1939: An Introduction to the Study of International Relations. Edited by Michael Cox. London: Palgrave Macmillan. Carroll, Noël. 1996. Theorizing the Moving Image. 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