Arts Agenda - - - - Amsterdam
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Migration and Small Towns in Pakistan
Working Paper Series on Rural-Urban Interactions and Livelihood Strategies WORKING PAPER 15 Migration and small towns in Pakistan Arif Hasan with Mansoor Raza June 2009 ABOUT THE AUTHORS Arif Hasan is an architect/planner in private practice in Karachi, dealing with urban planning and development issues in general, and in Asia and Pakistan in particular. He has been involved with the Orangi Pilot Project (OPP) since 1982 and is a founding member of the Urban Resource Centre (URC) in Karachi, whose chairman he has been since its inception in 1989. He is currently on the board of several international journals and research organizations, including the Bangkok-based Asian Coalition for Housing Rights, and is a visiting fellow at the International Institute for Environment and Development (IIED), UK. He is also a member of the India Committee of Honour for the International Network for Traditional Building, Architecture and Urbanism. He has been a consultant and advisor to many local and foreign CBOs, national and international NGOs, and bilateral and multilateral donor agencies. He has taught at Pakistani and European universities, served on juries of international architectural and development competitions, and is the author of a number of books on development and planning in Asian cities in general and Karachi in particular. He has also received a number of awards for his work, which spans many countries. Address: Hasan & Associates, Architects and Planning Consultants, 37-D, Mohammad Ali Society, Karachi – 75350, Pakistan; e-mail: [email protected]; [email protected]. Mansoor Raza is Deputy Director Disaster Management for the Church World Service – Pakistan/Afghanistan. -
Ghfbooksouthasia.Pdf
1000 BC 500 BC AD 500 AD 1000 AD 1500 AD 2000 TAXILA Pakistan SANCHI India AJANTA CAVES India PATAN DARBAR SQUARE Nepal SIGIRIYA Sri Lanka POLONNARUWA Sri Lanka NAKO TEMPLES India JAISALMER FORT India KONARAK SUN TEMPLE India HAMPI India THATTA Pakistan UCH MONUMENT COMPLEX Pakistan AGRA FORT India SOUTH ASIA INDIA AND THE OTHER COUNTRIES OF SOUTH ASIA — PAKISTAN, SRI LANKA, BANGLADESH, NEPAL, BHUTAN —HAVE WITNESSED SOME OF THE LONGEST CONTINUOUS CIVILIZATIONS ON THE PLANET. BY THE END OF THE FOURTH CENTURY BC, THE FIRST MAJOR CONSOLIDATED CIVILIZA- TION EMERGED IN INDIA LED BY THE MAURYAN EMPIRE WHICH NEARLY ENCOMPASSED THE ENTIRE SUBCONTINENT. LATER KINGDOMS OF CHERAS, CHOLAS AND PANDYAS SAW THE RISE OF THE FIRST URBAN CENTERS. THE GUPTA KINGDOM BEGAN THE RICH DEVELOPMENT OF BUILT HERITAGE AND THE FIRST MAJOR TEMPLES INCLUDING THE SACRED STUPA AT SANCHI AND EARLY TEMPLES AT LADH KHAN. UNTIL COLONIAL TIMES, ROYAL PATRONAGE OF THE HINDU CULTURE CONSTRUCTED HUNDREDS OF MAJOR MONUMENTS INCLUDING THE IMPRESSIVE ELLORA CAVES, THE KONARAK SUN TEMPLE, AND THE MAGNIFICENT CITY AND TEMPLES OF THE GHF-SUPPORTED HAMPI WORLD HERITAGE SITE. PAKISTAN SHARES IN THE RICH HISTORY OF THE REGION WITH A WEALTH OF CULTURAL DEVELOPMENT AROUND ISLAM, INCLUDING ADVANCED MOSQUE ARCHITECTURE. GHF’S CONSER- VATION OF ASIF KHAN TOMB OF THE JAHANGIR COMPLEX IN LAHORE, PAKISTAN WILL HELP PRESERVE A STUNNING EXAMPLE OF THE GLORIOUS MOGHUL CIVILIZATION WHICH WAS ONCE CENTERED THERE. IN THE MORE REMOTE AREAS OF THE REGION, BHUTAN, SRI LANKA AND NEPAL EACH DEVELOPED A UNIQUE MONUMENTAL FORM OF WORSHIP FOR HINDUISM. THE MOST CHALLENGING ASPECT OF CONSERVATION IS THE PLETHORA OF HERITAGE SITES AND THE LACK OF RESOURCES TO COVER THE COSTS OF CONSERVATION. -
Brother Joseph Mcnally P
1 Design Education in Asia 2000- 2010 Exploring the impact of institutional ‘twinning’ on graphic design education in Singapore Simon Richards Z3437992 2 3 Although Singapore recently celebrated 50 years of graphic design, relatively little documentation exists about the history of graphic design in the island state. This research explores Singaporean design education institutes that adopted ‘twinning’ strategies with international design schools over the last 20 years and compares them with institutions that have retained a more individual and local profile. Seeking to explore this little-studied field, the research contributes to an emergent conversation about Singapore’s design history and how it has influenced the current state of the design industry in Singapore. The research documents and describes the growth resulting from a decade of investment in the creative fields in Singapore. It also establishes a pattern articulated via interviews and applied research involving local designers and design educators who were invited to take part in the research. The content of the interviews demonstrates strong views that reflect the growing importance of creativity and design in the local society. In considering the deliberate practice of Singaporean graphic design schools adopting twinning strategies with western universities, the research posits questions about whether Singapore is now able to confirm that such relationships have been beneficial as viable long-term strategies for the future of the local design industry. If so, the ramifications may have a significant impact not only in Singapore but also in major new education markets throughout Asia, such as the well-supported creative sectors within China and India. -
Widening / Improvement of Main Road Leading to Uch Sharif District Bahawalpur
ENVIRONMENT AND SOCIAL MANAGEMENT PLAN (ESMP) Widening / Improvement of main road leading to Uch Sharif District Bahawalpur (December, 2020) Environment and Social Management Plan (ESMP) Table of Contents EXECUTIVE SUMMARY ........................................................................................... 3 CHAPTER-01 INTRODUCTION .............................................................................. 7 1.1 Project Description ..................................................................... 7 1.2 Environmental and Social Management Framework (ESMF). 78 1.2.1 Environmental and Social Management Plan (ESMP) ................ 78 1.2.2 Objectives of Environmental and Social Management Plan (ESMP) ................................................................................................... 78 1.3 Scope of Environmental and Social Management Plan ......... 89 1.4 ESMP Methodology .................................................................. 89 I. Literature Review ........................................................................ 89 II. Review of Legal and Policy Frameworks Requirements ............. 89 III. Baseline Data Collection- Environmental and Social Surveys ..... 89 IV. Identification and Assessment of Environmental and Social Impacts Mitigation Measures ........................................................ 9 V. Environmental and Social Impacts Mitigation and Monitoring Plan ................................................................................................. 910 VI. Institutional -
The Artistic Adventure of Two Bali Trips, 1952 and 2001
Wang Ruobing The Quest for a Regional Culture: The Artistic Adventure of Two Bali Trips, 1952 and 2001 Left to right: Liu Kang, Cheong Soo Pieng, Luo Ming, Ni Pollok, Adrien-Jean La Mayeur, Chen Chong Swee, Chen Wen Hsi, 1952. Courtesy of Liu Kang Family. iu Kang (1911–2004), Chen Wen Hsi (1906–1991), Cheong Soo Pieng (1917–83), and Chen Chong Swee (1910–1986) are four Limportant early artists of Singapore. They were born in China and emigrated to what was then called Malaya before the founding of the People’s Republic of China.1 In 1952, these four members of the Chinese diaspora went to Bali for a painting trip. Struck by the vibrant scenery and exoticism of Balinese culture, on their return they produced from their sketches a significant amount of artwork that portrayed the primitive and pastoral Bali in a modernist style, and a group exhibition entitled Pictures from Bali was held a year later at the British Council on Stamford Road in Singapore. This visit has been regarded as a watershed event in Singapore’s art history,2 signifying the birth of the Nanyang style through their processing of Balinese characteristics into a unique “local colour”—an aesthetic referring to a localized culture and identity within the Southeast Asian context. Their Bali experience had great significance, not only for their subsequent artistic development, both as individuals and as a group, but also for the stylistic development of Singaporean artists who succeeded them.3 Vol. 12 No. 5 77 Exhibition of Pictures from Bali, British Council, Singapore, 1953. -
Freer Sackler Fact Sheet
Fact Sheet Freer|Sackler Smithsonian Institution ABOUT THE FREER|SACKLER The Freer Gallery of Art and Arthur M. Sackler Gallery, located on the National Mall in Washington, DC, comprise the Smithsonian’s museum of Asian art. The Freer|Sackler contains one of the most important collections of Asian art in the world, featuring more than 40,000 objects dating from the Neolithic period to the present day, with especially fine groupings of Islamic art; Chinese jades, bronzes, and paintings; and the art of the ancient Near East. The museum also contains important masterworks from Japan, ancient Egypt, South and Southeast Asia, and Korea, as well as a noted collection of American art. The Freer|Sackler is committed to expanding public knowledge of the collections through exhibitions, research, and publications. As of 2016, the Freer building is closed for renovation. It will reopen in 2017 with modernized technology and infrastructure, refreshed gallery spaces, and an enhanced Eugene and Agnes E. Meyer Auditorium. Visit asia.si.edu/future for more information. BACKGROUND AND COLLECTIONS Charles Lang Freer, a self-taught connoisseur, began purchasing American art in the 1880s. With the encouragement of American artist James McNeill Whistler (1834–1903), Freer also began to collect Asian art, assembling a preeminent group of works. In 1904, Freer offered his collection to the nation, to be held in trust by the Smithsonian Institution. The Freer Gallery of Art opened to the public in 1923—the first Smithsonian museum dedicated to fine art. The Freer’s collection spans six thousand years and many different cultures. Besides Asian art, the Freer houses a collection of nineteenth- and early twentieth-century American art, including the world’s largest number of works by Whistler. -
Lange Nacht Der Museen JUNGE WILDE & ALTE MEISTER
31 AUG 13 | 18—2 UHR Lange Nacht der Museen JUNGE WILDE & ALTE MEISTER Museumsinformation Berlin (030) 24 74 98 88 www.lange-nacht-der- M u s e e n . d e präsentiert von OLD MASTERS & YOUNG REBELS Age has occupied man since the beginning of time Cranach’s »Fountain of Youth«. Many other loca- – even if now, with Europe facing an ageing popula- tions display different expression of youth culture tion and youth unemployment, it is more relevant or young artist’s protests: Mail Art in the Akademie than ever. As far back as antiquity we find unsparing der Künste, street art in the Kreuzberg Museum, depictions of old age alongside ideal figures of breakdance in the Deutsches Historisches Museum young athletes. Painters and sculptors in every and graffiti at Lustgarten. epoch have tackled this theme, demonstrating their The new additions to the Long Night programme – virtuosity in the characterisation of the stages of the Skateboard Museum, the Generation 13 muse- life. In history, each new generation has attempted um and the Ramones Museum, dedicated to the to reform society; on a smaller scale, the conflict New York punk band – especially convey the atti- between young and old has always shaped the fami- tude of a generation. There has also been a genera- ly unit – no differently amongst the ruling classes tion change in our team: Wolf Kühnelt, who came up than the common people. with the idea of the Long Night of Museums and The participating museums have creatively picked who kept it vibrant over many years, has passed on up the Long Night theme – in exhibitions, guided the management of the project.We all want to thank tours, films, talks and music. -
The Parinirvana Cycle and the Theory of Multivalence: a Study Of
THE PARINIRVĀṆA CYCLE AND THE THEORY OF MULTIVALENCE: A STUDY OF GANDHĀRAN BUDDHIST NARRATIVE RELIEFS A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI’I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2017 By Emily Hebert Thesis Committee: Paul Lavy, Chairperson Kate Lingley Jesse Knutson TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... ii INTRODUCTION ......................................................................................................................... 1 CHAPTER 1. BUDDHISM IN GREATER GANDHĀRA ........................................................... 9 Geography of Buddhism in Greater Gandhāra ....................................................................... 10 Buddhist Textual Traditions in Greater Gandhāra .................................................................. 12 Historical Periods of Buddhism in Greater Gandhāra ........................................................... 19 CHAPTER 2. GANDHĀRAN STŪPAS AND NARRATIVE ART ............................................. 28 Gandhāran Stūpas and Narrative Art: Architectural Context ................................................. 35 CHAPTER 3. THE PARINIRVĀṆA CYLCE OF NARRATIVE RELIEFS ................................ 39 CHAPTER 4 .THE THEORY OF MULTIVALENCE AND THE PARINIRVĀṆA CYCLE ...... 44 CHAPTER 5. NARRATIVE RELIEF PANELS FROM THE PARINIRVĀṆA CYCLE ............ 58 Episode -
The Ancient Geography of India by Alexander Cunningham
THE ANCIENT GEOGRAPHY ov INDIA. A ".'i.inMngVwLn-j inl^ : — THE ANCIENT GEOGRAPHY INDIA. THE BUDDHIST PERIOD, INCLUDING THE CAMPAIGNS OP ALEXANDER, AND THE TRAVELS OF HWEN-THSANG. ALEXANDER CUNNINGHAM, Ui.JOB-GBirBBALj BOYAL ENGINEEBS (BENGAL BETIBBD). " Venun et terrena demoDstratio intelligatar, Alezandri Magni vestigiiB insistamns." PHnii Hist. Nat. vi. 17. WITS TSIRTBBN MAPS. LONDON TEUBNER AND CO., 60, PATERNOSTER ROW. 1871. [All Sights reserved.'] {% A\^^ TATLOB AND CO., PEIKTEES, LITTLE QUEEN STKEET, LINCOLN'S INN EIELDS. MAJOR-Q-ENEEAL SIR H. C. RAWLINSON, K.G.B. ETC. ETC., WHO HAS HIMSELF DONE SO MUCH ^ TO THROW LIGHT ON THE ANCIENT GEOGRAPHY OP ASIA, THIS ATTEMPT TO ELUCIDATE A PARTIODLAR PORTION OF THE SUBJKcr IS DEDICATED BY HIS FRIEND, THE AUTHOR. PEEFACE. The Geography of India may be conveniently divided into a few distinct sections, each broadly named after the prevailing religious and political character of the period which it embraces, as the Brahnanical, the Buddhist^ and the Muhammadan. The Brahmanical period would trace the gradual extension of the Aryan race over Northern India, from their first occupation of the Panjab to the rise of Buddhism, and would comprise the whole of the Pre- historic, or earliest section of their history, duiing which time the religion of the Vedas was the pre- vailing belief of the country. The Buddhist period, or Ancient Geography of India, would embrace the rise, extension, and decline of the Buddhist faith, from the era of Buddha, to the conquests of Mahmud of Ghazni, during the greater part of which time Buddhism was the dominant reli- gion of the country. -
Part-I: Post Code Directory of Delivery Post Offices
PART-I POST CODE DIRECTORY OF DELIVERY POST OFFICES POST CODE OF NAME OF DELIVERY POST OFFICE POST CODE ACCOUNT OFFICE PROVINCE ATTACHED BRANCH OFFICES ABAZAI 24550 Charsadda GPO Khyber Pakhtunkhwa 24551 ABBA KHEL 28440 Lakki Marwat GPO Khyber Pakhtunkhwa 28441 ABBAS PUR 12200 Rawalakot GPO Azad Kashmir 12201 ABBOTTABAD GPO 22010 Abbottabad GPO Khyber Pakhtunkhwa 22011 ABBOTTABAD PUBLIC SCHOOL 22030 Abbottabad GPO Khyber Pakhtunkhwa 22031 ABDUL GHAFOOR LEHRI 80820 Sibi GPO Balochistan 80821 ABDUL HAKIM 58180 Khanewal GPO Punjab 58181 ACHORI 16320 Skardu GPO Gilgit Baltistan 16321 ADAMJEE PAPER BOARD MILLS NOWSHERA 24170 Nowshera GPO Khyber Pakhtunkhwa 24171 ADDA GAMBEER 57460 Sahiwal GPO Punjab 57461 ADDA MIR ABBAS 28300 Bannu GPO Khyber Pakhtunkhwa 28301 ADHI KOT 41260 Khushab GPO Punjab 41261 ADHIAN 39060 Qila Sheikhupura GPO Punjab 39061 ADIL PUR 65080 Sukkur GPO Sindh 65081 ADOWAL 50730 Gujrat GPO Punjab 50731 ADRANA 49304 Jhelum GPO Punjab 49305 AFZAL PUR 10360 Mirpur GPO Azad Kashmir 10361 AGRA 66074 Khairpur GPO Sindh 66075 AGRICULTUR INSTITUTE NAWABSHAH 67230 Nawabshah GPO Sindh 67231 AHAMED PUR SIAL 35090 Jhang GPO Punjab 35091 AHATA FAROOQIA 47066 Wah Cantt. GPO Punjab 47067 AHDI 47750 Gujar Khan GPO Punjab 47751 AHMAD NAGAR 52070 Gujranwala GPO Punjab 52071 AHMAD PUR EAST 63350 Bahawalpur GPO Punjab 63351 AHMADOON 96100 Quetta GPO Balochistan 96101 AHMADPUR LAMA 64380 Rahimyar Khan GPO Punjab 64381 AHMED PUR 66040 Khairpur GPO Sindh 66041 AHMED PUR 40120 Sargodha GPO Punjab 40121 AHMEDWAL 95150 Quetta GPO Balochistan 95151 -
Dangerous Liaisons Revisited
Asian Art hires logo 15/8/05 8:34 am Page 1 ASIAN ART The newspaper for collectors, dealers, museums and galleries june 2005 £5.00/US$8/€10 The Taj Mahal and the Battle of Air Pollution THE GOVERNMENT OF India buy the more expensive ticket if they courtyard and its cloisters were added announced earlier this year that it is to want to get around the limit. Night subsequently and the complex was restrict the number of daily visitors to viewing is still permitted, but restricted fnally completed in 1653, with the the Taj Mahal in an attempt to to fve nights a month (including full tomb being the central focus of the preserve the 17th-century monument. moon). entire complex of the Taj Mahal. One of the best known buildings in Smog and heavy air pollution has It was inscribed on the World the world, and arguably India’s greatest been yellowing the Taj Mahal for Heritage List in 1983. Although the monument, makes it one of the most- many years and conservationists have Taj Trapezium Zone (TTZ), which visited tourist attractions in the world. been fghting through the courts to looks after 40 protected monuments, Millions of mostly Indian tourists visit control the levels of pollution in Agra. including three World Heritage Sites, the Taj Mahal every year and their Te Taj faces numerous threats, not Taj Mahal, Agra Fort and Fatehpur numbers are increasing steadily, as only from air pollution, but also insects, Sikri, delivered a court ban on the use domestic travel becomes easier. -
COLLECTING ASIAN ART in PRAGUE: CULTURAL POLITICS and TRANSCONTINENTAL NETWORKS in 20Th-CENTURY CENTRAL EUROPE
COLLECTING ASIAN ART IN PRAGUE: CULTURAL POLITICS AND TRANSCONTINENTAL NETWORKS IN 20th-CENTURY CENTRAL EUROPE Organised by the Collection of Asian Art at the National Gallery Prague and the Austrian Science Fund’s (FWF) research project “Patterns of Transregional Trails” (P29536-G26) 17–18/6 2021 NATIONAL GALLERY PRAGUE SALM PALACE AT HRADČANSKÉ SQUARE SYMPOSIUM CONVENORS Markéta Hánová, Director of the Collection of Asian Art, National Gallery Prague Yuka Kadoi, Project Leader, Institute of Art History, University of Vienna and Austrian Science Fund (FWF) Zdenka Klimtová, Curator of the Collection of Asian Art, National Gallery Prague Simone Wille, Project Leader, Institute of Art History, University of Innsbruck and Austrian Science Fund (FWF) To attend the conference online please visit https://www.ngprague.cz/en/event/3092/collecting-asian-art-in-prague-conference PROGRAMME 17/6 2021 Day 1 WELCOME & INTRODUCTION 10.00–10.10 by Alicja Knast, Director General, National Gallery Prague PANEL 1 10.10–11.00 ENTANGLED HISTORIES OF CULTURAL POLITICS Moderator Simone Wille Markéta Hánová, National Gallery Prague THE BIRTH OF THE ASIAN ART COLLECTION AT THE NATIONAL GALLERY IN PRAGUE AND CULTURAL POLITICS IN THE TWENTIETH CENTURY A new-born Department of Oriental Art at the National Gallery in Prague (NGP), officially established by a decree of the Ministry of Education, Science and Arts on 16 November 1951, came under the programme of the centralisation of private property enforced by the new communist Czech government. Nonetheless, its conception would not have arisen without the interest in Asian art promoted by cultural politics and private collectors in the interwar period.