Artists Imagine a Nation
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NUS Museum Wins Inaugural Award for Innovative Museological Practice
NUS Centre For the Arts For immediate release NUS Museum wins inaugural award For innovative museological practice International Committee of University Museums and Collections recognizes efforts to facilitate conversation between audiences and exhibitions Associate Professor Peter Pang, Associate Provost (Student Life), NUS, accepting the award from UMAC Chair Professor Hugues Dreyssé at NUS Museum, 10 May 2016. SINGAPORE, 10 May 2016 – NUS Museum’s prep-room is the first recipient of the University Museums and Collections (UMAC) Award for the most significant innovation or practice that has proved successful in a university museum or collection. Initiated in 2011, the prep-room is conceived as a means of exploring curatorial methods, developing content and scope and seeking audience participation in the lead-up to projects such as exhibitions and programmes. Employing mostly archival materials, curators present content, curatorial experiments and design ideas in an open gallery, inviting visitors to observe the exhibition-making process, engage with content, and potentially begin a long-term interest in the project. Since 2011, a total of ten projects have been incubated as prep-rooms at the Museum. Professor Hugues Dreyssé, Chairman of UMAC, shares, “The Board (of UMAC) salutes the museum's understanding of the basic principle of creating a contact between the audience and the museum, the creative approach to discussion between researchers, interns, artists and the public and the ease of adapting the idea to other museums.” In 2011, NUS Museum developed the notion of the prep-room from the museum’s work with archival materials and methods. With an interest in the Raffles Lighthouse, located on Pulau Satumu (Singapore), curators and collaborators spent eight months sourcing, categorizing and visually mapping archival materials ranging from 15th century cartographic maps to 19th century governmental declarations. -
Performance Art
(hard cover) PERFORMANCE ART: MOTIVATIONS AND DIRECTIONS by Lee Wen Master of Arts Fine Arts 2006 LASALLE-SIA COLLEGE OF THE ARTS (blank page) PERFORMANCE ART: MOTIVATIONS AND DIRECTIONS by Lee Wen Submitted in Partial Fulfillment of the Degree Master of Arts (Fine Arts) LASALLE-SIA College of the Arts Faculty of Fine Arts Singapore May, 2006 ii Accepted by the Faculty of Fine Arts, LASALLE-SIA College of the Arts, In partial fulfillment of the requirements For the degree Master of Arts (Fine Arts). Vincent Leow Studio Supervisor Adeline Kueh Thesis Supervisor I certify that the thesis being submitted for examination is my own account of my own research, which has been conducted ethically. The data and the results presented are the genuine data and results actually obtained by me during the conduct of the research. Where I have drawn on the work, ideas and results of others this has been appropriately acknowledged in the thesis. The greater portion of the work described in the thesis has been undertaken subsequently to my registration for the degree for which I am submitting this document. Lee Wen In submitting this thesis to LASALLE-SIA College of the Arts, I understand that I am giving permission for it to be made available for use in accordance with the regulations and policies of the college. I also understand that the title and abstract will be published, and that a copy of the work may be made available and supplied to any bona fide library or research worker. This work is also subject to the college policy on intellectual property. -
Booxter Export Page 1
Cover Title Authors Edition Volume Genre Format ISBN Keywords The Museum of Found Mirjam, LINSCHOOTEN Exhibition Soft cover 9780968546819 Objects: Toronto (ed.), Sameer, FAROOQ Catalogue (Maharaja and - ) (ed.), Haema, SIVANESAN (Da bao)(Takeout) Anik, GLAUDE (ed.), Meg, Exhibition Soft cover 9780973589689 Chinese, TAYLOR (ed.), Ruth, Catalogue Canadian art, GASKILL (ed.), Jing Yuan, multimedia, 21st HUANG (trans.), Xiao, century, Ontario, OUYANG (trans.), Mark, Markham TIMMINGS Piercing Brightness Shezad, DAWOOD. (ill.), Exhibition Hard 9783863351465 film Gerrie, van NOORD. (ed.), Catalogue cover Malenie, POCOCK (ed.), Abake 52nd International Art Ming-Liang, TSAI (ill.), Exhibition Soft cover film, mixed Exhibition - La Biennale Huang-Chen, TANG (ill.), Catalogue media, print, di Venezia - Atopia Kuo Min, LEE (ill.), Shih performance art Chieh, HUANG (ill.), VIVA (ill.), Hongjohn, LIN (ed.) Passage Osvaldo, YERO (ill.), Exhibition Soft cover 9780978241995 Sculpture, mixed Charo, NEVILLE (ed.), Catalogue media, ceramic, Scott, WATSON (ed.) Installaion China International Arata, ISOZAKI (ill.), Exhibition Soft cover architecture, Practical Exhibition of Jiakun, LIU (ill.), Jiang, XU Catalogue design, China Architecture (ill.), Xiaoshan, LI (ill.), Steven, HOLL (ill.), Kai, ZHOU (ill.), Mathias, KLOTZ (ill.), Qingyun, MA (ill.), Hrvoje, NJIRIC (ill.), Kazuyo, SEJIMA (ill.), Ryue, NISHIZAWA (ill.), David, ADJAYE (ill.), Ettore, SOTTSASS (ill.), Lei, ZHANG (ill.), Luis M. MANSILLA (ill.), Sean, GODSELL (ill.), Gabor, BACHMAN (ill.), Yung -
Introducing the Museum Roundtable
P. 2 P. 3 Introducing the Hello! Museum Roundtable Singapore has a whole bunch of museums you might not have heard The Museum Roundtable (MR) is a network formed by of and that’s one of the things we the National Heritage Board to support Singapore’s museum-going culture. We believe in the development hope to change with this guide. of a museum community which includes audience, museum practitioners and emerging professionals. We focus on supporting the training of people who work in We’ve featured the (over 50) museums and connecting our members to encourage members of Singapore’s Museum discussion, collaboration and partnership. Roundtable and also what you Our members comprise over 50 public and private can get up to in and around them. museums and galleries spanning the subjects of history and culture, art and design, defence and technology In doing so, we hope to help you and natural science. With them, we hope to build a ILoveMuseums plan a great day out that includes community that champions the role and importance of museums in society. a museum, perhaps even one that you’ve never visited before. Go on, they might surprise you. International Museum Day #museumday “Museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” — International Council of Museums (ICOM) On (and around) 18 May each year, the world museum community commemorates International Museum Day (IMD), established in 1977 to spread the word about the icom.museum role of museums in society. Be a part of the celebrations – look out for local IMD events, head to a museum to relax, learn and explore. -
Jalaini Abu Hassan
MALAYSIAN ART SUNDAY 19 JUNE 2011 LOT 95 (DETAIL) | ABDUL LATIFF MOHIDIN, PAGO-PAGO FORMS, 1968 LOT 47 | CHANG FEE MING, REZEKI, 1996 AUCTION DAY 19 June 2011, Sunday 1pm Registration & Brunch starts 11am Artwork Inspection (by appointment) starts 10am White Box, MAP @ Publika Level G2-01, Block A5 Dutamas, Jalan Dutamas 1 50480 Kuala Lumpur, Malaysia KUALA LUMPUR FULL VIEWING 28 May - 18 June 2011 Mondays - Sundays 11am - 7pm White Box, MAP @ Publika Level G2-01, Block A5 Dutamas, Jalan Dutamas 1 50480 Kuala Lumpur, Malaysia SINGAPORE PREVIEW 19 - 22 May 2011 Thursday - Sunday 11am - 8pm The Luxe Art Museum 6 Handy Rd #02-01 Singapore 229234 PENANG PREVIEW 12 - 15 May 2011 Thursday - Sunday 11am - 7pm a2 Gallery 27 Bangkok Lane 10250 Penang, Malaysia 4 5 LOT 104 (DETAIL) | DATUK SYED AHMAD JAMAL, GUNUNG LEDANG SERIES (CHERRYVALE), 1985 CONTACT INFORMATION Auction Enquires Bidder Registration & Payment & & Condition Reports Telephone / Absentee Bid Collection / Delivery Linda Leoni Chris Tay Jessica Ho +6012 227 5325 +6016 298 0852 +6012 977 1022 [email protected] [email protected] [email protected] HBart Infoline +603 2691 3089 [email protected] IMPORTANT NOTICE All lots are sold subject to our Conditions of Business printed at the back of this catalogue which apply to both buyers and sellers. Prospective buyers should also read our Buying at HBArt guide. Catalogue descriptions do not state any imperfections. However, condition reports can be obtained by contacting the personnel listed above. This service is provided for the convenience of prospective buyers and cannot be taken as the sole and absolute representation of the actual condition of the work. -
List of Entries
List of Entries 1. Aik Htun 3 34. Chan Wai Chang, Rose 82 2. Aing Khun 5 35. Chao Tzee Cheng 83 3. Alim, Markus 7 36. Charoen Siriwatthanaphakdi 4. Amphon Bulaphakdi 9 85 5. Ang Kiukok 11 37. Châu Traàn Taïo 87 6. Ang Peng Siong 14 38. Châu Vaên Xöông 90 7. Ang, Samuel Dee 16 39. Cheah Fook Ling, Jeffrey 92 8. Ang-See, Teresita 18 40. Chee Soon Juan 95 9. Aquino, Corazon Cojuangco 21 41. Chee Swee Lee 97 10. Aung Twin 24 42. Chen Chong Swee 99 11. Aw Boon Haw 26 43. Chen, David 101 12. Bai Yao 28 44. Chen, Georgette 103 13. Bangayan, Teofilo Tan 30 45. Chen Huiming 105 14. Banharn Silpa-archa 33 46. Chen Lieh Fu 107 15. Benedicto, Francisco 35 47. Chen Su Lan 109 16. Botan 38 48. Chen Wen Hsi 111 17. Budianta, Melani 40 49. Cheng Ching Chuan, Johnny 18. Budiman, Arief 43 113 19. Bunchu Rotchanasathian 45 50. Cheng Heng Jem, William 116 20. Cabangon Chua, Antonio 49 51. Cheong Soo Pieng 119 21. Cao Hoàng Laõnh 51 52. Chia Boon Leong 121 22. Cao Trieàu Phát 54 53. Chiam See Tong 123 23. Cham Tao Soon 57 54. Chiang See Ngoh, Claire 126 24. Chamlong Srimuang 59 55. Chien Ho 128 25. Chan Ah Kow 62 56. Chiew Chee Phoong 130 26. Chan, Carlos 64 57. Chin Fung Kee 132 27. Chan Choy Siong 67 58. Chin Peng 135 28. Chan Heng Chee 69 59. Chin Poy Wu, Henry 138 29. Chan, Jose Mari 71 60. -
KLAS Art Auction 2014 Malaysian Modern & Contemporary Art Edition XI
Lot 36, Abdul Latiff Mohidin Mindscape - 27, 1983 KLAS Art Auction 2014 Malaysian modern & contemporary art Edition XI Auction Day Sunday, September 28, 2014 1.00 pm Registration & Brunch Starts 11.30 am Artworks Inspection From 11.30 am onwards Nexus 3 Ballroom, Level 3A Connexion@Nexus No 7, Jalan Kerinchi Bangsar South City 59200 Kuala Lumpur Malaysia Lot 65, Ong Kim Seng Himalayan Panorama, 1982 2 3 Lot 64, Lim Tze Peng Thian Hock Keng Temple, Circa 1970s KL Lifestyle Art Space c/o Mediate Communications Sdn Bhd 150, Jalan Maarof Bukit Bandaraya 59100 Kuala Lumpur t: +603 20932668 f: +603 20936688 e: [email protected] Contact Information Auction enquiries and condition report Lydia Teoh +6019 2609668 [email protected] Datuk Gary Thanasan [email protected] Bidder registration and telephone / absentee bid Lydia Teoh +6019 2609668 [email protected] Shamila +6019 3337668 [email protected] Payment and collection Shamila +6019 3337668 [email protected] Lot 78, Ibrahim Hussein, Datuk Untitled, 1974 Kuala Lumpur Full Preview Date: September 11 - September 27, 2014 Venue: KL Lifestyle Art Space 150, Jalan Maarof Bukit Bandaraya 59100 Kuala Lumpur Auction Day Date: Sunday, September 28, 2014 Venue: Nexus 3 Ballroom, Level 3A Connexion@Nexus No 7, Jalan Kerinchi Bangsar South City 59200 Kuala Lumpur Time: 1.00 pm Map to Connexion@Nexus 7 Lot 77, Abdullah Ariff Chinese Junk, 1956 Contents 7 Auction Information 10 Glossary 18 Lot 1 - 77 149 Auction Terms and Conditions 158 Index of Artists Lot 37, Yusof Ghani Siri Tari, 1989 Glossary 6 BASOEKI ABDULLAH 1 AWANG DAMIT AHMAD Indonesian WomAn in Red, 2006 Iraga Dayung Patah, 2006 Oil on canvas | 69 x 50 cm Mixed media on canvas | 100 x 101 cm RM 35,000 - RM 45,000 RM 8,000 - RM 18,000 2 TAJUDDIN ISMAIL 7 JEIHAN SUKMANTORO Magenta Landscape, 2001 Miryam, 1997 Acrylic and pastel on board | 61 x 60 cm Oil on canvas | 70 x 70 cm RM 3,000 - RM 8,000 RM 7,000 - RM 12,000 3 Ismail Latiff 8 HAN SNEL Angkasa Mandi Angin No. -
Download Singapore Portraits Educators Guide For
Singapore Portraits Let The Photos Tell The Story Singapore Portraits is a tribute to some of Singapore’s most creative personalities. It features the works of and interviews with local artists which together tell the story of Singapore through their words and images. Besides the paintings and photographs, write-ups detailing the background of the artwork, social and historical contexts and artist biographies are also included. < for Primary School Students> Educators’ Guide Education and Community Outreach Division SG Portraits About The Exhibition Generations of Singapore artists and photographers have expressed themselves through art, telling stories of our nation, our history, people and their ways of lives. This exhibition looks at how Singapore has inspired art-making and what stories art tells about Singapore. Art in Singapore Drawn by the prospect of work in the region’s new European settlements, artists began to arrive here as early as the late 18th century. By the early 20th century, immigrant artists were forming art societies and the first school in Singapore, the Nanyang Academy of Fine Arts, was established in 1938. Among the most significant artists from the pioneering generation were Cheong Soo Pieng, Chen Chong Swee, Liu Kang, Chen Wen His, Georgette Chen and Lim Cheng Hoe. They were instrumental in establishing the Nanyang Style, the first local art style that emerged in the 1950s. Their work influenced younger generations of artists who followed in their footsteps to explore fresh ways of expressing local identity and local relevancy through their art. Take some time to share with students the importance of appreciating Art and the Arts that can help in their overall development. -
Associate Artistic Director, Theatreworks, Singapore Associate Artist, the Substation, Singapore
Associate Artistic Director, Theatreworks, Singapore Associate Artist, The Substation, Singapore vertical submarine is an art collective from Singapore that consists of Joshua Yang, Justin Loke and Fiona Koh (in order of seniority). According to them, they write, draw and paint a bit but eat, drink and sleep a lot. Their works include installations, drawings and paintings which involve text, storytelling and an acquired sense of humour. In 2010, they laid siege to the Singapore Art Museum and displayed medieval instruments of torture including a fully functional guillotine. They have completed projects in Spain, Taiwan, Hong Kong, Korea, The Philippines, Mexico City, Australia and Germany. Collectively they have won several awards including the Credit Suisse Artist Residency Award 2009, The President’s Young Talents Award 2009 and the Singapore Art Show Judges’ Choice 2005. They have recently completed a residency at Gertrude Contemporary in Melbourne. MERITS 2009 President’s Young Talents 2009 Credit Suisse Art Residency Award 2005 Singapore Art Show 2005: New works, Judge’s Choice 2004 1st Prize - Windows @ Wisma competition, Wisma Atria creative windows display PROJECTS 2011 Incendiary Texts, Richard Koh Fine Art, Kuala Lumpur, Malaysia Dust: A Recollection, Theatreworks, Singapore Asia: Looking South, Arndt Contemporary Art, Berlin, Germany Postcards from Earth, Objectifs – Center for Photography and Filmmaking, Singapore Open Studios, Gertrude Contemporary, Melbourne, Australia Art Stage 2011, Marina Bay Sands, Singapore 2010 How -
PDF (Digitised by BL Ethos Service)
Durham E-Theses The formation of identities and art museum education: the Singapore case Leong, Wai Yee Jane How to cite: Leong, Wai Yee Jane (2009) The formation of identities and art museum education: the Singapore case, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1347/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk ano Iq/Durham uºYivet"sity The Formation of Identities and Art Museum Education: The Singapore Case The copyright of this thesis rests with the author or the university to which it was submitted. No quotation from it, or information derived from it may be published without the prior written consent of the author or university, and any information derived from it should be acknowledged. Leong Wai Yee Jane A thesis submitted in partial fulfilment of the requirements for the degree of Doctorate of Education School of Education University of Durham, U. -
Brother Joseph Mcnally P
1 Design Education in Asia 2000- 2010 Exploring the impact of institutional ‘twinning’ on graphic design education in Singapore Simon Richards Z3437992 2 3 Although Singapore recently celebrated 50 years of graphic design, relatively little documentation exists about the history of graphic design in the island state. This research explores Singaporean design education institutes that adopted ‘twinning’ strategies with international design schools over the last 20 years and compares them with institutions that have retained a more individual and local profile. Seeking to explore this little-studied field, the research contributes to an emergent conversation about Singapore’s design history and how it has influenced the current state of the design industry in Singapore. The research documents and describes the growth resulting from a decade of investment in the creative fields in Singapore. It also establishes a pattern articulated via interviews and applied research involving local designers and design educators who were invited to take part in the research. The content of the interviews demonstrates strong views that reflect the growing importance of creativity and design in the local society. In considering the deliberate practice of Singaporean graphic design schools adopting twinning strategies with western universities, the research posits questions about whether Singapore is now able to confirm that such relationships have been beneficial as viable long-term strategies for the future of the local design industry. If so, the ramifications may have a significant impact not only in Singapore but also in major new education markets throughout Asia, such as the well-supported creative sectors within China and India. -
The Artistic Adventure of Two Bali Trips, 1952 and 2001
Wang Ruobing The Quest for a Regional Culture: The Artistic Adventure of Two Bali Trips, 1952 and 2001 Left to right: Liu Kang, Cheong Soo Pieng, Luo Ming, Ni Pollok, Adrien-Jean La Mayeur, Chen Chong Swee, Chen Wen Hsi, 1952. Courtesy of Liu Kang Family. iu Kang (1911–2004), Chen Wen Hsi (1906–1991), Cheong Soo Pieng (1917–83), and Chen Chong Swee (1910–1986) are four Limportant early artists of Singapore. They were born in China and emigrated to what was then called Malaya before the founding of the People’s Republic of China.1 In 1952, these four members of the Chinese diaspora went to Bali for a painting trip. Struck by the vibrant scenery and exoticism of Balinese culture, on their return they produced from their sketches a significant amount of artwork that portrayed the primitive and pastoral Bali in a modernist style, and a group exhibition entitled Pictures from Bali was held a year later at the British Council on Stamford Road in Singapore. This visit has been regarded as a watershed event in Singapore’s art history,2 signifying the birth of the Nanyang style through their processing of Balinese characteristics into a unique “local colour”—an aesthetic referring to a localized culture and identity within the Southeast Asian context. Their Bali experience had great significance, not only for their subsequent artistic development, both as individuals and as a group, but also for the stylistic development of Singaporean artists who succeeded them.3 Vol. 12 No. 5 77 Exhibition of Pictures from Bali, British Council, Singapore, 1953.