1961-Jan.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

1961-Jan.Pdf I • I , .. : ~ l : ~ t ".;:I'::::I • t , t. ,.-.,..- .:~--.- - .. --::+n:- - --- .l' I - --~ -.- .. i,d,', "..~ ... " u ••• Qfo...O ... O """ .. ~ It. ' 0 ... , ... " . ..... .............. .. "' .... -. - . ..~~iLL YOUBE I~ THIS BOAT '(' , ~~~ F~~~'t:JI~~A;'. ON TWE ••• .... ' .. .. .. ' .. .. ., . .. ROUND BOSTON to LONDON T..RIP. •. PARIS to BOSTON DEPARTURE RETURN DEC. 16 CHRISTMAS FLIGHT JAN. 2 JUNE 7 THREE MONTH FLIGHT SEPT. 12 MID JULY THREE WEEK FLIGHT EARLY AUG. JULY 21 FIVE WEEK FLIGHT AUG.2S DATES PENDING FINAL CONFIRMATION BY AIR CARRIER FLIGHT OPEN TO ALL STUDENTS, STAFF, FACULTY and their FAMILIES. A $40. DEPOSIT WILL RESERVE YOUR SEAT on MAJOR SCHEDULED AIRLINES, FOUR ENGINE, PRES. SURIZED SUPER CONSTELLATIONS and DC7.C'S. ACCOM. MODATIONS SIMILAR TO FIRST CLASS. FREE MEALS and DRINKS. 66 LBS. LUGGAGE. CONTACT: CHARTER FLIGHTS SERVICES, PHONE 1801 BEACON ST., RE4-0391 BROOKLINE 46, MASS. YOL.44 NO.4 JANUARY 1961 EST. 1919 SENIOR BOARD The end is near. Within two weeks many of us will be able General Manage r Norm White to look forward to a long, long vacation. Some of the lucky ones Managing Editor Marsh Greenspan may remain, but,that letter in the mailbox will brine sad news to Editor Bob Nagro most. "Your friends and neighbors have chosen you to represent Stan Rosenblum Business Mgr. the United States of America in our Glorious armed forces." So Paul Rubenstein Art Consultant while you're basking in the sun down in Cuba or strolling through jungle greenery of Laos, remem ber that Phos will be guarding the JUNIOR BOARD Voo 000 beer closet eagerly awaiting your return two or three Sales Manager AI Cameron years from now. Lorenzo Freccia Joke Editor Dave Stein S.R. Make-up Editor Ernie Rogers Treasurer - Jerry Katell Circulation Mgr. Tom Morgenstern Publ icity Mgrs. Karl Genti Ii Adverti sing Treasury Sales AI Shiner Bill Klehm Art Samburg Larry Kazanowski Social Chairman Art Katz Pau I Wehrenbe rg Lenny Chess Stu Rooney Features Editor Bob Hirschfe Id Susie Evans Bob Blumberg John Meyn George Boudaiee Literary Editor - Greg Gabbard Lenny Chess Hall Pettegrove Ad Manager - Chandler K. Coyle Sue Mi Iler Joke Staff Bill Gadzuk Art Editor - Maris Peika Phi I Schmidt Ruth Gr iffi n Offi ce Manager - Howie Kessler Adlai Stevenson Di ck K irkpatri ck Subscription Governmental Rep. - Frank Ansuini Norma Rogers Bart the 3eard Dave Manchester Chaplain - M.E.C.R.C. Ann Lydia Wereminski Chuck & Maureen Publ icity Carl Dover STAFF Jim Dorr Bob Budney Art Whoopgaroo: Make Up Jeff Hogge Jim Kotanchek WiIma Katseff Bill Alexander Isaac Shanfield Bill D ic h t er Tom Thornbury John Burdsey Dave -Weisberg Doug Moffitt Pete Angevi ne Rick Sheilds Ken Jones Sonny Cohen Frank H orack Bruce Crocker Chez Dorr Robert Jahneke Tim Hart Black Mack Bob Clark Bruce MacAdam Jane Daniel Tom Ewart Chari ie Porter David Pope Steve Benton Gia Lee Vf"neklod Chri s Sprague Features Rich Weiner Eric Hoffman Dave Walden Austin Pearlman Procurement Annie, just what are you? Office Kat John Banzhaf Bob Gray Arnie Fal ick Bernie Shiffman Literary Staff Phos Tom DeFazio Edwin L. Pragla Foxy PhiJip Dangel Doug Holyman R.C.L. Peter Gozinya Bill Morton Solon Kittens Gordon Wasserman John Eulenberg Circulation Sheila Photography Lewi s S. Goldman Shei la Sennett Charles Benet 3etsy Harry Movitz Boyd Testus B.E.D. John Pryke Moonglow Allen Teach John Reed Pete Miller Stu Steve Be nton K1chl All material submitted with a stamped, self-addressed envelope to the Literary Editor, at this office, will receive careful consideration. We cannot acknowledge, nor can we guarantee the return of, unsolicited manuscripts. Copyright 1960, by the VOO 000 Senior Board. Published by the Senior Board at the Massachusetts Institute of Technology. Office: 303Walker Memorial, Cambridge 39, Massachusetts. Office hours: 4:30 to 5:30 p.m. Monday through Friday. VOO 000 is publ i shed monthlyJfrom October throueh Mav. Th irty-five cents per copy. Subscri pti on $2.50 for eight issues: $69.00 in Pago Pago. Publ ished Feb. 25, 1961. Fe b copy' inserted. Entered as second- class mail at Cambridge, Massachusetts. Represented for national advertising by Don Spencer, College Magazines Corporation, 420 Madi son Avenue, New York 17, New York \Nhen leaving for the A crowd of grubby Tech servIce It has needed for recent Xmas Vacation, Norm tools stood around the old some time ... a translation Weeks, an East Campusite entrance exams which were into Latin of A.A Milne's and bon VIvant, decided to posted opposite the reserve I'Winne Ille Pu" Honest ! spread some ex tra holiday room. Peering at the English What's more, we hear that cheer among his. close friends. section, one asked, «Hey, j t' s going to be required He took up a collection; each who wrote CHILDE HAROLD?" reading for all Harvard stu- Jf the fellows paid him 25q: .... Noone knew, but someone dents. in return, Norm took out an ventured to remark, III don't Airline insurance policy for remember his name. I do each of them, before boarding know it was the same guy who his homeward-bound Jet. He wrote OZYMANDIAS, though." made it, though. Honest! It really happened. A junior board member came bac k from the Xmas There's a very interes- Recently, while. passing Vacation to discover that the ting phone number we've dis- through Harvard yard, we weather had finally provided covered, on page 976 of the overheard two Radc liff girls him with a solution to the new Bos ton (unclassified di- discussing the recent elec- Ames St. towing menace; his rectory) If you're willing to tIOns. car's tires were eac h solidly waste a dime,call TRowbridge "You know," one said, frozen in th ree inc h es of ice, 6-7484. "voting for the first time is which had been but a puddle like los ing your virginity." when he left. We imagine «I wouldn't kno~", re- that the reas on the Cam bridge plied the other, "I've never Gendarmes didn't even tic ket voted !" the car was that they were lNe hear the snow was too busy laughing at the sight. so deep out on Bay State Road that the guys in one of Did anyone notice that the houses there were getting the Great Dome was blushing into sw imsuits and swan- just before Christmas? Seems d i vi n g out of third-story that some pledges covered windows. the floodlights with red ce 10- phane late one night, and for four days the Dome was Rumor has it that Jay salmon colored after dark. Stratton and Nat Pusey are plann ing to run for presi- A Junior Board member dent and vice president in reports that he knows a fe 1- 1964. They figure it is the low who has his cloud chamber 'INe were delighted to only way they can get their filled with vodka. Is this discover that someone has faculty members to work for disloyal? done the literary world a them. 2 M.I.T., Yoo 000 lNhile VISIting a local figured that some of our rea- On the day after Christ- supermarket recently, Phos ders might come up with some mas vacation, a few techmen picked up an entry blank for interesting replys. There- were noticed waiting outside a contest that a soap com- fore, if you have any ideas, the quiz room in Walker. When pany was running to adver- pass them along to us. If questioned if it was common tise its bath soap. Along with we can print them we will, that quizzes be given immedia- a lot of garbarge about rules but at any rate we'll laugh. tely after vacation one replied, and prizes, the blank had a HI don't know, but I'm not picture of two stary-eyed taking any chances". Hyoung matrons" with tooth- pas te smiles. One of them - called Marge - was saying to Have you heard about the other, "Joan, I'm so the new navigation aid devel- jealous! How do you manage oped by the Instrumentation to have such a lovely com- Lab? It is called the tates. T'he latest concoction, plexion?" All the contestants It is like a compass except at local s aloons appears to had to do to write a good reply that there is no magnetism in be the nCuba Servile' '.... for Joan. the needle. The needle never it's a nCuba Libre", but points in the same direction it's made with Vodka and We found that all the an- twice and so he who has a Coke. swers that the staff thought tates is lost. up were unprintable but we PIPE SALE RELAX WITH ONE OF THESE BARGAINS $1.00 Pipes now .79 2 for $1.45 $1.50 Pipes now 1.19 2 for $2.25 $2.00 Pipes now 1.59 2 for $2.95 $2.50 Pipes now 1.99 2 for $3.75 $2.69 Pipes now 2.19 2 for $3.95 $3.95 Pipes now 3.19 2 for $6.25 $5.00 Pipes now 3.99 2 for $7.75 $5.95 Pipes now 4.79 2 for $9.25 $6.95 Pipes now 5.59 2 for $10.75 $7.95 Pipes now 6.39 2 for $12.25 $10.00 Pipes now 7.99 2 for $15.65 TECHNOLOGY STORE 40 MASS. AVE CAMBRIDGE January 1961 3 'j I MI'T - THE SECOND CENTURY TUG OF WAR TEAM r.,1irror,mirror, on the wall, what's the fairest Campus of them all.
Recommended publications
  • The Beard Family Manuscript Collection Description and Finding
    The Beard Family Manuscript Collection Description and Finding Aid 1.3 linear feet (4 file boxes) Processor: Zinaida Tsemel Date of processing: 2014 Acquisition: The Beard Papers were received by the Norwalk Public Library from the Norwalk Museum during the restructuring of the Museum in 2013. Access: There are no restrictions to items in this collection. Permission to Publish: Requests for permission to publish from the collection should be made to the Norwalk History Room. Copyright: Norwalk Public Library does not hold the copyright on the materials in the collection. Introduction The Beards were a prominent family in Norwalk in the second half of the 19th and early 20th centuries. Martha Beard whose husband died on the passage to America emigrated from England in 1639 with six children. From these Beards of Milford descended the Beards of Norwalk. Algernon E. Beard built a house on Flax Road in Norwalk in 1842. This house called “Rockcliffe” was the grandest of the Greek Revival houses in the city. A. E. Beard was a wholesale distributor of shoes which he purchased from independent local craftsmen and sold along the Atlantic coast from Boston to Richmond. By 1839 he also began buying and selling hats. Algernon Beard dealt heavily in furs as well, selling them to hat makers and thus making money on both ends of the transaction. By 1840 beaver fur-felt hats had gone out of fashion, as men of means came to prefer silk top hats, but when the Hungarian patriot and reformer Louis Kossuth visited the USA, fur-felt hats became popular once more.
    [Show full text]
  • It's Not a Lie If You Believe It: Lying and Belief Distortion Under Norm
    It's Not A Lie If You Believe It: Lying and Belief Distortion Under Norm-Uncertainty Cristina Bicchieria,b,c, Eugen Dimanta,c,d aUniversity of Pennsylvania bWharton School of Business cBehavioral Ethics Lab dCeDEx Abstract We explore the relationship between norm-uncertainty and lying. Lies are ubiquitous, and people often lie for their own benefit or for the benefit of others. Research in environments in which social norms are clearly defined and communicated finds that social norms influ- ence personal decisions, even when they are not in our own self-interest. We deviate from this approach and study lying under norm uncertainty with scope for opportunistic inter- pretation of the norm. We introduce variation along three dimensions: salience of different types of norm-uncertainty (normative/empirical), the beneficiary of the lie (self/other), and ex-ante knowledge about the opportunity to tell a lie in order to tease out potential belief-distortion mechanisms. We also find compelling evidence that individuals engage in self-serving belief distortion to increase lying overall. However, we observe this only when uncertainty about what others do (empirical uncertainty), but not when uncertainty about what others approve of (normative uncertainty) is made salient. We also observe condi- tional liars, but only when the lie is self-serving rather than to the benefit of a third party. We discuss policy implications to improve the effectiveness of norm-based interventions. Keywords: Cheating, Experiment, Lying, Social Norms, Uncertainty JEL: C72, C91, D8, D9 ∗This work benefited from discussions with Pierpaolo Battigalli, Valentina Bosetti, Alexander Cappelen, Gary Charness, Christine Exley, Tobias Gesche, Sandy Goldberg, Peter Graham, David Henderson, Agne Kajackaite, Michel Mar´echal, Gloria Origgi, Silvia Sonderegger, Guido Tabellini, Bertil Tungodden, Jo¨elvan der Weele, and Roberto Weber.
    [Show full text]
  • The Visual Representation of the Female in Turkish Newspapers
    Visualization of Gender in the Turkish Press A Comparative Analysis of Six Turkish Newspapers by Ayşe Esra Özcan A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communication Science Approved, Thesis Committee Prof. Dr. Marion G. Müller (Chair) Professor of Mass Communication Jacobs University Bremen Prof. Dr. Margrit Schreier Professor of Empirical Methods Jacobs University Bremen Prof. Dr. Nilüfer Göle Professor of Sociology EHESS, Paris PD Dr. Sabine Berghahn Otto Suhr Institute for Political Science Frei Universität, Berlin Date of Defense: June 18, 2009 School of Humanities and Social Sciences Declaration I hereby declare that this thesis is my own work and has not been submitted in any form for another degree or diploma at any university or other tertiary institution of education. Information derived from published or unpublished sources has been cited in the text and listed in the bibliography. Ayşe Esra Özcan Bremen, June 18, 2009 CONTENTS 1. Introduction 1 1.1The Political and Cultural Background 2 1.2 The Focus of the Study 11 1.2.1 Print Press 12 1.2.2 Visualizing Gender: Research Questions 14 1.2.3 Research Design and Organization of Chapters 15 2. Theoretical Approaches to Studying Gender Representation in Mass Media 17 2.1 Introduction 17 2.2 Modernity and the Media 20 2.2.1 Modernity and the Turkish Media 24 2.2.2 Modernity, Visibility and Gender 31 2.3 Images of Gender in the Media 42 2.3.1 The Media Representations of Gender: Early decades 46 2.3.2 Approaches to Gender Representation in the Media Today: Post-structuralism and its aftermath 53 2.3.3 Gender Representations in the Turkish Media 57 2.4 Sociological and Semiological Approaches to Visual Research 65 2.5 Iconology and Iconography: Clarifying the terms 69 2.6 Reviewing the Research Questions 75 3.
    [Show full text]
  • DRINKING YOUR OWN KOOL-AID: SELF-DECEPTION, DECEPTION CUES and PERSUASION in MEETINGS JEREMIAH W. BENTLEY University of Massach
    DRINKING YOUR OWN KOOL-AID: SELF-DECEPTION, DECEPTION CUES AND PERSUASION IN MEETINGS JEREMIAH W. BENTLEY University of Massachusetts Amherst ROBERT J. BLOOMFIELD† Cornell University SHAI DAVIDAI* Princeton University MELISSA J. FERGUSON* Cornell University April 2016 We thank Abigail Allen, Mary Kate Dodgson, Michael Durney, Scott Emett, Steve Kachelmeier, Bob Libby, Eldar Maksymov, Patrick Martin (MAS Discussant), Mark Nelson, Ivo Tafkov (AAA Discussant), and workshop participants at the AAA Annual Meeting, the Brigham Young University Accounting Symposium, Cornell University, the LEMA group at Penn State, the Managerial Accounting Section Mid-Year Meeting, the University of Massachusetts Amherst, and the University of Michigan for their helpful comments and suggestions. †Corresponding author: Johnson Graduate School of Management, Cornell University, Ithaca, NY 14850. Email: [email protected] *Joined the paper after the first two authors had written a manuscript based on experiment 1. All four authors contributed equally to the development of the paper from that point. DRINKING YOUR OWN KOOL-AID: SELF-DECEPTION, DECEPTION CUES AND PERSUASION IN MEETINGS Abstract: Two experiments show that face-to-face meetings help users discern reporters' true beliefs better than those who receive only a written report. Both experiments are based on a 'cheap talk' setting, modified to include two features common to accounting settings: reporters base reports on rich information, and (in a meeting condition) have rich channels of communication to users. Experiment 1 shows that meetings improve users' ability to discern the beliefs reporters held before they had an incentive to deceive the user. Once reporters learned of their incentive to deceive users, they revised their beliefs toward what they wanted users to believe (they self-deceived); those who revised more were more successful in their deception.
    [Show full text]
  • THE BEARDS. by Jonathan Lethem
    The New Yorker Feb 28, 2005 v81 i2 p062 Page 1 THE BEARDS. by Jonathan Lethem © COPYRIGHT 2005 All rights reserved. Reproduced by of its teen-age buyers were. Instead, I decided I loved "The permission of The Condé Nast Publications Inc. Heavenly Music Corporation," and hated "Swastika Girls." The Heavenly Music Corporation -- I had a room to myself, on the top floor of our house. My bed was on a loft, built above a hivelike construction of (1980-82, Mom dead.) desktops and storage spaces. Directly below where I placed my pillow was a wooden compartment that neatly "No Pussyfooting" is an album by the guitar player Robert held my amplifier and turntable. I had a set of Fripp and the keyboard player Brian Eno. The album headphones--absurdly heavy, ear-clamping muffs, consists of two songs, or compositions; there are no connected to the stereo by a mushy, coiled rubber-coated voices on the record, no lyrics. Unlike other recordings by cord, twice as thick as a telephone’s. Fripp and Eno, alone or as members of groups, "No Pussyfooting" doesn’t involve studio overdubs. Although Late at night, when I was done reading, and had turned off the music provides a fullness, an illusion of depth, the two my light, I’d wear the headphones and listen to the cuts appear to be long improvisations between the players, twenty-one minutes of "The Heavenly Music Corporation," conducted in real time, within simple boundaries. Side one or as much as I could before it lulled me to sleep.
    [Show full text]
  • Masaryk University Faculty of Arts
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Šárka Tripesová The Anatomy of Humour in the Situation Comedy Seinfeld Bachelor‟s Diploma Thesis Supervisor: Mgr. Pavel Drábek, Ph.D. 2010 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Šárka Tripesová ii Acknowledgement I would like to thank Mgr. Pavel Drábek, Ph.D. for the invaluable guidance he provided me as a supervisor. Also, my special thanks go to my boyfriend and friends for their helpful discussions and to my family for their support. iii Table of Contents 1 INTRODUCTION 1 2 SEINFELD AS A SITUATION COMEDY 3 2.1 SEINFELD SERIES: THE REALITY AND THE SHOW 3 2.2 SITUATION COMEDY 6 2.3 THE PROCESS OF CREATING A SEINFELD EPISODE 8 2.4 METATHEATRICAL APPROACH 9 2.5 THE DEPICTION OF CHARACTERS 10 3 THE TECHNIQUES OF HUMOUR DELIVERY 12 3.1 VERBAL TECHNIQUES 12 3.1.1 DIALOGUES 12 3.1.2 MONOLOGUES 17 3.2 NON-VERBAL TECHNIQUES 20 3.2.1 PHYSICAL COMEDY AND PANTOMIMIC FEATURES 20 3.2.2 MONTAGE 24 3.3 COMBINED TECHNIQUES 27 3.3.1 GAG 27 4 THE METHODS CAUSING COMICAL EFFECT 30 4.1 SEINFELD LANGUAGE 30 4.2 METAPHORICAL EXPRESSION 32 4.3 THE TWIST OF PERSPECTIVE 35 4.4 CONTRAST 40 iv 4.5 EXAGGERATION AND CARICATURE 43 4.6 STAND-UP 47 4.7 RUNNING GAG 49 4.8 RIDICULE AND SELF-RIDICULE 50 5 CONCLUSION 59 6 SUMMARY 60 7 SHRNUTÍ 61 8 PRIMARY SOURCES 62 9 REFERENCES 70 v 1 Introduction Everyone as a member of society experiences everyday routine and recurring events.
    [Show full text]
  • 3, Winter 2009-10
    BURN MAGAZINE Number 3, Winter 2009-10 1 O Driver! My Driver! Amtrak Alliance 22 Elizabeth Santovasi Leila Campoli 2 Oak Tree Life Lessons of the Beatles 25 David Braga Hannah Sheinberg 12 Pets On the Docks 27 Julian Glander David Braga 15 Arachnophobia Hector 35 Michael Ivy Matthew Connolly 16 The Earth Worms An Albatross 37 Mara Hampton Jamie Burke 17 Stickered Fragile An Extinct Species: 45 Mara Hampton Ice Cream Entails Jill Rubin 18 Wasteland Elizabeth Santovasi There was a little girl 46 René Amat 19 What Day Is This! Brooke Hubbard Contributors 47 Ryne Hager and Jenna Dee, Co-Editors Sara Trotta, Contributing Editor | Zachary Bos, Advising Editor Founded in 2006 by Catherine Craft, Mary Sullivan, and Chase Quinn. Boston University undergraduates may send submissions to [email protected]. Manuscripts are considered year-round. Burn Magazine is published according to an irregualr schedule by the Boston University Literary Society; printed by The Pen & Anvil Press. Front cover photograph by Andrew Bisdale, CAS 2010. The editors thank thank Piper Breves, SED 2012, for posing. -fromBurnwithlove- BURN MAGAZINE ELIZABETH SANTOVASI ________________________________ O Driver! My Driver! O Driver! My Driver! Our perilous drive has ended The bus survived the agitated traffic; our stomachs will soon bemended The school is near, the horns I hear, the kids jump in discomposure While the school awaits our ingress, our feelings remain unsure: But O heart! Heart! Heart! Skittles fly into the air, And land in the aisle where my driver lies Fallen hard right out of his chair Oh Driver! My Driver! Upturn and hear the jostle; Surmount- for you the kids in seats turn green—jump up and join the bustle; You clutch your heart so frantically; we’re all caught in suspense; Our concern creeps in steadily as we await the ambulance.
    [Show full text]
  • The Crusade Against the Whisker
    THE CRUSADE AGAINST THE WHISKER A Thesis by Logan Daugherty Bachelor of Science, University of Kansas, 2017 Submitted to the Department of History and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts May 2020 Ó Copyright 2020 by Logan Daugherty All Rights Reserved THE CRUSADE AGAINST THE WHISKER The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts, with a major in Local and Community History. Jay Price, Committee Chair Robin Henry, Committee Member Lisa Parcell, Committee Member iii TABLE OF CONTENTS Chapter Page INTRODUCTION 1 1. WHITMAN AND WHISKERS 9 2. PEFFER AND POPULISM 22 3. CORPORATISM AND THE CLEAN SHAVEN 32 4. BEATNIKS AND BARBUDOS 55 5. HIPPIES AND HAIR 69 CONCLUSION 89 WORKS CITED 95 iv INTRODUCTION Strong cultural ideas have become attached to beardedness in American culture. It is commonplace to hear that one cannot find a job without shaving their face. However, to say that one cannot find a job without shaving their head sounds ridiculous to American ears. The difference lies in the cultural meanings placed on the two types of hair. Facial hair in some periods has been seen as an affront to society or a radical display. To uncover the roots of these cultural ideas, this research attempts to stitch together writers, poets, leaders, political theorists, activists, musicians, and student groups into an evolving American beard culture.
    [Show full text]
  • The Mysterious Affair at Styles Agatha Christie
    THE MYSTERIOUS AFFAIR AT STYLES AGATHA CHRISTIE CONTENTS I. I GO TO STYLES II. THE 16TH AND 17TH OF JULY III. THE NIGHT OF THE TRAGEDY IV. POIROT INVESTIGATES V. "IT ISN'T STRYCHNINE, IS IT?" VI. THE INQUEST VII. POIROT PAYS HIS DEBTS VIII. FRESH SUSPICIONS IX. DR. BAUERSTEIN X. THE ARREST XI. THE CASE FOR THE PROSECUTION XII. THE LAST LINK POIROT EXPLAINS CHAPTER I. I GO TO STYLES The intense interest aroused in the public by what was known at the time as "The Styles Case" has now somewhat subsided. Nevertheless, in view of the world-wide notoriety which attended it, I have been asked, both by my friend Poirot and the family themselves, to write an account of the whole story. This, we trust, will effectually silence the sensational rumours which still persist. I will therefore briefly set down the circumstances which led to my being connected with the affair. I had been invalided home from the Front; and, after spending some months in a rather depressing Convalescent Home, was given a month's sick leave. Having no near relations or friends, I was trying to make up my mind what to do, when I ran across John Cavendish. I had seen very little of him for some years. Indeed, I had never known him particularly well. He was a good fifteen years my senior, for one thing, though he hardly looked his forty-five years. As a boy, though, I had often stayed at Styles, his mother's place in Essex. We had a good yarn about old times, and it ended in his inviting me down to Styles to spend my leave there.
    [Show full text]
  • By MOLIERE DAVID CHAMBERS `
    38th Season • 369th Production MAINSTAGE / JANUARY 4 THROUGH FEBRUARY 10, 2001 David Emmes Martin Benson Producing Artistic Director Artistic Director presents by MOLIERE` translation by RANJIT BOLT Scenic Design Costume Design Lighting Design DARCY SCANLIN SHIGERU YAJI CHRIS PARRY Sound Design Production Manager Stage Manager B.C. KELLER TOM ABERGER *RANDALL K. LUM Directed by DAVID CHAMBERS HASKELL AND WHITE LLP, Honorary Producers This translation of The School for Wives was first produced in 1997 at the Piccadilly Theatre, London, directed by Sir Peter Hall, produced by the Peter Hall Company. PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Chrysalde ............................................................................................... *François Giroday Arnolphe ................................................................................................... *Dakin Matthews Alain ............................................................................................................ *Hal Landon Jr. Georgette ............................................................................................. *Martha McFarland Agnès ................................................................................................................ *Emily Bergl Horace ........................................................................................................ *Daniel Blinkoff A Notary/Oronte .........................................................................................
    [Show full text]
  • Screenplay by Jane Anderson Based on the Novel “The Wife”
    THE WIFE Screenplay by Jane Anderson Based on the Novel “The Wife” by Meg Wolitzer THE WIFE FINAL SHOOTING SCRIPT (16/12/16) 1. FADE IN: 1 INT. CASTLEMAN BEDROOM, CONNECTICUT -- NIGHT, OCTOBER 1992 1 CLOSE ON the rumpled empty, half of a bed. The bedside table holds a stack of novels, a pair of reading glasses, note pads, pencils. All is silent except for the hum of a digital clock. We see the face of the clock click to 2:45 AM. Then we hear the creak of floor boards and the lumbering footsteps of a man returning to bed. The space in the bed is filled with the figure of the novelist JOSEPH CASTLEMAN, early 70's. He has the anxious, exhausted look of someone who doesn't have a prayer of sleeping. Joe is a handsome, aging Brooklyn boy turned literary giant. He has the beard and the bearing of a proper eminence grise but he is also an unapologetic sensualist. He embraces all that life has to offer with a greedy, passionate vigor -- which, the critics tell us, is what makes his writing so rich. CRINKLE, CRINKLE, CRINKLE...Joe starts unwrapping a package of Hostess Snowballs which he’s brought back to bed with him. Next to him, JOAN CASTLEMAN, his wife of 40 years, is on her side, eyes shut, but awake, trying for sleep. She's five years his junior -- an elegant, educated, deeply self- possessed shiksa from the upper-east side who was bred to be a muse and helpmate to some brilliant, charismatic man.
    [Show full text]
  • My Wandering Boy
    43rd Season • 416th Production SEGERSTROM STAGE / MARCH 30 - MAY 6, 2007 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents the world premiere of MY WANDERING BOY by Julie Marie Myatt Christopher Acebo Shigeru Yaji Lonnie Rafael Alcaraz SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Paul James Prendergast Austin Switser Dara Weinberg SOUND DESIGN VIDEO COORDINATOR ASSISTANT DIRECTOR Megan Monaghan Jeff Gifford Randall K. Lum* DRAMATURG PRODUCTION MANAGER STAGE MANAGER DIRECTED BY Bill Rauch The Playwrights Circle - HONORARY PRODUCERS Bette & Wylie Aitken • Steve & Toni Berlinger • Edward F. & Susan K. Gotschall Matthew E. & Bernice L. Massengill • John & Sue Murphy • Roger & Marion Palley Tom Rogers & Sally Anderson • Nola Schneer • Laurie Smits Staude • Richard P. & Jane Taylor My Wandering Boy • SOUTH COAST REPERTORY P1 THE CAST (in order of appearance) John .......................................................................................... Brent Hinkley* Liza Boudin .......................................................................... Elizabeth Ruscio* Wesley Boudin ........................................................................ Richard Doyle* Detective Howard .............................................................. Charlie Robinson* Sally Wright ................................................................................... Purva Bedi* Rooster Forbes .......................................................................... John Cabrera* Miranda Stevens ......................................................................
    [Show full text]