St. Martin's Press January 2022
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1616580050.Pdf
СОДЕРЖАНИЕ СОДЕРЖАНИЕ СОДЕРЖАНИЕ 2 ВВЕДЕНИЕ 3 СОЦИАЛЬНЫЕ МЕДИА НА ВЫБОРАХ: НАЧАЛО ДЛИННОГО ПУТИ 4 Становление политических интернет-технологий 1996–2016 4 2016: интернет побеждает телевизор. Феномен Дональда Трампа 5 ПОЛОЖЕНИЕ СОЦИАЛЬНЫХ МЕДИА К СТАРТУ КАМПАНИИ-2020 8 ИСПОЛЬЗОВАНИЕ НОВЫХ ИНСТРУМЕНТОВ В ХОДЕ ПРЕЗИДЕНТСКОЙ ГОНКИ 10 Цифровая стратегия демократов на выборах-2020. «Барометр» 10 Цифровая стратегия Трампа на выборах-2020. Роботизация таргетинга 14 Полевая работа в условиях эпидемии 18 Растущая популярность мобильных приложений 19 Фандрайзинг 22 Предвыборный дискурс и цензура 25 TikTok. Фактор новых соцмедиа в политической агитации 27 КЛЮЧЕВЫЕ ВЫВОДЫ 31 СПИСОК ИСТОЧНИКОВ 32 2 ВВЕДЕНИЕ ВВЕДЕНИЕ Выборы 2020 года в США прошли в самых не- В этом докладе не ставится цель проследить обычных условиях из всех возможных – на фоне хронологию президентской гонки в США и не вы- глобальной пандемии, самого тяжёлого экономи- сказываются оценочные суждения о результатах ческого кризиса за более чем 80 лет и наиболее прошедших выборов. Он посвящён анализу того массовых уличных протестов за последние 50 лет. инструментария, что использовался в ходе пред- Политтехнологам приходится на ходу подстра- выборной борьбы. иваться под эти неожиданные обстоятельства, В самом ближайшем будущем эти технологии адаптируясь к новой реальности. Уже давно про- станут активно использоваться во всём мире. Сле- должающаяся цифровизация современной поли- дует внимательно изучить цифровые тренды в тики лишь ускорилась. планировании и проведении предвыборных кам- На фоне кризиса традиционных медиа и соцсе- паний, агитации, полевой работы и уличной ак- тей появляются альтернативные площадки, на- тивности, которые на деле показали себя в США. бирающие стремительную популярность. Пред- выборная активность уходит в онлайн, где проще и дешевле проводить виртуальные митинги, со- брания сторонников и заниматься мобилизацией избирателей. -
“No Left, No Right – Only the Game”
“No Left, No Right – Only the Game” A Netnographic Study of the Online Community r/KotakuInAction Master of Arts: Media and Communication Studies – Culture, Collaborative Media, and Creative Industries Master’s Thesis (Two-year) | 15 credits Student: Oskar Larsson Supervisor: Maria Brock Year: 2021 Word Count: 15,937 Abstract This thesis examines how 'othering' discourse can be used to construct and negotiate boundaries and shape collective identities within online spaces. Through a mixed-method approach of thematic analysis and a netnographic study, and by drawing on theoretical concepts of online othering and identity formation, this thesis explores how the Gamergate community r/KotakuInAction can be understood in relation to Gamergate, the Alt-Right and society at large. The results show that the community perceive and construct the SJW as a common adversary – a monstrous representation of feminism, progressiveness and political correctness. The analysis also revealed how racist rhetorics and white male anxieties characterize the communitys' othering discourse. Through an in-depth study of user-submitted comment, this thesis argues that r/KotakuInAction's collective identity is fluid and reactionary in nature, characterized by a discourse that is indicative of Alt-Right ideology and white male supremacy. Future research should further explore the network of communities that r/KotakuInAction is part of, as well as examine how the community transform over time. Keywords: Gamergate, Reddit, Alt-Right, Online Othering, Collective Identity, -
I Feedback Exhaust: Money and the Novel at the End of The
Feedback Exhaust: Money and the Novel at the End of the Contemporary by Nicholas Huber Graduate Program in Literature Duke University Date:_______________________ Approved: ___________________________ Michael Hardt, Supervisor ___________________________ Fredric Jameson ___________________________ Wahneema Lubiano ___________________________ Kathi Weeks Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Literature in the Graduate School of Duke University 2019 i v ABSTRACT Feedback Exhaust: Money and the Novel at the End of the Contemporary by Nicholas Huber Graduate Program in Literature Duke University Date:_______________________ Approved: ___________________________ Michael Hardt, Supervisor ___________________________ Fredric Jameson ___________________________ Wahneema Lubiano ___________________________ Kathi Weeks An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Literature in the Graduate School of Duke University 2019 Copyright by Nicholas Alan Huber 2019 Abstract In the contemporary context of global financialization, the distance between the categories of money and fiction has been theorized as narrowing. This dissertation uses a Marxist analytic to argue that financialized money and fiction, as two modes of accounting, should be approached as competing forms of what Marx and Engels described as “world literature” and, therefore, as sites of ideological and material contestations understood as a manifestation of class struggle. Financial and monetary accounting functions are found to be used by contemporary novels to reconstitute the form’s traditional modes of expression in accordance with the historical changes in global economic structures. At the same time, contemporary approaches to money, debt, and accounting are found to exploit tropes and functions familiar to scholars of literary fiction. -
Trump's Visit to Heaven
Aborted Girl Whose Stem Cells Cured TRUMP’S VISIT TO HEAVEN: Prez Says Treatment Is “A-OK” OCT. 19, 2020//VOL. II, ISSUE 2020//VOL. II, 19, 9 OCT. FUNCTIONALLY DEADwww.functionallydead.com THE WORLD'S ONLY RELIABLE ZINE JOE BIDEN FOUNDALIVE!!! DEATH BECOMES FUR! Pelosi Breaks Bread with Werewolves in Exchange for Eternal Life *EXCLUSIVE COVERAGE INSIDE* BAT BOY NOW BAT Disturbing Aerial Views of Barron Trump's MAN . Bedroom Seen HIS WINGS from Space!! REAL Insert GREW AND THE WHITE HOUSE — In a development we HIS BALLS can only describe as “heartbreaking,” we are forced to publish the horrifying photos DROPPED released by NASA of Barron Trump's bedroom. We were expecting to see dirty jeans on the floor, Playboy mags, empty pizza boxes, tiny bags of cocaine, maybe even a vape. Sadly what was actually shown has local social workers horrified. An "SOS," clear as day, created on the floor of his bedroom with silver spoons leaves authorities not knowing what to do about the teen’s ominous message. Now “Clearly he needs to be busted out of that nutty living old arrangement, but our hands are tied,” Officer Stanton of the Metropolitan Police Department of Washington, D.C. remarked enough after reviewing the photos. We sent our own Jan Terri to outer to face Happiest space to get a more diverse perspective from beings who claim Birthday to to be the first to see the images from their home telescopes. trial, how FD's favorite “We were surprised,” one Moon Alien commented. “We see nocturnal you guys do really fucked up shit on your planet and we have a will he adult! good laugh. -
The 10 Best Chris Hedges Columns of 2018
WELCOME SUBSCRIBE LOGIN DEC 26, 2018 OPINION | TD ORIGINALS The 10 Best Chris Hedges Columns of 2018 Mr. Fish / Truthdig If only Chris Hedges weren’t so right all the time. The Truthdig columnist’s frequent displays of prescience have bordered on out-and-out clairvoyance at times, as he has spotted developments such as the rise of hard-right populism (to name just one example) so far in advance. DIG THIS While that capacity makes him an especially capable and vital writer, one who not only registers shifts but also shapes the cultural conversations around them, it frequently means that readers had better strap in before taking in his latest essay. Clearly, Truthdig readers were there for it all over the last year, tuning in weekly for the reality checks Hedges was uniquely able to provide in his pieces. He fixed his sights on what many others in the media treated as the most glaring problem with which the U.S., if not the international community, was faced: President Donald Trump. But for Hedges, the current occupant of the Oval Office didn’t serve as a catch-all for the country’s political woes, nor did Trump’s considerable presence obstruct Hedges’ view of many other critical issues calling out for attention. Below is an incomplete list of what we consider to be Hedges’ most exemplary work in 2018. Only the top story was chosen according to more tangible metrics like traffic, number of comments, and other parameters commonly referred to under the general heading of “analytics.” The rest we chose to highlight the impressive range of topics Hedges tackled — some that received, at best, passing attention from mainstream outlets when they were given any airtime or column inches at all. -
The Weird History of Usamerican Fascism: a Guide (1979-2019) Phd in Critical and Cultural Theory 2019 M.C
The Weird History of USAmerican Fascism: A Guide (1979-2019) PhD in Critical and Cultural Theory 2019 M.C. McGrady Summary The future, as ever, can be read in comic books. Foretold by the Dark Age of Comics, the doom that now comes to Earth arrives in the form of self-realizing eschatologies, horrors born out of the rutting between unfettered capitalism and its favorite child, technological hubris. When the Big Two comic book publishers began hiring British and Irish authors en masse over the course of the 1980s, these writers brought with them a critical eye sharpened by the political and economic cruelty of the decade. The victims of the Iron Lady came to the New World and set their sights on the empire of the Teflon President, using superhero stories to explore the ideological weapons deployed in the service of global capitalism. The Weird History of USAmerican Fascism tracks the interrelated networks of popular culture and fascism in the United States to demonstrate the degree to which contemporary USAmerican politics embodies the future that the fictional dystopias of the past warned us about. Although the trans-Atlantic political developments of 2016 and their aftermath have sparked a widespread interest in a resurgent Anglophone fascism and its street-level movements – seen most obviously in the loose collection of white supremacists known as the ‘alt- right’ – this interest has been hamstrung by the historical aversion to a serious study of popular and ‘nerd’ culture during the twentieth century. By paying attention to the conceptual and interpersonal networks that emerged from the comic books and videogames of the 1980s, The Weird History of USAmerican Fascism fills a critical lacuna in cultural theory while correcting recent oversights in the academic analysis of contemporary fascism, providing an essential guide to the past, present, and future of the bizarre world of USAmerican politics. -
KOONTZ, Dean R(Ay)
KOONTZ, Dean R (ay) Geboren: Everett, Pennsylvania, USA, 9 juli 1945 Pseudoniemen: David Axton; Brian Coffey, Deanna Dwyer; K.R. Dwyer; John Hill; Leigh Nichols; Anthony North; Richard Paige; Owen West Opleiding: Shippensburg State College, Pennsylvania, B.A. engels, 1966 Carrière: werkte bij een federaal armoede-bestrijdings programma, 1966-1967; leraar engels op een high school, 1967-1969; full-time schrijver sedert 1969. Familie: getrouwd met Gerda Ann Cerra, 1966 Woont in Orange, Californië. (foto: Fantastic Fiction) Detective: Michael Tucker (o.ps. Brian Coffey) detective: Odd Thomas kan de doden zien en ziet in zijn dromen wat mensen te wachten staat. Odd Thomas: 1. Odd Thomas 2003 De gave 2004 Luitingh ook verschenen als filmeditie odt: Odd Tomas: De gave 2015 Luitingh 2. Forever Odd 2005 De vriendschap 2006 Luitingh 3. Brother Odd 2006 De broeder 2007 Luitingh 4. Odd Hours 2008 De ziener 2008 Luitingh 5. Odd Apocalypse 2012 De miljardair 2012 Luitingh 6. Deeply Odd 2013 De lifter 2013 Luitingh~Sijthoff 7. Saint Odd 2015 graphic novels: In Odd We Trust #12 2008 Odd Is on Our Side #13 2010 House of Odd #14 2012 novellas: 1. Odd Interlude Part One 2012 2. Odd Interlude Part Two 2012 3. Odd Interlude Part Three 2012 4. Odd Interlude 2012 Het motel 2013 Luitingh~Sijthoff omslag ondertitel: A Special Odd Thomas Adventure 5. You Are Destined to Be Together Forever 2014 omnibus: The Complete Thomas Odd Series 2016 bevat: Odd Thomas Forever Odd Brother Odd Odd Hours Odd Apocalypse Odd Interlude Deeply Odd Saint Odd andere crimetitels: -
Book List-Final.Xlsx
Hard Paper Book Title Author Category 10,000 Garden Questions answered by 20 X experts Gardening 101 things to do before you grow up (or before X you get too old to enjoy them) Children X 1942 The Year that Made Hitler Peter Ross Range Non-Fiction X 206 Bones Kathy Reichs Novel X 365 Easy One-Dish Meals Natalie Haughton Cookbook X 4th edition of Every Woman's Health Health X 4th of July James Patterson Novel X 50 Fabulous Knitted Lace Stiches Rita Weiss Crafts X 500 things to eat before it's too late Jane and Michael Stern Informational X 5th Horseman James Patterson Novel X 61 hours Lee Child Novel X 6th Target James Patterson Novel X A Blaze of Glory Jeff Shaara Novel X A Gate at the Stairs Lorrie Moore Novel X A Grief Observed C. S. Lewis Biography A guide for management accounting Non-Fiction X A Handbook of Annuals Brooklyn botanic garden Gardening X A History of God Karen Armstrong History X A lesson for Martin Luther King Jr X A Second Treasury of Kahlil Gibran Kahlil Gibran Philosophy X A Separate Peace John Knowles Novel X A Wild and Lonely Marcia Muller Novel X About that man Sherryl Woods Novel Accounting for dummies Non-Fiction Afghanistan to Zimbabwe -Country facts that X helped me win the National Geographic Bee Andrew Wojtanik Non-Fiction X After Tex Sherryl Woods Novel X against medical advice James Patterson Novel X Agent in Place Mark Greaney Novel 2 Alert James Patterson Novel X Alex cross's trial James Patterson Novel All I really need to know I learned in kindergarten Robert Fulghum Non-Fiction All the Gallant Men -
Episodes During Three Weeks of June 2008
the way we live right now dramatised for 2008 by jonathan myerson from the 1875 novel by anthony trollope 2 about the research process and content: This adaptation of The Way We Live Now was commissioned by BBC for broadcast in 2008. The research task was to update Trollope’s 1875 novel and show how the financial venality which he sought to expose was just as prevalent in the Twenty-First century. Thus the research task was to find the modern equivalent of the aristocrats-for-sale whom Trollope pillories in his original story. I also had to research the modern equivalent of a railroad – the bogus scheme in which the moneys are invested: after much research, in the end, I settled on Big Pharma and found a company offering an alternative to antibiotics. The further task was to find the equivalence in how information was disseminated and how reputations could be manufactured. Trollope’s anti-hero required the acquiescence of aristocrats: today’s equivalents are ‘celebs’. And the overall task was to do all this while remaining wholly true to the tone and anger of the Trollope's prose. The series was broadcast on BBC Radio 4 in 15-minute episodes during three weeks of June 2008. thewayweliverightnow:episode1:page2 3 the way we live right now episode 1 cast 1. TROLLOPE 2. TILLY 3. FLEX 4. NICK 5. MARIE 6. HETTA IT’S 1875 AND TROLLOPE IS IN HIS STUDY IN CAVENDISH SQUARE SCENE 1. INT. TROLLOPE’S STUDY. TROLLOPE Let us be introduced to the Carbury Family, upon whose character and doings much will depend. -
Revolution-Press-Release.Pdf
Wednesday 7 December 2016 – FOR IMMEDIATE RELEASE Arcola Theatre announces REVOLUTION season, marking centenary of the Russian Revolution 100 years ago, a neglected majority shook the world order with socialist revolution, disempowering the rich and demanding equality. 100 years on, a neglected majority have chosen Brexit and Donald Trump. To empower the rich? To demand supremacy? ● THE LOWER DEPTHS by Maxim Gorky, translated by Jeremy Brooks & Kitty Hunter-Blair, directed by Helena Kaut-Howson ● THE NEW NIGERIANS by Oladipo Agboluaje (world premiere), directed by Rosamunde Hutt ● THE CHERRY ORCHARD by Anton Chekhov, in an English version by Trevor Griffiths (London premiere) from a translation by Helen Rappaport, directed by Arcola Artistic Director Mehmet Ergen ● Plus readings, talks, screenings and special events throughout the season Arcola’s new season, REVOLUTION, investigates a world on the brink of profound change. It explores the causes and the colossal impact of the Russian Revolution 100 years on, and considers the people and ideas which could shape the next century. Change is in the air in Gorky’s The Lower Depths, directed by internationally-acclaimed Helena Kaut-Howson, and Chekhov’s The Cherry Orchard, directed by Artistic Director Mehmet Ergen. An ensemble of 20 actors perform these two great plays from the years leading up to Russia’s revolutionary moment. The New Nigerians, a new play by award-winning playwright Oladipo Agboluaje commissioned by Arcola Theatre, will receive its world premiere in a production directed by Rosamunde Hutt. A gripping tale of conflict and compromise, it sets the scene for a political revolution in 21st century Nigeria. -
Lighting the Flame: a Report on the Impact of Make Justice Work 3 Contents
Lighting the Flame A report on the impact of Make Justice Work Foreword Make Justice Work (MJW) was launched in 2009 as a tightly focussed campaign and it was never intended that it should run on indefinitely. The decision to draw the campaign to a close in 2013 reflected the judgement that we had succeeded in our two primary goals: to shine a bright light on the massively expensive and highly unproductive use of prison to deal with the many low-level offenders who pass through the courts each year, and to demonstrate that the best ‘community sentences’ were not only much cheaper, but more effective in helping to turn around the lives of offenders. The last few years have been tumultuous ones in the criminal justice world. In a crowded market we have succeeded in making our presence felt, thanks to the inspirational leadership of our founder, Roma Hooper, and the powerful support of our many friends and supporters. Along the way we have learned a great deal, and we are particularly proud to have explored and highlighted the serious risks associated with the proposed widespread adoption of ‘payment by results’ methods in the criminal justice field. We are also glad to have brought to the attention of politicians here in the UK the progress in reducing prison populations in certain parts of the United States by the ‘Right on Crime’ movement. Even as MJW is being wound up, we are taking steps to ensure that its legacy lives on and you can be sure that Roma will remain active in pressing home the messages that we have developed. -
2811 01 OAT Annual Review 2015 V53.Pdf
“ Even more than most theatre, Regent’s Park becomes an event and a small adventure” Daily Telegraph, June 2015 As Peter Pan flew high above our audience and Lord of the Flies once again crashed into Regent’s Park, our reputation for producing on an epic scale in London was certainly taken to new heights. Our brand of blockbuster storytelling is now also celebrated across the country with last year’s sell-out tour of To Kill a Mockingbird, culminating with a month-long residency at the Barbican, and Lord of the Flies now touring the UK until April 2016. “ Sensationally stunning…captivating from start to finish; the set was completely breathtaking. Lord of the Flies is, without question, the best play I have ever seen” Get Bucks, October 2015 We are an entirely self-funded charity with ticket sales accounting for over 90% of income, yet we continue to engage and develop a diverse audience. As the Evening Standard noted, our new adaptation of Anton Chekhov’s The Seagull, commissioned in its 120th anniversary year, was “exactly what the currently crest-of-a-wave Open Air Theatre should be putting on: a lively new version of a classic for a wider audience than Russian playwrights tend to garner”. Meanwhile, our programme of investment to renew the fabric of the Open Air Theatre continued with the replacement of theatre’s bar and restaurants prior to the season. “ London’s most magical outside theatre space” The Guardian, May 2015 Timothy Sheader William Village Peter Pan. Photo David Jensen Artistic Director Executive Director Directors Timothy Sheader & 15 May – 14 Jun Liam Steel Set Designer Jon Bausor Costume Designer Jon Morrell Puppet Designer/Director Rachael Canning Composer & Sound Score Nick Powell Lighting Designer Rick Fisher Sound Designer Nick Lidster By arrangement with for Autograph Great Ormond Street Hospital Children’s Charity Casting Director Polly Jerrold Fight Director Kate Waters Musical Supervisor & Candida Caldicot Musical Director HHHHH Voice & Text Coach Barbara Houseman “ JAW-DROPPING..