UNIVERSITY CREATES BURSARY SCHEME in RESPONSE to CRISIS INSIDE the UNIVERSITY Has Responded Leicester, Because of the Deep and Swiftly to the S.E
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26-28Th FEBRUARY 2019 Our Locations
NEW VENUE & LIVE BIDDING! auctions.downies.com 330 26-28th FEBRUARY 2019 Our locations... The Auction team are always pleased to provide an obligation-free assessment of potential auction consignments. Please call our Head Office to arrange an appointment, Monday - Friday 8:30am-4:30pm. Mitcham – Head Office; Melbourne - Southgate Sydney – Town Hall Coins & Australian Coin Auctions Collectables* Shop U04, Southgate 3 Redland Drive 3 Southgate Avenue Shop 5, Town Hall Square Mitcham, 3132, VIC, Australia Southbank, 3006 , VIC, Australia 464-480 Kent Street Phone: +61 (0)3 8677 8800 Phone: (03) 9686 8411 Sydney 2000, NSW, Australia Fax: +61(0)3 8677 8899 [email protected] Phone: (02) 9299 4131 [email protected] [email protected] *Authorised reseller for Downies How to find us... By train WHITEHORSE RD Mitcham Station is situated on the Belgrave & Lilydale lines. From the station, it is about a 20min walk to Downies ACA. CALCUTTA ST By bus (MITCHAM STATION) MITCHAM RD Bus 736 route runs between Blackburn Station and Mitcham BUS No. 736 or 765 Station operating via Vermont South, Glen Waverley and Forest Hill. Exit the bus at stop 11501 (Redland Drive/Mitcham Road). Bus 765 route runs between Box Hill Station and Mitcham Station operating via Brentford Square, Forest Hill & Blackburn. Exit the bus at stop 11501 (Redland Drive/Mitcham Road). ACA By car There is ample street parking available on Redland Drive. Please note the left hand side of the road has a 2hr parking limit. REDLAND DRIVE Ample off site parking available 2hr limit -
2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003. -
Sir Hugh Casson, Architect, Designer, Illustrator and Journalist: Papers, 1867-2007
Victoria and Albert Museum: Archive of Art and Design Sir Hugh Casson, architect, designer, illustrator and journalist: papers, 1867-2007 1 Table of contents Introduction and summary description ............................................................... Page 4 Context .......................................................................................................... Page 4 Scope and content ....................................................................................... Page 5 Provenance ................................................................................................... Page 5 Access .......................................................................................................... Page 5 Related material ........................................................................................... Page 5 Detailed catalogue .................................................................................................. Page 6 Design ...................................................................................................................... Page 6 Architecture, interior design and refurbishments ................................................................... Page 6 Camouflage work ................................................................................................................. Page 17 Festival of Britain ................................................................................................................. Page 18 Time and Life Building, Bond Steet, London -
The Performance of Place and Comedy Explored Through Postdramatic and Popular Forms with Reference to the Staging of 'A Good Neet Aht'
THE PERFORMANCE OF PLACE AND COMEDY EXPLORED THROUGH POSTDRAMATIC AND POPULAR FORMS WITH REFERENCE TO THE STAGING OF 'A GOOD NEET AHT' Philip Green University of Salford School of Arts and Media Submitted in partial fulfilment of the requirements of the degree of Doctorate of Philosophy (PhD) 2020 Table of contents i List of tables vi List if images and photographs vii Acknowledgements viii Abstract ix Curtain up: The journey begins 1 1. Beginnings: mapping out the journey 2 1.1 Aims and objectives 2 1.2 Autoethnography 3 1.3 Place 5 1.4 Performance: the postdramatic and the popular 7 1.4.1 Postdramatic 8 1.4.1.1 A contested landscape 8 1.4.1.2 Panorama of the postdramatic 8 1.4.2 Popular performance 9 1.5 Structure 11 1.5.1 Chapter 2: Planning the journey’s route: Methodology 11 1.5.2 Chapter 3: Surveying the landscape for the journey ahead: place, class, performance 11 1.5.3 Chapter 4: The journey into performance: key concepts in the analysis of performing place and comedy 12 1.5.4 Chapter 5: An audience of travelling companions: The iterations of A Good Neet Aht and audience response 12 1.5.5 Chapter 6: Arrivals and Departures: Conclusion 12 1.6 Gaps in knowledge and original contribution 13 1.6.1 Northern stereotypes and stand-up comedy 13 1.6.2 Original contribution 13 Entr’acte 1: 1, Clifton Road, Sharlston 14 2. Planning the journey’s route: Methodology 15 2.1 Autoethnography 15 2.1.1 Autoethnography and place 15 2.1.2 Performative-I 16 2.1.3 Performative-I persona and dialogical performance 17 2.2 Geographical space in the studio and the reading of maps 18 2.3 Popular performance and the comic-I 22 2.3.1 Reading stand-up 23 i 2.3.1.1 Kowzan and analysis of the ‘mother in law and the shark’ 27 2.3.1.2 Pavis and ‘blowing raspberries’ 28 2.4 Destinations: Iterations of A Good Neet Aht 32 Entr’acte 2: 36, Clifton Road, Sharlston 35 3. -
Of Thetheatre Richard Lester’S
VOICE Journal of the Alex Film Society Vol. 12, No. 1 May 6, 2006, 2 pm & 8 pm 05/06 of theTHEATRE Richard Lester’s By Jim Elyea In late 1963, A Hard Day’s Night It was one of those serendipitous pairings of the right was intended by United Artists to be done fast and group, The Beatles, and the right director, Richard cheap to exploit the fame of The Beatles in the British Lester. Lester, an American, had worked in England market in the few months before it faded. The idea for many years, first in television, then in films. In behind making the picture was that even if the movie the six and a half weeks of shooting, Richard Lester didn’t do particularly well, United Artists Records defined forever how the world thought of The Beatles. would be able to make a tidy sum on the deal by No matter what else is written about or shown of those issuing the soundtrack album. This was, of course, four lads from Liverpool, it is the characters that we see before their appearances on “The Ed Sullivan Show” in A Hard Day’s Night that are The Beatles to us all. in February of 1964, when they became literally overnight sensations in America. Walter Shenson A documentary style was settled upon, which involved was talked into producing this quickie comedy. When hand-held cameras for much of the shooting, and Shenson then met with director Richard Lester and the using of available light whenever possible. Lester mentioned the idea of the movie to him, Lester literally constantly grabbed the camera, and shot what he leapt on his chair at the Hilton Coffee Shop and said, wanted to at the moment. -
MONTHLY MAGAZ 189 Suriwongse Road Ti~~S Change Bangkok 10500 but Martell Never Varies Telephone: 234-0247, 234-2592
MONTHLY MAGAZ 189 Suriwongse Road Ti~~s change Bangkok 10500 but Martell never varies Telephone: 234-0247, 234-2592 ~eneltal ~itlee HOME OFFICE Scott Younger (CHairman and 286 2541 234 7190 House & Grounds) Norman Musgrave (Vice-Chairman, 391 4625 317 7001 Ladies' Liaison &Entertainment) Roy Barrett (Hon ,Treasurer) 314 5568 234 2080 Anthony Bekenn (Finance) 233 9160 Jeremy Oavies (Pools ide) 286 1508 252 1762 Ian Fleming (Food &Beverage) 391 2665 395 1177 Ian Hill (Publicity) 252 4539 588 2421 Geoff Percival (Personnel)' 314 2464 Norman Scott (Hembership) 251 2009 252 7161 John Williams (Sport) 252 7205 252 8927 ** ** ** ** ** The supreme cognac since 1715 Bob P. Vlietstra (Advisor) 234 0247 234 2592 Martell cognac is guaranteed SOLE IMPORTER Members interested in the various Club activities listed to have been distilled exclusively THAI-AUSTRALIA CO., LTD. from a selection of the best wines TELEPHONE 391-0250, 391-0252 should contact the Committee Hember responsible. grown in the Cognac district of France. 1 IUiloiial • • This turns out to be a bumper issue, reflecting renewed activities after the holidays and - lets give them credit some results of the General Committee's efforts. The specta cular items are provided by Entertainments but in Food and Beverages, House and Grounds, Sports and other departments TAX ON ASSOCIATIONS AND CLUBS steady maintenance and improvements are there to be seen. As of 1st January 1~83 a five percent tax will be Membership figures and the status of Ladies are of interest .. still, as evidenced in Letters. On the former, the informa levied on Associations and Clubs, based on gross tion provided on page 5 may still some erroneous argument. -
Episodes During Three Weeks of June 2008
the way we live right now dramatised for 2008 by jonathan myerson from the 1875 novel by anthony trollope 2 about the research process and content: This adaptation of The Way We Live Now was commissioned by BBC for broadcast in 2008. The research task was to update Trollope’s 1875 novel and show how the financial venality which he sought to expose was just as prevalent in the Twenty-First century. Thus the research task was to find the modern equivalent of the aristocrats-for-sale whom Trollope pillories in his original story. I also had to research the modern equivalent of a railroad – the bogus scheme in which the moneys are invested: after much research, in the end, I settled on Big Pharma and found a company offering an alternative to antibiotics. The further task was to find the equivalence in how information was disseminated and how reputations could be manufactured. Trollope’s anti-hero required the acquiescence of aristocrats: today’s equivalents are ‘celebs’. And the overall task was to do all this while remaining wholly true to the tone and anger of the Trollope's prose. The series was broadcast on BBC Radio 4 in 15-minute episodes during three weeks of June 2008. thewayweliverightnow:episode1:page2 3 the way we live right now episode 1 cast 1. TROLLOPE 2. TILLY 3. FLEX 4. NICK 5. MARIE 6. HETTA IT’S 1875 AND TROLLOPE IS IN HIS STUDY IN CAVENDISH SQUARE SCENE 1. INT. TROLLOPE’S STUDY. TROLLOPE Let us be introduced to the Carbury Family, upon whose character and doings much will depend. -
File Stardom in the Following Decade
Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole. -
Daniels__Oldfield__Deborah TF
TRABAJO DE FIN DE MÁSTER EN ESTUDIOS LITERARIOS Y CULTURALES INGLESES Y SU PROYECCIÓN SOCIAL FROM EAST CHEAM TO CHINGFORD VIA PECKHAM: BRITAIN’S JOURNEY FROM THE 1950s TO THE PRESENT DAY, AS SEEN THROUGH HER SITCOMS. DEBORAH DANIELS OLDFIELD TUTORA: DRA. MARÍA LUZ ARROYO VÁZQUEZ FACULTAD DE FILOLOGÍA UNED CONVOCATORIA JUNIO – CURSO ACADÉMICO 2020-21 Trabajo de Fin de Máster en Estudios Literarios y Culturales Ingleses y Su Projección Social Título del Trabajo: From East Cheam To Chingford Via Peckham: Britain’s Journey From the 1950s To the Present Day, As Seen Through Her Sitcoms. Autora: Deborah Daniels Oldfield Tutora: Dra. María Luz Arroyo Vázquez Facultad de Filología UNED Convocatoria: Junio – Curso Académico 2020-21 1 TABLE OF CONTENTS Table of Contents………………………………………………………………………...…2 List of Television Sitcoms Featured………………………………………………………...3 1. Introduction………………………………………………………………………………6 2. Post-war Britain Gives Birth To the Television Sitcom.…………………..…………..12 2.1. Britain in the 1950s – Rebuilding the Nation……………………………………...12 2.2. Television Sitcoms in the 1950s – Class, Conscripts and Competition..………….15 3. The Swinging Sixties and the Striking Seventies Herald the “Golden Age” of the Sitcom…………………………………………………………………………………..21 3.1. Britain in the 1960s – They’d Never Had It So Good……..……………………... 21 3.2. Television Sitcoms in the 1960s – Clergy, Chaos and “Coons”….……....……….26 3.3. Britain in the 1970s – The Nation Crumbles…………………………...………….35 3.4. Television Sitcoms in the 1970s – Insults, Intolerance, and Ire……..…...………..41 4. The Exciting Eighties and Notorious Nineties Initiate the Age of Sitcom “Girl Power”…………………………………………………………………………….53 4.1. Britain in the 1980s – The Ladies Step Forward……………………....…………..53 4.2. Television Sitcoms in the 1980s – Wartime Witticisms, Wheeler-Dealers, and Women…………………………………………………………………………….59 4.3. -
Lighting the Flame: a Report on the Impact of Make Justice Work 3 Contents
Lighting the Flame A report on the impact of Make Justice Work Foreword Make Justice Work (MJW) was launched in 2009 as a tightly focussed campaign and it was never intended that it should run on indefinitely. The decision to draw the campaign to a close in 2013 reflected the judgement that we had succeeded in our two primary goals: to shine a bright light on the massively expensive and highly unproductive use of prison to deal with the many low-level offenders who pass through the courts each year, and to demonstrate that the best ‘community sentences’ were not only much cheaper, but more effective in helping to turn around the lives of offenders. The last few years have been tumultuous ones in the criminal justice world. In a crowded market we have succeeded in making our presence felt, thanks to the inspirational leadership of our founder, Roma Hooper, and the powerful support of our many friends and supporters. Along the way we have learned a great deal, and we are particularly proud to have explored and highlighted the serious risks associated with the proposed widespread adoption of ‘payment by results’ methods in the criminal justice field. We are also glad to have brought to the attention of politicians here in the UK the progress in reducing prison populations in certain parts of the United States by the ‘Right on Crime’ movement. Even as MJW is being wound up, we are taking steps to ensure that its legacy lives on and you can be sure that Roma will remain active in pressing home the messages that we have developed. -
St. Martin's Press January 2022
ST. MARTIN'S PRESS JANUARY 2022 Reckless Girls A Novel Rachel Hawkins From the New York Times bestselling author of The Wife Upstairs comes a deliciously wicked gothic suspense, set on an isolated island with a dark history, for fans of Lucy Foley and Ruth Ware. When Lux McAllister and her boyfriend, Nico, are hired to sail two women to a remote island in the South Pacific, it seems like the opportunity of a lifetime. Stuck in a dead-end job, and longing to travel the world after a family tragedy, Lux is eager to climb on board The Susannah and set out on an adventure. She’s also quick to bond with their passengers, college best friends Brittany and FICTION / THRILLERS Amma. The two women say they want to travel off the beaten path. But like Lux, St. Martin's Press | 1/4/2022 9781250274250 | $27.99 / $37.99 Can. they may have other reasons to be seeking an escape. Hardcover with dust jacket | 320 pages | Carton Qty: 20 Shimmering on the horizon after days at sea, Meroe Island is every bit the 9.3 in H | 6.1 in W paradise the foursome expects, despite a mysterious history of shipwrecks, Other Available Formats: cannibalism, and even rumors of murder. But what they don’t expect is to Ebook ISBN: 9781250274267 discover another boat already anchored off the island’s sandy beaches. The Audio ISBN: 9781250835574 Audio ISBN: 9781250835581 owners of the Azure Sky, Jake and Eliza, are a true golden couple: gorgeous, laidback, and happy to share their well-stocked bar. -
Anatomy of a Gamechanger : BBC Radio 4'S Life and Fate
Anatomy of a gamechanger : BBC Radio 4’s Life and Fate McMurtry, LG Title Anatomy of a gamechanger : BBC Radio 4’s Life and Fate Authors McMurtry, LG Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/44293/ Published Date 2012 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Ano III, Num 02 Edição Julho – Agosto 2012 ISSN: 2179-6033 http://radioleituras.wordpress.com Anatomy of a Gamechanger: BBC Radio 4’s Life and Fate Leslie McMurtry 1 “Afternoon plays on Radio 4 get two million listeners in one hearing, on average, while a novel is lucky to sell 10,000 copies. Next week’s experiment has the potential to change dramatically the literary stature of Vasily Grossman, and our understanding of the realities of Soviet Russia.” Kate Chisholm, 2011, p. 62 The challenge, historian David Hendy has said of radio in the 21 st century, is to balance “radio’s ubiquity and simplicity . with something more fitting for a national 67 institution dedicated to cultural leadership” (HENDY, 2007, p.142). This crucial balance says much about the audience expected of radio on the BBC and underlines some reasons why Radio 4, as steered by Head of Drama Alison Hindell, would have initiated the adaptation of Vasily Grossman’s novel Life and Fate, a goal realised in 2011 .