Josef Sprinzak – Voice, Sound and (Visual) Performance Art Curriculum Vita

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Josef Sprinzak – Voice, Sound and (Visual) Performance Art Curriculum Vita Josef Sprinzak – Voice, Sound and (Visual) Performance Art Curriculum Vita Born 1962 Lives and works from Tel-Aviv Contact Information Mail: Mr. Josef Sprinzak, Daphna 24/4, Tel-Aviv 6492922, Israel E-Mail: [email protected] Tel: +972-54-8128768 Education 2013-2014 Hebrew University in Jerusalem, School of Arts, Post Doctoral Research. 2003-2011 University of Ben-Gurion in the Negev, PhD. in Theory of Art. 1990-1993 The School of Visual Theater, Jerusalem, Theater and Performance Art. 1988-1990 Hebrew University, Jerusalem M.Sc. in Computer Science. 1984-1986 Hebrew University, Jerusalem B.Sc. in Computer Science. Selected Performances, Venues and Projects 2014 – “The Replacement”, Performance action in the Israeli Art exhibition, part of “ECHO: VOICE MUSEUM ACTION” in the Tel Aviv Museum of Art, Curator: Danna Heller. 2014 – “The Shining – A Live Sound Play for Speaking Lights”, Live audio- visual Performance, “Dybbuk” event in “Mamuta” Center for Art and Media, Jerusalem, Curators: Salamanca and Guy Biran. 2014 – “Map Song”, Sound performance, “Borderline” event in “Mamuta” Center for Art and Media, Jerusalem, Curators: Salamanca. 2013 – “Jerusalem Wordscape (at night)”, Sound Installation, Notre Dame Center in Jerusalem, “Iconophilia” event. Curators: Lea Abir and Smadar Keren. 2012 - “What my grandmother said to Franz Josef”, Performance and Sound Installation, international group exhibition “Galicia, Mon Amour”, BWA Sokol Art Gallery, Nowy Sacz, Poland, Curator: Danna Heller. 2011 – "Bedtime Stories and Lullabies", Performance project in front of children in rural villages in northern Portugal, "Vozes de Magaio" Project organized by Binarual, Portugal, Curator: Luis Costa. 2011 – Sound Installation based on radio play "Many Said Yes", Bat-Yam Museum of Art, in group exhibition "Schooling", Curators: Tali Tamir, Meir Tati. 2011 – "Lightman", Audio Visual Performance, Musrara Mix International Art Festival, Jerusalem, Curator of Performance Art: Adina Baron. 2010 – "Many Say Yes". A Radio play based on the plays "He Said Yes" and "He Said No" by Bertolt Brecht. "Mamuta" Center for Art and Media, Jerusalem. 2009 – "Gudmundur". Text Sound Performance in Collaboration with music group Furacoco, Nes Art Residency, Skagastrond, Iceland. 2008 – "Pigs", Text Sound Performance, Bat-Yam Museum of Art, Exhibition "Demons" of contemporary artists from Poland and Israel, Curator: Neomi Aviv. 2008 – "The World is Round", Vocal Performance in collaboration with musician Jean-Claude Jones, Israel Museum (Ticho House), Jerusalem, ViP4 event, Curator: Timna Seligman. 2007 – "Yuvi the Dragon", Vocal Performance in collaboration with percussionist Haggai Fershtman, "Blurrr" International Performance Biennale, Tel- Aviv, Curator: Sergio Edelstein. 2007 – "The Thoughts of Yosef Shprintzak Street", Site-Specific Sound Performance, The Israel Center for Digital Art, Holon, "Sound Interferences" Festival, Curator: Eyal Danon. 2007 – "Text Sound Poems", European Festival for Performance Art (Epaf), Warsaw, Poland. Curator: Waldemar Tatarczuk. 2006 – "Delete Aleph to Shutdown", Text Sound Performance in collaboration with Sound artist Ilan Green, The Theater Lab, Jerusalem, "Golem" Art Project, Curators: Salamanca and Ofira Henig. 2006 – "3 Sound Poems", Vocal Performance, "Castle of Imagination" International Performance Festival, D-Schloss Bröllin, Germany and Szczecin, Poland. Curator: Wladyslaw Kazmierczak. 2006 – "Tapeman" and "The Story of Ferdinand", Visual Theater Program, Cid2006 International Theater Festival, Seoul, South Korea. 2005 – "Mikraot Israel", Performance in collaboration with performance artist Adva Drori, Blurrr International Performance Biennale, Tel-Aviv, Curator: Sergio Edelstein. 2004 – Text Sound Performance, "Time for Art" Gallery, Tel-Aviv, Curator: Gideon Ofrat. 2004 – "I Lion You", Video Art based on Performance, The Jerusalem International Film Festival, Experimental Film Contest. 2003 – "Josef Sprinzak - Sound Poems", "Romapoesia" International Poetry Festival, Rome, Italy. 2003 – "Children Stories for Adults", Interdisciplinary Theater Piece, Hazira Performance Art Arena, Jerusalem, Festival "Kola Shel Hamila 2", Curator: Hadas Ophrat. 2002 - “The World is Round”, Interdisciplinary Theater Piece, Akko Israel Festival for Fringe Theater. 2001 - “Berlin Diaries”, Performance, “Blurrr" International Performance Biennale, Kibbutz Nachshon. Curator: Sergio Edelstein. 1999 – Text Sound Art Performance, “Ultrasound” festival for Interdisciplinary music, Tel-Aviv. 1994 - “Tapeman”, Text Sound Performance, Synergura International Puppet Theater Festival, Erfurt, Germany. Prizes and Scholarships 2003-2007 Ben-Gurion University in the Negev, Full Scholarship for Ph.D. Studies in Arts and Humanities. 2005 - America-Israel Foundation, Scholarship for research trip to the United States 2003 – Trip Grant to Italy for Poetry Festival, Jerusalem Center for Visual Arts. 2002 - Akko Fringe Theater Festival, Citation of Excellence for the Performance "The World is Round". 1999 – Theater Institute Nederland, Amsterdam, Scholarship for International Course "Body Voice Object" 1996 – "Phenomena International" Festival for Performance Art, Citation of Excellence for Performance "Tapeman". 1992-1993 – Jerusalem Foundation, Scholarship for studies in The School of Visual Theater. Residencies 2011 – Binaural, District of S. Pedro do Sul, Portugal. 2009 - Nes Art Residency, Skagastrond, Iceland. קורות חיים – נמר גולן פרטים אישיים: שם: נמר גולן תאריך לידה: 11.10.1984 ת.ז: 039740162 פרטי קשר: 0526851525 [email protected] השכלה: 2002 - 1999 בוגר בית הספר הדמוקרטי בחדרה, בגרות מלאה. 2007, 2009 בוגר שני קורסים בליצנות תיאטרלית בהנחיית שלומי גולן. 2009 לומד מוזיקה במסגרת עצמאית הכוללת שיעורים בפיתוח קול, סאונד, פסנתר, אומנות הדי ג'יי, כלי הקשה ברזילאים, פיתוח שמיעה וקומפוזיציה. 2009 משתתף בשיעורים בשיטת גאגא של אוהד נהרין. 2011 יוצא לשנת השתלמות בלהטוטנות, במסגרתה מתאמן בחללים הבין לאומיים "הוולקן" באוקלנד קליפורניה, ו"הקטקומבן" בברלין לצד מיטב אומני הקרקס העולמיים. משתתף ומעביר סדנאות רבות במהלך השנה. 2012 לומד תיאטרון בובות בקורס "חממה" של תיאטרון הקרון בירושלים. 2013 - 2012 לומד מחול מודרני בבית הספר "הקבוצה ביפו”. נסיון תעסוקתי: 2016 – 2008 עצמאי, להטוטן מקצועי ומדריך לאומנויות הקרקס ותיאטרון רחוב, עובד עם המרכז לליצנות ואומנויות הבמה, איכפת – קידום נוער, חברות הפקה רבות, קרקסים ישראלים ובאירועים פרטיים. 2015 - מורה לג'אגלינג בבית הספר לקרקס סנדסיאל ביקום. 2007 מדריך לאומנויות הקרקס בחברת קלות. 2006 נגר רהיטים. 2006 – 2003 שירות חובה בצה"ל, טכנאי גדר מערכת. מופעים: 2008 – קטע קצר 3 כדורים, מופיע בערבי הופעות קרקס וערבי תרבות שונים. 2008 - מופע רחוב " ָקה ֵקה" בשיתוף עם הלהטוטן מאור פיין מופיע בככרות ופסטיבלים בצרפת הולנד. 2012 - 2009 קטע 3 כדורים, נוצר להשתתף בתחרות ע"ש אבי רוזנברג ליצירתיות ב3- כדורים בכנס הג'אגלינג הישראלי, מופיע בקברטים ובמות פתוחות ברחבי העולם. 2013 – 2009 "מופע ילדים", הצגת תיאטרון סיפור וקרקס באורך חצי שעה לילדים בכל הגילאים מציג ברחבי הארץ. 2010 משתתף ב"מופע הישראלי" מופע קרקס באורך מלא שעולה בכנס הג'אגלינג הישראלי. 2011 משתתף כשחקן-יוצר בהצגה "תירקובת" מאת מורן סנדרוביץ בפסטיבל קליפה אדומה של תיאטרון קליפה. 2016 - 2012 קטע קצר "מיקי מאוס והחייזר האיום”, מופיע בכנס הג'אגלינג הישראלי, הצרפתי והאירופאי, בפסטיבל הבינלאומי לתיאטרון בובות בירושלים, ברחוב בפסטיבלי תיאטרון רחוב בצרפת ובעוד תיאטראות ואירועים ברחבי הארץ והעולם. 2016 - 2013 "מבחני הקרקס של נמר" - מופע לילדים באורך מלא מציג ברחבי הארץ. 2013 "גשם בעיני" עבודה קצרה, יצירה משותפת עם אנה וילד, מופיעה בתיאטרון הקרון ובחנות. 2014 משתתף כשחקן-יוצר בעבודה "על גופתי המתה" מאת דניאל כהן לוי, פסטיבל א' ז'אנר תיאטרון תמונע. 2015 משתתף כלהטוטן יוצר בהצגות הקרקס חדש "REVOLT I" ו-"REVOLT II" מאת אורית נבו, קרקס ON, בכורה בינלאומית לשתי ההצגות בביאנלה לקרקס במארסיי. 2015 - 2016 מביים ומשתתף ב-"על כל צרה שלא תבוא" הצגת קרקס חדש ופרפורמנס תיעודי מאת נמר גולן ודניאל כהן לוי, זוכה 3 פרסים בפסטיבל עכו 2015 בכורה בין לאומית בפסטיבל ברייטון פרינג'. שונות: עברית ואנגלית ברמת שפת אם, דובר ערבית וצרפתית. 2006 – 2007 שר בהרכב הקולי "מאקלה". 2005 – 2007 ממארגני "ארוחות בשדרות רוטשילד" סדרה של 7 ארוחות קהילתיות פתוחות לציבור ברחוב בת"א. 2008 – 2011 שדרן ועורך רדיו בתחנת "קול הקמפוס" ת"א, יוצר אודיו קולאז'ים לתכנית "המיקסטייפ" 2007 – 2009 ממארגני ערבי "בית ספר לילי" בת"א, סדרה של 7 ערבי תרבות, למידה וקהילה חינמיים. האירוע האחרון היה פסטיבל מוזיקה ולמידה מוזקלית חינמי בקונסברבטוריון שטריקר. -2009 2010 מתנדב בספרית גן לוינסקי לקהילות הזרות בת"א, בין השאר מופיע בספריה, ומעביר סדנאות קרקס. 2009 - 2016 מתנדב בפרוייקט "יום בים לילדים פלסטינים", מעביר סדנאות קרקס, הופעות, ומתרגם. 2010 - 2016 מצטרף לצוות האירגון של כנס הג'אגלינג הישראלי, בין השאר שותף בבחירת האומנים הבינלאומיים המופיעים בכנס. 2013 אוצר ומנהל את "המופע הישראלי" בכנס הג'אגלינג הישראלי. וידאו: סרטון ג'אגלינג: https://www.youtube.com/watch?v=ZQe_uomkiDM טריילר "על כל צרה שלא תבוא": https://www.youtube.com/watch?v=0K4POrQqYBw טריילר "מבחני הקרקס": https://www.youtube.com/watch?v=_4gz2NunlYc.
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    doi: https://doi.org/10.26262/gramma.v22i1.6234 THE TROJAN WAR ON THE CONTEMPORARY WESTERN STAGE: TRANSVERSAL READINGS Sylvie Jouanny Theatre replays the past in the present. What does it tell us of the Trojan War, that symbolic event in Greek culture? This paper offers a reflection on the imaginary and the portrayal of the Trojan War on the contemporary western stage based on the last twenty years’ drama criticism in the newspaper Le Monde, on published and unpublished pieces over the same period and on essays about the original phe- nomenon and, more generally, its handing down. The subject has usually been ap- proached with some measure of realism: a mimetic treatment has little interest for audiences, but an oneiric, poetic, mythological approach may spark an enthusiastic response. This more symbolic aesthetic makes the Trojan War an archetypal con- flict which inspires a theatrical search for answers but also a message of hope: what should we conclude/how can we reconcile them both? q n the words of Malraux in Les Conquérants, “the Renaissance created Antiquity as much as Antiquity created the Renaissance” (1928). If Iour times, essentially preoccupied with modern issues, preclude such comparisons, we can at least enquire into contemporary perceptions of An- tiquity and their incorporation in our heritage. The Trojan War, iconic peri- od of Greek culture, constitutes fertile ground for study: its ten years of war, its controversial historical authenticity, its retelling through the Iliad and the Odyssey, its events, and its participants, both real and epic, which begin in the realms of vaudeville, with Helen’s abduction, and finish in those of fairy tales, the Greek victory at the end of a turbulent campaign and an unforget- table stratagem ..
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