Spring 1970 Volume Iii Number 2
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Pablo Neruda - Poems
Classic Poetry Series Pablo Neruda - poems - Publication Date: 2011 Publisher: Poemhunter.com - The World's Poetry Archive Pablo Neruda(12 July 1904 – 23 September 1973) Pablo Neruda was the pen name and, later, legal name of the Chilean poet and politician Neftalí Ricardo Reyes Basoalto. He chose his pen name after Czech poet Jan Neruda. Neruda wrote in a variety of styles such as erotically charged love poems as in his collection Twenty Poems of Love and a Song of Despair, surrealist poems, historical epics, and overtly political manifestos. In 1971 Neruda won the Nobel Prize for Literature. Colombian novelist Gabriel García Márquez once called him "the greatest poet of the 20th century in any language." Neruda always wrote in green ink as it was his personal color of hope. On July 15, 1945, at Pacaembu Stadium in São Paulo, Brazil, he read to 100,000 people in honor of Communist revolutionary leader Luís Carlos Prestes. During his lifetime, Neruda occupied many diplomatic positions and served a stint as a senator for the Chilean Communist Party. When Conservative Chilean President González Videla outlawed communism in Chile in 1948, a warrant was issued for Neruda's arrest. Friends hid him for months in a house basement in the Chilean port of Valparaíso. Later, Neruda escaped into exile through a mountain pass near Maihue Lake into Argentina. Years later, Neruda was a close collaborator to socialist President Salvador Allende. When Neruda returned to Chile after his Nobel Prize acceptance speech, Allende invited him to read at the Estadio Nacional before 70,000 people. -
Neruda and Borgej
PER.'ONALHIJTORY NERUDAAND BORGEJ No tzuoLatin-Anerican writers couldbe more important. No tttso ztsriterscould bemore diferent. Hou did the authorbecorne the friend and translatorof both? BYALA.'TAIR REID f f TuoN I first went to Spain, in country, to Andalusia, to Gibraltar and l/l/ 1953.I knew little about l'4orocco, to Pornrgal-looking and lis- Y Y thelivingcountryandbarely tening a lot, and I wrote the fust of a se- a word of the language.But my senses ries of chronicleson Spain for The New were in good working order, and I was Yorker.Soon after it appeared,I had my instanth' drarvn in by Spain'srhythms Spanishpress credentials withdrawn, but and its landscapes-the burned, sun_.- that made little difference,for Spain ex- stainedearth, the silver-blueclarig,of istedthen on rumor and speculation.Liv- Nlediteranean light, the warm s,rle.nnity ing there felt like belonging to an exten- ofthe peopie,the sparenessofvillage life. sive whispered conspiracy against the Existencewas honed down to its essen- Franco regime. Spain was at something tials,making the dayslonger, time more of a standstill,still in shockfrom the Civil abundant.So I returnedto Spain,and re- War and the long isolation that followed turned, and eventu'allywent to live there it, threadbarecompared to the rest of Eu- in 1956, setting out to learn thg country, rope. Censorship,both moral and politi- and slowly absorb the Spanish senseof cal, hung heavy over the press,over the time. Spaniardshave a gift fbr exiranding universities,and overwriters and publish- the present,around a meal or a conver- ers, and the police had sharp antennae sation; and they are mastersof the cos- out for any sign of dissidence.The writ- mic shrug that shedsall preoccupations ers I knew complainedthat yearsofcen- exceptthose immediatelyat hand. -
Poetics History February 2021
Stanford Workshop in Poetics Faculty Chair: Marisa Galvez Graduate Coordinator: Lorenzo Bartolucci The Workshop in Poetics was founded in 2007 by Professors Roland Greene and Nicholas Jenkins and has met regularly ever since. Its core members are about twenty graduate students and several members of the Stanford faculty. Everyone is welcome. The workshop’s main purpose is to offer Ph.D. students a place to present their work in progress in a community of peers and faculty. Not bound by language or period, the group has discussed most of the literatures studied at Stanford. The workshop’s events follow several formats. The most common format is a discussion of work in progress by either a member of the group or a visiting speaker; for these events, the paper under discussion is circulated in advance. Some events concern the state of the field, identifying a topic or issue or a recent book for general discussion, often introduced by the author. A third category deals with neglected classics in poetics, usually books or articles that once were widely known and are still important but that are now seldom found in curricula or criticism. In the history below, each event is designated work in progress [WP], state of the field [SF], or lost classic [LC]. Student members find the workshop especially useful because it augments their coursework and dissertation writing with fresh perspectives and an attentive, often challenging community of interlocutors. Many advanced dissertations in the group have been discussed in two meetings, and in principle nearly every chapter by a member can find an occasion to be presented. -
APRIL GIFTS 2011 Compiled By: Susan F
APRIL GIFTS 2011 Compiled by: Susan F. Glassmeyer Cincinnati, Ohio, 2011 LittlePocketPoetry.Org APRIL GIFTS 2011 1 How Zen Ruins Poets Chase Twitchel 2 Words Can Describe Tim Nolan 3 Adjectives of Order Alexandra Teague 4 Old Men Playing Basketball B.H. Fairchild 5 Healing The Mare Linda McCarriston 6 Practicing To Walk Like A Heron Jack Ridl 7 Sanctuary Jean Valentine 8 To An Athlete Dying Young A.E. Housman 9 The Routine After Forty Jacqueline Berger 10 The Sad Truth About Rilke’s Poems Nick Lantz 11 Wall Christine Garren 12 The Heart Broken Open Ronald Pies, M.D. 13 Survey Ada Jill Schneider 14 The Bear On Main Street Dan Gerber 15 Pray For Peace Ellen Bass 16 April Saturday, 1960 David Huddle 17 For My Father Who Fears I’m Going To Hell Cindy May Murphy 18 Night Journey Theodore Roethke 19 Love Poem With Trash Compactor Andrea Cohen 20 Magic Spell of Rain Ann Blandiana 21 When Lilacs Frank X. Gaspar 22 Burning Monk Shin Yu Pai 23 Mountain Stick Peter VanToorn 24 The Hatching Kate Daniels 25 To My Father’s Business Kenneth Koch 26 The Platypus Speaks Sandra Beasley 27 The Baal Shem Tov Stephen Mitchell 28 A Peasant R.S. Thomas 29 A Green Crab’s Shell Mark Doty 30 Tieh Lien Hua LiChing Chao April Gifts #1—2011 How Zen Ruins Poets I never know exactly where these annual “April Gifts” selections will take us. I start packing my bags in January by preparing an itinerary of 30 poems and mapping out a probable monthlong course. -
The Authenticity of Ambiguity: Dada and Existentialism
THE AUTHENTICITY OF AMBIGUITY: DADA AND EXISTENTIALISM by ELIZABETH FRANCES BENJAMIN A thesis submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages College of Arts and Law University of Birmingham August 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ii - ABSTRACT - Dada is often dismissed as an anti-art movement that engaged with a limited and merely destructive theoretical impetus. French Existentialism is often condemned for its perceived quietist implications. However, closer analysis reveals a preoccupation with philosophy in the former and with art in the latter. Neither was nonsensical or meaningless, but both reveal a rich individualist ethics aimed at the amelioration of the individual and society. It is through their combined analysis that we can view and productively utilise their alignment. Offering new critical aesthetic and philosophical approaches to Dada as a quintessential part of the European Avant-Garde, this thesis performs a reassessment of the movement as a form of (proto-)Existentialist philosophy. The thesis represents the first major comparative study of Dada and Existentialism, contributing a new perspective on Dada as a movement, a historical legacy, and a philosophical field of study. -
Also by Jung Chang
Also by Jung Chang Empress Dowager Cixi: The Concubine Who Launched Modern China Mao: The Unknown Story (with Jon Halliday) Wild Swans: Three Daughters of China THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF Copyright © 2019 by Globalflair Ltd. All rights reserved. Published in the United States by Alfred A. Knopf, a division of Penguin Random House LLC, New York. Originally published in hardcover in Great Britain by Jonathan Cape, an imprint of Vintage, a division of Penguin Random House Ltd., London, in 2019. www.aaknopf.com Knopf, Borzoi Books, and the colophon are registered trademarks of Penguin Random House LLC. Library of Congress Control Number: 2019943880 ISBN 9780451493507 (hardcover) ISBN 9780451493514 (ebook) ISBN 9780525657828 (open market) Ebook ISBN 9780451493514 Cover images: (The Soong sisters) Historic Collection / Alamy; (fabric) Chakkrit Wannapong / Alamy Cover design by Chip Kidd v5.4 a To my mother Contents Cover Also by Jung Chang Title Page Copyright Dedication List of Illustrations Map of China Introduction Part I: The Road to the Republic (1866–1911) 1 The Rise of the Father of China 2 Soong Charlie: A Methodist Preacher and a Secret Revolutionary Part II: The Sisters and Sun Yat-sen (1912–1925) 3 Ei-ling: A ‘Mighty Smart’ Young Lady 4 China Embarks on Democracy 5 The Marriages of Ei-ling and Ching-ling 6 To Become Mme Sun 7 ‘I wish to follow the example of my friend Lenin’ Part III: The Sisters and Chiang Kai-shek (1926–1936) 8 Shanghai Ladies 9 May-ling Meets the Generalissimo 10 Married to a Beleaguered -
Development of a Literary Dispositif
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 4-5-2018 Development of a Literary Dispositif: Convening Diasporan, Blues, and Cosmopolitan Lines of Inquiry to Reveal the Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, and Antonio D’Alfonso Anna Ciamparella Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the African American Studies Commons, American Literature Commons, Comparative Literature Commons, Ethnic Studies Commons, European Languages and Societies Commons, French and Francophone Language and Literature Commons, Italian Language and Literature Commons, and the Literature in English, North America Commons Recommended Citation Ciamparella, Anna, "Development of a Literary Dispositif: Convening Diasporan, Blues, and Cosmopolitan Lines of Inquiry to Reveal the Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, and Antonio D’Alfonso" (2018). LSU Doctoral Dissertations. 4563. https://digitalcommons.lsu.edu/gradschool_dissertations/4563 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. DEVELOPMENT OF A LITERARY DISPOSITIF: CONVENING DIASPORAN, BLUES, AND COSMOPOLITAN LINES OF INQUIRY TO REVEAL THE CULTURAL DIALOGUE AMONG GIUSEPPE UNGARETTI, LANGSTON HUGHES, AND ANTONIO D’ALFONSO A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Interdisciplinary Program in Comparative Literature by Anna Ciamparella M.A. -
Kansas City and the Great Western Migration, 1840-1865
SEIZING THE ELEPHANT: KANSAS CITY AND THE GREAT WESTERN MIGRATION, 1840-1865 ___________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _______________________________________________________________ By DARIN TUCK John H. Wigger JULY 2018 © Copyright by Darin Tuck 2018 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled SEIZING THE ELEPHANT: KANSAS CITY AND THE GREAT WESTERN MIGRATION, 1840-1865 Presented by Darin Tuck, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. __________________________________________________ Professor John Wigger __________________________________________________ Assoc. Professor Catherine Rymph __________________________________________________ Assoc. Professor Robert Smale __________________________________________________ Assoc. Professor Rebecca Meisenbach __________________________________________________ Assoc. Professor Carli Conklin To my mother and father, Ronald and Lynn Tuck My inspiration ACKNOWLEDGMENTS This dissertation was only possible because of the financial and scholarly support of the National Park Service’s National Trails Intermountain Region office. Frank Norris in particular served as encourager, editor, and sage throughout -
Literature Translation Fellowship Recipients Number of Grants: 24 of $12,500 Each Total Dollar Amount: $300,000
Fiscal Year 2020 Literature Translation Fellowship Recipients Number of Grants: 24 of $12,500 each Total Dollar Amount: $300,000 *Photos of the FY 2020 Translation Fellows and project descriptions follow the list below. Jeffrey Angles, Kalamazoo, MI . Nancy Naomi Carlson, Silver Spring, MD . Jessica Cohen, Denver, CO . Robyn Creswell, New York, NY . Marguerite Feitlowitz, Washington, DC . Gwendolyn Harper, Emeryville, CA . Brian T. Henry, Richmond, VA . William Maynard Hutchins, Todd, NC . Adriana X. Jacobs, New York, NY/Oxford, UK . Bill Johnston, Bloomington, IN . Elizabeth Lowe, Gainesville, FL . Rebekah Maggor, Ithaca, NY . Valerie Miles, Barcelona, Spain . Valzhyna Mort, Ithaca, NY . Armine Kotin Mortimer, Urbana, IL . Suneela Mubayi, New York, NY/Cambridge, UK . Greg Nissan, Tesuque, NM . Allison Markin Powell, New York, NY . Julia Powers, New Haven, CT . Frederika Randall, Rome, Italy . Sherry Roush, State College, PA . James Shea, Hong Kong . Kaija Straumanis, Rochester, NY . Spring Ulmer, Essex, NY Credit: Dirk Skiba Jeffrey Angles, Kalamazoo, MI ($12,500) To support the translation from the Japanese of the collected poems of modernist poet Nakahara Chūya. Chūya's poetry has been set to hundreds of pieces of music, ranging from classical art pieces to pop songs, and he has been the subject of biographies, studies, and creative pieces, including fiction, manga, and an opera libretto. Born in 1907, he published his first collection of poems, Songs of the Goat, when he was 27 and died at age 30 of cerebral meningitis, just before the release of his second book of poems, Songs of Days That Were. While some translations of his poems have appeared in anthologies, journals, and various books, all English translations of Chūya are long out of print. -
The Public Are Invited
1.4. * ,1'J-. ^.; ^'k liltl iR »>J %> ^: > ^/ V * ^ ^ -' N # I P J- -b£;3iSSi*££3&=S»=: VOL. XXXIII SUMMIT. N, J.. FRIDAY, NOVEMBER 8, I 9 I ts NO. 47 j-rivrt eded Tuesday nigh". 5 Xaniara hud paid the lawyer ijiLi, ;t!-;i PROAOHNCE' BOTE GUILTI ly the intention of thoK? expected Kerrigan and Leslie to r% - the charges to impress on fiUtd half that sum. CouneiIui;;,r the idea that Leslie was? reiownsibU Phraner tangled him some on a sta.t-- OUNCIL EXPELS TWO FIREMAN FOR for the false alarm. KemgailMold o.. nient rhat he had gone right homo a- Leslie leaving the rcoiii as,p of not ter returning from the alarm wldr1. FALSE ALARM CHARGE, returning before the aluriu sounded, failed to jibe with his story that hn and later DuUin and McNnmara with had llrst heard that it was a fills" Charlos Dukin ami Andrew McNamara considerable detail corroborated this alarm from Chief Wilson at the Hot i. story, Kerrigan's cool admission of and-Ladder building that same nigl ;. Are Given Formal Trial and it De perjury amaaed the council, ai. i he City Clerk Kentz before whom Ker was subjected to a gruelling examin velops Some Amazing Testimony — rigan and Leslie made their origin;; 1 ation. He at first declared that he did affidavits, testified to administonuy- One Witness Called Dy the Council not remember any oath when he made the oath, aml—iljOrbert Long told ::•!; the statement embodied in the affi Caimiv Repudiates on Affidavit He Kerrigan's statement to him lhat cc;- davit. -
Nwmal"' Tifw" '""Triwrwi Jpjapd"Lrww' I Saturday Press
1 " , ""' " iLnwmaL"' TifW" '""triwrwi jpjapd"lrWW' I Saturday Press. i rOUTiMKIIIfiUiMBBI 34. I., HONOLULU, H. SATURDAY, APRIL 21, 1883. WHOLE NUMBER 138 final SATURDAY PR.2SS, doom j gates detonating ami shreiMng at tTuriiij. they burst from prton-hmrt- IJrofcooiomtl cOuoincflO cOuoincoo (Turbo. Ihcfr hot 1 the cpuoincoa Curb or. Snounmcc oticco. a atmosphere (General bbciitocmcuto. A Newspaper Published Wttlly. dark, turgid ami opprewhe; while cave an.I hollow, at the hot air swept alone XflLLlAM O. SMITH, 1UT S, ORINDAUM & their heatcsl wallt, threw back the unearthly Co. T H. LYNCH, QOSMOPOLITAN RESTAURANT, TRANS-ATLANTI- PIRB INSURANCE IONEER" $5.00 1 ,111, i und, In a mtriad of prolonged .1 Company of LINE uut srmirnim wive. echoes. Such rroitxKV .ir Mir, Makuk's Mlock, Qi mi Srsssr, J as Klnir street, .V. C.IM.ICIIO, I'refHtler, Hamburg, wai the scene as the fiery "p Foreign rebecnptKms cataract, leaping a 01 .UiKitsNT Sriiir, ItnNoii'U, jo rjti'oiiri:it.sAxi nnowiAr.i: Drttlrr In r.rrru of lloolt . ItACKFKLD & C., Aftnli. precipice of fifty feel, poured its flood upon the ukau, Itfrrlfllnn No. 6s llorri Street, Honolulu, II. I, SeV.cn rr lit Of r. unit .fiof. to $7 50, acctrlit to tbett destination. 1 inIf Capital and Reserve Relthsmatk from Liverpool ocean. he old line or coast, a maw of com- ,nm,oon R. CASTLE, Ladles and Gents' Fine Wear a Specialty. their Companies " iat,oso,csn pact, Indurated lava, whitened, cracked and yir S. GRINDAUM & Co. IV Jtealt at all hour; Ihe i.;.N-i- f fell. -
Annual Report 2005
NATIONAL GALLERY BOARD OF TRUSTEES (as of 30 September 2005) Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. Berry John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke Victoria P. Sant Barney A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow Eric H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Ruth Carter Stevenson Leonard A. Lauder Alexander M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel David O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Chief Justice of the Victoria P. Sant United States President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A.