James Daffern 15/09/2020, 2109

Total Page:16

File Type:pdf, Size:1020Kb

James Daffern 15/09/2020, 21�09 Spotlight: JAMES DAFFERN 15/09/2020, 2109 JAMES DAFFERN C S A 3rd Floor Joel House, 17-21 Garrick Street, London WC2E 9BL Phone: 020-7420 9351 E-mail: [email protected] WWW: www.shepherdmanagement.co.uk HARVEY VOICES 49 Greek Street, London W1D 4EG Phone: 020 7952 4361 Mobile: 07739 902784 Photo: Jennie Scott E-mail: [email protected] WWW: www.harveyvoices.co.uk Location: Greater London, Appearance: White, England, United Scandinavian, Kingdom Eastern Height: 6' (182cm) European Weight: 13st. 7lb. (86kg) Other: Equity Playing Age: 40 - 50 years Eye Colour: Blue Hair Colour: Dark Brown Hair Length: Short About me: Television Television, Andrew Wallace, PROFESSOR T, Eagle Eye Productions, Indra Siera Television, Jim Bonning, CASUALTY, BBC, Various Television, One Eyed Marc, BIRDS OF A FEATHER, ITV, Martin Dennis Television, Leon, X COMPANY, CBC Television/Sony Pictures Television Television, Ben Owens, DOCTORS (NINE EPS), BBC, Various Television, Zac Glazerbrook, CUFFS, BBC/Tiger Aspect Productions, Kieron Hawkes Television, Natie, RAISED BY WOLVES, C4, Mitchell Altieri Television, Bruce, FLYING HIGH, ZDF, Stephen Bartmann Television, Andrew Hayden, HUNTED, Kudos/HBO/BBC, Daniel Percival/James Strong Television, Ray Keats, WATERLOO ROAD, Shed Productions, Fraser Macdonald Television, Lucas North in Flashback, SPOOKS, BBC Television, Edward Hall Television, Paul Walsh, HOME TIME, BBC Television, Christine Gernon Television, Nathan, RIVER CITY, BBC Television, Semi regular Television, Jimmy Barrett, THE ROYAL, Yorkshire Television, Neil Adams https://www.spotlight.com/interactive/cv/1/M67402.html Page 1 of 2 Spotlight: JAMES DAFFERN 15/09/2020, 2109 Television, Josh Grainger, EMMERDALE, Yorkshire Television, Various Directors Television, Jonathon, WHERE THE HEART IS, Anglia Television, Paul Walker Television, Reece, DALZIEL & PASCOE, BBC Television, Colin Buchanan Television, Magnus Linklater, THE HITLER DIARIES, BBC Television, David Bartlett Television, Tony, SECRET SMILE, ITV, Christopher Menaul Television, David Jones, HOLBY CITY, BBC Television, James Strong Television, Malcolm, THE ROTTERS CLUB, BBC Television, Tony Smith Television, John, ALL ABOUT ME, BBC Television, Richard Boden Television, Matt Webster - Series Regular, DREAM TEAM, Hewland International/Sky TV, Various Directors Television, BLOOD ON HER HANDS (THE TRACY ANDREWS STORY), Granada Television, James Strong Film Film, Charlie, DIVORCE, Uzong Films, Miles Emil Film, Him, REPEAT TO FADE, Like Other People Do films, Alex Kelly Film, John Parker, LOVE LETTERS, Samantha Harrie Film, MAKING WAVES, Nicolas Van Pallandt Film, WHITE BITS, Alex Jovi Stage Stage, Paul, OUR BLUE HEAVEN, New Wolsey Theatre, Peter Rowe Stage, Max, CLOSE, Arcola Theatre London, Daniel Raggett Stage, 2001 & 2002, TRANSMISSIONS, Birmingham Rep Theatre, Carl Miller Commercial 2018, Commercial, PLUS SUPERMARKET, NETHERLANDS 2018, Commercial, MCDONALDS, GERMANY 2018, Commercial, GENIALLOYD INSURANCE, ITALY 2017, Commercial, CITROËN C4 CACTUS (W/WIDE EX USA/CANADA/CHINA) 2017, Commercial, KAUFLAND SUPERMARKET, POLAND 2017, Commercial, CSS INSURANCE, LITHUANIA 2017, Commercial, CENTRAAL BEHEER INSURANCE, NETHERLANDS Skills: Accents & Dialects: American-Southern States, American-Standard, Australian, Belfast, Birmingham, Dublin, (* = native) Edinburgh, French, Glasgow, Liverpool, London, Manchester, Midlands-West*, Russian, Welsh- Standard Languages: English* (* = Native/Fluent) Music & Dance: Ballad*, Bass Guitar, Guitar*, Tenor* (* = highly skilled) Performance: Musician-Professional, Singer-Professional Sports: Badminton*, Fencing*, Horse-riding, Kick Boxing, Swimming* (* = highly skilled) Vehicle Licences: Car Driving Licence, Motorcycle Licence SPOTLIGHT • 7 Leicester Place, London WC2H 7RJ • Tel: 020 7437 7631 • www.spotlight.com Copyright © 2020 Spotlight. The information in this profile has been provided by or on behalf of the member concerned. Whilst every e!ort has been made to ensure that the information is correct Spotlight cannot accept responsibility for its accuracy. https://www.spotlight.com/interactive/cv/1/M67402.html Page 2 of 2.
Recommended publications
  • Broadcast Bulletin Issue Number 191 10/10/11
    Ofcom Broadcast Bulletin Issue number 191 10 October 2011 1 Ofcom Broadcast Bulletin, Issue 191 10 October 2011 Contents Introduction 4 Notice of Sanction Al Ehya Digital Television Limited Saturday Night Special, 13 November 2010 5 Note to Broadcasters Publication of new guidance and research 7 Standards cases In Breach Aden Live 27 October 2010, 18:20 (16:20 GMT) to 29 October 2010, 19:00 (17:00 GMT) 15 November 2010, 10:00 (08:00 GMT) to 16 November 2010, 10:00 (08:00 GMT) 8 Pro Bull Riders trailer Extreme Sports, 19 July 2011, 13:00 31 Howard Taylor at Breakfast Total Star – Wiltshire, 20 May 2011, 06:00 33 The Baby Borrowers Really, 2 August 2011, 20:00 36 Music video programming Brit Asia TV, 11 June 2011 38 Sponsorship of various programmes B4U Music, 15 June 2011, 21:00 to 22:42 42 Resolved Station promotion 106 Jack FM, 2 August 2011, 10:30 47 Fairness and Privacy cases Upheld Complaint by Mr David Gemmell Grimefighters, ITV1, 12 April 2011 49 2 Ofcom Broadcast Bulletin, Issue 191 10 October 2011 Not Upheld Complaint by Dr Saeb Erakat on his own behalf and on behalf of the Palestine Liberation Organisation The Palestine Papers, Al Jazeera English, 23 to 26 January 2011 53 Other programmes Not in Breach 72 Complaints Assessed, Not Investigated 73 Investigations List 79 3 Ofcom Broadcast Bulletin, Issue 191 10 October 2011 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes.
    [Show full text]
  • UC Riverside UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end.
    [Show full text]
  • Birth and Evolution of Korean Reality Show Formats
    Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the
    [Show full text]
  • Broadcast Bulletin Issue Number
    O fcom Broadcast Bulletin Issue number 117 15 September 2008 Standards cases In Breach World’s Most Amazing Videos 4 TV6, 28 June 2008, 20:00 “Wake Up Your Brain” competition 7 James and Ali in the Morning, Invicta FM, 20 December 2007, 06:00 “Worst Girlfriend” competition 9 Lloydie and Katie Show, Power FM, 14 March 2007, 16:00 Full Pott 11 Kanal 5, 16 July 2008; 09:00 Breakfast 13 Kiss 105, 10 April 2008, 08:00 Peter Popoff Ministries 14 Ben TV, 29 February 2008, 16:30 Paul Lewis Ministry Ben TV, 20 March 2008, 16:00 Peter Popoff Ministries Red TV, 24 March 2008, 17:30 The Soup 17 E! Entertainment, 19 July 2008, 23:00 Stripped 18 The Style Network, 2 July 2008, 11:00 Biggles 20 Movies4Men+1, 21 June 2008; 16:20 Eid Messages 22 Aapna Channel, 24 December 2007, 17:00 Deepam TV 23 Non-retention of off-air recordings and sponsored news bulletins up to July 2008 Karl Davies Breakfast Show 25 Tudno FM, 7 August 2008, 7:45 and 8 August 2008, 8:20 Note to Broadcasters – Recordings 26 2 Resolved BBC News 27 BBC1, 2 July 2008, 22:00 Not in Breach The F Word 29 Channel 4, 29 July 2008, 21:00 Fairness & Privacy Cases Not Upheld Complaint by Ms Jenny Thoresson made on her behalf by 30 Ms Ann-Kristin Thoresson Lyxfällan (Luxury Trap), TV3 Sweden, 12 April 2007 (and repeated 23 July 2007) 3 Standards cases In Breach World’s Most Amazing Videos TV6, 28 June 2008, 20:00 Introduction TV6 is a Swedish language channel operated by Viasat Broadcasting UK Limited (“Viasat”).
    [Show full text]
  • Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference by Fletcher Schoen and Christopher J
    STRATEGIC PERSPECTIVES 11 Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference by Fletcher Schoen and Christopher J. Lamb Center for Strategic Research Institute for National Strategic Studies National Defense University Institute for National Strategic Studies National Defense University The Institute for National Strategic Studies (INSS) is National Defense University’s (NDU’s) dedicated research arm. INSS includes the Center for Strategic Research, Center for Complex Operations, Center for the Study of Chinese Military Affairs, Center for Technology and National Security Policy, Center for Transatlantic Security Studies, and Conflict Records Research Center. The military and civilian analysts and staff who comprise INSS and its subcomponents execute their mission by conducting research and analysis, publishing, and participating in conferences, policy support, and outreach. The mission of INSS is to conduct strategic studies for the Secretary of Defense, Chairman of the Joint Chiefs of Staff, and the Unified Combatant Commands in support of the academic programs at NDU and to perform outreach to other U.S. Government agencies and the broader national security community. Cover: Kathleen Bailey presents evidence of forgeries to the press corps. Credit: The Washington Times Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference By Fletcher Schoen and Christopher J. Lamb Institute for National Strategic Studies Strategic Perspectives, No. 11 Series Editor: Nicholas Rostow National Defense University Press Washington, D.C. June 2012 Opinions, conclusions, and recommendations expressed or implied within are solely those of the contributors and do not necessarily represent the views of the Defense Department or any other agency of the Federal Government.
    [Show full text]
  • First Year Experience at Fall Reception Kickoff Event, Though the Eyes Of
    Volume 1, Issue 2 October 2012 First year experience at Fall Reception Inside this issue: By: Dominique Bryant matter how anyone there identified them- selves, I am confident that everyone felt Real Queer Film Series The preparation was hectic, the perfor- welcomed. Bebe Zahara’s performance was Assistant Director screens “reel” mance exciting, and the faces welcoming. I phenomenal. The only other time I’ve ever topics within the LGBTQ have never before experienced an event like experienced anything like her performance community in a new series pg. 3 this. In my opinion, this event allowed for was through a television screen. people to let down their natural defenses and genuinely interact with new people. Obviously live performances are much dif- ferent and the energy she brought exploded Liaison Spotlights Generally speaking, when individuals are off of the stage. As a first time worker for Focusing on different liaisons each in an environment where they don’t feel the Center, and first year student, I am ex- month, we interview a newcommer comfortable they’re afraid to be themselves. cited to see what awaits my future as I con- as well as a seasoned liaison. pg.4 tinue to work with the Center and being a I truly believe that there was no level of part of these events at Rutgers. discomfort at the Reception that night. No Red Arts Series Generation trouble kicks-off a three part series on AIDS in the arts. pg. 6 RU Ally Week Introduction of RU Ally Week, an initiative meant to highlight the community of social justice allies at Rutgers.
    [Show full text]
  • King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
    2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice
    [Show full text]
  • National Security and Local Police
    BRENNAN CENTER FOR JUSTICE NATIONAL SECURITY AND LOCAL POLICE Michael Price Brennan Center for Justice at New York University School of Law ABOUT THE BRENNAN CENTER FOR JUSTICE The Brennan Center for Justice at NYU School of Law is a nonpartisan law and policy institute that seeks to improve our systems of democracy and justice. We work to hold our political institutions and laws accountable to the twin American ideals of democracy and equal justice for all. The Center’s work ranges from voting rights to campaign finance reform, from racial justice in criminal law to Constitutional protection in the fight against terrorism. A singular institution — part think tank, part public interest law firm, part advocacy group, part communications hub — the Brennan Center seeks meaningful, measurable change in the systems by which our nation is governed. ABOUT THE BRENNAN CENTER’S LIBERTY AND NATIONAL SECURITY PROGRAM The Brennan Center’s Liberty and National Security Program works to advance effective national security policies that respect Constitutional values and the rule of law, using innovative policy recommendations, litigation, and public advocacy. The program focuses on government transparency and accountability; domestic counterterrorism policies and their effects on privacy and First Amendment freedoms; detainee policy, including the detention, interrogation, and trial of terrorist suspects; and the need to safeguard our system of checks and balances. ABOUT THE BRENNAN CENTER’S PUBLICATIONS Red cover | Research reports offer in-depth empirical findings. Blue cover | Policy proposals offer innovative, concrete reform solutions. White cover | White papers offer a compelling analysis of a pressing legal or policy issue.
    [Show full text]
  • Broadcast Bulletin Issue Number 45
    * Ofcom broadcast bulletin Issue number 45 10 October 2005 Ofcom broadcast bulletin 45 10 October 2005 Contents Introduction 3 Standards cases In Breach 4 Resolved 8 Other programmes not in breach/outside remit 11 2 Ofcom broadcast bulletin 45 10 October 2005 Introduction Ofcom’s Broadcasting Code took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The Rules on the Amount and Distribution of Advertising (RADA) apply to advertising issues within Ofcom’s remit from 25 July 2005. The Rules can be found at http://www.ofcom.org.uk/tv/ifi/codes/advertising/#content The Communications Act 2003 allowed for the codes of the legacy regulators to remain in force until such time as Ofcom developed its own Code. While Ofcom has now published its Broadcasting Code, the following legacy Codes apply to content broadcast before 25 July 2005. • Advertising and Sponsorship Code (Radio Authority) • News & Current Affairs Code and Programme Code (Radio Authority) • Code on Standards (Broadcasting Standards Commission) • Code on Fairness and Privacy (Broadcasting Standards Commission) • Programme Code (Independent Television Commission) • Programme Sponsorship Code (Independent Television Commission) • Rules on the Amount and Distribution of Advertising From time to time adjudications relating to advertising content may appear in the bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of statutory sanctions by Ofcom).
    [Show full text]
  • Spooks Returns to Dvd
    A BAPTISM OF FIRE FOR THE NEW TEAM AS SPOOKS RETURNS TO DVD SPOOKS: SERIES NINE AVALIABLE ON DVD FROM 28TH FEBRUARY 2011 “Who doesn’t feel a thrill of excitement when a new series of Spooks hits our screens?” Daily Mail “It’s a tribute to Spooks’ staying power that after eight years we still care so much” The Telegraph BAFTA Award‐winning British television spy drama Spooks is back for its ninth knuckle‐clenching series and is available on DVD from 28th February 2011 courtesy of Universal Playback. Filled with spy‐tastic extra features, the DVD is a must for any die‐hard Spooks fan. The ninth series of the critically acclaimed Spooks, is filled with dramatic revelations and a host of new characters ‐ Sophia Myles (Underworld, Doctor Who), Max Brown (Mistresses, The Tudors), Iain Glen (The Blue Room, Lara Croft: Tomb Raider), Simon Russell Beale (Much Ado About Nothing, Uncle Vanya) and Laila Rouass (Primeval, Footballers’ Wives). Friendships will be tested and the depth of deceit will lead to an unprecedented game of cat and mouse and the impact this has on the team dynamic will have viewers enthralled. Follow the team on a whirlwind adventure tracking Somalian terrorists, preventing assassination attempts, avoiding bomb efforts and vicious snipers, and through it all face the personal consequences of working for the MI5. The complete Spooks: Series 9 DVD boxset contains never before seen extras such as a feature on The Cost of Being a Spy and a look at The Downfall of Lucas North. Episode commentaries with the cast and crew will also reveal secrets that have so far remained strictly confidential.
    [Show full text]
  • Civilians in Cyberwarfare: Conscripts
    Civilians in Cyberwarfare: Conscripts Susan W. Brenner* with Leo L. Clarke** ABSTRACT Civilian-owned and -operated entities will almost certainly be a target in cyberwarfare because cyberattackers are likely to be more focused on undermining the viability of the targeted state than on invading its territory. Cyberattackers will probably target military computer systems, at least to some extent, but in a departure from traditional warfare, they will also target companies that operate aspects of the victim nation’s infrastructure. Cyberwarfare, in other words, will penetrate the territorial borders of the attacked state and target high-value civilian businesses. Nation-states will therefore need to integrate the civilian employees of these (and perhaps other) companies into their cyberwarfare response structures if a state is to be able to respond effectively to cyberattacks. While many companies may voluntarily elect to participate in such an effort, others may decline to do so, which creates a need, in effect, to conscript companies for this purpose. This Article explores how the U.S. government can go about compelling civilian cooperation in cyberwarfare without violating constitutional guarantees and limitations on the power of the Legislature and the Executive. * NCR Distinguished Professor of Law and Technology, University of Dayton School of Law. ** Associate, Drew, Cooper & Anding, P.C., Grand Rapids, Michigan. 1011 1012 Vanderbilt Journal of Transnational Law [Vol. 43:1011 TABLE OF CONTENTS I. INTRODUCTION .............................................................
    [Show full text]
  • Venustheatre
    VENUSTHEATRE Dear Member of the Press: Thank you so much for coverage of The Speed Twins by Maureen Chadwick. I wanted to cast two women who were over 60 to play Ollie and Queenie. And, I'm so glad I was able to do that. This year, it's been really important for me to embrace comedy as much as possible. I feel like we all probably need to laugh in this crazy political climate. Because I thought we were losing this space I thought that this show may be the last for me and for Venus. It turns out the new landlord has invited us to stay and so, the future for Venus is looking bright. There are stacks of plays waiting to be read and I look forward to spending the summer planning the rest of the year here at Venus. This play is a homage, in some ways, to The Killing of Sister George. I found that script in the mid-nineties when it was already over 30 years old and I remember exploring it and being transformed by the archetypes of female characters. To now be producing Maureen's play is quite an honor. She was there! She was at the Gateway. She is such an impressive writer and this whole experience has been very dierent for Venus, and incredibly rewarding. I hope you enjoy the show. All Best, Deborah Randall Venus Theatre *********************************************** ABOUT THE PLAYWRIGHT PERFORMANCES: receives about 200 play submissions and chooses four to produce in the calendar year ahead. Each VENUSTHEATRE Maureen Chadwick is the creator and writer of a wide range of award-winning, critically acclaimed and May 3 - 27, 2018 production gets 20 performances.
    [Show full text]