DOCSLIB.ORG

Silver American Cha

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Silver American Cha NOTICE TO THE READER: In order to realize the maximum benefits of this manual, you may wish to view the corresponding DVD/video while following the diagramed figures. While we have made every effort to ensure that this manual compliments the video accurately, we welcome any suggestions you may have. Please address your comments or questions to (800) 851-2813 or email us at [email protected]. ACKNOWLEDGMENTS: We would like to thank the author, Diane Jarmolow, for writing this syllabus. We appreciate her commitment to excellence, and desire to support dance teachers and students through this detailed documentation of the technique. DISCLAIMER: This manual is intended for information only. Please check with your physician prior to beginning any new physical activity. The publisher and author do not intend that any user of this manual endure undue exertion or strain. Copyright 2006 by W.D. Eng, Inc. dba Dance Vision All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means (including information storage and retrieval systems) without written permission of the publisher. Published by W.D. Eng, Inc. Las Vegas, Nevada, USA, June 1, 2006, Renee Coates – Editor MANUAL UPDATES We are committed to constantly updating and improving our dance manuals so that you can count on their accuracy. The Dance Vision staff is currently in the process of editing and making improvements to the manuals. We also welcome and need your input. If you find an error, please email to [email protected]. We will review your correction and e-mail you a response. Please be sure to include the manual and name of the figure in your email. We will be posting all corrections on the website (www.dancevision.com and click the DanzSupport or ProDVIDA site) so that you may check our “corrections page” at any time, and make corrections to your manual. All manuals will have a “print date” on them, so that you can be sure that you will only need to correct your manual with regards to errors discovered after your print date. WARNING: Dance Vision will prosecute any individual or company, within the United States or any other country, who reproduces any or all of this text without the express written permission of the publisher. Dance Vision offers a reward of $1000 for information leading to the prosecution of copyright infringement upon its property. THE DANCE VISION DIFFERENCE "The people of DVIDA did everything possible to make these syllabus manuals clear and precise. The corresponding DVDs/videos are designed to give you a Our comprehensive syllabus DVDs/videos featuring world-class champion visual guide to the patterns. The DVDs/videos, with demonstrations by United Ron Montez will compliment and simplify your learning experience. States Champions, show advanced styling and competitive technique. In some instances the technique may differ from the basic written technique in order to Bronze DASRM118 (DVD) or ASRM118 (VHS) provide you with concepts and theories that will take your dancing to an even Silver DASRM119 (DVD) or ASRM119 (VHS) higher level." Gold DASRM120 (DVD) or ASRM120 (VHS) We realize that perfection is a never-ending goal and therefore DVIDA will improve To order videos, please call 1-800-851-2813 our manuals with each new revision. The World of Dance is always in motion and DVIDA will continue to lead those who aspire to be the best. Table of Contents Studying the Charts Definitions of Chart Elements..................................... 1 Abbreviation Key ........................................................ 4 Foot Position Diagrams ............................................. 6 Amount of Turn Diagrams ......................................... 9 Alignment Diagram................................................... 10 Musical Information Musical Terms .......................................................... 11 Counting in Beats and Bars...................................... 14 Certification Student Medal Program ........................................... 15 Professional Certification.......................................... 16 Bronze Routines ....................................................... 17 Syllabus Figures 1. Basic Rhythm ..................................................... 18 2A. Two Step Basic – Closed Position ................... 19 2B. Two Step Basic – Double Hand Hold............... 19 3. Outside Underarm Turn...................................... 20 4. Opening Out Right & Left ................................... 21 5. Shadow Position................................................. 22 6. Flip-Flop In Place ............................................... 24 7. Shoulder Check.................................................. 25 8. Cradles ............................................................... 26 9. Traveling Crosses Left & Righ........................... t28 10. Inside Underarm Turn ...................................... 29 11. Underarm Turn & Ladies Spin ......................... 30 12. Through The Window....................................... 31 13. Opposition & Travel To The Right.................... 33 14. Push Spin......................................................... 34 15. Criss Cross & Underarm Turn.......................... 35 History Nightclub Two Step (not to be confused with Country-Western Two-Step), is one of the most practical and versatile social dances ever conceived. It is designed to be used with contemporary soft rock (“Love Song” type music). This type of music is common just about everywhere: nightclubs, radio, etc. The rhythm of the dance is very simple and rarely changes from the 1 and 2 count. This simple romantic dance fills a gap where no other ballroom dance fits. It gives the dancer, either beginning or advanced, the opportunity to express and create without a rigid technique being required. It’s not too often that the origins of a new dance can be traced to a single individual. But that’s precisely the case with Night Club Two Step, a dance created and popularized by renowned California teacher Buddy Schwimmer. Night Club Two Step is an easy dance that almost anyone can learn. Its key characteristic is a rock step followed by a side step. Schwimmer says that the rock step is actually a 5th position break, adding that he doesn’t recommend pronounced Latin hip movements. Musical Information Time signature: 4/4 Tempo: 16-22 measures per minute Timing: 1&2, 3&4, 5&6, 7&8 Beat value: ½-½-1 Alternative Teaching Counts: Rock-Step, Side Rock-Step, Side -or- QQS, QQS Counting in Beats and Bars: 1234, 2234, 3234, etc. The Hold Nightclub 2-Step has a relaxed frame somewhere in between a Latin and Ballroom frame. The Leader is offset to their left and places the right hand on the Follower’s left shoulder blade. The Follower places the left arm lightly on the Leader’s right arm, placing the left hand on the Leader’s upper arm or shoulder. The Leader’s left hand and Follower’s right hand are lightly clasped and held at the eye level of the Follower. Technical Tips • On the rock steps, the Leader should allow the frame to gently open up, giving the Follower space to step back, and then gently return to the original position as both partners replace weight forward. • Create slight compression on the side steps of the Basic, decreasing the distance between partners, to prepare for the next expansion of the frame. • Be careful not to lower heel on rock steps. • Although the frame is not formal, it is important to keep tone in the frame and elbows in front of the body at all times, to help both leading and following. • Slight sway can be used on the side steps, which helps create the romantic feel and adds to the musicality of the dance. • The free arm for both Leader and Follower should be extended gracefully to the side. Studying The Charts Definitions of Chart Elements The charts provide a written guide to the syllabus figures. Each figure has a separate chart for the Leader’s part and Follower’s part. Depending on the dance, a chart will contain the following: Step Number, Foot Position, Lead, Alignment, Amount of Turn, Footwork, Count, and Summary. The following definitions will help you in studying the charts: Step Number This refers to each weight change or action in a figure. Most steps in a figure are weight changes, where weight is fully shifted from one foot to the other. An example is the Rumba Box – all six steps are distinct weight changes. An action includes such things as taps, kicks and points. An example of an action is the tap on the Leader’s step 3 of the West Coast Swing Sugar Push or steps 4 and 8 of the Merengue Conga Breaks. Note that the step number is different from the count. For example, the Rumba Box has six steps, but is danced over eight beats of music with a count of SQQ, SQQ. Another example is the East Coast Swing Basic, which has eight steps, although it is danced in six beats of music with a count of 12-3a4-5a6. Foot Position This refers to the direction of the moving foot in relation to the standing foot. The foot position does not refer to the path the foot takes to arrive at its destination, as that may differ from the final position. See also: Foot Position Diagrams. The foot position will also include the dance position if other than Closed Position. However, the dance position is not listed when the Leader and Follower are transitioning between positions. For example, no dance position will be given on steps 8 and 9 (Follower’s UAT R) of the Rumba Open Break and Underarm Turn, as the Leader
Load more

Recommended publications
  • SAC Community Services Spring 2016 Final
    SANTA ANA COLLEGE COMMUNITY SERVICES PROGRAM SPRING 2016 714-564-6594 www.sac.edu/cms Take action • Aim for success • Enroll now HOW TO REGISTER On-line Registration @ www.sac.edu/cms with your MasterCard, VISA, Discover, or American Express. FAX Registration with your credit card information. Complete the registration form on the inside back cover and FAX to (714) 564-6309. Phone Registration with your MasterCard, VISA, Discover, or American Express. Call (714) 564-6594. Mail-In Registration: Complete the registration form located on the inside back cover, include payment, and mail to: Santa Ana College Community Services Program 1530 W. 17th Street, S-203 Santa Ana, CA 92706 In-Person Registration @ Community Services Program office located in the Administration Building, room S-203. See map on page 28. Confirmation: Registration received by mail will be confirmed if you send a self-addressed stamped envelope. Registration received by phone and online will automatically receive a confirmation. If you do not receive a confirmation in 5 business days, call our office at (714) 564-6594. Non-receipt of confirmation does not warrant a refund. Refund & Transfer Policy for all events: Refund and transfer requests must be made (3) business days prior to the event less a $10 processing fee per person. Day Tours: may be cancelled up to 10 days prior to departure date less a $15 processing fee. A refund will only be issued if your space can be re-sold. You may send a substitute in place. Multi Day Tours: Travel Protection insurance is highly recommended. A refund will be issued less a $50 cancellation fee.
    [Show full text]
  • April 2012 Compass
    The Official Magazine of Sun City Lincoln Hills April 2012 Compass Chorus to Feature “Notable” Composers ... page 13 Strategic Advisory Committee Accepting Applications ... page 2 Limited Time Special Offer on Summer Concert Series ... page 5 Planning for Additional Pickleball Courts ... page 11 Association News In This Issue Board of Directors Report Activities News & Happenings ............................. 5 SCLH: A Different Kind of Wonderland Marcia VanWagner, Director, SCLH Board of Directors Advertisers’ Directory ......................................95 Association Contacts & Hours Directory ............ 94 Alice: Which way should I go? Once we know who Board of Directors Report................................... 2 Cat: That depends on where you are going. we are, then it’s on to Bucket List........................................................ 2 Alice: I don’t know where I’m going! envisioning our future. Cat: Then it doesn’t matter which way Bulletin Board ................................................. 37 What will we need to continue our finan- you go!! Lewis Carroll,1872 cial stability? How will we market our • You Are Invited ........................................... 37 Through the Looking Glass community to maintain home values in • LH Players Announce Auditions/”O’Leary’s” ..... 37 Sun City Lincoln Hills is a different this economy? How will emerging tech- Calendar of Events ..................................... 3 kind of Wonderland from Alice’s. Your nologies affect our future? How are we Chorus to Feature “Notable” Composers ........... 13 Board of Directors is committed to using our facilities and sports venues? knowing not only where we are go- Classes ............................................................ 59 The conclusions will include recommen- ing, but also how we will get there! It dations for a lifestyle appropriate for all. Club Advertisements ................................. 6-8 became clear during our election cam- The SAC will map the route, identifying Club News ....................................................
    [Show full text]
  • DVIDA American Smooth Silver Syllabus Figures
    Invigilation Guidance/ DVIDA/SYLLABUS/ Current'as'of'October'15,'2015' Extracted'from: Dance$Vision$International$Dancers$Association, Syllabus$Step$List$ Revised/May/2014 Invigilation Guidance/ AMERICAN)SMOOTH) / DVIDA American Smooth Bronze Syllabus Figures *Indicates figure is not allowable in NDCA Competitions. Revised January 2014. View current NDCA List Waltz Foxtrot Tango V. Waltz Bronze I 1A. Box Step 1. Basic 1A. Straight Basic 1. Balance Steps 1B. Box with Underarm Turn 2. Promenade 1B. Curving Basic 2A. Fifth Position Breaks 2. Progressive 3A. Rock Turn to Left 2A. Promenade Turning Left 2B. Fifth Position Breaks 3A. Left Turning Box 3B. Rock Turn to Right 2B. Promenade Turning Right with Underarm Turn 3B. Right Turning Box 3. Single Corté 4. Progressive Rocks Bronze II 4A. Balance Steps 4. Sway Step 5A. Open Fan 3. Reverse Turn 4B. Balance and Box 5A. Sway Underarm Turn 5B. Open Fan with 4. Closed Twinkle 5. Simple Twinkle 5B. Promenade Underarm Turn Underarm Turn 6. Two Way Underarm Turn 6A. Zig Zag in Line 6. Running Steps 7. Face to Face – Back to Back 6B. Zig Zag Outside Partner 7. Double Corté 7. Box Step 8A. Reverse Turn Bronze III 8A. Reverse Turn 8. Twinkle 8B. Reverse Turn with 5A. Crossbody Lead 8B. Reverse Turn with 9. Promenade Twinkles Outside Swivel 5B. Crossbody Lead with Underarm Turn 10A. Turning Twinkles to 9. Right Side Fans Underarm Turn 9A. Natural Turn Outside Partner 10. Contra Rocks 6. Hand to Hand 9B. Natural Turn with 10B. Turning Twinkles to Outside 11A. Change of Places 7A. Forward Progressive Underarm Turn Partner with Underarm Turn 11B.
    [Show full text]
  • San Diego Dance Programs Available at Dance Motion Studios
    San Diego Dance Programs Available at Dance Motion Studios Dance Styles Ballroom Dances Classic and elegant, Ballroom Dance is a timeless and beautiful art form, but don't expect this genre to stop at the Waltz. Try the passionate heat of the Tango, or the energetic Foxtrot. You¶ll be surprised at the range and variety of ballroom dances to suit any taste or style. Our accomplished ballroom dance instructors are experienced in teaching dancers of all ability levels. y Quickstep y Tango y Viennese Waltz y Waltz Latin Dances Free-spirited and sensual, Latin dances are fun and a great way to learn how to dance. Due to their passionate movements and intoxicating rhythms, these Latin American imports have a dedicated following. Make your way through our extensive range of Latin dance programs and discover your Latin flair. y Bolero y Cha-Cha y Jive y Mambo y Rumba y Samba Social Dances We offer a number of dance styles perfectly suited for dance clubs and parties. Develop the ability to spin and dip your partner with ease, or find the confidence to step onto the dance floor and move your body with poise and grace. Whatever your skill level and goals, we have programs suited for your needs and instructors who will help you develop into the social dancer you¶ve always wanted to be. y Argentine Tango y East Coast Swing y Hustle y Lindy Hop y Merengue y Nightclub Two-step y Salsa y West Coast Swing Private Lessons Private lessons are ABSOLUTELY the most effective and efficient way to learn ballroom dancing.
    [Show full text]
  • Kickish: the Language of Line Dance
    ILDSF KICKISH: THE LANGUAGE OF LINE DANCE A VOCABULARY AND FORMAT FOR STANDARDIZED LINE DANCE STEP SHEETS 4256 N. SVENSK LANE EAGAN, MN 55123 A VOCABULARY FOR LINE DANCERS Let's say you are a line dancer who is writing or reading line dance choreography. A. You have choreographed the perfect dance. It fits the music and your personality. It is interesting, creative, and a sure-fire hit. Now you want to write a clear description of the dance, which we call a step sheet. B. Perhaps English is not your native language, and you want to write a step sheet in English that makes sense to English-speaking people, without errors from computer-based translations. C. Perhaps you wonder why some step sheets are easier to read than others. You notice one portion of a step sheet is easy to read, while another portion of the same step sheet is unclear. Why does that happen? In this article we examine a few aspects of step sheets that affect readers' ability to understand what is written, and we will describe a small line dance language (vocabulary and format) that can be used for nearly all line dances ever written (so far). After looking over a list of language names like Spanish, Danish, Polish, Elvish, etc., and bearing in mind that this language is used extensively in the line dance archive at the Kickit website, we have decided to call this language Kickish: The Language of Line Dance. WHAT MAKES A STEP SH EET READABLE? Just as a sculpture, river, or person cannot be fully described in text, a step sheet can never fully describe a dance.
    [Show full text]
  • Danc-Dance (Danc) 1
    DANC-DANCE (DANC) 1 DANC 1131. Introduction to Ballroom Dance DANC-DANCE (DANC) 1 Credit (1) Introduction to ballroom dance for non dance majors. Students will learn DANC 1110G. Dance Appreciation basic ballroom technique and partnering work. May be repeated up to 2 3 Credits (3) credits. Restricted to Las Cruces campus only. This course introduces the student to the diverse elements that make up Learning Outcomes the world of dance, including a broad historic overview,roles of the dancer, 1. learn to dance Figures 1-7 in 3 American Style Ballroom dances choreographer and audience, and the evolution of the major genres. 2. develop rhythmic accuracy in movement Students will learn the fundamentals of dance technique, dance history, 3. develop the skills to adapt to a variety of dance partners and a variety of dance aesthetics. Restricted to: Main campus only. Learning Outcomes 4. develop adequate social and recreational dance skills 1. Explain a range of ideas about the place of dance in our society. 5. develop proper carriage, poise, and grace that pertain to Ballroom 2. Identify and apply critical analysis while looking at significant dance dance works in a range of styles. 6. learn to recognize Ballroom music and its application for the 3. Identify dance as an aesthetic and social practice and compare/ appropriate dances contrast dances across a range of historical periods and locations. 7. understand different possibilities for dance variations and their 4. Recognize dance as an embodied historical and cultural artifact, as applications to a variety of Ballroom dances well as a mode of nonverbal expression, within the human experience 8.
    [Show full text]
  • West Coast Swing (Beginner & More)
    Live Class Schedule Replays {Sorted} West Coast Swing (Beginner & more) West Coast Swing Basics – W ATCH HERE West Coast Swing Dance Basics – W ATCH HERE WCS Variations of Basic Patterns – W ATCH HERE 5 Starter Step Variations for West Coast Swing – WATCH HERE 7 Patterns All Leaders and Followers Should know – W ATCH HERE 5 Ways to Practice Alone – WATCH HERE How to be a Good Leader & Follower in WCS – WATCH HERE Adding Variations to your Basics – W ATCH HERE 5 Things You’re Doing Wrong! – WATCH HERE Practice Line dance (for Leaders & Followers) – W ATCH HERE West Coast Swing Line Dance – WATCH HERE Line dance Lesson – W ATCH HERE WCS Practice Linedance – W ATCH HERE WCS Practice Linedance – W ATCH HERE How to Move from Beginner to Intermediate – WATCH HERE West Coast Swing (Intermediate) WCS Choreography (Learn 32 counts) – WATCH HERE Intermediate WCS Lesson – WATCH HERE Roll In Roll Out to Reverse Whip – WATCH HERE How to Lead and Follow WCS Ducks – W ATCH HERE Intermediate WCS Moves – WATCH HERE 5 Ways to Practice By Yourself – WATCH HERE Ultimate Guide to WCS Rock n Go’s – WATCH HERE Intermediate WCS – WATCH HERE Intermediate WCS – WATCH HERE Intermediate WCS Patterns – WATCH HERE 32 Counts of Choreography (Intermediate) – W ATCH HERE Intermediate West Coast Swing Patterns – WATCH HERE 10 Whips You need to know for West Coast Swing – WATCH HERE Intermediate West Coast Swing – WATCH HERE Intermediate West Coast Swing – WATCH HERE Intermediate West Coast Swing – WATCH HERE West Coast Swing ( Advanced) Advanced WCS Moves – WATCH HERE
    [Show full text]
  • Nightclub Two-Step (Club Two-Step, NC2S)
    Nightclub Two-Step (Club Two-Step, NC2S) Richard Powers Buddy Schwimmer developed this dance in the late 1970s and it has become widely popular among American social dancers. It is the perfect dance for easygoing, moderate-tempo music, and provides a welcome break between fast dances. It can be danced in a wide range of tempos, from 72 to 92 beats per minute, with 82 bpm as its sweet spot. Buddy Schwimmer originally taught Nightclub Two-Step as rock-step first, danced in quick-quick-slow timing. Today dancers accept both slow-quick-quick or quick-quick-slow timings, depending on what the music indicates. We teach it in the slow-quick-quick timing for two reasons. 1) This timing feels more musical, especially for the Follow role, letting her dance the strongest movements at the strongest moment in the music, on count 1. When the music goes, the Follow goes, instead of being delayed by a rock step. 2) This timing is more commonly done in the Bay Area, and we want our students here to dance comfortably with most local dancers. But we don't dismiss the other timing. They're both good. You'll probably want to adopt the timing done by most dancers in your area. The Basic Step Take a relaxed closed dance position. Count 1 The Lead takes a slow step to the left side with his left foot as the Follow steps side right. 2 The Lead rocks his right foot behind his left heel, taking weight on the ball of his right foot, as the Follow rocks back left.
    [Show full text]
  • OCTOBER 2018 NEWSLETTER Our Website
    OCTOBER 2018 NEWSLETTER Our Website: www.oncjc.org Contact Emails Club Information [email protected] Newsletter Editor [email protected] Dance Lessons [email protected] Website [email protected] President’s Letter to Membership Happy Fall! October is a very busy month for our club and its members. Connie Brown starts us off on Wednesday, October 3, with a Hustle lesson at 6:45 pm. She has been a guest instructor for us several times in the past and we look forward to having her with us again. In order for the Executive Board members to participate in the lesson, the monthly Board Meeting will begin at 5:45 pm. Meet Me in the Middle, our shared dance with one of our sister clubs, The Steele City Boogie Club, will be Saturday, October 6 from 1-5 pm at Rolling Mills (formerly Kuzmans) in Girard, Ohio. Admission is $7 payable at the door. Food can be purchased from the menu. See the flyer in this bulletin for more details. Nominations will be taken for the positions of President, Secretary, and three Trustees at the Quarterly General Meeting on Wednesday, October 10, at 6:45 pm. Please make every effort to attend this meeting not only for nominations, but to learn what your Board has been planning. Club Shirt night and birthdays will also be celebrated that evening. Our Fall dance at The Heritage Barn in Stow, will be held on Friday, October 19. Tickets are $20 per person which includes dinner and dancing. Last night of ticket sales will be on Wednesday, October 10.
    [Show full text]
  • Elated’ by Gay Marriage Rulings by Nick Veronin
    A spirited local business WEEKEND | 16 JUNE 28, 2013 VOLUME 21, NO. XX www.MountainViewOnline.com 650.964.6300 MOVIES | 19 Couple ‘elated’ by gay marriage rulings By Nick Veronin rian Fiorino and Duke Khuu say they are elat- Bed to know that their daughter will be born into a world where her parents have the same legal rights as hetero- sexual married couples. The Mountain View couple expressed excitement over two Supreme Court rulings handed down Wednesday, June 26, which reversed California’s controversial Proposition 8 and overturned a key provision in the federal Defense of Mar- FILE PHOTO MICHELLE LE riage Act that denied certain Duke Khuu and Brian Fiorino John Miguel, a Mountain View firefighter, led the clean-up effort on Frances Stieper’s property, which rights to same-sex married have been waiting for years to get the city has bought and to use as a park. couples. married. “It’s a great day for us,” Khuu, who runs a dermatology New city property a future ‘food forest’? practice on Castro Street, told The decision comes at an the Voice. “We’re very pleased. especially exciting time for the By Daniel DeBolt While the city’s planning process has yet We’ve been waiting for a very couple, who after a number of to begin for the property, its numerous fruit long time.” tries are expecting a baby girl. t may be hard to imagine walking into a park trees may very well be saved if the City Council According to Fiorino, he and Their daughter is being carried in the heart of Silicon Valley and being able decides to stick to its goal this year of maintain- Khuu have considered themselves by a surrogate and is due in Ito eat freely from an abundance of fruit trees ing the city’s tree canopy.
    [Show full text]
  • + WCS Wednesday San Mateo
    Michelle's Midweek News (5/25/16) + WCS Wednesday San Mateo Subject: Michelle's Midweek News (5/25/16) + WCS Wednesday San Mateo From: Michelle Kinkaid <[email protected]> Date: 5/25/2016 5:31 PM To: "Kinkaid, Michelle* (gmail)" <[email protected]> BCC: [email protected], [email protected], [email protected], [email protected] Michelle's Midweek News (5/25/16) + WCS Wednesday San Mateo It's Wednesday ... and time for B Street Boogie! For the sports fans out there ... the games will be on the bar TV and projected onto the back wall so you won't miss the action! B-Street Boogie Wednesday ... Remembering Memorial Day tonight! *** Free to all Military Personnel; any branch, any service *** 7-11pm; Lessons & Dancing, San Mateo Memorial Day is Monday, May 30 Many thanks to all our military service personnel! ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ Michelle's Mid-Week News Current News Group Classes Workshops Monthly Dance Special Events Instructional DVDs CURRENT NEWS *********************** -B Street Boogie West Coast Swing Wednesdays Come join us for the mid-week dancing fun every Wednesday! Web: http://www.michelledance.com/wednesday.html -WCS Group Series Classes in SF (Tuesday) and Mtn View (Thursday) Current 5-week series continues this week ... drop in OK Web: http://www.michelledance.com/classes.html -FreZno Dance Classic, Fresno ... Memorial Day Weekend, May 27-29 Steve Zener and team present a unique and totally fun Swing and Country event. Dance Workshops, Complete UCWDC Country and WSDC West Coast Swing contests, open dancing, parties and lots of fun! Web: http://freznodanceclassic.weebly.com/ -Casa de Fruta Reunion Dance Party & Joe Zanger Memorial ..
    [Show full text]
  • Beginning Social Dance Syllabus
    Department of Kinesiology and Health Education The University of Texas at Austin PED 103L and KIN 119: BEGINNING SOCIAL DANCE Course Information I. GENERAL INFORMATION A. Instructor: Nick Enge Email: [email protected] Phone: (650) 814-4760 Office: BEL 610B Office Hours: Fridays 12pm-2pm in BEL 628 and by appointment B. Unique Numbers Make sure you have registered for the correct section: TTh 12-1:30 (PED 103L) LEADS 11390, FOLLOWS 11405 TTh 12-1:30 (KIN 119) LEADS 10780, FOLLOWS 10795 TTh 1-2:30 (PED 103L) LEADS 11395, FOLLOWS 11410 TTh 1-2:30 (KIN 119) LEADS 10784, FOLLOWS 10799 C. Course Times The TTh 12-1:30 class will start at 12pm and end at 12:50pm. The TTh 1-2:30 class will start at 1pm and end at 1:50pm. You are expected to arrive early to class to be prepared to start on time, and you are encouraged to stay 5 minutes after class for extra practice. Dance labs are on Fridays 12pm-2pm. The Social Dance Soirée will be in the evening during the last full week of class. D. Course Location All classes and labs are in BEL 628. E. Prerequisites There is no prerequisite for this course. No prior experience in dance is necessary. F. Email You are expected to check email daily throughout the semester to read class announcements. Please make sure your correct email address is in the UT system and on Canvas. G. Canvas PED 103L and KIN 119: Beginning Social Dance Spring 2018 - Page 1 Department of Kinesiology and Health Education The University of Texas at Austin Announcements, assignments, and grades will be posted on the Canvas site (canvas.utexas.edu) throughout the semester.
    [Show full text]