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Ausgabe 41.Qxd FAHRKARTE IN DIE SURREALE GEWALTSPIRALE DURCH DREI ENTDECKUNGSTOUR ZUR LIVEERLEBNIS NETZKUNST VATER-SOHN-KONFLIKT IM FILMWELT VON MEISTER- JAHRHUNDERTE IM THEATER JUNGEN FOTOKUNST JAPANS BEIM AUFBAU VON LOCAL- GRAZ VON VOR 100 JAHREN: REGISSEUR DAVID LYNCH S. 2 DER WIEDERHOLUNGEN S. 7 BEI „KEEP IN TOUCH“ S. 6 TASK IM DOM IM BERG S. 11 DIE GESETZE DES VATERS S. 5 DAS WOCHENPROGRAMM DER KULTURHAUPTSTADT EUROPAS THE WEEKLY PROGRAM OF THE CULTURAL CAPITAL OF EUROPE MONTAG 6. 10. BIS SONNTAG 12. 10. IKONEN DES 20. JAHRHUNDERTS MARKUS HINTERHÄUSER MIT „GEWALTIGER“ KLAVIERMUSIK FOTOS: DAVID LYNCH/TWIN PEAKS (1992), MRS-LEE.COM, TOMOKO SAWADA, FROM: COVER, 2002, COURTESY: THE THIRD GALLERY AYA, OSAKA, MUR.AT, FUISZ-MOODLY + WAGNER, BEGSTEIGER Metasofas material- Material battle As the song goes, marble, stone schlacht and iron break … and so do the Metasofas! And particularly when a lot of people pick at them with their Willkommen zum letzten hands and knives. That is also basically the content of the Meta- „Comebreak“ der Metasofas! sofa performance with the artist Josef Trattner, who had once placed armor, Stein und Eisen bricht… und unsere Meta- the foam rubber blocks throughout sofas auch. Vor allem wenn viele Menschen mit the historic city center. On Friday the M Händen und Messern darauf einhacken. Und das oversized sofas will still be left ist im Wesentlichen auch der Inhalt der Metasofa-Per- alone and can be formance, an der sich auch der Künst- sat on, played on metasofa- ler Josef Trattner beteiligt, der die or occupied. On performance Schaumstoffblöcke einst in den Stadt- Saturday they will raum platziert hat. Am Freitag bleiben be ripped apart by Von 10. bis 12. Oktober die Metasofas noch unbehelligt, volunteers. Those Samstag: 11. Oktober: 15.00 Uhr: können beritten, besessen oder belegt Begrüßung der Teilnehmer durch den of you who have werden, am Samstag ab 15.00 Uhr Künstler Josef Trattner und kurze § AM SAMSTAG WERDEN DIE SOFAS EINER laid your hands on Einführung in das Thema. werden sie von Freiwilligen „zer- FORMUMWANDLUNG UNTERZOGEN, DIE small Styrofoam Anschließend: Gemeinsame bröselt“. Wer schon einmal Hand an DANN BIS SONNTAG SICHTBAR BLEIBT Demontage der Sofas objects know that kleinere Styroporobjekte gelegt hat, ON SATURDAY THE SOFAS WILL UNDERGO it can be lots of Mariahilferplatz. Eintritt frei. weiß, dass das durchaus Freude A TRANSFORMATION WHICH WILL REMAIN fun. Tickets/Info: 0316/2003, Mariahilferplatz 2, Graz oder www.graz03.at bereiten kann. N. W. VISIBLE UNTIL SUNDAY Retrospective lynch- David Lynch Star director David Lynch rewrote justiz the laws of film. “I don’t mean that a film shouldn’t have a storyline, but it should also create a world or an at- Meisterregisseur David Lynch mosphere or a complexity or some- thing else to grip the audience”, schrieb Gesetze des Films um. David Lynch once said. And he added, “Films have to become more abstract, ch meine nicht, dass ein Film keine Geschichte haben soll, because now there are so many ways aber darüber hinaus sollte er eine Welt kreieren oder eine for people to watch them more than I Atmosphäre oder eine Komplexität oder irgend etwas once.” How true! The next ticket to anderes, um einen bei Stange zu halten“, sagte David Lynch the surreal world of einmal. Und fügte hinzu: „Filme müssen films of the Ameri- david lynch – abstrakter werden, denn es gibt in- can star director along the surface zwischen so viele Möglichkeiten für die can be redeemed Leute, sie mehr als einmal anzu- this week at Schu- Along the Surface*: Von 10. bis schauen.“ Wie wahr! Die nächste Fahr- 16. Oktober, Schubertkino, Mehlpl. 2. bertkino. In addition karte in die surreale Filmwelt des Star- Beginn jeweils 17.30 Uhr außer: to the film retro- regisseurs können Sie diese Woche Eröffnung: 10. Oktober um 19.30 Uhr. § „ELEPHANT MAN“ MIT ANTHONY HOPKINS spective “Along the slowbar: Von 10. bis 17. Oktober im (vom 10. bis 16. Oktober) im Rahmen IST NUR EINER VON ELF LYNCH-FILMEN IM Schloßberg-Restaurant, Surface”, the slow- des steirischen herbst im Schubertkino RAHMEN VON „ALONG THE SURFACE“. Schloßberg 7/8. bar also invites you lösen. Neben der Retrospektive „Along “ELEPHANT MAN” WITH A. HOPKINS IS * Eintritt: to visit Lynch’s 5/6,5 Euro. the Surface“ lädt außerdem die „slow- ONE OF ELEVEN LYNCH FILMS WITHIN THE KOSCHER / THE ELEPHANT MAN (1980), SALZBURGER FESTSPIELE ARCHIV, LYNCH FOTOS: SCHIFFER, DAVID realm of shadows. Info: 0316/2003, Mariahilferplatz 2, Graz oder www.graz03.at bar“ ins Lynch’sche Schattenreich. FRAMEWORK OF “ALONG THE SURFACE” 02 20th Century The power of innovation Galina Ustvolskaya, born in 1919 in the former Soviet Union, American John Cage (1912–1992) and the na- § tive Italian Giacinto Scelsi (1905– M. HINTER- 1988) have one thing in common: they HÄUSER ÜBER are all „Icons of the 20th century“. USTVOLSKA- YAS SONATEN: John Cage is the inventor of the „DER PIANIST “prepared piano”. He put various VERRICHTET everyday objects, ranging from ash ANSTREN- trays to newspapers, between the GENDE strings of a concert piano. Thus, he PHYSISCHE was able to give each note a ARBEIT.“ harmonious and percussive sound. M. HINTER- HÄUSER : ”EX- This is also true of the “Sonatas & HAUSTING Interludes” with which pianist PHYSICAL Markus Hinterhäuser will begin his WORK.” “Icons evening” on October 6. ikonen des 20. jahrhunderts The second program highlight of the concert is Giancinto Scelsi’s “Suite no. 10”. Scelsi remained un- innovationskraft noticed in his homeland for the most part and was first able to experience acknowledgement of his work in Eine vielfältige Palette richtungsweisender Ideen in der Musik Germany in the 1980s. stellt Pianist Markus Hinterhäuser in der Helmut-List-Halle vor. Hinterhäuser concludes his evening with the fifth and sixth piano sonata by the St. Petersburg native, ines ist Galina Ustvolskaya, dankengut entwickelt hatte, war in fünften Sonate schreibt die Komponis- Galina Ustvolskaya. Her sonatas were geboren 1919 in der ehemaligen seiner Heimat weitgehend unbeachtet tin z. B., dass in einer Passage der described by the pianist as “extreme E Sowjetunion, dem Amerikaner geblieben und konnte erst in den Anschlag der Knöchel auf den Tasten and uncompromising”. In the instruc- John Cage (1912–1992) und dem 1980er-Jahren in Deutschland eine hörbar sein muss. Hinterhäuser: tions for playing the fifth sonata the gebürtigen Italiener Giacinto Scelsi Würdigung seines Schaffens erleben. „Wenn man das wirklich macht, dann composer writes, for example, that in (1905–1988) gemeinsam: Sie kompo- Hinterhäuser beendet seinen blutet man. Ihre Musik ist extrem a passage we have to be able to hear nierten fernab jeder Konvention und Abend mit der fünften und sechsten physisch.“ Auf den Pianisten warten when the pianist’s knuckles touch the wurden dadurch zu „Ikonen“ der Klaviersonate der St. Petersburgerin also anstrengende Arbeit – und keys. Hinterhäuser comments, “If you Musik des 20. Jahrhunderts. Galina Ustvolskaya. Ihre Sonaten ernste, ehrliche, schnörkellose Musik. really do that, you bleed. Her music is John Cage ist u. a. Erfinder des beschrieb der Pianist einmal in einem Und er ist sich sicher: „Wenn die Kon- extremely physical.” Thus, the pianist „präparierten Klaviers“. Er platzierte Interview als „extrem und kompro- stellation stimmt, dann überträgt sich is in for some strenuous work – and Alltagsgegenstände, von Aschen- misslos“. In der Spielanleitung der das auch auf das Publikum“. I. O. serious, honest and no-frills music. bechern bis zu Zeitungen, zwischen die Saiten eines Konzertflügels. So ikonen des 20. jahrhunderts Impressum gab er jedem Ton zum harmonischen markus hinterhäuser Dies ist ein Produkt der Kleine Zeitung GmbH. & Co KG, Schönaugasse 64, 8010 Graz in Zusammenarbeit mit auch einen perkussiven Klang. So Graz 2003, Kulturhauptstadt Europas Organisations GmbH auch in den „Sonatas & Interludes for 6. Oktober, 19.30 Uhr. Markus Hinterhäuser, Sponsored by Anzeigenleiter: Gerhard Valeskini ¤ (0 31 6) 875 3303 Klavier: „Sonatas & Interludes for prepared Pianos“ von Projektleitung und Anzeigen: Prepared Piano“, mit denen Pianist Mag. Christian Edelsbrunner ¤ (0 31 6) 875 3350, John Cage, „Suite Nr. 10“ von Giacinto Scelsi und Leitung PR-Redaktion: Markus Hinterhäuser seinen „Ikonen- Sonaten Nr. 5 und 6 von Galina Ustvolskaya. Anna Maria Peiker ¤ (0 31 6) 875 3328 Koordination: Itta Olaj (0 31 6) 875 3339. Abend“ am 6. Oktober beginnen wird. Nächster Ikonen-Termin: 28. November, 19.30 Uhr. Wiener Philharmoniker. Texte: Bernd Hadler, Hannes Luxbacher, Franz Niegelhell, Werke von Franz Schreker, Giacinto Scelsi, Beat Furrer und Claude Debussy. Itta Olaj, Norbert Wally. Der zweite Programmpunkt des Übersetzung: Margarete Brandstätter. Wiener Singakademie. Violine: Ernst Kovacic. Dirigent: Ingor Metzmacher. Bildredaktion: Karin Blaschke, Elvira Klamminger. Konzertes ist Giacinto Scelsis „Suite Layout und Produktion: m4! Mediendienstleistungs Helmut-List-Halle, Waagner-Biro-Straße 98a. Karten: 15/25/35 Euro. Gesmbh & Co.KG, Lisa Thalhammer. Nr. 10“. Scelsi, der wie auch Cage Druck: StyriaDruck, 8042 Graz 03 eine Affinität zu fernöstlichem Ge- Tickets/Info: 0316/2003, Mariahilferplatz 2, Graz. www.graz03.at MONTAG, 6. 10. 2003 ARCHITEKTUR/KUNST IM ÖFFENTLICHEN RAUM real*utopia – Rundgang zu den Kunst- werken und zu besonderen Orten im Bezirk IKONEN DES 20. JAHRHUNDERTS Gries. Diesmal: „China Town Graz“, „Graz 2012 – Olympischer Campus“, „Aussagen“, ICONS OF THE 20TH CENTURY „Ausflug in die Zukunft“. Special: Besuch der Justizanstalt Karlau. (Extra Rundgänge für Gruppen und Schulklassen: Anmeldung unter: 0664/9204181.) Treffpunkt: Info*Kiosk am Griesplatz Nord. 17.00 Uhr. Die gespiegelte Stadt. Sonnenuntergang: 18.37 Uhr. Freiheitsplatz. Marienlift. Perspektivenwechsel. 9.00 bis 22.00 Uhr. Am Eisernen Tor. Schattenobjekt Uhrturm. Schloßberg. MUSIK Ikonen des 20. Jahrhunderts – Markus Hinterhäuser. Werke von John Cage (Sonates & Interludes), Giacinto Scelsi (Suite No. 10), Galina Ustvolskaya (Sonate No. 5 und No. 6). 19.30 Uhr. Helmut-List- Halle, Waagner-Biro-Straße 98a. AUSSTELLUNGEN Gert Jonke – Wortwasserfall. Moder- nes Computerdesign ermöglicht es, das Fließen der Sprache Gestalt werden zu RICHTUNGSWEISENDE KLAVIERMUSIK lassen.
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