ASSEMBLY GUIDE HD-5 Electronic Drum Kit

Total Page:16

File Type:pdf, Size:1020Kb

ASSEMBLY GUIDE HD-5 Electronic Drum Kit ASSEMBLY GUIDE HD-5 Electronic Drum Kit EASY ASSEMBLY GUIDE IF YOU HAVE ANY QUESTIONS CALL OUR TOLL FREE HELPLINE 888-998-9848 DO NOT RETURN TO THE STORE UNBOXING YOUR DRUM KIT 1. Carefully unpack all contents of box (1) Crash Cymbal (1) Ride Cymbal (1) Hi-Hat Cymbal (1) Sound Module (3) Tom Drums (1) Snare Drum Kick Drum Kick Pedal Hi-Hat Control Pedal Drum Kit Components Cymbals Sound Module Module Mount Drum Frame Toms Kick Drum Mount Kick Drum Snare Cymbal Arms Not Pictured: Kick (1) Labeled Wiring Harness Pedal (1) Pair Headphones (1) Pair Drumsticks (1) Drumstick Holder Hi-Hat Control Pedal Feet Velcro Strips DRUM KIT ASSEMBLY 2. Attach the feet to the Drum Frame (fig.1) 3. Unfold the Drum Frame arms as shown (fig.2) (fig.2) (fig.1) 4. Attach the cymbal arms to the drum frame 5. Attach the cymbals to the cymbal arms as indicated positions .(fig.3) shown. Place the fin on the cymbal arm between the flanges on the cymbal as shown.(fig.4) HI-HAT CRASH RIDE (fig.4) (fig.3) DRUM KIT ASSEMBLY (CON’T) 6. Align the holes in Snare Drum Pad and the 7. Attach the Drum Pads in the positions three Tom Drum Pads and insert them into the hown below. (fig. 5) pole on the Drum Frame as shown. TOM TOM SNARE SNARE (fig.5) 8. Align the holes and attach the screws 9. Insert the rod of sound module stand into with the Drum Sound Module head the Drum Frame clamp as shown, then tight- and its stand as shown below. (fig. 6) en. (fig.7) BACK (fig.6) (fig.7) DRUM KIT ASSEMBLY (CON’T) 10. Attach the kick drum to the kick drum 11. Assemble the kick drum pedal by inserting brace as shown below. (fig.8) the two chrome metal rods into the kick drum pedal frame as shown below . (fig.9) (fig.8) (fig.9) 12. Attach the kick drum pedal mallet to the 13. Insert the tongue of the kick drum into the clamp of the kick drum pedal. (fig.12) Tighten clamp on the ped- kick drum pedal by insertIng and attaching as al until the kick drum and pedal are securely fastened. shown below. (fig.10& 11) (fig.13) (fig.10) (fig.11) (fig.12) (fig.13) DRUM KIT ASSEMBLY (CON’T) 14. Check the surface pads on the bottom of the 15. Place the hi-hat control pedal on the hi-hat control pedal. The pads may be used on ground by the hi-hat cymbal. (fig.15) either carpet or hard flooring.(fig.14) (fig. 14) CARPET PEEL HARD FLOORING (fig. 15) DRUM KIT WIRING DIAGRAM 16. Connect the wiring harness to the interface at the bottom of the drum sound module, then connect the labeled cables to their corresponding drum pads, cymbals and pedals, as show below. Drum Module Connector Panel POWER OFF ON USB TRIGGER HEADPHONE control module DC 9V LINE OUT LINE IN ride tom 3 tom 2 tom 1 POWER OFF ON USB TRIGGER HEADPHONE DC 9V LINE OUT LINE IN crash plug into “trigger” hi-hat cable snake to drumset snare high-hat control kick DRUM THRONE ASSEMBLY 17. Extend the drum throne legs and secure the legs with the wingut. (fig 16) Fasten the drum throne stool to the height adjustment rod and secure the stool with the wingnut. (fig 17) Set up the drum throne at the desired height as shown below. (fig 18) (fig. 18) (fig. 13)16) (fig. 17) FINAL STEPS 18. Attach Drumstick Pouch (fig 19)to drum frame as shown. (fig 20) (fig 20) (fig 19) 19. Please use the included Velcro Strips to attach 20. Attach the included power supply adapter the wiring harness to the drum frame. This will help to make the wiring harness neat and orderly and the headphones to drum sound module against the drum frame. connector panel. POWER velcro OFF ON USB TRIGGER HEADPHONE DC 9V LINE OUT LINE IN drum frame If you have any questions about your drum kit please contact us toll free 888-998-9848 Virgin (VMI) is the Parent Company of Hitman Drums Virgin Musical Instrument Company PO BOX 2908 LA MESA, CA 91943 [email protected] www.virginmusicalinstruments.com.
Recommended publications
  • Nitro Drum Kit Assembly Guide
    Assembly Guide Guía de armado Guide de montage alesis.com Guida di montaggio Montageanleitung Manual Version 1.0 Note: Use the drum key (V) to loosen or 1 tighten the bolts of clamps when assembling 23 the kit or making adjustments. E F Nota: Use la llave (V) para aflojar o apretar F F los pernos de las abrazaderas cuando arme el kit o haga ajustes. Remarque : Utilisez la clé de batterie (V) E pour dévisser ou resserrer les boulons des bagues de fixation lors de l’assemblage de A B l'ensemble pour batterie ou pour faire des A B ajustements. CD G Nota bene: servirsi della chiave della batteria (V) per allentare o stringere i bulloni A/B dei morsetti al momento di montare il kit o di C/D apportare regolazioni. A Hinweis: Verwenden Sie den E/F Stimmschlüssel (V), um die Klemmen bei der Montage des Kits oder bei Anpassungen zu lockern oder festzuziehen. 4 5 H 6 8 I I H H I I I H H H 6 789 L M L/M M J J K Q ON Q J/K P O+N alesis.com Manual Version 1.0 Box Contents Connection Diagram Schema dei collegamenti A (1) B (1) C (1) Contenido de la caja Diagrama de conexión Anschlussübersicht Contenu de la boîte Schéma d’installation Contenuti della confezione Important: Use the cable snake (R) to connect the drum pads and cymbal pads to the module (Q) (as Lieferumfang shown in the Connection Diagram). Importante: Use el grupo de cables (R) para conectar D (1) E (1) F (2) G (1) los módulos de tambores y platillos al módulo (Q) (como se muestra en el diagrama de conexión).
    [Show full text]
  • Design and Evaluation of a Digitally Active Drum
    Personal and Ubiquitous Computing https://doi.org/10.1007/s00779-020-01391-6 ORIGINAL ARTICLE Design and evaluation of a digitally active drum Peter Williams1 · Daniel Overholt1 Received: 21 November 2019 / Accepted: 5 March 2020 © The Author(s) 2020 Abstract Despite the ever growing variety and popularity of commercially available electronic percussion (EP) instruments, there are still a significant number of active musicians who prefer to use acoustic drums. Digitally active drum (DAD) is an enhanced snare drum that provides sonic capabilities associated with digital musical instruments in the form of a traditional acoustic drum allowing full use of acoustic drumming gesture vocabulary. By using an in-built loud speaker and tactile sound transducers system, a Bela Cape and Beagle Bone Black, near field photoelectric sensors and a synthesis and effects patch built in Pure Data (PD), a prototype of a hybrid acoustic - electronic instrument has been made. This prototype has been evaluated by five expert drummers and two co-performers in both group and solo settings in order to determine its effectiveness and potential role in professional music making. Keywords Augmented drums · Electronic percussion · Music technology · Digital musical instruments · New interfaces for musical expression · Sound & music computing · Active acoustics · Hybrid instruments · Musical instrument evaluation 1 Introduction this despite the advantages of portability and variety of sound characteristics that they exhibit. Research was carried Many musicians embrace the products of newly developed out as to why this might be the case by reviewing drumming technology because of the new dimensions for personal forums and magazines, in addition to five unstructured expression they provide.
    [Show full text]
  • Electrophonic Musical Instruments
    G10H CPC COOPERATIVE PATENT CLASSIFICATION G PHYSICS (NOTES omitted) INSTRUMENTS G10 MUSICAL INSTRUMENTS; ACOUSTICS (NOTES omitted) G10H ELECTROPHONIC MUSICAL INSTRUMENTS (electronic circuits in general H03) NOTE This subclass covers musical instruments in which individual notes are constituted as electric oscillations under the control of a performer and the oscillations are converted to sound-vibrations by a loud-speaker or equivalent instrument. WARNING In this subclass non-limiting references (in the sense of paragraph 39 of the Guide to the IPC) may still be displayed in the scheme. 1/00 Details of electrophonic musical instruments 1/053 . during execution only {(voice controlled (keyboards applicable also to other musical instruments G10H 5/005)} instruments G10B, G10C; arrangements for producing 1/0535 . {by switches incorporating a mechanical a reverberation or echo sound G10K 15/08) vibrator, the envelope of the mechanical 1/0008 . {Associated control or indicating means (teaching vibration being used as modulating signal} of music per se G09B 15/00)} 1/055 . by switches with variable impedance 1/0016 . {Means for indicating which keys, frets or strings elements are to be actuated, e.g. using lights or leds} 1/0551 . {using variable capacitors} 1/0025 . {Automatic or semi-automatic music 1/0553 . {using optical or light-responsive means} composition, e.g. producing random music, 1/0555 . {using magnetic or electromagnetic applying rules from music theory or modifying a means} musical piece (automatically producing a series of 1/0556 . {using piezo-electric means} tones G10H 1/26)} 1/0558 . {using variable resistors} 1/0033 . {Recording/reproducing or transmission of 1/057 . by envelope-forming circuits music for electrophonic musical instruments (of 1/0575 .
    [Show full text]
  • TD-30 Data List
    Data List Preset Drum Kit List No. Name Pad pattern No. Name Pad pattern 1 Studio 41 RockGig 2 LA Metal 42 Hard BeBop 3 Swingin’ 43 Rock Solid 4 Burnin’ 44 2nd Line 5 Birch 45 ROBO TAP 6 Nashville 46 SATURATED 7 LoudRock 47 piccolo 8 JJ’s DnB 48 FAT 9 Djembe 49 BigHall 10 Stage 50 CoolGig LOOP 11 RockMaster 51 JazzSes LOOP 12 LoudJazz 52 7/4 Beat LOOP 13 Overhead 53 :neotype: 1SHOT, TAP 14 Looooose 54 FLA>n<GER 1SHOT, TAP 15 Fusion 55 CustomWood 16 Room 56 50s King 17 [RadioMIX] 57 BluesRock 18 R&B 58 2HH House 19 Brushes 59 TechFusion 20 Vision LOOP, TAP 60 BeBop 21 AstroNote 1SHOT 61 Crossover 22 acidfunk 62 Skanky 23 PunkRock 63 RoundBdge 24 OpenMaple 64 Metal\Core 25 70s Rock 65 JazzCombo 26 DrySound 66 Spark! 27 Flat&Shallow 67 80sMachine 28 Rvs!Trashy 68 =cosmic= 29 melodious TAP 69 1985 30 HARD n’BASS TAP 70 TR-808 31 BazzKicker 71 TR-909 32 FatPressed 72 LatinDrums 33 DrumnDubStep 73 Latin 34 ReMix-ulator 74 Brazil 35 Acoutronic 75 Cajon 36 HipHop 76 African 37 90sHouse 77 Ka-Rimba 38 D-N-B LOOP 78 Tabla TAP 39 SuperLoop TAP 79 Asian 40 >>process>>> 80 Orchestra TAP Copyright © 2012 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Roland and V-Drums are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.
    [Show full text]
  • Product Guide 2020
    Product Guide 2020 ZILDJIAN 2020 PRODUCT GUIDE CYMBAL FAMILIES 3 K FAMILY 5 A FAMILY 13 FX FAMILY 17 S FAMILY 19 I FAMILY 21 PLANET Z 23 L80 LOW VOLUME 25 CYMBAL PACKS 27 GEN16 29 BAND & ORCHESTRAL CYMBALS 31 GEAR & ACCESSORIES 57 DRUMSTICKS 41 PRODUCT LISTINGS 59 1 Product Guide 2 THE CYMBAL FAMILY 3 Product Guide 4 THE FAMILY K ZILDJIAN CYMBALS K Zildjian cymbals are known for their dark, warm sounds that harkens back to the original K cymbals developed by Zildjian in 19th Century Turkey. Instantly recognizable by their ˝vented K˝ logo, K cymbals capture the aura of original Ks but with far greater consistency, making them the choice of drummers from genres as diverse as Jazz, Country and Rock. RIDES SIZES CRASHES SIZES HIHATS SIZES EFFECTS SIZES Crash Ride 18˝ 20˝ 21˝ Splash 8˝ 10˝ 12˝ HiHats 13˝ 14˝ Mini China 14˝ Ride 20˝ 22˝ Dark Crash Thin 15˝ 16˝ 17˝ 18˝ 19˝ 20˝ K/Z Special HiHats 13˝ 14˝ EFX 16˝ 18˝ Heavy Ride 20˝ Dark Crash Medium Thin 16˝ 17˝ 18˝ Mastersound HiHats 14˝ China 17˝ 19˝ Light Ride 22˝ 24˝ Cluster Crash 16˝ 18˝ 20˝ Light HiHats 14˝ 15˝ 16˝ Dark Medium Ride 22˝ Sweet Crash 16˝ 17˝ 18˝ 19˝ 20˝ Sweet HiHats 14˝ 15˝ 16˝ Light Flat Ride 20˝ Sweet Ride 21˝ 23˝ DETAILS: Exclusive K Zildjian random hammering, traditional wide groove lathing, all Traditional except 21” Crash Ride 6 SPECIAL DRY K CUSTOM CYMBALS K Custom cymbals are based on the darker, dryer sounds of the legendary K line but have been customized with unique finishes, K CUSTOM SPECIAL DRY CYMBALS tonal modifications, and manufacturing techniques.
    [Show full text]
  • Electronic Drum Kit
    ELECTRONIC DRUM KIT INSTRUCTION MANUAL Models: PTEDRL12, PTEDRL14 Dear Customer Thank you sincerely for buying our hand roll drum kit. We are specialized in devel- oped and manufactured hand roll drum kit and piano for over 15years. This hand roll drum kit is a handy size product which is very easy to carry, in order to have a bast experience affect, please pay attention to the operation, wish you enjoy it, thanks again for your cooperation! I. Specification: 1. 7 drum pad: (Include crash cymbal, ride cymbal, open/close hi-hat, snare,high tom, low tom-tom, oor tom-tom) 9 drum pad: (include 2 crash cymbal, ride cymbal, open/close hi-hat, snare, base drum, high tom-tom, low tom-tom, oor tom-tom) 2 drum pedals: (include 1 hi-hat, 1 base drum) 2. 12demo songs, 7drum sounds, accompaniment 3. Volume Control: lever 9 4. Speed Control :lever 15 5. Could record and play 6. Audio input,match your cell phone, tablet, PC and other device which could support music. 7. With speaker, using as stereo II. Features: 1. The world's rst Multinational, portable, and professional drum 2. Fit for family entertainment/friends gathering and drum practice 3. Multi-sounds, simulated the really drum kits 4. The standard drum conguration and the extension for foot pedal could bring you real-life drum experience 5. Include accompaniment/ demo songs,control the playing speed free, this Is the best choice for drum learning 6. Include recording function,get all your inspiration in record easily 7. With two high-quality stereo speakers 8.
    [Show full text]
  • Percussion Primer / Triangle by Neil Grover
    Percussion Primer / Triangle by Neil Grover SELECTION The triangle should be the highest, non-pitched member of the percussion family. Sizes range from 4” to 10”, however, the best size for concert playing is between 6” and 9”. A larger triangle provides a bigger internal working area for easier execution, however, it is heavier and more difficult to control. Triangles are made from steel, brass or bronze, each producing a different sonority. SUSPENSION A triangle needs to be suspended so that it vibrates unencumbered and freely, al- lowing maximum overtone resonance to be produced. It is very important that the instrument be suspended using a very thin, yet strong, mono-filament line. Fishing line works great and is also inexpensive. The use of string, cable, shoelaces, etc. will effec- tively dampen the resonance of any triangle. Using a second “catch line” will pre- vent the triangle from falling to the floor, should the primary line break. A light “triangle clip” will allow the triangle to be mounted on a music stand when not in use. STROKE The triangle should never be played when mounted on a music stand. It should al- ways be held at eye level and struck on the bottom leg with a motion that “pushes away” the bottom leg. This method will produce the maximum overtone sonority. A triangle sound full of overtones will blend with other instruments. Remember, a tri- angle is a non-pitched instrument and should have a very lush array of overtones, it should not sound like a bell! BEATERS Beaters are available in a large variety of sizes (diameters), materials and shapes.
    [Show full text]
  • Nitro Drum Module User Guide
    User Guide English ( 3 – 9 ) Guía del usuario Español ( 10 – 16 ) Guide d’utilisation Français ( 17 – 23 ) Guida per l’uso Italiano ( 24 – 30 ) Benutzerhandbuch Deutsch ( 31 – 37 ) Appendix English ( 38 ) 2 User Guide (English) Introduction Support For the latest information about this product (system requirements, compatibility information, etc.) and product registration, visit alesis.com. For additional product support, visit alesis.com/support. Quick Start / Connection Diagram Setup and Playing * sold separately Tom 4 Drum Pad* Crash 2 Cymbal Pad* Computer* Power Smartphon e, MP3 player, etc.* Headphone s* MIDI OUTPUT USB TOM 4 CRASH 2 R L / MONO AUX IN OUT IN External Monitors* sound module* MIDI keyboard* Use the cable snake to connect the drum module to the drum/cymbal pads of your electronic drum kit. 1. Connect your electronic drum kit's pads to the cable snake, then connect the cable snake to the Cable Snake Input on the module's rear panel. 2. Optional: If you have any additional pads (e.g., an extra tom, an extra crash cymbal), connect them to the module's Tom 4 Input or Crash 2 Input. 3. Connect speakers (sold separately) to the Outputs and/or connect 1/8" stereo headphones (sold separately) to the Phones output. Turn the Volume knob all the way down (counterclockwise). 4. Connect the module to a power source, using the included power adapter (9 VDC, 500 mA, center positive). 5. Press the Power Switch to turn the module on. 6. Adjust the Volume knob to an appropriate level and play some drums! Selecting a Drum Kit: After powering on the module, or after pressing the Kit button, you will see the Kit indicator and NUM in the display.
    [Show full text]
  • To Design and Development of a Cost Effective Electronic Drum Kit
    International Journal of Engineering Research and Applications (IJERA) ISSN: 2248-9622 th International Conference on Industrial Automation and Computing (ICIAC- 12-13 April 2014) RESEARCH ARTICLE OPEN ACCESS To Design and Development of a Cost Effective Electronic Drum Kit Vikas Barai*, Prof. T.H.Nagrare** *(Department Of Computer Science, G H Raisoni College Of Engineering Nagpur, India Email: [email protected]) **(Assistant Professor, Department of Information Technology G H Raisoni College Of Engineering Nagpur, India Email: [email protected]) ABSTRACT The goal of the project is to create a Cost Effective electronic drum kit using piezoelectric sensors for various percussion instruments. The inputs to the kit are small drum pads, which house a piezoelectric transducer. The output voltage from this device is detected and its output is interfaced with microcontroller . This information is processed through a Drum sound controller module which controls audio playback. The background work focuses on the concepts of tracking the timing of musical signals, deriving information from them, and creating a musical accompaniment. The system will then generate an expressive drum beat to accompany the audio signal in real time. The system is intended as a practice tool as well as a means to observe the musical interaction that may occur between humans and machine. It would involve implementing on an EEPROM for additional sound storage. It will contain a single module which will carry all sound database and allow the player to make their own patches and it will make it independent from interfacing with a computer. Keywords - Arduino, Cost efficient drum kit, Electronic Drums, Home made percussion, Midi controllers, Piezo sensors.
    [Show full text]
  • The Orchestra What Does an Orchestra Play?
    The Orchestra What does an orchestra play? But what is music? What is sound? Vibrations ♫ An instrument makes sound when it vibrates. Vibrations create sound waves. ♫ Big waves create low sounds and small waves create high sounds. Small wave = High Sounds Big wave = Low Sounds Instruments ♫ BIG instruments create _____BIG sound waves. ♫ This means BIG instruments create ______LOW sounds. ♫ SMALL instruments create ________SMALL sound waves. ♫ This means SMALL instruments create ______HIGH sounds. The Orchestra ♫ An orchestra is a large group of instruments. ♫ It is split up into four sections, these are called families. The Families Each family in the orchestra is made up of instruments with similar characteristics. These characteristics can be: ♫ What the instruments look like ♫ How they are played ♫ What they are made of It is when ALL FOUR families are playing together they create an orchestra. String Family The family of instruments which has strings. The sound is produced by dragging a bow across the strings or by plucking them with the fingers. Violin Cello Harp Viola Double Bass The Violin HEAD Scroll 4 Strings Finger Board Tuning Pegs NECK Bridge BODY ‘F’ Holes Tail Piece Chin Rest String Family String instruments can be played in lots of different ways!! Arco ~ Played with the bow Pizzicato ~ Plucked with the fingers Col Legno ~ Played with the wood of the bow Strumming ~ Using fingers or a plectrum to play notes String Family ♫ The _______violin is the smallest of the string family. It plays the _________highest sound. ♫ The _____________double bass is the ________biggest in the string family. It plays the lowest sound.
    [Show full text]
  • Ludwig Musser Concert Percussion 2013 Catalog
    Welcome to the world of Ludwig/Musser Concert Percussion. The instruments in this catalog represent the finest quality and sound in percussion instruments today from a company that has been making instruments and accessories in the USA for decades. Ludwig is “The Most famous Name in Drums” since 1909 and Musser is “First in Class” for mallet percussion since 1948. Ludwig & Musser aren’t just brand names, they are men’s names. William F. Ludwig Sr. & William F. Ludwig II were gifted percussionists and astute businessmen who were innovators in the world of percussion. Clair Omar Musser was also a visionary mallet percussionist, composer, designer, engineer and leader who founded the Musser Company to be the American leader in mallet instruments. Both companies originated in the Chicago area. They joined forces in the 1960’s and originated the concept of “Total Percussion." With our experience as a manufacturer, we have a dedicated staff of craftsmen and marketing professionals that are sensitive to the needs of the percussionist. Several on our staff are active percussionists today and have that same passion for excellence in design, quality and performance as did our founders. We are proud to be an American company competing in a global economy. This Ludwig Musser Concert Percussion Catalog is dedicated to the late William F. Ludwig II Musser Marimbas, Xylophones, Chimes, Bells, & Vibraphones are available in “The Chief.” His vision for a “Total Percussion” a wide range of sizes and models to completely satisfy the needs of beginners, company was something he created at Ludwig schools, universities and professionals.
    [Show full text]
  • Drum Kit List
    DRUM KIT LIST LISTE DES KITS DE BATTERIE LISTA DE CONJUNTOS DE BATERÍA DRUM KIT-LISTE Drum Kit List / Liste des kits de batterie/ Lista de conjuntos de batería / Drum Kit-Liste • Same as Standard Kit 1 • Comme pour Standard Kit 1 • No Sound • Absence de son • Each percussion voice uses one note. • Chaque sonorité de percussion utilise une note unique. Voice No. 117 118 119 120 121 122 Keyboard Standard Kit 1 Standard Kit 1 Indian Kit Arabic Kit SE Kit 1 SE Kit 2 Note# Note + Chinese Percussion C1 36 C 1 Seq Click H Baya ge Khaligi Clap 1 Cutting Noise 1 Phone Call C#1 37 C# 1Brush Tap Baya ke Arabic Zalgouta Open Cutting Noise 2 Door Squeak D1 38 D 1 Brush Swirl Baya ghe Khaligi Clap 2 Door Slam D#1 39 D# 1Brush Slap Baya ka Arabic Zalgouta Close String Slap Scratch Cut E1 40 E 1 Brush Tap Swirl Tabla na Arabic Hand Clap Scratch F1 41 F 1 Snare Roll Tabla tin Tabel Tak 1 Wind Chime F#1 42 F# 1Castanet Tablabaya dha Sagat 1 Telephone Ring G1 43 G 1 Snare Soft Dhol 1 Open Tabel Dom G#1 44 G# 1Sticks Dhol 1 Slap Sagat 2 A1 45 A 1 Bass Drum Soft Dhol 1 Mute Tabel Tak 2 A#1 46 A# 1 Open Rim Shot Dhol 1 Open Slap Sagat 3 B1 47 B 1 Bass Drum Hard Dhol 1 Roll Riq Tik 3 C2 48 C 2 Bass Drum Dandia Short Riq Tik 2 C#2 49 C# 2 Side Stick Dandia Long Riq Tik Hard 1 D2 50 D 2 Snare Chutki Riq Tik 1 D#2 51 D# 2 Hand Clap Chipri Riq Tik Hard 2 E2 52 E 2 Snare Tight Khanjira Open Riq Tik Hard 3 Flute Key Click Car Engine Ignition F2 53 F 2 Floor Tom L Khanjira Slap Riq Tish Car Tires Squeal F#2 54 F# 2 Hi-Hat Closed Khanjira Mute Riq Snouj 2 Car Passing
    [Show full text]