Designated Survivor Episode Guide Episodes 001–053
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School Nixes Leasing Agreement with Township
25C The Lowell Volume IS, Issue 2 Serving Lowell Area Readers Since 1893 Wednesday, November 21, 1990 earns The Lowell Ledger's "First Buck Contest" turnout was a.m., bagged the buck at 7:45 a.m. better than voter turnout on election day. On Saturday, Vezino bagged a four-point buck with a Well, not quite, but 10 area hunters did walk through the bow. Ledger d(X)r between 7:30 a.m. and 12:30 p.m. on Wednes- Don Post. Ada. was along the Grand River on the flats, day. when he used one shot from his 16-gauge to drop a seven- The point sizes varied from four to eight-point. The weight point. 160-165 pound buck at 8 a.m. Post, hunting since of the bucks fluctuated from 145-200 pounds and the spreads the age of 14. said the seven is the biggest point size buck on the rack were anywhere from eight to 15 inches. he has ever shot. Lowell's Jack Bartholomew was the first hunter to hag Chuck Pfishner, Lowell, fired his winning shot at 7:50 and drag his buck to the Ledger office at 7:35 a.m. Barth- a.m. east on Four Mile. Using a 12-gauge, Pfishner shot olomew was out of the house by 6 a.m., saw his first buck an eight-point, 145-150 pound buck with a nine-inch spread. at 6:55 and shot it at 7:10. Randy Mclntyre. Lowell, was in Delton when he dropped "When I first saw the buck it was about 100 yards away. -
The West Wing Weekly Episode 1:05: “The Crackpots and These Women
The West Wing Weekly Episode 1:05: “The Crackpots and These Women” Guest: Eli Attie [West Wing Episode 1.05 excerpt] TOBY: It’s “throw open our office doors to people who want to discuss things that we could care less about” day. [end excerpt] [Intro Music] JOSH: Hi, you’re listening to The West Wing Weekly. My name is Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. JOSH: We are here to discuss season one, episode five, “The Crackpots and These Women”. It originally aired on October 20th, 1999. This episode was written by Aaron Sorkin; it was directed by Anthony Drazan, who among other things directed the 1998 film version of David Rabe’s Hurlyburly, the play on which it was based having been mentioned in episode one of our podcast. We’re coming full circle. HRISHI: Our guest today is writer and producer Eli Attie. Eli joined the staff of The West Wing in its third season, but before his gig in fictional D.C. he worked as a political operative in the real White House, serving as a special assistant to President Bill Clinton, and then as Vice President Al Gore’s chief speechwriter. He’s also written for Studio 60 on the Sunset Strip, House, and Rosewood. Eli, welcome to The West Wing Weekly. ELI: It’s a great pleasure to be here. JOSH: I’m a little bit under the weather, but Lady Podcast is a cruel mistress, and she waits for no man’s cold, so if I sound congested, it’s because I’m congested. -
Bradley Whitford and Rob Lowe [Intro Music]
The West Wing Weekly 4.06: “Game On” Guests: Bradley Whitford and Rob Lowe [Intro Music] HRISHI: You’re listening to The West Wing Weekly, where it is a very special and exciting day. JOSH: A Very Special Episode…of Blossom. HRISHI: I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: You may know Joshua Malina from such things as this episode. JOSH [laughter]: Oh, man. Is there gonna be a lot of this? HRISHI: How did it feel to watch yourself on screen for the first time? JOSH: I’m almost embarrassed to admit I had butterflies in my stomach when I watched it. HRISHI: That’s great. JOSH: And it wasn’t nerves or anything, it’s literally like I was tying in organically to the excitement of that job and getting that job. I didn’t expect it at all. But yeah, that was like a very special time of my life, and as I started to watch it I just got, like, chills. HRISHI: You had a Proustian moment? JOSH: Yeah, exactly. HRISHI: You were transported. That’s great. In this episode, of course, we’re talking about “Game On.” It’s episode six from season four. JOSH: It was written by Aaron Sorkin and Paul Redford. It was directed by Alex Graves, and it first aired on October 30, 2002. HRISHI: This episode is a famous one because it features President Bartlet debating Governor Ritchie. There’s also some stuff about Qumar, there’s some stuff about Toby and Andy, but the real headline is that baby-faced Joshua Malina makes his first appearance as Will Bailey, who’s running the Horton Wilde campaign from a mattress store in Newport Beach. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Car/Bus Accident Shows Need for Public Awareness No Injuries Incurred When Car Fails to Stop for School Bus Unloading Students
25«! HC«S « S0K3- 3,,K 3IHDER,* SffilWOPORr. MICHIC* 49284 Volume 17. Issue 25 Lowell Area Readers Since 1893 Wednesday, May 5,1993 Car/bus accident shows need for public awareness No injuries incurred when car fails to stop for school bus unloading students Wet roads and a misun- Galvin was carrying two pas- alize that the red flashing lights derstanding of the law may sengers, Laura Radle, 1800 mean all motorists must stop," have been the cause of an ac- W. Main, and Darlene Hess, said Larry Mikulski Bus Su- cident Thursday on M-21 just of Lowell. No one in either perintendent for Lowell. "It west of Settle wood. The acci- car was seriously injured. looks to me like the second dent involved two cars and a Christenson was coming car was expecting the first car school bus. to a stop bccause the buses' to keep on going." A car driven by Robert red lights were flashing and it Mikulski went on to ex- Galvin, 18(K)W. Main, struck was unloading children. The plain, "until the public is more another car driven by Robert other car apparently could not educated, either by law en- Christenson, 2535 Gee Dr., as stop in time to avoid hitting forcement officials or some he was coming to a stop for a his car. other organization, this kind school busunloadingchildren. "Some police officers tell of accident will happen more The school bus was just me that these types of acci- frequently. Only next time grazed and no children were dents are occurring more fre- some child may get hurt." in spite of the damage to Robert Galvin's 1984 Olds, no serious iiyuries occurred injured. -
On the Shoulders of Giants: How Aaron Sorkin's Sports Night
ON THE SHOULDERS OF GIANTS: How Aaron Sorkin’s Sports Night Portrayed the Sports Journalist as a Modern, Educated Professional While Still Fitting the Classic Molds of Journalists in Popular Culture. By Eric Alvarez Abstract Aaron Sorkin’s Sports Night focuses on the events that unfold in the newsroom of a nightly sports highlight show. The impulse of the series stems from the relationships amongst the show’s two anchors, three producers and its managing editor. As individuals, the journalists are smart, talented and dedicated in their professional lives. Yet, despite their capabilities and professionalism, each echoes characteristics and faces problems similar to those of journalists in classic popular culture. They often put the job over their personal lives and struggle when faced with the consequences. But in the end, they always tend to band together as a newsroom family. * * * “Five minutes to air. First team in the studio.1” The voice echoes through the newsroom at 10:55 p.m. It is the nightly wake-up call for the Sports Night team. Journalists both in front of the camera and in the control room scramble as the clock ticks toward show time. And then it starts. The one thing that gives the journalists a home, a family and a sense of accomplishment. ON THE SHOULDERS OF GIANTS: How Aaron Sorkin’s Sports Night Portrayed the Sports Journalist as a Modern, Educated Professional While Still Fitting the Classic Molds of Journalists in Popular Culture. By Eric Alvarez 2 The team of anchors and producers creates a nightly, one-hour highlight show from New York, “the most magnificent city in the world. -
“Privateers” Guests: Allison Janney, Jeff Perry, Helen Slayton-Hughes, and the DAR
The West Wing Weekly 4.18: “Privateers” Guests: Allison Janney, Jeff Perry, Helen Slayton-Hughes, and the DAR [Intro Music] HRISHI: You’re listening to The West Wing Weekly. I’M Hrishikesh Hirway. JOSH: And I’M Joshua Malina. HRISHI: Today we’re talking about the episode “Privateers.” It’s episode 18 froM season 4. JOSH: That’s right, Hrishi. And it was directed by Alex Graves. The story is by Paul Redford and Deborah Cahn. The teleplay is by Paul Redford “aMpersand” Debora Cahn and – “A-N-D” – Aaron Sorkin. And this episode first aired on March 26, 2003. HRISHI: Here’s the synopsis froM NBC: “Abbey is upset when an anti-abortion rider is attached to a foreign aid bill and asks AMy to work behind the scenes to torpedo the president’s proposal while Toby gets in a legal bind when an ex-classmate turns whistle-blower on a law-breaking cheMical coMpany. Meanwhile, the Daughters of the AMerican Revolution want to disown Abbey when they learn that her distant relative was More pirate than patriot.” JOSH: HMMM. HRISHI: I would disagree with, uh, NBC’s characterization of soMe of these things. They’ve also left out the Charlie/Zoey intrigue that figures in the background. JOSH: MMM-hMM. So, what would you give that synopsis out of 10 units of praise? HRISH: I’d give it a 6. JOSH: Do you think that’s enough for this episode? Do you think we can just start – uh – reviewing the synopsis? HRISHI: [laughing] JOSH: I’M looking for a shortcut. -
LHS Girls Head for Districts Tonight!
Volume 14, Issue 1 Serving Lowell Area Readers Since 1893 Wednesday. November 15.1989 Red Arrow girls share O-K White title LHS girls head for Districts tonight! The Lowell Girls Varsity bas- article in this issue. ketball team traveled to Sparta The girls never had Sparta Friday evening needing a victory "put away". The Spartans* quick to preserve a share of the OK guards and tough defense kept White conference champion- Lowell's offense in check. Sev- ship. They were not to be denied. eral turnovers caused by the de- A 5540 win lied them with termined Spartan defense were Forest Hills Central, both with turned into scores preventing the 12-2 records in league play. Low- Red Arrows from running away ell finished the regular season with the game Lowell built their with a 14-4 overall record with lead to 10,12 and even 14 points non-conference losses to at various times during the first Middleville and Ionia and two half, only to have the Spartans hard fought league losses to the scrap back to within 4 points. Rangers of F.H.C. The Arrows did manage to head The conference co-champions for the locker room with a 10 will meet Wednesday evening in point lead. district tournament play. The The third period and the early winner of that game will play going in the fourth continued Friday for the district title. Red much the same. Midway through Arrow fans are urged to cheer the fourth quarter the Spartans l the girls on to a victory in Wed- had again whittled the Lowell v Q nesday s crucial game. -
THE ADVENTURES of ELMO in GROUCHLAND Mandy Patinkin
THE ADVENTURES OF ELMO IN GROUCHLAND Mandy Patinkin. Vanessa Williams. Sonia Manzano. Roscoe Orman. Alison Bartlett-O'Reilly. Ruth Buzzi. Emilio Delgado. Loretta Long. Bob McGrath. VOICEOVERS. Kevin Clash. Fran Brill. Stephanie D'Abruzzo. Dave Goelz. Joseph Mazzarino. Jerry Nelson. Carmen Osbahr. Martin P. Robinson. David Rudman. Caroll Spinney. Steve Whitmire. Frank Oz. THE ADVENTURES OF SEBASTIAN COLE Margaret Colin. Clark Gregg. Aleksa Palladino. John Shea. Adrian Grenier. Joan Copeland. Tom Lacy. Marni Lustig. Rory Cochrane. Gabriel Macht. Levon Helm. Russel Harper. Greg Haberny. Peter McRobbie. Merrit Wever. Marisol Padilla Sanchez. Famke Janssen. Tennison Hightower. Nicole Ari Parker. Graeme Malcolm. Dan Tedlie. Miguel Najera. Jane Jensen. C.S. O'Brien. Nikki Uberti. Joe Lisi. Kip Williams. AFTER LIFE Arata. Erika Oda. Susumu Terajima. Taketoshi Naito. Kyoko Kagawa. Kei Tani. Takashi Naito. Sadao Abe. Kisuke Shoda. Kazuko Shirakawa. Yusuke Iseya. Hisako Hara. Sayaka Yoshino. Kotaro Shiga. Natsuo Ishidou. Akio Yokoyama. Tomomi Hiraiwa. Yasuhiro Kasamatsu. AGNES BROWNE Anjelica Huston. Marion O'Dwyer. Ray Winstone. Arno Chevrier. Gerard McSorley. Niall O'Shea. Ciaran Owens. Roxanna Williams. Carl Power. Mark Power. Gareth O'Connor. James Lappin. Tom Jones. June Rodgers. Jennifer Gibney. Eamonn Hunt. Richie Walker. Sean Fox. Steve Blount. Gavin Kelty. Arthur Lappin. Brendan O'Carroll. Katriona Boland. Bernadette Lattimore. Terry Byrne. Joe Hanley. Paddy McCarney. Clodagh Long. Fionnuala Murphy. Frank Melia. Virginia Cole. Olivia Tracey. Joe Pigott. Cristen Kauffman. Frank McCusker. Cecil Bell. Peter Dix. Anna Megan. Joe Gallagher. Maria Hayden. Aedin Moloney. Malachy Connolly. Pauline McCreery. Chrissie McCreery. Noirín Ni Riain. Joanne Sloane. Keith Murtagh. Jim Smith. Tara Van Zyl. Anne Bushnell. -
Translation and Identity
Translation and Identity Identity is one of the most important political and cultural issues of our time. Translation and Identity looks at how translation has played a crucial role in shaping debates around identity, language and cultural survival in the past and in the present. The volume explores how everything, from the impact of migration to the curricula for national literature courses to the way in which nations wage war in the modern era, is bound up with urgent questions of translation and identity. The book examines translation practices and experiences across continents to show how translation is an integral part of how cultures are evolving, offering new per- spectives on how translation can be a powerful tool both to enhance difference and to promote intercultural dialogue. Drawing on a wide range of materials from official government reports to Shakespearean drama to Hollywood films, Translation and Identity demonstrates that translation is central to any proper understanding of the emergence of cultural identity in human history, and offers an innovative and positive vision of the way in which translation can be used to deal with one of the most salient issues in an increasingly borderless world. Michael Cronin is Director of the Centre for Translation and Textual Studies, Dublin City University. He is the author of Translating Ireland (1996), Across the Lines: Travel, Language and Translation (2000) for which he was awarded the CATS Vinay Darbelnet Prize, and Translation and Globalization (2003). Translation and Identity Michael Cronin First published 2006 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 This edition published in the Taylor & Francis e-Library, 2006. -
The Singing Subject
OVERTURE: The Singing Subject Hollywood's soundtrack is engendered through a complex system of displacements which locate the male voice at the point of apparent textual origin, while establishing the diegetic containment ofthe female voice. 1 In The Acoustic Mirror, one of the few film theory books that considers the female voice in cinema, psychoanalytic film theorist Kaja Silverman ascribes the female voice a place firmly within the narrative of 'classic' Hollywood (and other realist) films. 2 But as a cinematic spectator, I have experienced films where a woman's singing voice has for me transcended such limitations. My first experience of such a feeling was motivated by Songcatcher (Maggie Greenwald, 2000), a story about a 19th century musicologist, Dr Lily Penleric (Janet McTeer), who travels to the Appalachian Mountains to collect folk ballads. In Songcatcher, the women characters' singing is pleasurable and moving, but also transports me emotionally beyond the narrative.3 Such experiences of singing scenes4 provide for me a feeling that is analogous to, but also different from, the 'transcendence' of numbers in classic Hollywood film musicals.s In the classical musical, singing performances are not only expected, because of the genre, but also assisted by the use of nondiegetic music to lift the musical experience beyond the 'real' world of the narrative to a space that is most often a utopian realm. However, in Songcatcher, singing remains of the diegesis and yet for me reaches beyond the narrative world. I Kaja Silverman. The Acoustic Mirror: The Female Voice in P5ychoanalysis and Cinema. Bloomington and Indianapolis. Indiana University Press. -
“Tomorrow” Guests: Aaron Sorkin, Thomas
The West Wing Weekly 7.22: “Tomorrow” Guests: Aaron Sorkin, Thomas Schlamme, Martin Sheen, Bradley Whitford, Richard Schiff, Allison Janney, Marlee Matlin, Jack Jason, Kathleen York, Allison Smith, Melissa Fitzgerald, Ramon de Ocampo, Evan Arnold, Karis Campbell, Teri Polo, Christopher Misiano, Dylan K. Massin, Matthew Del Negro, Eli Attie, Jimmy Smits, Josh Singer, Mary McCormack, Kevin Falls, Lawrence O'Donnell, Paul Redford, Ron Ostrow, Kim Webster, Peter James Smith, William Duffy, Tim Davis-Reed [Intro Music] AUDIENCE: [clapping and cheering] JOSH: Hello. You are listening to the final episode of The West Wing Weekly. AUDIENCE: [booing] JOSH: They're not booing, they're yelling, “Josh”. AUDIENCE: [laughter] JOSH: I’m Joshua Malina. AUDIENCE: [cheering] HRISHI: And I'm Hrishikesh Hirway. AUDIENCE: [cheering and clapping]. HRISHI: Happy birthday Josh. AUDIENCE: [clapping and cheering] HRISHI: Thank you all so much for being here. Thanks, Josh for being here on your birthday. AUDIENCE: [clapping and cheering] JOSH: It's the most pathetic way to have a party. AUDIENCE: [laughs] JOSH: And charge at the door. HRISHI: [laughs] JOSH: We’re delighted to be here at the Ace Hotel. Shabbat Shalom. AUDIENCE: [cheers] JOSH: The delightfully ungapatchka Ace Hotel. How awesome is this venue? AUDIENCE: [cheers] HRISHI: Before we get started tonight, we want to take advantage of the fact that, for the first time ever on this final episode, our team is all here in the same place. So please welcome Zach McNees, Margaret Miller, and Nick Song. AUDIENCE: [clapping and cheering] JOSH: Oh, and quickly, before we move on, I know this is going to turn into a jumble of an evening and chaos, and before it finishes, I want to make sure to say that – I've told you this privately, I want to say it publicly – much like The West Wing itself, The West Wing Weekly is certainly a collaborative effort, but also like The West Wing, it is, in its own way, the vision of one man with drive, and vision, and creativity to spare.