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Carl Jung's Archetypes in Malayalam Film
DOI: 10.1051/ shsconf/20173300018 SHS Web of Conferences 33, 00018 (2017) i-COME'16 Carl Jung’s Archetypes in Malayalam Film: A Case Study on The Film ‘Urumi’ Sona Varghese 1,*and Arumugam Balasubramanian2 1,2Department of Communication, Coimbatore, Amrita Vishwa Vidyapeetham University, Tamil Nadu, India Abstract. Movies are the visual- auditory symbolic narrative that explains the living reality of people. Films employ Carl Jung’s concept of archetypes-prototypical characters. This research provides an insight about the theory of archetype based on the assumption that archetypes resides deep inside human mind. The researcher proposes that the Malayalam film industry in India showcases the western concept of archetype using the movie Urumi as a case study. For this study, different clips are taken from the movie to represent six essential archetypes, namely, Hero, Anima, Animus, Mentor (sage), Shadow, and Trickster. The psychoanalysis of this movie carried out in this paper provides evidence for the existence of all six essential archetypes identified by Carl Jung. Thus this article will be a fruitful resource for future research in the field of psychoanalysis of movies. 1 Introduction The mass media has gone through various development and refinement in past centuries. The contemporary information age is dominated by mass communication media such as movies, television and internet [1]. The stories and characters presented in this mass media are important for sharing human experience. People use movie plot analogies and metaphors in their life due to its effect on the mass audience [6]. The phenomena of using the examples of movies and other mass media in ordinary life, points to the existing internal psychological forces that allows people to connect with these commonly shared metaphors and analogies. -
Chapter- Iv Analysis and Interpretation
CHAPTER- IV ANALYSIS AND INTERPRETATION 1. Foreign Exchange Earnings for the year 2014 is Rupees 6398.93 crores. During 2014, the domestic tourist arrival was 116, 95,411 (an increase of 7.71%) whereas Foreign Tourist Arrival was 9, 23, 366 (an increase of 7.60%) over the previous year’s figure. 2. Kerala, the Malayalam speaking region, has made valuable contributions to the world culture and one of them, is the institution of Kalari. Tacholi Othenan, the undisputed exponent and all time great of Kalarippayattu, was born in 1584. After his death at the age of thirty-two, the people of Malabar made a cult hero of him and eventually deified and worshipped him as a demi-god. 3. Irrespective of caste, community, sex, religion and social status, the people of Kerala learnt the art of payattu. 4. Nearly half of foreign tourists visit Kalari for Rejuvenation therapy. 28.57 per cent domestic tourists visit Kalari for Martial Arts and 31.97 per cent for Rejuvenation Therapy. Rejuvenation therapy helps for longevity, memory, intellect, positive health, youth, excellent complexion and strength of sensory organs. Main aim of this therapy is to maintain the youth of the individual along with the maintaining of his long life. It is a costly affair but the enjoyment derived is maximum. It is expected by the Tourism Department that in 2021, 30 Lakhs foreign tourists and 180 Lakhs domestic tourists visit Kerala. According to Kerala Tourism statistics, Foreign tourist arrivals to Kerala in 2014 showed an increase of 7.60% compared to the previous year. -
Varma Maruthuvam (Varma Medicine) Speciality
CENTRAL COUNCIL OF INDIAN MEDICINE SIDDHA MARUTHUVA PERARINGNAR (M.D. (SIDDHA) COURSE SYLLABUS FOR VARMA MARUTHUVAM (VARMA MEDICINE) SPECIALITY [UNDER THE INDIAN MEDICINE CENTRAL COUNCIL (POST GRADUATE SIDDHA EDUCATION) REGULATIONS, 2016.] GOALS: Establishing the Varmam therapy of Siddha System of medicine as a cost effective drugless therapy for treating various ailments. Developing the Varmam therapy of Siddha system of medicine as a part and parcel of global healthcare delivery. OBJECTIVES: To create potent resources for the development of Varmam science of Siddha System of Medicine. Developing professional therapeutic expertise in Varmam techniques for academic and research aspects. Developing the academic knowledge of Varmam for clinical practice. Scientific study of Varmam points and their therapeutic applications in treating various ailments. To provide World class hands on training and practice in Varmam for treating various ailments. To open doors for research of successful clinical practice of Varmam in line of global scientific research. To equip a graduate with the scope for independent practice of Varmam for treating various ailments. To establish the Varmam therapy in treating the challenging diseases and getting global acceptance. To Explore and establish the same technique for future scientific interpretation and application. To study the interrelation of Varmam science with the neurological, orthopaedic modern medical sciences extensively. Broaden the scope of Siddha Varmam science in emergency health care management. To establish and develop the pharmacopeia and various siddha medications of varmam therapy. Implementation of role and importance of Varmamtherapy in National Health Programs. CCIM MD Siddha –Varma maruthuvam Syllabus Page 1 of 23 FIRST YEAR (Preliminary Examination) S.NO SUBJECT THEORY PRACTICAL/CLINICAL VIVA TOTAL MARKS 1. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
When Yogis Become Warriors—The Embodied Spirituality of Kal.Aripayattu
religions Article When Yogis Become Warriors—The Embodied Spirituality of Kal.aripayattu Maciej Karasinski-Sroka Department of Foreign Languages, Hainan University, Haikou 570208, China; [email protected] Abstract: This study examines the relationship between body and spirituality in kal.aripayattu (kal.arippayattu), a South Indian martial art that incorporates yogic techniques in its training regimen. The paper is based on ethnographic material gathered during my fieldwork in Kerala and interviews with practitioners of kal.aripayattu and members of the Nayar¯ clans. The Nayars¯ of Kerala created their own martial arts that were further developed in their family gymnasia (ka.lari). These ka.laris had their own training routines, initiations and patron deities. Ka.laris were not only training grounds, but temples consecrated with daily rituals and spiritual exercises performed in the presence of masters of the art called gurukkals. For gurukkals, the term ka.lari has a broader spectrum of meaning—it denotes the threefold system of Nayar¯ education: Hindu doctrines, physical training, and yogico-meditative exercises. This short article investigates selected aspects of embodied spirituality in kal.aripayattu and argues that body in kal.ari is not only trained but also textualized and ritualized. Keywords: kal.aripayattu; yoga; embodied spirituality 1. Introduction Ferrer(2008, p. 2) defines embodied spirituality as a philosophy that regards all Citation: Karasinski-Sroka, Maciej. dimensions of human beings –body, soul, spirit, and consciousness—as “equal partners in 2021. When Yogis Become bringing self, community, and world into a fuller alignment with the Mystery out of which Warriors—The Embodied Spirituality everything arises”. In other words, in embodied spirituality, the body is a key tool for of Kal.aripayattu. -
1001 Years of Missing Martial Arts
1001 Years of Missing Martial Arts IMPORTANT NOTICE: Author: Master Mohammed Khamouch Chief Editor: Prof. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Deputy Editor: Prof. Mohammed Abattouy accessing these web pages, you agree that you may only download the content for your own personal non-commercial Associate Editor: Dr. Salim Ayduz use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Release Date: April 2007 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Publication ID: 683 Limited. Material may not be copied, reproduced, republished, Copyright: © FSTC Limited, 2007 downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. Readers should always verify information with the appropriate references before relying on it. -
Kalaripayattu
Kalaripayattu (pronunciation: ) or "Payattu" is an Indian martial art from the southern state of ancient Kerala.[1] One of the oldest fighting systems in existence,[2] it is now practiced in Kerala and contiguous parts of Tamil Nadu and Karnataka[citation needed] as well as northeastern Sri Lanka and among the Malayali community of Malaysia. It was originally practiced in northern and central parts of Kerala and the Tulunadu region of Karnataka.[3] Kalaripayattu includes strikes, kicks, grappling, preset forms, weaponry and healing methods.[3] Regional variants are classified according to geographical position in Kerala; these are the Northern style from Malabar region in north Kerala, the Central style from inner Kerala and the southern style from Travancore region of south Kerala. The southern Payattu system is now extinct and the Tamil style of "Adi Murai" is classified as the southern kalarippayattu by Kerala Kalarippayattu association. The northern style was practiced primarily by the Nairs and the Ezhava (Thiyya), the two communities primarily associated with the martial arts practice in Kerala.[4] [5] as well as some Mappilas and Saint Thomas Christians. The southern style, called Adi Murai, was practiced largely by theNadars and has features distinguishing it from its other regional counterparts.[6][7][8] Northern kalaripayattu is based on elegant and flexible movements, evasions, jumps and weapons training, while the southern "Adi Murai" style primarily follows the hard impact based techniques with priority in empty hand fighting and pressure point strikes. Both systems make use of internal and external concepts. Some of the flexibility training methods in northern Kalaripayattu are applied in Kerala dance forms[3] and kathakali dancers who knew martial artswere believed to be markedly better than the other performers. -
KALARIPPAYATTU the Martial and Healing Art of Kerala
KALARIPPAYATTU THE MARTIAL AND HEALING ART OF KERALA SHAJI K JOHN © Shaji K John, 2011 Published by the Author Koovackal Kappumthala PO Muttuchira, Kottayam Kerala 686 613 [email protected] WITH DUE RESPECTS TO MY GURU Shri. E.P. VASUDEVAN GURUKKAL DEDICATED TO CHANDRALEKHA ""Ifcn icochpw IfcnhnZymÀ°n IfcnbpsS Bßmhpw BIp¶p!'' --hmkptZh Kpcp¡Ä “Kalari is the body and the disciple of Kalari its soul!” IfcnVasudeva Gurukkal CONTENTS PREFACE x ACKNOWLEDGEMENTS xii TRANSLITERATION xiii I II III IV V VI The Legend of A Historical Northern Style Kuzhi Kalari Kalari Niyama Kalari Vya=ya=ma Paras`ura=ma Account Kalarippayattu Literary Evidence: Place of Practice: General Discipline: The earliest history The word Kalari refers Tradition gives of warfare is found to the place of practice importance to the ethical recorded in the and payattu means and moral discipline of Dhanurveda, an practice.... a student of Kalari..... Upaveda to the Yajurveda... 1 5 7 9 12 15 VII VIII IX X XI XII XIII Meitha=ri Koltha=ri An?gatha=ri Verumkai Upa=sana= Marma Vidya= Kalari Marma Chikilsa= Physical Discipline: Metal Weapons: Bare-hand: Vital points: Treatment: Meitha=ri is the foun- An?gatha=ri is the use In Kalarippayattu Study of marma A Kalari Gurukkal dation to develop of sharp and lethal the most important points is the most is well-known in the skills that are neces- metal weapons.... part is the use of advanced stage villages of Kerala sary for advanced.... empty-hand. As the of Kalari training as a vaidya or name Verumkai.... course... physician.. -
Trinkets.Pdf
A Dungeon Master Resource Trinkets an eighteenwisdom original Contents Page Magic Arrows of Wonder 2 Fools Gold 3 Hakenza's Warpaint 4 Rose Amulet 5 Thirteen Treasures 6 Thirteen Treasures (continued) 7 Weapons Aztecs 8 Aztecs (continued) 9 Ancient India 10 Ancient India (continued) 11 Puzzles Sorcerer's Whim 12 Sorcerer's Whim (continued) 13 Spirit of Ecstacy 14 Trap Featherfall 15 Featherfall (continued) 16 Monster Redcap Goblin 17 1 Magic - Arrows of Wonder Arrows of Wonder are usually found in a plain quiver. There are 3d6 arrows in the quiver and each are magical. When a detect magic (or similar) is used they will identify as 'Arrows +2' but when they are fired from a bow there is a chance that the magical effect will change in mid-flight. Once a player uses an Arrow of Wonder you should roll the d20 to see what magical properties the arrow assumes before striking its intended target. (roll - 1 to 5) +2 Arrow. +2 'to hit', + 2 Damage. 1d6 chance arrow is destroyed after use. (roll - 6 to 7) +3 Arrow. +2 'to hit', + 2 Damage. 1d6 chance arrow is destroyed after use. (roll - 8 to 9) +4 Arrow. +2 'to hit', + 2 Damage. 1d6 chance arrow is destroyed after use. (roll - 10) Flaming Arrow. No 'to hit' benefit but causes an additional 1d6 burning damage. Destroyed after use. (roll - 11) Ice Arrow. No 'to hit' benefit but causes an additional 1d6 freezing damage. Destroyed after use. (roll - 12) Push Arrow. +2 'to hit', if hits the target must make a DC15 Strength save. -
5E Weapons Revised
20/04/2019 The Homebrewery - NaturalCrit 5e Weapons Revised ver 1.1 More options for martials By anon https://homebrewery.naturalcrit.com/print/SyHS5-yd9E?dialog=true 1/12 20/04/2019 The Homebrewery - NaturalCrit Why make this? I had nothing better to do and I actually have fun making this Common Criticism kind of stuff. Physical damage type means nothing I know that type of physical damage means jackshit in 5e and What's the point? from a certain point most monsters have the standart resistant To have a full complete weapon list that not only has almost to everything but magic. Sadly, that's a problem in the system every single weapon possible, but is made in a way so every separated to the Weapon Table. I can only do so much. single one is unique enough so you can justify using it. While some are still better than others, I tried my best and I'm always open to (explained) suggestions. Money is Worthless I also know value of things, outside of starting treasure, is This is too much/too slow. The meaningless. But just as damage types meaning nothing, this points of 5e is simplicity is a problem separated from the Weapon Table. Click Here Contents Complete Weapons Table This is the long and most complete table with all the simple and martial weapons. Almost every weapon that isn't crazy can be found here. → Tables • Simple Weapons (Page 3) • Martial Weapons (Page 4) • Ammunitions (Page 5) → New Weapon Properties (Page 5) → Weapon Descriptions (Page 6-7) Exotic Weapons Table The second table, which has stupid weapons with retarded rolls for fun. -
Artes Marciales En La India.Pdf
Sastravidya de Bhârata: Artes Marciales en India Kenshinkan dôjô 2013 Las Artes Marciales de India se conocen como Sastravidya, un concepto que las aglutina a todas formando una familia, compuesta por multitud de miembros diseminados por todo el país, de norte a sur, de este a oeste. Son, pues, numerosas, las formas de Arte Marcial surgidas en la vieja tierra de Bharata. Este es un recorrido que pretende impulsar el conocimiento de ese fascinante mundo, donde el mito se cruza con la realidad, la sempiterna religión lo hace con la guerra, los oprimidos pueblos autóctonos con aquellos otros, usurpadores de tierras y valles; un lugar donde el ingenio sin límites ha gestado y cedido al mundo una vasta cultura, una forma de pensar el mundo capaz de expandirse hacia otras latitudes del Continente. Estudiando la historia, comprendemos que la configuración del concepto Arte Marcial es resultado de un continuum. Su consolidación supone una herencia acumulada de miles de años, una experiencia transmitida de una generación a otra, basada, originalmente, en el impulso primario por la supervivencia, en el deseo de poder, en la expansión del comercio, en la propagación de unas ideas religiosas, en el intercambio cultural y, después, en el crecimiento y la prosperidad espiritual. Tanto en Oriente como en Occidente, todos y cada uno de los pueblos han desarrollado sus propias ideas en relación a la guerra, aportando estrategias, manipulando el metal, diseñando y construyendo sus armas o ampliando el bagaje que comporta la guerra cuerpo a cuerpo. El resultado final de todo este movimiento son las Artes Marciales que conocemos en la actualidad. -
An Adventure Setting for Runequest 6Th Edition
IMonster s L A N D An Adventure Setting For RuneQuest 6th Edition RuneQuest is a trademark of Issaries Inc. Used under License by The Design Mechanism. All rights reserved. This edi- tion of Monster Island is copyright © 2013. This book may not be reproduced in whole or in part by any means without permission from The Design Mechanism, except as quoted for purposes of illustration, discussion and game play. Reproduction of the material in this book for the purposes of personal or corporate profit, by photographic, electronic, or other methods of retrieval is strictly prohibited. For details of the RuneQuest Gateway license, please contact The Design Mechanism ([email protected]). abcdefghijklmnopqrstuvwxyz12345678 Contents 87654321zyxwvutsrqponmlkjihgfedcba Map of Monster Island 4 Introduction 5 1. The Island 8 2. History and Cultures 17 3. Settlements 42 4. Places of Interest 65 5. Campaigns 113 6. Magic 116 7. Items and Substances 165 8. Flora and Fauna 188 Appendices 282 Index 292 Monster Island Contents 4 Monster Island e chapter 1: The Island The Plateau feline carnivores also hunt here, but seasonally migrate to and from the cloud forest regions. With little biomass and Formed from the roughly level bottom of the Rangi few animals to feed upon, insect life is much reduced from Caldera, this region is a wide open plain of thorny, scrub- that in other areas of the island. A few species of harmless like vegetation encircled by a towering wall of mountains. ants mine out subterranean nests, which can be dug up by Named the Puna Plateau, the caldera wall is open to the those who know of the sweet nectar they collect.