Kalaripayattu
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Indian Martial Arts by Master E
1 Indian Martial Arts by Master E. Edwards [email protected] The following is a rendering of an article by Master E. Edwards that appeared on pages 12 – 14 of his 20th Anniversary Souvenir Program. Master Edward’s website is www.kalari-payat.org. Indian Martial Arts Origin – Even at the dawn of man’s existence, one of the first arts man was forced to learn, for self-preservation, was the art of self-defense and therefore origin of martial arts anywhere in the world will ultimately always be traced back to the origin of man. Early man had to learn not only to effectively defend himself against his enemies but also against marauding and carnivorous animals. Mind, Body and Spirit – Among the various arts developed in India, recognized for her rich cultural heritage dating back several centuries before Christ, was the one pertaining to martial arts. Ancient Indian philosophies were handed down from generation to generation normally by word of mouth or written on palm leaf manuscripts, which incredibly are still available for inspection. These oral and written philosophies give us a clear indication that the sages of yore, apart from their usual study of religion and philosophy, never neglected the study of the human anatomy incorporating the mind, body and spirit. It is precisely from this study that the various sciences of war and the indigenous Ayurvedic medical treatment emerged. Link between, Japanese, Chinese & Indian martial arts – In the southern peninsula of India there is clear evidence showing that martial arts were practiced during the 6th and 7th century. -
Carl Jung's Archetypes in Malayalam Film
DOI: 10.1051/ shsconf/20173300018 SHS Web of Conferences 33, 00018 (2017) i-COME'16 Carl Jung’s Archetypes in Malayalam Film: A Case Study on The Film ‘Urumi’ Sona Varghese 1,*and Arumugam Balasubramanian2 1,2Department of Communication, Coimbatore, Amrita Vishwa Vidyapeetham University, Tamil Nadu, India Abstract. Movies are the visual- auditory symbolic narrative that explains the living reality of people. Films employ Carl Jung’s concept of archetypes-prototypical characters. This research provides an insight about the theory of archetype based on the assumption that archetypes resides deep inside human mind. The researcher proposes that the Malayalam film industry in India showcases the western concept of archetype using the movie Urumi as a case study. For this study, different clips are taken from the movie to represent six essential archetypes, namely, Hero, Anima, Animus, Mentor (sage), Shadow, and Trickster. The psychoanalysis of this movie carried out in this paper provides evidence for the existence of all six essential archetypes identified by Carl Jung. Thus this article will be a fruitful resource for future research in the field of psychoanalysis of movies. 1 Introduction The mass media has gone through various development and refinement in past centuries. The contemporary information age is dominated by mass communication media such as movies, television and internet [1]. The stories and characters presented in this mass media are important for sharing human experience. People use movie plot analogies and metaphors in their life due to its effect on the mass audience [6]. The phenomena of using the examples of movies and other mass media in ordinary life, points to the existing internal psychological forces that allows people to connect with these commonly shared metaphors and analogies. -
Effect of Kalaripayattu on Physical Fitness Variables Among College
International Journal of Physical Education, Sports and Health 2017; 4(4): 395-401 P-ISSN: 2394-1685 E-ISSN: 2394-1693 Effect of Kalaripayattu on physical fitness variables Impact Factor (ISRA): 5.38 IJPESH 2017; 4(4): 395-401 among college students © 2017 IJPESH www.kheljournal.com Received: 12-05-2017 Accepted: 14-06-2017 Sreenath S Sreenath S Abstract Assistant Professor, Department Objectives: To assess the characteristic effects of Tai Chi Chuan (TCC) exercise on metabolism and of Physical Education, Sree cardio respiratory response, and to measure its effect on cardio respiratory function, mental control, Sankaracharya University For immune capacity, and the prevention of falls in elderly people. Sanskrit, Kalady, Kerala, India Design: A review of controlled experimental studies and clinical trials designed with one of two aims: either to assess physiological responses during the performance of TCC or to assess the impact of this exercise on general health and fitness. MAIN OUTCOME MEASURES: Metabolic rate, heart rate, blood pressure, ventilation, maximal oxygen uptake (VO(2)MAX), immune capacity, falls, and fall related factors. Subjects: A total of 2216 men and women. Results: Under review were 31 original studies, published in Chinese or English journals, that met the criteria for inclusion. Most of the papers written in Chinese had not been introduced into the Western literature. Nine of these studies showed that TCC can be classified as moderate exercise, as its does not demand more than 55% of maximal oxygen intake. When this form of exercise and others conducted at equal intensity were compared, TCC showed a significantly lower ventilatory equivalent (VE/VO(2)MAX). -
A Study on Flexibility and Agility in Yogic Exercise of the Kho-Kho And
Journal of Sports Science and Nutrition 2020; 1(1): 37-39 E-ISSN: 2707-7020 P-ISSN: 2707-7012 JSSN 2020; 1(1): 37-39 A study on flexibility and agility in yogic exercise of Received: 23-11-2019 Accepted: 25-12-2019 the kho-kho and kabaddi players Dr. Yallappa M M.P.Ed, K-SET, N.I.S, Ph.D, Dr. Yallappa M National kabaddi player, guest faculty, University college of physical Education, Bangalore Abstract university, Bangalore, The study was focused on yogic exercise have become very popular throughout the word due to its Karnataka, India utility. Physical education it’s have relealised its importance and have also tried to explore the effects towards physical fitness. Flexibility & Agility is one of important component of physical fitness. The present study was under taken on 40 Kabaddi and kho - kho Players, which are equally divided on the random basis as experimental group (N-20) and controlled group (N-20) using sit and reach test for flexibility and shuttle run test for measured agility both test was measured by before and after the training period of six weeks. During experimental period it was observed by the researcher that the subjects belonging to experimental group practiced yogic activities for six weeks. Subject was shown significant improvement in their flexibility, agility in comparison to the controlled group. Significant differences were noticed between pre and post test data of experimental and controlled group. Hence it is concluded yogic exercises for six weeks bring significant changes in flexibility, agility of kabaddi and kho-kho players. -
93. Sudarsana Vaibhavam
. ïI>. Sri sudarshana vaibhavam sadagopan.org sadagopan.org sadagopan.org sadagopan.org Annotated Commentary in English By: Oppiliappan Koil SrI VaradAchAri SaThakopan 1&&& Sri Anil T (Hyderabad) . ïI>. SWAMY DESIKAN’S SHODASAYUDHAA STHOTHRAM sadagopan.org sadagopan.org sadagopan.org sadagopan.org ANNOTATED COMMENTARY IN ENGLISH BY: OPPILIAPPAN KOIL SRI VARADACHARI SATHAGOPAN 2 CONTENTS Sri Shodhasayudha StOthram Introduction 5 SlOkam 1 8 SlOkam 2 9 SlOkam 3 10 SlOkam 4 11 SlOkam 5 12 SlOkam 6 13 SlOkam 7 14 sadagopan.org sadagopan.org SlOkam 8 15 sadagopan.org sadagopan.org SlOkam 9 16 SlOkam 10 17 SlOkam 11 18 SlOkam 12 19 SlOkam 13 20 SlOkam 14 21 SlOkam 15 23 SlOkam 16 24 3 SlOkam 17 25 SlOkam 18 26 SlOkam 19 (Phala Sruti) 27 Nigamanam 28 Sri Sudarshana Kavacham 29 - 35 Sri Sudarshana Vaibhavam 36 - 42 ( By Muralidhar Rangaswamy ) Sri Sudarshana Homam 43 - 46 Sri Sudarshana Sathakam Introduction 47 - 49 sadagopan.org sadagopan.org sadagopan.org sadagopan.org Thiruvaymozhi 7.4 50 - 56 SlOkam 1 58 SlOkam 2 60 SlOkam 3 61 SlOkam 4 63 SlOkam 5 65 SlOkam 6 66 SlOkam 7 68 4 . ïI>. ïImteingmaNt mhadeizkay nm> . ;aefzayuxStaeÇt!. SWAMY DESIKAN’S SHODASAYUDHA STHOTHRAM Introduction sadagopan.org sadagopan.org Shodasa Ayutha means sixteen weapons of Sri Sudarsanaazhwar. This sadagopan.org sadagopan.org Sthothram is in praise of the glory of Sri Sudarsanaazhwar who is wielding sixteen weapons all of which are having a part of the power of the Chak- rAudham bestowed upon them. This Sthothram consists of 19 slOkams. The first slOkam is an introduction and refers to the 16 weapons adorned by Sri Sudarsana BhagavAn. -
Chapter- Iv Analysis and Interpretation
CHAPTER- IV ANALYSIS AND INTERPRETATION 1. Foreign Exchange Earnings for the year 2014 is Rupees 6398.93 crores. During 2014, the domestic tourist arrival was 116, 95,411 (an increase of 7.71%) whereas Foreign Tourist Arrival was 9, 23, 366 (an increase of 7.60%) over the previous year’s figure. 2. Kerala, the Malayalam speaking region, has made valuable contributions to the world culture and one of them, is the institution of Kalari. Tacholi Othenan, the undisputed exponent and all time great of Kalarippayattu, was born in 1584. After his death at the age of thirty-two, the people of Malabar made a cult hero of him and eventually deified and worshipped him as a demi-god. 3. Irrespective of caste, community, sex, religion and social status, the people of Kerala learnt the art of payattu. 4. Nearly half of foreign tourists visit Kalari for Rejuvenation therapy. 28.57 per cent domestic tourists visit Kalari for Martial Arts and 31.97 per cent for Rejuvenation Therapy. Rejuvenation therapy helps for longevity, memory, intellect, positive health, youth, excellent complexion and strength of sensory organs. Main aim of this therapy is to maintain the youth of the individual along with the maintaining of his long life. It is a costly affair but the enjoyment derived is maximum. It is expected by the Tourism Department that in 2021, 30 Lakhs foreign tourists and 180 Lakhs domestic tourists visit Kerala. According to Kerala Tourism statistics, Foreign tourist arrivals to Kerala in 2014 showed an increase of 7.60% compared to the previous year. -
Varma Maruthuvam (Varma Medicine) Speciality
CENTRAL COUNCIL OF INDIAN MEDICINE SIDDHA MARUTHUVA PERARINGNAR (M.D. (SIDDHA) COURSE SYLLABUS FOR VARMA MARUTHUVAM (VARMA MEDICINE) SPECIALITY [UNDER THE INDIAN MEDICINE CENTRAL COUNCIL (POST GRADUATE SIDDHA EDUCATION) REGULATIONS, 2016.] GOALS: Establishing the Varmam therapy of Siddha System of medicine as a cost effective drugless therapy for treating various ailments. Developing the Varmam therapy of Siddha system of medicine as a part and parcel of global healthcare delivery. OBJECTIVES: To create potent resources for the development of Varmam science of Siddha System of Medicine. Developing professional therapeutic expertise in Varmam techniques for academic and research aspects. Developing the academic knowledge of Varmam for clinical practice. Scientific study of Varmam points and their therapeutic applications in treating various ailments. To provide World class hands on training and practice in Varmam for treating various ailments. To open doors for research of successful clinical practice of Varmam in line of global scientific research. To equip a graduate with the scope for independent practice of Varmam for treating various ailments. To establish the Varmam therapy in treating the challenging diseases and getting global acceptance. To Explore and establish the same technique for future scientific interpretation and application. To study the interrelation of Varmam science with the neurological, orthopaedic modern medical sciences extensively. Broaden the scope of Siddha Varmam science in emergency health care management. To establish and develop the pharmacopeia and various siddha medications of varmam therapy. Implementation of role and importance of Varmamtherapy in National Health Programs. CCIM MD Siddha –Varma maruthuvam Syllabus Page 1 of 23 FIRST YEAR (Preliminary Examination) S.NO SUBJECT THEORY PRACTICAL/CLINICAL VIVA TOTAL MARKS 1. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
Unit 7 Customs, Rituals and Cults
UNIT 7 CUSTOMS, RITUALS AND CULTS ,. Structure 7.0 Objectives 7.1 Introduction 7.2 Customs and Rituals 7.2.1 Role and Functions of Rituals, Customs and Cerempnies 7.2.2 Types of Rituals and Customs 7.2.3 Customs and Rituals Related to Life Cycle 7.2.4 * Other Customs and Rituals 7.3 Cults 7.4 Sects 7A:l Hindu Sects 7.4.2 Muslim Sects 7.4.3 Sikh Sects 7.4.4 Budhist Sects 7.4.5 Jain Sects 7.4.6 Christian Sects 7.5 Let Us Sum UP 7.6 Answers to ~hkckYour Progress Exercises A Traditions1 Pqja st Tdacauvery, Kerala In this Unit we will discuss some important aspects of Indian society: Customs, rituals, cults and sects in India. After going through this unit you would know about: * ., significance of rituals and customs in Indian society the main rituals and customs followed among the various religious groups and communities in India important cults and sects in!ndia 7.1 . INTRODUCTION ) In Units 5 and 6 of this Block on society we discussed the structure of Indian society. Continying our discussion in this Unit we will discuss some other features of Indian society. Here we have included social and religious customs, rituals, cults and sects. To begin with we will try to define customs and rituals. Following this we will throw some light on the nature of rituals and customs. Next we will familiarize you with some rituals and customs practiced in diverse religious groups and communities in India. - From'earliest times there have emerged a number of cults and sects in India. -
Sei Un Campione Di Arti Marziali? Un Maestro D'armi?
Sei un campione di arti marziali? Un Maestro d’armi? Uno stunt parcour ? Fai rievocazioni storiche? Credi di dare emozioni con la danza che vanno oltre il solito balletto? Credi di poter affrontare qualsiasi sfida? Allora è quello che fa per te. La “sfida” per diventare “ ” Cos’è il Il è una competizione nuova, moderna, ma con principi ben chiari. Una gara nella quale vince colui che sa creare e dare emozioni, dove la spettacolarità prevale su ogni cosa. Il mondo delle produzioni cinetelevisive ha bisogno sempre più spesso di “TALENTI” del movimento…dell’azione. Basta guardarsi attorno per scoprire in ogni dove la ricerca di queste capacità. Anche piccole produzioni, show o balletti ed anche il teatro hanno spesso un “aggancio” marzialistico. Ecco nascere una gara dove si dà la possibilità di mostrare il proprio TALENTO, dove gli arbitri non sono conoscitori di Arti marziali, ma personaggi dello spettacolo, coreografi, giornalisti, fotografi…. insomma addetti del settore che dovranno valutare le performance per la qualità dell’interpretazione e del concetto coreografico, verranno valutate le esibizioni tenendo conto dell’insieme di tutte le qualità e caratteristiche richieste ad uno spettacolo: musiche…costumi…azione e tecnica. Se volete entrare nel mondo dello spettacolo, se volete diventare “ ” questo è il momento giusto. chi può partecipare al Al possono partecipare tutti, liscrizione è gratuita. Ma giusto per darvi qualche idea ecco alcune delle categorie che potrebbero essere interessate alla competizione: 1 Arti marziali (questa è la categoria con cui è nata l’idea del ) - KARATE – JUDO – JUJITSU – AIKIDO – TAEKWONDO – KUNGFU WUSHU – VIET VO DAO – PANCRAZIO – KEMPO – KALI – SILAT – KENJUTSU – KENDO – IAIDO – KOBUDO – YOSEIKAN – DUALA – MASSAI – DIOULA – AMOK – CAPOEIRA –KALARIPAYATTU – VAJRA – HAPKIDO – HWA RANG DO – BANSHAY – BANDO – DUMOG –SIKARAN – KRABI KRABONG – MUAY BORAN – VOVINAM – SAVATE – GURE – PYGMACHIA – PUGILATUS CAESTIS – ARS GLADIATORIA – SAMBO – etc…etc… praticamente non ci sono limiti. -
Asian Traditions of Wellness
BACKGROUND PAPER Asian Traditions of Wellness Gerard Bodeker DISCLAIMER This background paper was prepared for the report Asian Development Outlook 2020 Update: Wellness in Worrying Times. It is made available here to communicate the results of the underlying research work with the least possible delay. The manuscript of this paper therefore has not been prepared in accordance with the procedures appropriate to formally-edited texts. The findings, interpretations, and conclusions expressed in this paper do not necessarily reflect the views of the Asian Development Bank (ADB), its Board of Governors, or the governments they represent. The ADB does not guarantee the accuracy of the data included in this document and accepts no responsibility for any consequence of their use. The mention of specific companies or products of manufacturers does not imply that they are endorsed or recommended by ADB in preference to others of a similar nature that are not mentioned. Any designation of or reference to a particular territory or geographic area, or use of the term “country” in this document, is not intended to make any judgments as to the legal or other status of any territory or area. Boundaries, colors, denominations, and other information shown on any map in this document do not imply any judgment on the part of the ADB concerning the legal status of any territory or the endorsement or acceptance of such boundaries. ASIAN TRADITIONS OF WELLNESS Gerard Bodeker, PhD Contents I. INTRODUCTION .............................................................................................................................. -
Marma in Yoga and Other Ancient Indian Traditions 1
Exploring the Science of Marma - An Ancient Healing Technique - Part 3: Marma in Yoga and Other Ancient Indian Traditions Alka Mishra*, Vandana Shrivastava Department of Ayurveda and Holistic Health, Dev Sanskriti Vishwavidyalaya, Gayatrikunj-Shantikunj, Haridwar, Uttarakhand, India *Corresponding Author: Alka Mishra - Email: [email protected] License information for readers: This paper is published online under the Creative Commons Attribution (CC BY 4.0) License, whose full terms may be seen at https://creativecommons.org/licenses/by/4.0/ Uploaded online: 27 June 2020 Abstract Marma Science is an extremely important branch of Ayurveda. Marma points are important vital places in the body, that are the ‘seats of life’ (Prana - the vital life force). As any injury to these parts may lead to severe pain, disability, loss of function, loss of sensation, or death, therefore, they hold an important place in the science of surgery, wherein they are considered ‘Shalya Vishayardha’ (half of the entire science of surgery). The ancient scriptures have strictly directed against causing any injury to these vital spots. However, recent researches have attempted the stimulation of Marma points for theraputic benefits, with encouraging outcomes. In view of these mutually conflicting, importance applications of Marma Science, the present study was undertaken for its in-depth study. Part-1 of this study presented the information about different aspects of Marma Science in various ancient / classical Indian scriptures. Part-2 gave a detailed description of the number of marmas, their location, structures involved, classification, effect of trauma, etc., as per classical texts, as well as correlation with modern science.