DOCSLIB.ORG

100 Years of Art Vanderpoel Art Association Exhibit Features Chicago Artists

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
100 Years of Art Vanderpoel Art Association Exhibit Features Chicago Artists October 2014 Vol. 34 No. 10 Visit Beverly Hills/Morgan Park at www.bapa.org Published by BEVERLY AREA PLANNING ASSOCIATION 100 Years of Art Vanderpoel Art Association Exhibit Features Chicago Artists By Carol Flynn The Vanderpoel Art Association (VAA) is celebrating its 100th anniversary and Chicago Artists Month with a special exhibit showcasing the Chicago artists in the collection. The 100th Anniversary Exhibition Featuring Chicago Artists in the Vanderpoel Collection will run through Thurs., Oct. 30, at the association’s gallery on the second floor of the Ridge Park Field House, 9625 S. Longwood Dr. Docent tours are available during all regular gallery days, Tuesdays and Thursdays, 1 to 4 p.m., Saturdays, 10 a.m. to 2 p.m., or by appointment (call 773-779-0007). On Sat., Oct. 11, the gallery will be open from 2 to 4 p.m. for a special event as part of the Beverly Art Walk. ‘The Buttermakers’ by John H. Vanderpoel was the Admission to the gallery is free. first painting purchased for the Vanderpoel Memo- Chicago Artists Month (CAM) is a rial Association collection. program of the Chicago Department of Cultural Affairs and Special Events held standard textbook for art school students. during the month of October for Chicago- The director of the Art Institute at the based artists and performers to promote time was William M. R. French, who Thank You, Volunteer Gardeners! and showcase their work. Events are held lived in Beverly Hills/Morgan Park. Many thanks to the Garden Club of Morgan Park/Beverly Hills for volunteering to tend BAPA’s garden areas throughout the city. French persuaded Vanderpoel to move to in the green parking lot. Their first workday was Sept. 24, and they transformed the plots that had gotten The Vanderpoel Art Association North Beverly, and Vanderpoel’s house pretty weedy and wild over the summer into lovely fall gardens. BAPA is grateful for the help! The club is named for Dutch-born John H. still stands at 9319 S. Pleasant Ave. members who worked at BAPA are (front, from left) Carol Zeiler and Marilyn Klein, and (back, from left) Vanderpoel (1857-1911), who emigrated After 30 years at the Art Institute, Barb Bojarski, Barbara Gyarmathy, Nadine Harris-Clark, Caroll Vaughn, Nancy Mishlove and Nancy Brown. to the U. S. at the age of 12. During his Vanderpoel took a leave of absence in teen years, he developed an interest in late 1910 to move to St. Louis to head art that led to a scholarship to study at a museum and establish an art program. the Academy of Design, which later In May 1911, Vanderpoel suddenly died BAC Completes Challenge evolved into the Art Institute of Chicago. from a heart attack. He is buried in Mt. Beverly Arts Center (BAC) has com- ter’s long-term debt was $4.713 million. Although a renowned painter and Greenwood Cemetery. pleted a yearlong fundraising campaign Fifth Third Bank, which held the BAC’s muralist, Vanderpoel became best known Shortly after Vanderpoel’s death, to significantly reduce its debt and estab- debt, announced a four-for-one challenge as a premier art instructor at the Art his friends and supporters formed the lish a new banking relationship. Beverly that launched the BAC Challenge. Institute. One of his students was Georgia Vanderpoel Memorial Association, Bank and Trust, 10258 S. Western Ave., is “The BAC Challenge exceeded all ex- O’Keefe, who praised him as “one of the and petitioned the city to name the BAC’s new banker and has provided a pectations,” said Barbara K. O’Malley, few real teachers I have known.” Vanderpoel Avenue and Vanderpoel $1 million mortgage payable over 20 years. BAC Board president. “The tremendous Vanderpoel developed a reputation as School for him. In 1914, his friends “I have every confidence that the new dedication of BAC Challenge co-chairs one of America’s foremost authorities on bought one of Vanderpoel’s paintings, and renewed leadership of this com- Mike Stanton and Jim Noonan, their figure drawing. His book “The Human “The Buttermakers,” and installed it in munity asset will keep it moving in the committee and our directors, has set us Figure,” published in 1907, became a CONTINUED ON PAGE 22 right direction” said Dennis O’Malley, on a course to create a new development vice chairman, Beverly Bank & Trust, a model for our arts center.” Wintrust community bank. “Witnessing Since 1968, the BAC, a not-for-profit Halloween City ‘Haunts’ 95th Street the tremendous generosity of so many organization serving southwest metro ‘Tis the season for children to start dreaming about who to be for Halloween. From people in our community motivated Bev- Chicago, has offered fine arts classes and princesses to pirates, superheroes to silly cartoon characters, the Halloween City pop up erly Bank to take a fresh look at the arts programs. The 40,000-square-foot facil- store at 2210 W. 95th St., will likely have what you’re looking for. center’s remarkable turnaround during ity at 2407 W. 111th St., houses galleries, Owned by Party City and located in the former Borders Books building, Halloween the last 11 months.” classrooms, rehearsal spaces and a 400- City offers a large selection of costumes for children and adults, masks and costume ac- According to the BAC Board of Direc- seat theater. BAC also offers extensive cessories, Halloween decorations and assorted treats for trick-or-treaters. The store will tors, more than 1,800 donors contributed community outreach. be open through October. $1.234 million to the BAC Challenge For more information, call 773-445- Neighborhood residents are encouraged to shop at Halloween City. If the store does since Sept. 2013. At that time, the Cen- 3838 or visit www.beverlyartcenter.org. well, Party City will consider opening a permanent store on 95th Street. Artists from throughout the community are pitching in to create the first Beverly Art Walk on October 11. For a complete list of venues, events, exhibits and performances, see pages 12-13. October 2014 Page 2 Village Viewpoint By Margie Gonwa, Interim BAPA Executive Director About two weeks ago I sat in a meet- with the hate crimes division, 19th Ward with young children. The streets of Bev- nd ing at the 22 District Police station at- Ald. O’Shea and my colleague, Alice erly-Morgan Park are filled with moms Open Meeting: tended by four of our African American Collins, BAPA Coordinator of Safety, with young children. neighbors who had suffered damage to Property Preservation and Education. One was a former journalist and now FIGHTING RACISM their property, their sense of safety and I was sickened by what I heard. a non-profit organization director. I am their dignity due to ugly, demeaning and As the victims spoke, I thought “They a non-profit director as are many of my Tues., Oct. 7 - 7pm sometimes racist spray-painted graffiti. are me, I am them, they are all of us.” friends. They were surrounded by several neigh- One young woman was a high school In one quiet, older couple—the husband BAPA Community Room bors, local ministers, 22nd District Com- English teacher who called her students a minister, I believe—I swear I saw my 11109 S. Longwood Dr. mander Godsel, a few beat officers and “her babies.” I have a niece who is a high grandparents dressed for an important two detectives assigned to the case, local school English teacher. family affair. and regional CAPS officers, an officer One was a professional working woman One was a woman so concerned that the children on the block not see the ugly I felt the burden was falling pretty heav- graffiti that she scrubbed her car -- now ily on the victims to alter their behavior it’s all scratched up. to better protect themselves. That isn’t All of these neighbors are long-time just. NEIGHBORHOOD NOTES homeowners, like you and me. In addition, couldn’t we as a community News from around Beverly Hills/Morgan Park Ald. O’Shea addressed the individuals place some of the burden and expecta- directly and passionately saying, “This is tion of changed behaviors on would-be not who we are. This is not Beverly/Mor- perpetrators, and on all of us who enable Domino’s Needs Drivers. Domino’s Pizza is now hiring full-and part-time drivers gan Park.” Sadly, there are people among this type of activity by our silence, by not for a new store opening soon at 2301 W. 95th Street. Applicants should have a safe reli- us who commit criminal damage to prop- condemning racist talk in our family and able car, insurance and a 3-year driving history with 3 tickets or less in the last 3 years. erty and hate crimes. But they are not social circles if and when we hear it? Apply at the store or online at [email protected]. in the majority, and they do not represent It’s time to elevate attention to the issue of lingering racism in our community. VIA Meeting. Vanderpoel Improvement Association (VIA) will hold the general our community. In the 1970s, BAPA was instrumental membership meeting Sat., Oct. 4, 9:30 a.m., Beverly Library, 1962 W. 95th St. Ald. Matt The police, taking this very seriously, in working with Beverly Hills/Morgan O’Shea will talk about neighborhood issues, and officers and directors will be elected. have assigned a lot of personnel and are Park residents to resist “white flight” Information: [email protected]. pursuing all theories. Is this a racist inci- dent or not? Is it an isolated event or one and to maintain an integrated commu- The 22nd District Police Domestic Violence Subcommittee in- Breaking the Leash.
Load more

Recommended publications
  • Rap in the Context of African-American Cultural Memory Levern G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to
    [Show full text]
  • The Development and Improvement of Instructions
    WRITING ON THE STREETS: POPULAR LITERATURE AND THE BAD BLACK HERO A Dissertation by DENNIS LAMOUNT WINSTON Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Kimberly Nichele Brown Committee Members, Shona Jackson Mikko Tuhkanen Wendy Leo Moore Head of Department, Nancy Warren December 2012 Major Subject: English Copyright 2012 Dennis Lamount Winston ABSTRACT This dissertation examines the various ways in which pop-cultural illustrations of the “bad nigger” figure beginning in the late 1960s helped to shape the kinds of defiant and oppositional practices that define the lives of black male youths today. I offer a brief history of the cultural and literary trope of the so-called “bad nigger.” I not only chart the cultural and political expressions of the “bad nigger” trope from the antebellum South to the industrial North, I also offer a critique of these accounts of defiant black male behavior that have dominated much of the intellectual discourse. Writing on the Streets: Urban Literature’s Black Male Hero does not pretend that the struggles of poor black inner-city life are somehow romantic or dramatic. What this dissertation does do, however, is offer popular black male cultural productions as a new critical site for engaging the cultural politics of economic power and racial oppression. Much of the scholarship on black male youth culture fails to engage popular texts that respond to black peoples’ negotiation of global issues. The works that do engage popular expressions and cultural productions often underestimate the importance violence, defiance, and opposition plays in the construction of a black male identity, not just for poor urban black male youths, but for men of color in general.
    [Show full text]
  • Mediamonkey Filelist
    MediaMonkey Filelist Track # Artist Title Length Album Year Genre Rating Bitrate Media # Welcome To Jermaine Local 1 Atlanta (Clean 5:03 Instructions 2 2001 Rap 128 Dupri Disk Remix) Nas & Ill Will Oochie Wally Local 2 QB's Finest 3:58 Records Presents 4 2000 Rap 128 (Clean) Disk Queensbr Local 3 Jay Z La-La-La (Clean) 4:40 Bad Boys II 3 2003 Rap 1 171 Disk Destiny's Local 4 Cater 2 U 4:09 Destiny Fulfilled 3 2004 Pop 5 128 Child Disk Local 5 Ja Rule Wonderful 4:26 R.U.L.E. 3 2004 Rap 128 Disk Local 6 Bob Acri Sleep Away 3:20 Bob Acri 3 2004 Jazz 3 128 Disk We Takin' Over Local 7 DJ Khaled 4:28 We The Best 13 2007 Rap 128 (Remix) Disk Light Poles and Pine Local 8 Field Mob So What (Clean) 3:36 3 2006 Rap 128 Trees Disk Always On Time Local 9 Ja Rule 4:06 Pain Is Love 2001 Rap 3 128 (Clean) Disk Welcome To Tha Local 10 Snoop Dogg Fly (Clean) 4:08 19 2005 Rap 2 200 Chuuch, Vol.3 Disk Feelin' On Yo Local 11 R Kelly 4:05 TP-2.com 18 2000 RnB 128 Booty Disk Local 12 YG Rack On Racks 4:45 We In School 2002 Rap 128 Disk Brian For The Rest Of Local 13 3:34 U Turn 9 2003 RnB 128 Mcknight My Life Disk Donnie Donnie McClurkin... Local 14 I'm Walking 5:19 8 2003 Gospel 128 Mcclurkin Again Disk Local 15 Baby Bash What Is It (Clean) 3:20 Cyclone 5 2007 Rap 128 Disk From Tha Paid tha Cost to Be Local 16 Snoop Dogg Chuuuch Ta Da 4:40 4 2002 Rap 128 da Bo$$ Disk Palace Jermaine Dupri Jermaine Gotta Get'cha Presents...Young Fly Local 17 2:49 2 2005 Rap 128 Dupri (Clean) and Flashy, Vol.
    [Show full text]
  • The Coolest Music Book Ever Made Aka the MC 500 Vol. 1 Marcus Chapman Presents… the Coolest Music Book Ever Made Aka the MC 500 Vol
    The Coolest Music Book Ever Made aka The MC 500 Vol. 1 Marcus Chapman presents… The Coolest Music Book Ever Made aka The MC 500 Vol. 1 k Celebrating 40 Years of Sounds, Life, and Culture Through an All-Star Team of Songs Marcus Chapman For everyone who knows the joy of spending time shopping in a record store, and for the kids of the present and future who will never have that experience… Copyright © 2015 Marcus Chapman All rights reserved. ISBN: 1511780126 ISBN 13: 9781511780124 Contents Intro: What is The MC 500 and What Makes This Book So Cool? BONUS SONG: #501 Ooh . Roy Ayers 500 to 401 500 You Don’t Know How It Feels . Tom Pett y 499 Diggin’ On You. TLC 498 Here I Go Again . Whitesnake 497 Blame It . Jamie Foxx featuring T-Pain 496 Just Shopping (Not Buying Anything) . The Dramatics 495 Girls Dem Sugar . Beenie Man featuring Mya 494 My Heart Belongs To U . Jodeci 493 What’s My Name? . Rihanna featuring Drake 492 Feel the Need . Chocolate Milk 491 Midnight Flight . Jake Jacobson 490 The Big Payback . EPMD 489 Still Talkin’ . Eazy-E 488 Too Hot Ta Trot . Commodores 487 Who Dat . JT Money featuring Solé 486 Dark Vader . Instant Funk 485 Flow On (Move Me No Mountain). Above the Law 484 Fantasy . Earth, Wind & Fire 483 Payback Is a Dog . The Stylistics 452 Life Can Be Happy . Slave 482 Double Vision . Foreigner 451 I’ll Take Your Man . Salt ‘N Pepa 481 Soliloquy of Chaos . Gang Starr 480 Spirit of the Boogie .
    [Show full text]
  • MTO 15.2: Adams, Response to Williams
    Volume 15, Number 2, June 2009 Copyright © 2009 Society for Music Theory * Kyle Adams REFERENCE: http://www.mtosmt.org/issues/mto.08.14.2/mto.08.14.2.adams.php REFERENCE: http://www.mtosmt.org/issues/mto.09.15.2/mto.09.15.2.williams.php Received April 2009 [1] Justin Williams has presented a number of thought-provoking points in “Beats and Flows,” beginning with an accurate and thoughtful enumeration of my underlying assumptions. Let me begin by describing the genesis of my earlier article, “Aspects,” in order to shed some light on the reasoning behind some of those assumptions. Carl Dahlhaus noted, in a different context, that “subjective judgment provides the psychological premise and point of departure for the discovery of rational explanations” (Dahlhaus 1983, 3). Thus, my inquiry into text/music relations in rap was motivated by the observation that some rap lyrics seemed to integrate so well with their accompanying musical tracks. This observation, along with my attendant frustration with the relative lack of “close reading” in the scholarly literature on rap, led to my investigation of how the interactions between text and music might be more rigorously described. In doing so, I hoped to share with the scholarly community a potentially new way of listening to rap, one based on an inversion of what I assumed to be a typical mode of listening to texted music. I summarize all this here because some of the misunderstanding between Williams and myself is based on the chronological layout of “Aspects,” which only arrives at many of my subjective judgments after the presentation of my rational explanations for those judgments.
    [Show full text]
  • Icons of Hip Hop: an Encyclopedia of the Movement, Music, and Culture, Volumes 1 & 2
    Icons of Hip Hop: An Encyclopedia of the Movement, Music, and Culture, Volumes 1 & 2 Edited by Mickey Hess Greenwood Press ICONS OF HIP HOP Recent Titles in Greenwood Icons Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares Edited by S.T. Joshi Icons of Business: An Encyclopedia of Mavericks, Movers, and Shakers Kateri Drexler ICONS OF HIP HOP An Encyclopedia of the Movement, Music, And Culture VOLUME 1 Edited by Mickey Hess Greenwood Icons GREENWOOD PRESS Westport, Connecticut . London Library of Congress Cataloging-in-Publication Data Icons of hip hop : an encyclopedia of the movement, music, and culture / edited by Mickey Hess p. cm. – (Greenwood icons) Includes bibliographical references, discographies, and index. ISBN-13: 978-0-313-33902-8 (set: alk. paper) ISBN-13: 978-0-313-33903-5 (vol 1: alk. paper) ISBN-13: 978-0-313-33904-2 (vol 2: alk. paper) 1. Rap musicians—Biography. 2. Turntablists—Biography. 3. Rap (Music)—History and criticism. 4. Hip-hop. I. Hess, Mickey, 1975– ML394. I26 2007 782.421649'03—dc22 2007008194 British Library Cataloguing in Publication Data is available. Copyright Ó 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007008194 ISBN-10: 0-313-33902-3 (set) ISBN-13: 978-0-313-33902-8 (set) 0-313-33903-1 (vol. 1) 978-0-313-33903-5 (vol. 1) 0-313-33904-X (vol. 2) 978-0-313-33904-2 (vol.
    [Show full text]
  • 1 (Pro-) Socially Conscious Hip
    (Pro-) Socially conscious hip hop: Empathy and attitude, prosocial effects of hip hop Thesis Presented in Partial Fulfillment of the Requirements for the Master of Arts in the Graduate School of The Ohio State University By Todd Cameron Haery Graduate Program in Communication The Ohio State University 2020 Thesis Committee: Dr. Osei Appiah, Advisor Dr. Lanier Holt 1 Copyrighted by Todd Cameron Haery 2020 2 Abstract The scope of this thesis addresses the widening cultural, racial, and social divide in the U.S. today and the potential in which hip hop music can serve as a remedy to these social divides. It has been said that race relations are at a 20-year low, hate crimes against gays (and the LGBT community) are prevalent, and attitudes towards the homeless seem to be in perpetual decline (Dann, 2017). Here I discuss the current social disharmony between the dominant in-group and socially stigmatized outgroups while exploring potential remedies for such intergroup discord. One such potential remedy in particular is socially conscious hip hop. Being that hip hop music’s origins are rooted in providing a platform and a voice for marginalized members of society who otherwise would go unheard, this form of entertainment media may possess unique and novel capacity to affect prosocial outcomes. By re-conceptualizing the nature of hip hop culture, highlighting the significance of understanding its complex history, and emphasizing the socio-political forces driving rap music’s foundation, several potential pro-social impacts—commonly understated within literature concerning the effects of consuming rap music—begin to surface.
    [Show full text]
  • The Kids Need Hip-Hop: Reengaging Students Through Culturally
    The Kids Need Hip-Hop: Reengaging Students through Culturally Relevant Pedagogy Harjot Natt, B.A. Department of Graduate and Undergraduate Studies in Education Submitted in partial fulfillment of the requirements for the degree of Master of Education Faculty of Education, Brock University St. Catharines, Ontario © Harjot Natt 2014 Abstract My thesis advocates for critically-conscious hip-hop in classrooms to promote student engagement and culturally relevant pedagogical practices. This proposed approach to educating youth offsets the harmful effects of a normalized curriculum that limits students’ creativity and discounts their experiences as lifelong learners. My thesis gathers data from research literature on hip-hop and education, critically-conscious hip-hop lyrics, and also includes my own hip-hop muse to illustrate the positive tenets of critically-conscious hip- hop. The research literature in my thesis is gathered from multiple studies within North American high schools. My hip-hop muse interrelates with critically-conscious hip-hop lyrics because they both address contemporary issues through social commentary and critical awareness. The element of social commentary in my hip-hop muse is displayed through short poems and verses that outline my experiences in a normalized schooling environment. Throughout my thesis, I uncover the causes of student disengagement in classrooms, the ways in which critically-conscious hip-hop music serves as a tool for reengaging youth, and the approaches that must be taken in order to adequately integrate hip-hop into today’s classrooms. My thesis is important within the context of Canadian classrooms because it acts as an agent for social change and cultural relevance through a critical lens.
    [Show full text]
  • "Hey Young World”: Hip-Hop As a Tool for Educational and Rehabilitative Work with Youth Heather Day Connecticut College, [email protected]
    Connecticut College Digital Commons @ Connecticut College American Studies Honors Papers American Studies Program 5-2009 "Hey Young World”: Hip-Hop as a Tool for Educational and Rehabilitative Work with Youth Heather Day Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/americanstudieshp Part of the African American Studies Commons, American Popular Culture Commons, and the Education Commons Recommended Citation Day, Heather, ""Hey Young World”: Hip-Hop as a Tool for Educational and Rehabilitative Work with Youth" (2009). American Studies Honors Papers. 3. http://digitalcommons.conncoll.edu/americanstudieshp/3 This Honors Paper is brought to you for free and open access by the American Studies Program at Digital Commons @ Connecticut College. It has been accepted for inclusion in American Studies Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. “Hey Young World 1” Hip-Hop as a Tool for Educational and Rehabilitative Work with Youth An Honors Thesis Presented by Heather Day To the Department of American Studies In Partial Fulfillment of the Requirements for Honors in the Major Field Connecticut College New London, Connecticut May 1, 2009 1Slick Rick. “Hey Young World.” The Great Adventures of Slick Rick Def Jam, 1988. 1 Hip-Hop as a Tool for Educational and Rehabilitative Work with Youth By Heather Day 2 Acknowledgments First and foremost, I would like to thank my advisor, Dean Theresa Ammirati, and my two readers, Professor Audrey Zakriski and Professor David Canton, for all their support, energy, and insight while helping me make this vision of a thesis into a reality.
    [Show full text]
  • Icons of Hip Hop: an Encyclopedia of the Movement, Music, and Culture, Volumes 1 & 2
    Icons of Hip Hop: An Encyclopedia of the Movement, Music, and Culture, Volumes 1 & 2 Edited by Mickey Hess Greenwood Press ICONS OF HIP HOP Recent Titles in Greenwood Icons Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares Edited by S.T. Joshi Icons of Business: An Encyclopedia of Mavericks, Movers, and Shakers Kateri Drexler ICONS OF HIP HOP An Encyclopedia of the Movement, Music, And Culture VOLUME 1 Edited by Mickey Hess Greenwood Icons GREENWOOD PRESS Westport, Connecticut . London Library of Congress Cataloging-in-Publication Data Icons of hip hop : an encyclopedia of the movement, music, and culture / edited by Mickey Hess p. cm. – (Greenwood icons) Includes bibliographical references, discographies, and index. ISBN-13: 978-0-313-33902-8 (set: alk. paper) ISBN-13: 978-0-313-33903-5 (vol 1: alk. paper) ISBN-13: 978-0-313-33904-2 (vol 2: alk. paper) 1. Rap musicians—Biography. 2. Turntablists—Biography. 3. Rap (Music)—History and criticism. 4. Hip-hop. I. Hess, Mickey, 1975– ML394. I26 2007 782.421649'03—dc22 2007008194 British Library Cataloguing in Publication Data is available. Copyright Ó 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007008194 ISBN-10: 0-313-33902-3 (set) ISBN-13: 978-0-313-33902-8 (set) 0-313-33903-1 (vol. 1) 978-0-313-33903-5 (vol. 1) 0-313-33904-X (vol. 2) 978-0-313-33904-2 (vol.
    [Show full text]
  • Gavin-Report-1989-08
    The Panther Is AL'usiyeat THE PLACE TO BE. THE NEW SINGLE FROM THE B -52'S PRODUCED BY DON WAS FROM THE ALBUM COSMIC THING 11 el /_. MANAGEMENT: STEVEN JENSEN AND MARTIN KIRKUP DIRECT MANAGEMENT GROUP ihe(;.WIN KEPOt{'I' ih/J 1'J 1 s TOP 40 URBAN A/C COUNTRY MOST ADDED MOST ADDED MOST ADDED MOST ADDED MADONNA SOUL II SOUL MADONNA KATHY MATTEA Cherish (Sire/Warner Bros.) Back To Life (Virgin) Cherish (Sire/Warner Bros.) Burnin' Old Memories (Mercury) FINE YOUNG CANNIBALS FULL FORCE BEACH BOYS EDDY RAVEN Don't Look Back (IRS/MCA) Ain't My Type Of Hype (Columbia) Still Crusin' (Capitol) Bayou Boys (Universal) EXPOSE THE TEMPTATIONS VAN MORRISON OAK RIDGE BOYS When I Looked At Him (Arista) All I Want From You (Motown) Have I Told You Lately An American Family (MCA) (Mercury/PolyG ram ) RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH BEACH BOYS FINEST HOUR CHARLIE KARP & THE FOSTER & LLOYD Still Cruisin' (Capitol) Make That Move NAMEDROPPERS Suzette (RCA) (Polydor/PolyGram) Givin' It All I Got (Grudge) t _ , MILLI VANILLI MAZE featuring BEE GEES i. J ALABAMA Girl I'm Gonna Miss You FRANKIE BEVERLY One High(RCA)Cotton (Arista) Can't Get Over You (Warner Bros.) (Warner Bros.) JAll ADULT ALTERNATIVE ALBUM ALTERNATIVE MOST ADDED MOST ADDED MOST ADDED MOST ADDED HARRY CONNICK, JR. SKIPPER WISE MICK JONES THE BRIDGE COMPILATION When Harry Met The Clock And The Moon "Just Wanna Hold" (Atlantic) A Tribute To Neil Young (Caroline) Sally...(Columbia) (Cypress/A&M) GEORGE HARRISON PAUL KELLY AND THE BILLY CHILDS BILL WOLFER "Cheer Down"
    [Show full text]
  • Nick Castle; Spreading the Love Michael Myers 40 Years of Film Christian Soto
    Winner of Multiple Awards fromo Our college. Our news. Our voice. Naugatuck Valley Community College November 1, 2018 Waterbury, Connecticut Vol. 62, Iss. 7 Change on the Horizon Th omas Ackerman is not yet a transfer ticket for every major, but Students could soon see a Common General 6HDEXU\VDLG7$3LVPDNLQJHͿRUWVWRGRMXVW Education structure among all CT community that. colleges, allowing for seamless transfer of credit Co-manager of TAP, Professor Candace to CT state universities. The proposed policy Barrington, of CCSU, said whatever the consol- would reduce total general education courses idated Gen-Ed structure will look like, it will necessary to graduate. Each community college most likely become part of TAP. She said tickets currently has a unique structure catering to its may have to add nine credits to reach the thirty students’ needs. NVCC requires 30-31 general credits, so students will, in fact, enter as juniors education credits, while some community with the necessary credit numbers. colleges require 21. The proposal calls for a The other TAP co-manager, Professor consistent 21 credits, the minimum to satisfy Kenneth Klucznik, from Manchester the New England Association of Schools and &RPPXQLW\&ROOHJHRͿHUHGGDWDLQDQHPDLO Colleges. showing that of 4,407 community college “The philosophy here is rather than start graduates last spring, 24%, or 1,046 students, at thirty credits and [sometimes] remove showed courses from more than one commu- them, we are going to start low,” said Math nity college on their transcripts. He said TAP Professor Jason Seabury, NVCC’s represen- does not have simply accessible numbers on tative on the Framework Implementation students who are currently enrolled, nor those and Review Committee (FIRC), which over- who did not graduate, but data indicates a sub- sees the “transfer tickets,” or the Transfer and Transfering Credits stantial number of students attend more than Articulation Program (TAP).
    [Show full text]