Pop up Store Program STORE Open Daily 14 – 20 H Sunday Closed Exclusive Records, Artwork and Merchandise Celebrating 20 Years of KOMPAKT

Total Page：16

File Type：pdf, Size：1020Kb

POP UP STORE PROGRAM STORE OPEN DAILy 14 – 20 h SUNDAY CLOSED Exclusive records, artwork and merchandise celebrating 20 years of KOMPAKT. Ableton music-making workstations, artist demos and Open Studios. Plus a week-long program of exclusive performances, DJ sets, workshops and discussions. Sat, 31.08. 14:30 IN CONVERSATION Gerhard Behles (co-founder Ableton) + Wolfgang Voigt (musician, artist, co-founder Kompakt) Moderator: Tobias Rapp (Spiegel, Author “Lost and Sound: Berlin, Techno und der Easyjetset”) (german) 15:30 MUSIC The Field LIVE 16:30 IN CONVERSATION Gregor Schwellenbach über die 20 ungeschriebenen Regeln des Sound of Kompakt (german) 17:30 MUSIC Christian Kleine LIVE (Ableton) 21:00 IN CONCERT VOLKSBÜHNE SALON: Gregor Schwellenbach spielt 20 Jahre Kompakt, am Rosa-Luxemburg-Platz, Linienstraße 227 Tickets: www.torstrassenfestival.de/tickets Sun, 01.09. CLOSED Mon, 02.09. 16:00 IN CONVERSATION CDR presents Ewan Pearson (producer, DJ) + Tony Nwachukwu (CDR) (english) 18:00 MUSIC LABEL TAKEOVER: BLKRTZ & PICTURES MUSIC - Deadbeat LIVE, Dauwd LIVE Tue, 03.09. 16:00 IN CONVERSATION Dennis DeSantis (Ableton) on Ableton Live 9 and Push (english) 18:00 MUSIC LABEL TAKEOVER: KOMPAKT - Terranova, Saschienne LIVE Wed, 04.09. 16:00 IN CONVERSATION Deadbeat on Ableton Push (english) 18:00 MUSIC LABEL TAKEOVER: OSTGUT TON - Nick Höppner, Answer Code Request LIVE, Kobosil Thu, 05.09. 16:00 IN CONVERSATION Create Digital Music Presents Alex Cowen (Blue Hawaii) + Peter Kirn (Create Digital Music) (english) 18:00 MUSIC LABEL TAKEOVER: ARBUTUS RECORDS & INNERVISIONS - Âme, Blue Hawaii LIVE Fri, 06.09. 16:00 IN CONVERSATION Record Label Roundtable - Jenus Baumecker-Kahmke (Ostgut Ton), Jon Berry (Kompakt), Michael Mayer (Kompakt), Manfredi Romano (Life And Death) (english) 18:00 MUSIC LABEL TAKEOVER: LIFE AND DEATH - Tale Of Us, DJ Tennis Sat, 07.09. 16:00 CLOSING PARTY Michael Mayer, Justus Köhncke LIVE, Coma LIVE.

Copy Link

Recommended publications

Weaving Genres, and Roughing up Beats: New Album Review
Weaving Genres, And Roughing Up Beats: New Album Review Music | Bittles’ Magazine: The music column from the end of the world Is it just me, or was Record Store Day 2017 a tiny bit crap? The last time I was surrounded by that amount of middle-aged, balding men, reeking of sweat, I had walked into a strip-club by mistake. So, rather than relive the horrors of that day, I will dispense with the waffle and dive straight into the reviews. By JOHN BITTLES The electronic musings of Darren Jordan Cunningham’s Actress project have long been a favourite of those who enjoy a bit of cerebral resonance with their beats. While 2014’s Ghettoville disappointed, there was more than enough goodwill left over from the dusty grooves of his R.I.P. album and his excellent DJ Kicks mix to ensure that expectations for a new LP were suitably high Thankfully the futuristic funk and controlled passion of AZD doesn’t let us down! Out now on the always reliable Ninja Tune label the album is a dense listening experience which makes the ideal soundtrack for lonely dance floors and fevered heads. After the short intro of Nimbus, Untitled 7 gets us off to a stunning start with its deep, steady groove. From here Fantasynth’s shuffling beats and solitary melody line recall the twisted genius of Howie B and Dancing In The Smoke deconstructs the ghost of Chicago house and takes it to a gloriously darkened place. Meanwhile Faure In Chrome and There’s An Angel In The Shower’s disquieting ambiance are so good you could wallow in them for days.
[Show full text]
Documentary in the Steps of Trisha Brown, the Touching Before We Go And, in Honour of Festival Artist Rocio Molina, Flamenco, Flamenco
Barbican October highlights Transcender returns with its trademark mix of transcendental and hypnotic music from across the globe including shows by Midori Takada, Kayhan Kalhor with Rembrandt Trio, Susheela Raman with guitarist Sam Mills, and a response to the Indian declaration of Independence 70 years ago featuring Actress and Jack Barnett with Indian music producer Sandunes. Acclaimed American pianist Jeremy Denk starts his Milton Court Artist-in-Residence with a recital of Mozart’s late piano music and a three-part day of music celebrating the infinite variety of the variation form. Other concerts include Academy of Ancient Music performing Purcell’s King Arthur, Kid Creole & The Coconuts and Arto Lindsay, Wolfgang Voigt’s ambient project GAS, Gilberto Gil with Cortejo Afro and a screening of Shiraz: A Romance of India with live musical accompaniment by Anoushka Shankar. The Barbican presents Basquiat: Boom for Real, the first large-scale exhibition in the UK of the work of American artist Jean-Michel Basquiat (1960-1988).The exhibition brings together an outstanding selection of more than 100 works, many never seen before in the UK. The Grime and the Glamour: NYC 1976-90, a major season at Barbican Cinema, complements the exhibition and Too Young for What? - a day celebrating the spirit, energy and creativity of Basquiat - showcases a range of new work by young people from across east London and beyond. Barbican Art Gallery also presents Purple, a new immersive, six-channel video installation by British artist and filmmaker John Akomfrah for the Curve charting incremental shifts in climate change across the planet.
[Show full text]
DAS WAR (Der Geschichtldrucker) / THIS WAS (The Tattletale Printer) In
DAS WAR (Der Geschichtldrucker) / THIS WAS (The Tattletale Printer) In the spring of 2016, Thomas Baldischwyler got a call from the office of the Federal Government Commissioner for Culture. The caller underscored the need for absolute discretion until the winner of the Rome Prize would be officially announced. But Baldischwyler couldn’t resist the temptation to post a coded statement on Facebook, and so he chose a line from Thomas Bernhard’s “Extinction”: “Standing at the open window, I said to myself, I’m here to stay, nothing will make me leave.” Rome—the exile of Bernhard’s protagonist Franz-Josef Murau was also the writer’s own exile. And he wouldn’t have traded it for any place in the world. Arriving in Rome in September 2017, Baldischwyler soon doubted that he would stay for long. His original project (the idea was to draw a connection between the story of how the Italian entrepreneur Silvio Berlusconi went into politics in the early 1990s and two dystopian techno records that the Roman producers Leo Anibaldi and Lory D released in 1993, examining the economic foundations of creative practices in light of their substantive concerns and vice versa) collided with the unfolding sociocultural crisis in Italy. The country seemed utterly paralyzed before the upcoming elections. There was nothing people were less keen on than talking about their fairly recent past. One bright spot: the freelance curator Pier Paolo Pancotto was interested in Baldischwyler’s record label Travel By Goods and invited him to perform a sort of avant-garde DJ set together with a couple of Italian artists at the Villa Medici.
[Show full text]
Warmth: Parallel
Warmth: Parallel spectrumculture.com/2018/05/14/warmth-parallel-review Daniel Bromfield May 14, 2018 As Warmth, Spanish producer Agustín Mena makes ambient music of a fearsome purity. This is not music that seeks to elicit an emotional reaction or stake out a psychedelic space for the listener to explore. This is ambient in the strictest, most workmanlike sense, and though Mena comes from club music (he was a dub techno producer before shedding all aspects of his sound save distant chords), his music is closer to what Brian Eno envisioned when he stipulated a new form of music that could act as “wallpaper.” Eno recently released a box set of music intended to accompany art installations. It sounds like free jazz compared to Warmth. But over Mena’s impressive recent run of albums—2016’s Essay, last year’s Home, and the brand-new Parallel—little wrinkles have appeared in the project that reveal more going on than meets the eye. Though the three records had almost exactly the same sound palate, the mood of each is distinct and obvious. Essay was positive, an album for meditation and deep thought, a happy place; it accomplished this through an expansive presence in the stereo field and subtle frills like electric piano. Home was colder and more insular, occupying the dead center of the stereo field and focusing on heavy bass tones rather than comfortable midrange. Parallel finds a neat middle ground between the two, the midrange allowing the music to 1/2 maintain the illusion of wide-open space while the bass injects a subterranean sense of foreboding.
[Show full text]
Nl Newsletter 11.Qxp
September 2007 Volume 3, Issue 3 Vision With Attitude Medicals International Inside this issue: ISO FOR MEDICALS INTERNATIONAL (LEBANON) 2 Dear Colleagues, Suppliers, Partners and Friends: tion in our industry Launching to be awarded such Biomedics 1 Day - Lebanon It is my great pleasure to report to all that, after a prestigious accred- about two years of work, Medicals International itation. Now, we Professionals’ 3 SARL, our Lebanon Subsidiary, was awarded ISO will move to apply Corner 9001:2000 International Management Quality those new methods Standard accredetation last week after going of management and 4 Business; Optical, through a tough audit by QMI (management sys- work on all of our One Day. tems registration). organization and we Syria - CL Events will be better struc- Ophthalmology. 5 Working on a quality management system was a tured to grow. I commitment that we undertook, knowing that to believe Egypt is next in our line up. continue to grow and serve the interest of our cus- Medicals is committed to excellence. We have STAAR; ICL Training 6 expanded our training budgets to a much aggres- tomers and suppliers best, it was a must step. We sive figures this year. We have much more people have many new staff , growing number of clients, under industry training or undertaking academic 7 and a larger supplier base therefore it was impossi- Dental challenges that will help them deliver better job to ble to continue to count on individual innovation all. Parallel we are going through a full refurbishing solely; a proper quality management system JORDAN’s Activities 8 of our locations.
[Show full text]
Mi 09. – So 27.08.2017 1
INTERNATIONALES SOMMERFESTIVAL 09.-27.08.2017 KAMPNAGEL.DE MIT SICHERHEIT UNSICHER MI 09. – SO 27.08.2017 MI 09. – SO 27.08.2017 JETZT WÄHLEN: LIEBE GÄSTE, an dieser Stelle haben wir in den vergangenen Jahren ge- schrieben über: Grenzüberschreitung, Widerstand und En- tertainment in Zeiten von Krieg und Terror. 2017 ist an- + THEATER ders, weil das Noise-Level noch mal gestiegen ist. Und wir ein Festival sind, das sich weniger mit dem Drama der Vergangenheit und mehr mit dem Theater der Gegen- + TANZ wart auseinandersetzt. Das ist beleuchtet von digitalem Stroboskoplicht, die Augen tun weh und der Kopf brennt. Was tun? Wie reagieren auf eine Welt, in der politische + MUSIK Realität und mediale Fiktion verschwimmen? Wenn Politik zur großen Aufmerksamkeits-Show mit einfachen Slogans + FILM wird, und der Präsident der USA mit digitaler Hilfe direkt aus dem Trash TV-Format „The Apprentice“ ins Oval Office kommt, um die Demokratie mit Twitter-Feeds zu + PERFORMANCE penetrieren – was heißt das für die Kunst? Wir gehen da erstmal selbstbewusst ran und sagen: Das Spiel mit der Realität ist besser bei uns in der Kunst + BILDENDE KUNST als in der Politik aufgehoben. Und je lauter die Realität uns anbrüllt, desto bunter und vielfältiger werden wir, set- zen auf Differenzierung und variieren die Perspektiven, + THEORIE Formen, Ästhetiken, Lautstärken und Orte. Damit diese flirrende Stimmen-Vielfalt einen Song ergibt, der die Mas- sen zum Tanzen bringt, ist das Festival Programm dicht komponiert – und so sehen die Motive und Verbindungen der einzelnen Teile aus: Unser Spiel mit dem Jetzt beginnt im Superwahljahr mit einer Kampagne um unseren Spitzenkandidaten Juan Dominguez (siehe Cover), der als Künstler drei Wochen lang das Festival und den Garten mit klandestinen Perfor- terfeingeist Mariano Pensotti und befragt die Ideale der mance-Aktionen (S.
[Show full text]
Samstag, 18.04.2015 Interpret Titel Format Label Info
Record Store Day - Samstag, 18.04.2015 Interpret Titel Format Label Info !!!'s first release since 2013's THR!!!ER presents the band at their dance 12 inch core with two new house influenced !!! (Chk Chk Chk) All U Writers / Gonna Guetta Stomp 12" WARP tracks. The record approaches sounds of the band's past remixers like Maurice Fulton and Anthony Naples, riding the dance floor as only a 500 Stück - rotes Vinyl, ausführliche Linernotes, 2 exklusive (International) Noise Conspiracy, The Live At Oslo Jazz Festival 2002 Vinyl LP Eliterecords non-Album-Tracks 16 HORSEPOWER FOLKLORE LP VOLKOREN 16 HORSEPOWER OLDEN LP VOLKOREN A: Mary Mary (Seahawks Deep Love For All Mankind Remix) / B: Run Run Run (Wrong Island's Cosmic Plughole Remix) w/CD 2 Bears, The Bears In Space 12" Southern Fried (7 Remixe) 24 GONE THE SPIN LP CULTURE CLASH RECORDS 4 Promille Vinyl 7" Single Sunny Bastards 7" Single / Etched B-Side 4 Promille Vinyl 7" Single Sunny Bastards 7" Single / Etched B-Side / Colored Vinyl 999 BIGGEST PRIZE IN SPORT / BIGGEST TOUR IN SPORT LP LETTHEMEATVINYL A Coral Room I.o.T. Vinyl LP INFRACom! RSD 2015 AD LIBS, THE YOU'LL ALWAYS BE IN MY STYLE / THE BOY FROM NYC 7" CHARLY AGAINST ME! OSAMA BIN LADEN AS THE CRUCIFIED CHRIST 7" TOTAL TREBLE AGATHOCLES MINCER (RSD 2015) LP POWER IT UP Limited edition White colored version in 100 copies worldwide. * Setting a new standard for swedish melodic black metal. SOUND POLLUTION / BLACK Ages Malefic Miasma LP * With ex-member from Dissection, Satyricon (live).
[Show full text]
Facts & Figures on Contaminants in Feed
20 20 kompakt FACTS & FIGURES ON CONTAMINANTS IN FEED Compare the analysis results of your own feed In order to be able to classify the results correctly, the correspon- ding measured value ranges of the respective analysis results are represented. They serve as an orientation guide: The results can be set in relation to the limit values for the di erent feeds. New this year are the three parameters OTA, packaging material and hydrocyanic acid. Basis: Analysis results of the QS feed monitoring from January 2008 to June 2020 Zearalenone (ZEA) Parameter Number of thereof analyses Number of exceedances Feed/ analyses where value (EU guidance value) raw material was detected Zearalenone 56,040 19,531 (34.9 %) 39 total (ZEA) 9 Piglet rearing feed 8 Maize (plants) 7 Complete feed for fattening pig/sows 5 Supplementary feed for for fattening pigs/sows/piglets 5 Self-mixed pig fattening feed/piglet 2 Self-mixed cattle-fattening feed 1 Triticale 1 Distillery spent wash 1 Supplementary feed for all species Analysis results with values above LOD/LOQ Feed Analyses Result Result Result 0-1 mg/kg > 1-2 mg/kg > 2 mg/kg Feed Material 10,786 10,586 120 80 0-0.1 mg/kg > 0.1 mg/kg Compound Feed 8,745 8,348 397 Ochratoxin A (OTA) Parameter Number of thereof analyses Number of exceedances Feed/ analyses where value (EU guidance value) raw material was detected Ochratoxin A (OTA) 6,812 816 (12.0 %) no exceedances Analysis results with values above LOD/LOQ Feed Analyses Result Result Result Time period since 01.07.2016 Time 0-0.1 mg/kg > 0.1-0.25 mg/kg > 0.25 mg/kg Feed Material 434 431 2 1 0-0.02 mg/kg > 0.02 - 0.05 mg/kg > 0.05 mg/kg Compound Feed 382 378 4 0 QS – kompakt 2020 2 // Aflatoxin B1 Parameter Number of thereof analyses Number of exceedances Feed/ analyses where value (max.
[Show full text]
Press Release
! Artist: Michael Mayer Title: & Label: !K7 Cat. #: K7337CD / K7337LP Release: 28 October 2016 !Format: Vinyl, CD & Digital Michael Mayer is one of the leading German tastemakers in dance music and his DJ sets have influenced a generation (or two) of musicians and fans.As an artist, Mayer remains tirelessly motivated to DJing, in the studio or behind his desk at KOMPAKT, the label he co-owns. His recording career spans four albums, 23 EP’s, nearly 170 remixes and the legendary DJ mixes for fabric and Immer. ‘&’ is his third full-length, a passionate and personal album that speaks as broadly as his DJ sets - embracing his genre-busting love for music, rhythm and atmosphere – and the dancefloor in front of him. ‘&’ – the title says it all; Michael Mayer collaborated for every track on the album. “All of those involved are good friends of mine and not random choices selected from someTop 100 list.These people mean a lot to me - and by that the music we produced together is heart driven and emotionally powered. I felt we had a mutual privilege to share time together in the studio creating what you hear”. ‘&’ follows a long phase of solitary studio work, but Michael is returning to a pattern of collaboration that’s been significant throughout his career. From his early band Forever Sweet (with Reinhard Voigt and Tobias Thomas), Zimt (with Matias Aguayo) or most recently Supermayer (with Superpitcher).This new wave of partnerships can be traced to the series of back-to-back DJ sets he played throughout 2015.
[Show full text]
The Story of Whatness
The Story Of Whatness Music | Bittles’ Magazine: The music column from the end of the world Since launching in 1998 Cologne label Kompakt have proven themselves masters of melody-rich techno, dance floor bangers, and pop-tinged house. Yet, as the imprint’s revered Pop Ambient series of albums attests, they are often at their very best when they lessen the pace. By JOHN BITTLES Lush long-players from Jens Uwe Beyer, The Orb, Vermont, Gas and Thore Pfeiffer successfully eschew the beats entirely to create sounds which excite and stimulate the senses to become so much more than mere background noise. This July the label continue their recent run of form with the warm, evocative cascades of Whatness, Anton Kubikov’s debut solo LP. Perhaps better known as one half of the duo Scsi-9, or as joint head of the record imprint Pro-tez Records, Whatness sees the Russian-born, Prague-based artist follow successful instalments in the Pop Ambient series with a fully realised body of work. Resembling a long, lonely stroll through an empty landscape on a cool, starless night, the album’s twelve tracks are wonderfully varied, strangely poignant, and linger with the listener long after they have come to an end. Opener Liquid Mirror sets the scene perfectly, its subtle wash of drones creating a heady sense of otherworldly tension which works as a somewhat unsettling introduction to Anton Kubikov’s aural world. Next up, Mintnight conjures the sense of calm before the night truly kicks in; the lights are coming on, there is still hustle and bustle from the streets mixed with laughter and even birdsong.
[Show full text]
Kompakt+Recycle Massive Towers of Black Wattage Sustaining 120 Decibels of Punishment
The Spanish chandelier dangles some 25 feet above my head, with only the slightest of hesitations. (That it followed on careening above the swells of sweating bodies as the heathens scream and Detroit/Submerge’s cosmic Red Planet series some decade after the fact dance. The sound is at full throttle. The speakers hold court, all eight stacks, bears further reconsideration.) kompakt+recycle massive towers of black wattage sustaining 120 decibels of punishment. But who hasn’t missed the uplifting ascension, that “high white note” Everyone is apparently ‘avin it. that resonated so strong and clear with the melancholic anthems of, say, But this is not 1988 on the Orbital, 92 in the Black Rock desert or 95 in Orbital? In everything that followed, on the one channel into the brooding, Who could have guessed that of techno’s the warehouse dark, but 2003 in Barcelona, at the Nitsa club, and it is four aggressive and dark channels that hard, repetitive techno pursued in AM, with no sign of this Kompakt label juggernaut obeying the second law distancing itself from rave’s similitude, and on the other into the abstract numerous spawns, the minimized maximization of thermodynamics. era of late 90s “Köln” minimal techno, whatever was left of the classic Entropy. truth/beauty complex so ominous in Halcyon and Belfast was burial mixed of Kompakt would be the one most likely to sit at Michael Mayer has just left the decks, preceeded by Ellen Alien from deep into silence. However necessary the repression in marking techno’s Bpitch Control—and now on into the night.
[Show full text]
James Din A4
James Din A4 „Fistel Rose Power“ CD / Download Streetdate: Mai 26th, 2008 digital Release: June 9th, 2008 Label: Pingipung "Fistel Rose Power" marks the third collaboration of Pingipung and James Din A4, Cat.No.: Pingipung 14 after his two terrific compilation contributions. ("Reggae-Olympiade" on "Kami Eins", Barcode: 880319300622 2002 and "Graumelierte Pötstellen" on "Pingipung blows: the Brass", 2007) LC: 09304 Together we handpicked the pearls featured on the album from more than 20 vinyl Distributors: Kompakt, A-Musik, Finetunes records, all of which the musician and artist from Ottersberg released himself. They appear on CD for the first time, as a "Best Of", and come with elaborate artwork. • The 24 page booklet and the digipak were designed for this purpose by the artist Dennis Busch a.k.a. James Din A4 is a himself, and offer an impression of his worlds of illustration, which he brings to the musician and fine artist living in Ottersberg world under the label "Made with Hate". near Bremen. • About the artist: Since 2000 he has been running the label James Din A4 is Dennis Busch, a man of many faces. Esel. Apart from James Din A4 and his He's the head behind the Esel label, on which he has been living out his own aliases, Caulfield, Gaumen, Hausmeister and particular view on Techno, with refreshing obstinacy, for eight years to date. In Tobias May release there, too. addition to external artists, he also releases there under the aliases Lassie & Chris, • Pop Dylan, Krieghelm Hundewasser, and Pastor Fitzner. Virtually alongside this, he "Fistel Rose Power" is the first CD release by runs his own workshop - of considerable output - for silkscreen printing and collage James Din A4.
[Show full text]