James Din A4

Total Page:16

File Type:pdf, Size:1020Kb

James Din A4 James Din A4 „Fistel Rose Power“ CD / Download Streetdate: Mai 26th, 2008 digital Release: June 9th, 2008 Label: Pingipung "Fistel Rose Power" marks the third collaboration of Pingipung and James Din A4, Cat.No.: Pingipung 14 after his two terrific compilation contributions. ("Reggae-Olympiade" on "Kami Eins", Barcode: 880319300622 2002 and "Graumelierte Pötstellen" on "Pingipung blows: the Brass", 2007) LC: 09304 Together we handpicked the pearls featured on the album from more than 20 vinyl Distributors: Kompakt, A-Musik, Finetunes records, all of which the musician and artist from Ottersberg released himself. They appear on CD for the first time, as a "Best Of", and come with elaborate artwork. • The 24 page booklet and the digipak were designed for this purpose by the artist Dennis Busch a.k.a. James Din A4 is a himself, and offer an impression of his worlds of illustration, which he brings to the musician and fine artist living in Ottersberg world under the label "Made with Hate". near Bremen. • About the artist: Since 2000 he has been running the label James Din A4 is Dennis Busch, a man of many faces. Esel. Apart from James Din A4 and his He's the head behind the Esel label, on which he has been living out his own aliases, Caulfield, Gaumen, Hausmeister and particular view on Techno, with refreshing obstinacy, for eight years to date. In Tobias May release there, too. addition to external artists, he also releases there under the aliases Lassie & Chris, • Pop Dylan, Krieghelm Hundewasser, and Pastor Fitzner. Virtually alongside this, he "Fistel Rose Power" is the first CD release by runs his own workshop - of considerable output - for silkscreen printing and collage James Din A4. It's a Best-Of of his more than ("Made with Hate"); more and more, he also creates covers for other artists (the 20 releases, which so far have been most recent being Wolfgang Voigt's current 12"); and apart from that, he's getting published exclusively on limited vinyl, and practice in life as a father of three. which are partly sold out. • About the record: The liner notes for "Fistel Rose Power were Occasionally, it is rather obvious what the house and techno coming from James written by Michael Mayer (Kompakt). Din A4's Esel factory is modeled after - the deepness of Theo Parrish, above all - • but again and again, by the use of swirling hi-hats, stumbling samples, or breaks File under: House, Techno, Electronica recorded manually via MPC, he manages to thwart and breach the whole track, and ____________________________________________ to present it, from one second to the other, under a new light. Only to bring back the Tracklist: bass drum then, holding everything together - along with a thousand melodies. The 1) The Seaside musician himself calls his style "Techno with weeds", and that hits the nail on the 2) Der Frosch mit der Maske head perfectly. He's also able to bring to bear his charming play with lo-fi-samples quite neatly in his downtempo tracks (Petsoundfile, Human Schaufenster Coalition). 3) Rudolf Scharping With James Din A4, everything's allowed to crackle, hiss and distort - all the same, 4) Er hatte ihr keinen Trip gegeben, ihr aber bedeutet, his music takes everyone for a ride, and shoves us to the dance floor with a wink. dass er sie heiraten will 5) Eva auf der Wolfsschanze 6) Opa muss ins Altersheim 7) Petsoundfile Former releases by James Din A4 / Dennis Busch (selection): 8) Human Schaufenster Coalition • James Din A4 Funky as Fuck (10 , Esel 01, 2000) 9) Fistel Rose Power • James Din A4 Äpfel eingesammelt, Bäumchen eingepflanzt, (12 , Esel 03, 2000) 10) Been down so long it looks up to me • James Din A4 Altes Lego (LP, Esel 04, 2000) • James Din A4 I am the very model of a modern mutant replicant (LP, Esel 07, 2001) 11) Buß und Bettag • James Din A4 Defecting Grey (12", Esel 11, 2001 12) Maria & Josef • James Din A4 Destroit EP (12 , Out Of Lunch, 2002) • James Din A4 Traumjob Frührentner (LP, Esel 14, 2002) * 13) The Coming Out • Lassie & Chris Lassie & Chris (LP, Esel 17, 2002) * 14) Cold Spider • James Din A4 Decoding the Ism (LP, Esel 18, 2003) * • James Din A4 Ab Morgen gibts statt Brot nur Steine (LP, Esel 21, 2003) * 15) Vater, Mutter, Kind • Pop Dylan Give Chance A Piece (LP, Esel 22, 2004) * 16) Flaming Creature • James Din A4 Alle meine Enden (12 , Real Soon, 2004) * • James Din A4 Live at Royal Albert Hall (LP, Esel 25, 2005) 17) Piss / Pott • Pastor Fitzner Ernesto (LP, Esel 26, 2005) * • Pingipung GbR James Din A4 Wenn du tot bist erbe Ich das Chinesenschwert (12 , Esel 28, 2006) * • James Din A4 Büro für Berufskunde (LP, Esel 29, 2006) * Bernstoffstr. 149 A • 22767 Hamburg Pop Dylan Take me to the Slaughterhouse, I will wait there ... (LP, Esel 30, 2006) * • James Din A4 Karl der Käfer (LP, Esel 31, 2007) * Promokontakt: Markus Engel; (Material rom the dotted releases can be found on Fistel Rose Power ) [email protected] The artist is available for interviews. .
Recommended publications
  • Weaving Genres, and Roughing up Beats: New Album Review
    Weaving Genres, And Roughing Up Beats: New Album Review Music | Bittles’ Magazine: The music column from the end of the world Is it just me, or was Record Store Day 2017 a tiny bit crap? The last time I was surrounded by that amount of middle-aged, balding men, reeking of sweat, I had walked into a strip-club by mistake. So, rather than relive the horrors of that day, I will dispense with the waffle and dive straight into the reviews. By JOHN BITTLES The electronic musings of Darren Jordan Cunningham’s Actress project have long been a favourite of those who enjoy a bit of cerebral resonance with their beats. While 2014’s Ghettoville disappointed, there was more than enough goodwill left over from the dusty grooves of his R.I.P. album and his excellent DJ Kicks mix to ensure that expectations for a new LP were suitably high Thankfully the futuristic funk and controlled passion of AZD doesn’t let us down! Out now on the always reliable Ninja Tune label the album is a dense listening experience which makes the ideal soundtrack for lonely dance floors and fevered heads. After the short intro of Nimbus, Untitled 7 gets us off to a stunning start with its deep, steady groove. From here Fantasynth’s shuffling beats and solitary melody line recall the twisted genius of Howie B and Dancing In The Smoke deconstructs the ghost of Chicago house and takes it to a gloriously darkened place. Meanwhile Faure In Chrome and There’s An Angel In The Shower’s disquieting ambiance are so good you could wallow in them for days.
    [Show full text]
  • Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
    Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights.
    [Show full text]
  • Documentary in the Steps of Trisha Brown, the Touching Before We Go And, in Honour of Festival Artist Rocio Molina, Flamenco, Flamenco
    Barbican October highlights Transcender returns with its trademark mix of transcendental and hypnotic music from across the globe including shows by Midori Takada, Kayhan Kalhor with Rembrandt Trio, Susheela Raman with guitarist Sam Mills, and a response to the Indian declaration of Independence 70 years ago featuring Actress and Jack Barnett with Indian music producer Sandunes. Acclaimed American pianist Jeremy Denk starts his Milton Court Artist-in-Residence with a recital of Mozart’s late piano music and a three-part day of music celebrating the infinite variety of the variation form. Other concerts include Academy of Ancient Music performing Purcell’s King Arthur, Kid Creole & The Coconuts and Arto Lindsay, Wolfgang Voigt’s ambient project GAS, Gilberto Gil with Cortejo Afro and a screening of Shiraz: A Romance of India with live musical accompaniment by Anoushka Shankar. The Barbican presents Basquiat: Boom for Real, the first large-scale exhibition in the UK of the work of American artist Jean-Michel Basquiat (1960-1988).The exhibition brings together an outstanding selection of more than 100 works, many never seen before in the UK. The Grime and the Glamour: NYC 1976-90, a major season at Barbican Cinema, complements the exhibition and Too Young for What? - a day celebrating the spirit, energy and creativity of Basquiat - showcases a range of new work by young people from across east London and beyond. Barbican Art Gallery also presents Purple, a new immersive, six-channel video installation by British artist and filmmaker John Akomfrah for the Curve charting incremental shifts in climate change across the planet.
    [Show full text]
  • DAS WAR (Der Geschichtldrucker) / THIS WAS (The Tattletale Printer) In
    DAS WAR (Der Geschichtldrucker) / THIS WAS (The Tattletale Printer) In the spring of 2016, Thomas Baldischwyler got a call from the office of the Federal Government Commissioner for Culture. The caller underscored the need for absolute discretion until the winner of the Rome Prize would be officially announced. But Baldischwyler couldn’t resist the temptation to post a coded statement on Facebook, and so he chose a line from Thomas Bernhard’s “Extinction”: “Standing at the open window, I said to myself, I’m here to stay, nothing will make me leave.” Rome—the exile of Bernhard’s protagonist Franz-Josef Murau was also the writer’s own exile. And he wouldn’t have traded it for any place in the world. Arriving in Rome in September 2017, Baldischwyler soon doubted that he would stay for long. His original project (the idea was to draw a connection between the story of how the Italian entrepreneur Silvio Berlusconi went into politics in the early 1990s and two dystopian techno records that the Roman producers Leo Anibaldi and Lory D released in 1993, examining the economic foundations of creative practices in light of their substantive concerns and vice versa) collided with the unfolding sociocultural crisis in Italy. The country seemed utterly paralyzed before the upcoming elections. There was nothing people were less keen on than talking about their fairly recent past. One bright spot: the freelance curator Pier Paolo Pancotto was interested in Baldischwyler’s record label Travel By Goods and invited him to perform a sort of avant-garde DJ set together with a couple of Italian artists at the Villa Medici.
    [Show full text]
  • Warmth: Parallel
    Warmth: Parallel spectrumculture.com/2018/05/14/warmth-parallel-review Daniel Bromfield May 14, 2018 As Warmth, Spanish producer Agustín Mena makes ambient music of a fearsome purity. This is not music that seeks to elicit an emotional reaction or stake out a psychedelic space for the listener to explore. This is ambient in the strictest, most workmanlike sense, and though Mena comes from club music (he was a dub techno producer before shedding all aspects of his sound save distant chords), his music is closer to what Brian Eno envisioned when he stipulated a new form of music that could act as “wallpaper.” Eno recently released a box set of music intended to accompany art installations. It sounds like free jazz compared to Warmth. But over Mena’s impressive recent run of albums—2016’s Essay, last year’s Home, and the brand-new Parallel—little wrinkles have appeared in the project that reveal more going on than meets the eye. Though the three records had almost exactly the same sound palate, the mood of each is distinct and obvious. Essay was positive, an album for meditation and deep thought, a happy place; it accomplished this through an expansive presence in the stereo field and subtle frills like electric piano. Home was colder and more insular, occupying the dead center of the stereo field and focusing on heavy bass tones rather than comfortable midrange. Parallel finds a neat middle ground between the two, the midrange allowing the music to 1/2 maintain the illusion of wide-open space while the bass injects a subterranean sense of foreboding.
    [Show full text]
  • We Want Neither Clean Hands Nor Beautiful Souls: New Single Reviews
    We Want Neither Clean Hands Nor Beautiful Souls: New Single Reviews Music | Bittles’ Magazine: The music column from the end of the world The life blood of DJs everywhere, my love of the humble 12-Inch began in the 80s, with extended versions of the hits of the day. From Madonna to Duran Duran via Frankie Goes To Hollywood and Luther Vandross (seriously, the extended version of Criticize is dance floor gold), my teenage years were spent tracking down overly long mixes of well known songs. In 2018 it can seem easier to purchase a mail order bride with a bad attitude than a slice of wax, but creatively at least, the 12-Inch is in rude heath. By JOHN BITTLES This is a point proved by this week’s selection of singles and EPs. We have the sublime house of Serena Butler and Frank & Aakmael, the messed up dubscapes of Primitive Art, the big room pomp of Solomun and Sascha Funke, the techno thump of ASC and T.Raumschmiere & Reinhard Voigt and lots more. So, take a deep breath, and let us begin… As I’ve been playing it almost non-stop lately it seems only fitting to start with the philosophical techno of Serena Butler’s fantastic We Want Neither Clean Hands Nor Beautiful Souls EP. In the press notes the artist claims that the record embodies “the explicit, organized effort to repurpose technologies for progressive gender political ends”. The results are stunning to behold! Containing four tracks which combine mid-paced grooves, politically charged samples, hushed beats and the ghosts of Detroit, the EP is a truly mesmerising listening experience.
    [Show full text]
  • Nl Newsletter 11.Qxp
    September 2007 Volume 3, Issue 3 Vision With Attitude Medicals International Inside this issue: ISO FOR MEDICALS INTERNATIONAL (LEBANON) 2 Dear Colleagues, Suppliers, Partners and Friends: tion in our industry Launching to be awarded such Biomedics 1 Day - Lebanon It is my great pleasure to report to all that, after a prestigious accred- about two years of work, Medicals International itation. Now, we Professionals’ 3 SARL, our Lebanon Subsidiary, was awarded ISO will move to apply Corner 9001:2000 International Management Quality those new methods Standard accredetation last week after going of management and 4 Business; Optical, through a tough audit by QMI (management sys- work on all of our One Day. tems registration). organization and we Syria - CL Events will be better struc- Ophthalmology. 5 Working on a quality management system was a tured to grow. I commitment that we undertook, knowing that to believe Egypt is next in our line up. continue to grow and serve the interest of our cus- Medicals is committed to excellence. We have STAAR; ICL Training 6 expanded our training budgets to a much aggres- tomers and suppliers best, it was a must step. We sive figures this year. We have much more people have many new staff , growing number of clients, under industry training or undertaking academic 7 and a larger supplier base therefore it was impossi- Dental challenges that will help them deliver better job to ble to continue to count on individual innovation all. Parallel we are going through a full refurbishing solely; a proper quality management system JORDAN’s Activities 8 of our locations.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Mi 09. – So 27.08.2017 1
    INTERNATIONALES SOMMERFESTIVAL 09.-27.08.2017 KAMPNAGEL.DE MIT SICHERHEIT UNSICHER MI 09. – SO 27.08.2017 MI 09. – SO 27.08.2017 JETZT WÄHLEN: LIEBE GÄSTE, an dieser Stelle haben wir in den vergangenen Jahren ge- schrieben über: Grenzüberschreitung, Widerstand und En- tertainment in Zeiten von Krieg und Terror. 2017 ist an- + THEATER ders, weil das Noise-Level noch mal gestiegen ist. Und wir ein Festival sind, das sich weniger mit dem Drama der Vergangenheit und mehr mit dem Theater der Gegen- + TANZ wart auseinandersetzt. Das ist beleuchtet von digitalem Stroboskoplicht, die Augen tun weh und der Kopf brennt. Was tun? Wie reagieren auf eine Welt, in der politische + MUSIK Realität und mediale Fiktion verschwimmen? Wenn Politik zur großen Aufmerksamkeits-Show mit einfachen Slogans + FILM wird, und der Präsident der USA mit digitaler Hilfe direkt aus dem Trash TV-Format „The Apprentice“ ins Oval Office kommt, um die Demokratie mit Twitter-Feeds zu + PERFORMANCE penetrieren – was heißt das für die Kunst? Wir gehen da erstmal selbstbewusst ran und sagen: Das Spiel mit der Realität ist besser bei uns in der Kunst + BILDENDE KUNST als in der Politik aufgehoben. Und je lauter die Realität uns anbrüllt, desto bunter und vielfältiger werden wir, set- zen auf Differenzierung und variieren die Perspektiven, + THEORIE Formen, Ästhetiken, Lautstärken und Orte. Damit diese flirrende Stimmen-Vielfalt einen Song ergibt, der die Mas- sen zum Tanzen bringt, ist das Festival Programm dicht komponiert – und so sehen die Motive und Verbindungen der einzelnen Teile aus: Unser Spiel mit dem Jetzt beginnt im Superwahljahr mit einer Kampagne um unseren Spitzenkandidaten Juan Dominguez (siehe Cover), der als Künstler drei Wochen lang das Festival und den Garten mit klandestinen Perfor- terfeingeist Mariano Pensotti und befragt die Ideale der mance-Aktionen (S.
    [Show full text]
  • Samstag, 18.04.2015 Interpret Titel Format Label Info
    Record Store Day - Samstag, 18.04.2015 Interpret Titel Format Label Info !!!'s first release since 2013's THR!!!ER presents the band at their dance 12 inch core with two new house influenced !!! (Chk Chk Chk) All U Writers / Gonna Guetta Stomp 12" WARP tracks. The record approaches sounds of the band's past remixers like Maurice Fulton and Anthony Naples, riding the dance floor as only a 500 Stück - rotes Vinyl, ausführliche Linernotes, 2 exklusive (International) Noise Conspiracy, The Live At Oslo Jazz Festival 2002 Vinyl LP Eliterecords non-Album-Tracks 16 HORSEPOWER FOLKLORE LP VOLKOREN 16 HORSEPOWER OLDEN LP VOLKOREN A: Mary Mary (Seahawks Deep Love For All Mankind Remix) / B: Run Run Run (Wrong Island's Cosmic Plughole Remix) w/CD 2 Bears, The Bears In Space 12" Southern Fried (7 Remixe) 24 GONE THE SPIN LP CULTURE CLASH RECORDS 4 Promille Vinyl 7" Single Sunny Bastards 7" Single / Etched B-Side 4 Promille Vinyl 7" Single Sunny Bastards 7" Single / Etched B-Side / Colored Vinyl 999 BIGGEST PRIZE IN SPORT / BIGGEST TOUR IN SPORT LP LETTHEMEATVINYL A Coral Room I.o.T. Vinyl LP INFRACom! RSD 2015 AD LIBS, THE YOU'LL ALWAYS BE IN MY STYLE / THE BOY FROM NYC 7" CHARLY AGAINST ME! OSAMA BIN LADEN AS THE CRUCIFIED CHRIST 7" TOTAL TREBLE AGATHOCLES MINCER (RSD 2015) LP POWER IT UP Limited edition White colored version in 100 copies worldwide. * Setting a new standard for swedish melodic black metal. SOUND POLLUTION / BLACK Ages Malefic Miasma LP * With ex-member from Dissection, Satyricon (live).
    [Show full text]
  • Facts & Figures on Contaminants in Feed
    20 20 kompakt FACTS & FIGURES ON CONTAMINANTS IN FEED Compare the analysis results of your own feed In order to be able to classify the results correctly, the correspon- ding measured value ranges of the respective analysis results are represented. They serve as an orientation guide: The results can be set in relation to the limit values for the di erent feeds. New this year are the three parameters OTA, packaging material and hydrocyanic acid. Basis: Analysis results of the QS feed monitoring from January 2008 to June 2020 Zearalenone (ZEA) Parameter Number of thereof analyses Number of exceedances Feed/ analyses where value (EU guidance value) raw material was detected Zearalenone 56,040 19,531 (34.9 %) 39 total (ZEA) 9 Piglet rearing feed 8 Maize (plants) 7 Complete feed for fattening pig/sows 5 Supplementary feed for for fattening pigs/sows/piglets 5 Self-mixed pig fattening feed/piglet 2 Self-mixed cattle-fattening feed 1 Triticale 1 Distillery spent wash 1 Supplementary feed for all species Analysis results with values above LOD/LOQ Feed Analyses Result Result Result 0-1 mg/kg > 1-2 mg/kg > 2 mg/kg Feed Material 10,786 10,586 120 80 0-0.1 mg/kg > 0.1 mg/kg Compound Feed 8,745 8,348 397 Ochratoxin A (OTA) Parameter Number of thereof analyses Number of exceedances Feed/ analyses where value (EU guidance value) raw material was detected Ochratoxin A (OTA) 6,812 816 (12.0 %) no exceedances Analysis results with values above LOD/LOQ Feed Analyses Result Result Result Time period since 01.07.2016 Time 0-0.1 mg/kg > 0.1-0.25 mg/kg > 0.25 mg/kg Feed Material 434 431 2 1 0-0.02 mg/kg > 0.02 - 0.05 mg/kg > 0.05 mg/kg Compound Feed 382 378 4 0 QS – kompakt 2020 2 // Aflatoxin B1 Parameter Number of thereof analyses Number of exceedances Feed/ analyses where value (max.
    [Show full text]
  • Press Release
    ! Artist: Michael Mayer Title: & Label: !K7 Cat. #: K7337CD / K7337LP Release: 28 October 2016 !Format: Vinyl, CD & Digital Michael Mayer is one of the leading German tastemakers in dance music and his DJ sets have influenced a generation (or two) of musicians and fans.As an artist, Mayer remains tirelessly motivated to DJing, in the studio or behind his desk at KOMPAKT, the label he co-owns. His recording career spans four albums, 23 EP’s, nearly 170 remixes and the legendary DJ mixes for fabric and Immer. ‘&’ is his third full-length, a passionate and personal album that speaks as broadly as his DJ sets - embracing his genre-busting love for music, rhythm and atmosphere – and the dancefloor in front of him. ‘&’ – the title says it all; Michael Mayer collaborated for every track on the album. “All of those involved are good friends of mine and not random choices selected from someTop 100 list.These people mean a lot to me - and by that the music we produced together is heart driven and emotionally powered. I felt we had a mutual privilege to share time together in the studio creating what you hear”. ‘&’ follows a long phase of solitary studio work, but Michael is returning to a pattern of collaboration that’s been significant throughout his career. From his early band Forever Sweet (with Reinhard Voigt and Tobias Thomas), Zimt (with Matias Aguayo) or most recently Supermayer (with Superpitcher).This new wave of partnerships can be traced to the series of back-to-back DJ sets he played throughout 2015.
    [Show full text]