DOCSLIB.ORG

The New Kids on the Blockchain 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The New Kids on the Blockchain 1 ISSUE 407 | 26 JULY 2017 Contents thereport 16–17 Beyond Music – TV 18–19 Need to know 20 Data dive: SoundCloud 21–22 Country profile: Norway Block ‘n’ roll The new kids on the blockchain 1 ISSUE 407 26.07.17 COVER FEATURE Block ‘n’ roll The new kids on the blockchain very music industry conference Definitions aren’t hard to find. We has its blockchain panel. Every liked lawyer Sophie Goossens’ take Estartups contest or accelerator has at Midem: blockchain as a database its blockchain company. Every discussion maintained collaboratively by a number about the future of our industry alights on of participants, with a “consensus the blockchain sooner or later. mechanism” used for agreement on how There’s a risk of people getting to update that database, and complex blockchained out, which is simultaneously cryptography to ensure that agreed understandable yet bizarre, given how modifications are made unchangeable. early we are in the process of figuring out (We’ve seen this boiled down even more what blockchain technology means for to “a public, distributed ledger” or more music, let alone actually doing it. questionably, “like Excel spreadsheets, but It’s just two years since Berklee more secure” – suffice to say, 10 minutes College of Music’s Rethink Music initiative Googling will bring you up to speed, along published its Transparency & Money with related concepts like smart contracts, Flows In The Music Industry report, which Ethereum and initial coin offerings – ICOs.) included, among its recommendations, A more important point: blockchain “the investigation of blockchain It’s become easier to sort the is an underlying technology, like the technology and cryptocurrencies to internet. Understanding its core workings manage and track online payments hype from the genuine potential is, arguably, about as necessary as being through the value chain directly from fans of this technology” schooled on the internet’s Transmission to music creators”. Control Protocol/Internet Protocols That was the first time many people in And yet… 2017 feels like quite a embracing people and ideas with real (TCP/IP). the industry heard about blockchain healthy time to be talking about substance. Experimental pilots are up and It’s what people are doing with it technology; but in the months blockchain. As more people running; partnerships are being forged; that counts. There is no such thing as after that report, if you were within the industry have and the various uses that blockchain can a standard “blockchain music startup” still trying to get to grips gone to panels, read up be put to are being mapped against the any more than there is an “internet with what that technology on the workings, talked actual problems that the music industry music startup”. was and how it worked, to startups and thought faces – some of its key failings included. Some of these companies are working even as in some quarters about the implications, We can’t allow ourselves to become on Bandcamp-style D2C platforms for it was being loudly it’s become easier to blockchained out: we need to keep talking artists, while others are Spotify-style evangelised as the latest sort the hype from the about all this stuff. Part of that involves streaming services. Some are trying to industry saviour, it was genuine potential of this getting beyond the ‘I don’t know what crack the age-old industry problem of a report hard not to succumb to a technology. blockchain is or how it works’ issue. And global database of rights, while others blend of defensiveness and The industry is more able not just because that’ll free up a good 10 hope to encode those rights into the cynicism. to call out blowhards while minutes on those conference panels. music itself, akin (although this can be a the 2 ISSUE 407 industry should be doing about it are full 26.07.17 COVER FEATURE of sparks. That’s a good thing, and we can learn controversial point) to a DRM wrapper. as an industry from every element of And these are just the ones we have blockchain’s philosophical spectrum. obvious existing non-blockchain examples Many of those ideas being touted by the to compare them to. purists, which might seem unworkable, One of the hopes for blockchain nevertheless shine a light on some of the technology is that it will provide the base failings of music’s current value chain. for a whole bunch of new startups that The blockchain also reminds us we can’t conceive of yet. Trying to predict that many of those problems aren’t them in 2017 is like standing up in 1991 at technology-related puzzles, but are more the dawn of the world wide web and trying about the disorganised and sometimes- to predict Facebook. squabbling humans putting the data into The key thing is to engage with this the system in the first place, whether world, which is what music:)ally has been those systems are legacy software or doing for this issue of our report. We’ve shiny new blockchain-based databases. talked to eight people or companies from If music:)ally had to boil down the the blockchain space, not just to find out advice we’d offer to the music industry on what they’re doing, but also how they see blockchain, it’s this: take every meeting the world. with startups in that world; read every That’s hardly definitive: there are article about it; go to the conference many other companies and people we panels, even if their description feels a bit could have also talked to – and will in same-old; and talk about this technology the months ahead. But it’s a snapshot of and these ideas to anyone who’s ideas: what’s happening now and what Blockchain purists foresee – and indeed interested. this technology could lead to in the are already building – a world powered by But also: when you interact with people future. smart contracts; where music (or access from the blockchain world, ask the hard Some conclusions we’ve drawn to it) is paid for in cryptocurrency; where Blockchain pragmatists aren’t questions, and ask what may feel like already: it’s important to understand that artists are in full control of their rights; trying to replace the middlemen: stupid questions, but which often turn out blockchain provides not just a spectrum and where everyone gets paid instantly they want to partner” to be the hardest and best questions to be of technologies, but also a spectrum of for usage of that music, according to their asking. philosophies. rightful share. What problem are you actually solving? It runs from what we’ll describe as Blockchain pragmatists aren’t trying behind them – they are just as excited Is there really a business in this? Who is ‘purists’ at one end to ‘pragmatists’ at to replace the middlemen: they want about that future, but they think it may this creating value for other than yourself? the other. Purists are the most exciting to partner with those entities – again, take longer to realise, and that there is Does this need to be on the blockchain at evangelists for blockchain, but also the collecting societies in particular, but good work to be done in the meantime. all? most intimidating for many in the music also publishers – to solve their problems, Across this spectrum there are The startups that have legs – the ones industry. particularly around bad metadata and its forthright characters with strong opinions. that will have a meaningful impact on These are the people and companies knock-on effects on royalty collections. While shade-throwing about which the future for musicians and the music who believe that blockchain could You don’t have to be in one camp or startups are and aren’t ‘proper’ blockchain industry – will be able to answer these report automate many of the music-industry another: in fact, a lot of the blockchain can feel a bit ‘death to false metal’ from questions. Blockchain music startups middlemen out of the value chain – pragmatists admire the projects being the outside, the debates about what aren’t so different from non-blockchain collecting societies in particular. built by the purists and the concepts blockchain is good for and what the music music startups in that regard really. the 3 ISSUE 407 26.07.17 COVER FEATURE BLOKUR: “THE TECHNOLOGY ON ITS OWN IS NOT THE WHOLE PICTURE…” A reminder that the Venn diagram of ‘music people’ and ‘blockchain startup people’ is not a pair of separate circles. Phil Barry, founder of British startup Blokur, was a professional artist making electronic music as Mr Fogg before setting up his own independent label. Barry went on to lead the team of consultants working on Thom Yorke’s 2014 project to release his Tomorrow’s Modern Boxes as a BitTorrent bundle, before 2014 after £8m (at least) of investment – founding blockchain startup Ujo Music, have highlighted the difficulties involved. overseeing its work on Imogen Heap’s ‘Tiny Although it’s also fair to say that those Human’ project. challenges were not just about technology, A parting of the ways with Ujo followed, manager at Universal Music Group, and but about the interplay between the with Barry founding Blokur to continue that head of business development Emma collecting societies involved. work. He stresses the company’s desire to McIntyre, former head of music publishing “It’s based around bridging the “The technology on its own is not be as down-to-earth as possible. partnerships at 7digital. siloes between different sources the whole picture.
Load more

Recommended publications
  • Pablo Neruda - Poems
    Classic Poetry Series Pablo Neruda - poems - Publication Date: 2011 Publisher: Poemhunter.com - The World's Poetry Archive Pablo Neruda(12 July 1904 – 23 September 1973) Pablo Neruda was the pen name and, later, legal name of the Chilean poet and politician Neftalí Ricardo Reyes Basoalto. He chose his pen name after Czech poet Jan Neruda. Neruda wrote in a variety of styles such as erotically charged love poems as in his collection Twenty Poems of Love and a Song of Despair, surrealist poems, historical epics, and overtly political manifestos. In 1971 Neruda won the Nobel Prize for Literature. Colombian novelist Gabriel García Márquez once called him "the greatest poet of the 20th century in any language." Neruda always wrote in green ink as it was his personal color of hope. On July 15, 1945, at Pacaembu Stadium in São Paulo, Brazil, he read to 100,000 people in honor of Communist revolutionary leader Luís Carlos Prestes. During his lifetime, Neruda occupied many diplomatic positions and served a stint as a senator for the Chilean Communist Party. When Conservative Chilean President González Videla outlawed communism in Chile in 1948, a warrant was issued for Neruda's arrest. Friends hid him for months in a house basement in the Chilean port of Valparaíso. Later, Neruda escaped into exile through a mountain pass near Maihue Lake into Argentina. Years later, Neruda was a close collaborator to socialist President Salvador Allende. When Neruda returned to Chile after his Nobel Prize acceptance speech, Allende invited him to read at the Estadio Nacional before 70,000 people.
    [Show full text]
  • Top 40 Singles Top 40 Albums Closer Final Song Blonde Dangerous Woman 1 the Chainsmokers Feat
    29 August 2016 CHART #2049 Top 40 Singles Top 40 Albums Closer Final Song Blonde Dangerous Woman 1 The Chainsmokers feat. Halsey 21 M0 1 Frank Ocean 21 Ariana Grande Last week 2 / 4 weeks Disruptor/SonyMusic Last week 24 / 6 weeks SonyMusic Last week - / 1 weeks BoysDon'tCry Last week 26 / 14 weeks Republic/Universal Cold Water Cheap Thrills Suicide Squad OST All Over The World: The Best Of 2 Major Lazer feat. Justin Bieber And... 22 Sia 2 Various 22 ELO Last week 1 / 5 weeks Gold / Because/Warner Last week 23 / 27 weeks Platinum x2 / Inertia/Rhythm Last week 1 / 3 weeks Atlantic/Warner Last week 24 / 19 weeks Gold / SonyMusic Let Me Love You This Girl 25 Lemonade 3 DJ Snake feat. Justin Bieber 23 Kungs And Cookin' On 3 Burners 3 Adele 23 Beyonce Last week 3 / 3 weeks Interscope/Universal Last week 22 / 8 weeks KungsMusic/Universal Last week 4 / 40 weeks Platinum x7 / XL/Rhythm Last week 34 / 18 weeks Gold / Columbia/SonyMusic Heathens Starving Views A Head Full Of Dreams 4 Twenty One Pilots 24 Hailee Steinfeld And Grey feat. Zedd 4 Drake 24 Coldplay Last week 4 / 10 weeks Gold / Atlantic/Warner Last week - / 1 weeks Republic/Universal Last week 3 / 17 weeks CashMoney/Universal Last week - / 33 weeks Gold / Parlophone/Warner Don't Worry Bout It Hurts So Good Blurryface Kaleidoscope World 5 Kings 25 Astrid S 5 Twenty One Pilots 25 The Chills Last week 7 / 7 weeks Gold / ArchAngel/Warner Last week 18 / 5 weeks Universal Last week 2 / 33 weeks Gold / FueledByRamen/Warner Last week - / 11 weeks FlyingNun/FlyingOut One Dance Never Be Like You Poi E: The Story Of Our Song Major Key 6 Drake feat.
    [Show full text]
  • Astrid S - 2AM (Remixes)
    15-05-2015 11:09 CEST Astrid S - 2AM (Remixes) Astrid S solodebuterte hos Universal Music med låten 2AM i oktober 2014. Låten ble raskt A-listet på NRK P3, i tillegg til høy rotasjon hos NRJ og Radio 1, og har ligget stabilt på topp 10 på radiolistene i høst/vinter. 2AM introduserte en ny musikalsk retning for Astrid, gså med hjelp fra den svenske produsenten Jake Oh og Paulo «Shirazi» Prudencio. Nå er remixene her, samlet i en EP som ble sluppet fredag 15. mai. Remixene er gjort av Matoma, Dandy Lion, SevnthWonder, Rootkit og Loveless. Astrid S - 2AM (Remixes) er tilgjengelig i alle tjenester. Matoma Matoma er i vinden om dagen og har gjort det stort med sin remix av The Notorious B.I.G. ft. Ja Rule «Want That Old Thing Back», som brakte han til toppen av Hype Machine og høyt opp på de internasjonale hit-listene. På bare fem måneder gikk hedmarkingen fra å være ukjent til å streame over 10 millioner ganger på ulike remixer som for eksempel av Imagine Dragons, Enrique Iglesias og nå med Astrids 2AM. Hør Matomas remix her. Dandy Lion Dandy Lion består av Halvor Folstad, Dag Holtan-Hartwig og Axel M. Hyge. Trioen har røtter i elektronisk musikk, men bruker også elementer fra R&B, disco og reggea i deres produksjoner. Du vet aldri helt hvordan neste produksjon vil låte, annet enn at det blir dansbart og fullt av energi! Hør Dandy Lions remix her. SevnthWonder Med nærmere tre millioner avspillinger på Soundcloud er den mystiske 21- årige R&B produsenten SevnthWonder fra Houston, Texas på vei til å kapre internett.
    [Show full text]
  • And Type the TITLE of YOUR WORK in All Caps
    A SPACE FOR CONNECTION: A PHENOMENOLOGICAL INQUIRY ON MUSIC LISTENING AS LEISURE by JOSEPH ALFRED PATE IV (Under the Direction of Corey W. Johnson) ABSTRACT This polyvocal text leveraged Post-Intentional Phenomenology (Vagle, 2010) to trouble, open up, and complexify understanding of the lived leisure experience (Parry & Johnson, 2006) of connection with and through music listening. Music listening was foregrounded as one horizon within the aural soundscape that affords deeply meaningful and significant experiences for many. Past scholarship within the Leisure Studies literature has primarily attended to the impact and relevancy of music in the lives of adolescents. This study focused on engagement with music of five adults, accessing phenomenology as both a philosophical and methodological lens to look along (Lewis, 1990) this lived-experience. Using multiple voices and styles of representation, this polyvocal work challenged traditional ways of knowing by inviting listening, music, and voice to serve as additional data embedded throughout its discursive representation. Accessing Bachelard‟s (1990) phenomenology of the resonation-reverberation doublet revealed five partial, fleeting, and tentative manifestations (Vagle, 2010) of this lived leisure experience, which included: Getting Lost: Felt Resonation and Embodiment; I‟m Open: Openness, Receptivity, and Enchantment; Serendipitous Moments; The Found Mirror: Oh There You Are; and Cairns and Echoes: The Lustering Potency of Song. Ultimately, music appeared to speak to so as to speak for participants, providing musical affirmation and sustenance throughout their lives. INDEX WORDS: Music, Listening, Leisure, Post-Intentional Phenomenology, Polyvocal Text A SPACE FOR CONNECTION: A PHENOMENOLOGICAL INQUIRY ON MUSIC LISTENING AS LEISURE by JOSEPH ALFRED PATE IV B.
    [Show full text]
  • Wisconsin Motorists Handbook
    Motorists’ Handbook WISCONSIN DEPARAugustTMENT 2021 OF TRANSPORTATION August 2021 CONTENTS CONTENTS PRELIMINARY INFORMATION 1 BEFORE YOU DRIVE 10 Address change 1 Plan ahead and save fuel 10 Obtain services online 1 Check the vehicle 10 Obtain information 1 Clean glass surfaces 12 Consider saving a life Adjust seat and mirrors 12 by becoming an organ donor 2 Use safety belts and child restraints 13 Absolute sobriety 2 Wisconsin Graduated Driver Licensing RULES OF THE ROAD 15 Supervised Driving Log, HS-303 2 Traffic control devices 15 This manual 2 TRAFFIC SIGNALS 16 DRIVER LICENSE 2 Requirements 3 TRAFFIC SIGNS 18 Carrying the driver license and license Warning signs 18 replacement 4 Regulatory signs 20 Out of state transfers 4 Railroad crossing warning signs 23 Construction signs 25 INSTRUCTION PERMIT 5 Guide signs 25 Restrictions of the instruction permit 6 PAVEMENT MARKINGS 26 PROBATIONARY LICENSE 6 Edge and lane lines 27 Restrictions of the probationary license 7 White lane markings 27 The skills test 7 Crosswalks and stop lines 27 KEEPING THE DRIVER LICENSE 8 Yellow lane markings 27 Point system 8 Shared center lane 28 Habitual offender 9 OTHER LANE CONTROLS 29 Occupational license 9 Reversible lanes 29 Reinstating a revoked or suspended license 9 Reserved lanes 29 Driver license renewal 9 Flex Lane 30 Motor vehicle liability insurance METERED RAMPS 31 requirement 9 How to use a ramp meter 31 COVER i CONTENTS RULES FOR DRIVING SCHOOL BUSES 44 ROUNDABOUTS 32 General information for PARKING 45 all roundabouts 32 How to park on a hill
    [Show full text]
  • Album TOP 75 Vom 14.12.2017
    CHARTSSERVICE – WORLDCHARTS – TOP 200 SINGLES NO. 939 – 14.12.2017 PL VW WO PK ARTIST SONG 1 3 40 1 ED SHEERAN / with BEYONCÉ perfect / perfect duet 2 1 19 1 CAMILA CABELLO ft. YOUNG THUG havana 3 2 7 2 SELENA GOMEZ & MARSHMELLO wolves 4 5 14 1 ZAYN ft. SIA dusk till dawn 5 4 9 3 CHARLIE PUTH how long 6 6 12 4 POST MALONE ft. 21 SAVAGE rockstar 7 10 3 7 LUIS FONSI & DEMI LOVATO échame la culpa 8 7 15 3 MAROON 5 ft. SZA what lovers do 9 8 14 2 SAM SMITH too good at goodbyes 10 9 22 4 DUA LIPA new rules 11 14 6 11 CLEAN BANDIT ft. JULIA MICHAELS i miss you 12 12 30 11 PORTUGAL. THE MAN feel it still 13 11 18 3 PINK what about us 14 13 7 13 RITA ORA anywhere 15 16 17 15 MARSHMELLO ft. KHALID silence 16 15 23 3 J BALVIN & WILLY WILLIAM ft. BEYONCÉ mi gente 17 17 9 17 NF let you down 18 19 32 10 IMAGINE DRAGONS thunder 19 21 17 19 AVICII ft. RITA ORA lonely together 20 24 50 1 ED SHEERAN shape of you 21 22 11 16 KYGO ft. JUSTIN JESSO stargazing 22 20 17 1 JUSTIN BIEBER & BLOODPOP® friends 23 25 9 23 LIL PUMP gucci gang 24 18 4 14 EMINEM ft. BEYONCÉ walk on water 25 23 16 1 TAYLOR SWIFT look what you made me do 26 28 14 26 OFENBACH & NICK WATERHOUSE katchi 27 26 6 26 ALAN WALKER ft.
    [Show full text]
  • Country Airplay Charts
    Country Update BILLBOARD.COM/NEWSLETTERS APRIL 20, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Barrett Finds ‘Hope’ At The Top Country Expands Style, Boundaries >page 5 With Increasing Pop Partnerships Recording Continues With Studios Closed Country is by definition a form of popular music, but the mod- On The Charts, page 5); Blake Shelton and pop/rock vocalist >page 11 ern version has popped up even more. Gwen Stefani rank No. 2 with “Nobody But You”; Brett Young, Artists from other genres are seemingly working with coun- who is at No. 3 with “Catch,” is simultaneously working “I Do,” try acts in greater numbers than ever, and a flurry of activity a tech-driven duet with European pop singer Astrid S; and Mor- surrounding the past weekend underscored the trend: gan Wallen, whose “Chasin’ You” is No. 4, already has snagged Country’s Happiest • Gabby Barrett unveiled an alternate version of “I Hope” a gold single from the RIAA for “Heartless,” which is featured Song Is… f e a t u r i n g p o p on that forthcom- >page 12 singer-songwriter- ing Diplo album. producer Charlie “My music is on Puth on April 17. the redneck side • E D M a r t i s t of things,” says Springsteen Born Diplo issued a col- Wallen, drawing a To Air In NYC laboration with comparison with >page 12 Blanco Brown, “Do the pop percussion Si Do,” on April 17 in “Heartless.” while announcing “But me and my Makin’ Tracks: the May 29 release buddies back home, Hambrick’s ‘Forever’ of a country-themed we listened to old- Soul album, Diplo Pres- s c h o o l c o u nt r y ents Thomas Wesley music, we listened >page 16 WALLEN LEGEND BALLERINI Chapter 1: Snake to old country/rock, Oil, featuring Cam, but sometimes Zac Brown, Danielle Bradbery and Thomas Rhett.
    [Show full text]
  • IFPI Norges Årsrapport
    Musikkåret 2017 IFPI Norges årsrapport SIGRID Foto: Petroleum Records Design: Anagramdesign . no Innhold årsrapport 2017 Innledning ................... 3 KYGO ....................... 5 Sammendrag av musikk- undersøkelsen 2017 ........... 6 Statistikk..................... 7 Fornyelse av opphavsretten i Norge og Europa – del 2 ..... 10 Cezinando ................... 11 Spellemann 2017 ............ 12 Astrid S..................... 14 United Screens – Topplista.... 15 Hkeem & Temur ............. 16 FORSIDE: Alan Walker ................. 17 Streaming topp20 2017 ...... 18 Streaming, norsk topp20 2017 19 SIGRID Album topp20 2017......... 20 Norges nye popkomet tok oss med storm Radio topp20 2017 .......... 21 Totalsalget av innspilt med låten «Don’t Kill My Vibe» i 2017. Hun fikk mye oppmerksomhet internasjo- Gabrielle .................... 22 musikk i Norge går opp nalt og var både på «The Tonight Show Seeb ....................... 23 2,1 % fra 2016 til 2017 starring Jimmy Fallon» og «The Late Late Troféoversikt 2017 ........... 24 Show with James Cordon». Etter flere kon- og streaming står nå serter både i Norge og i utlandet, har hun IFPI Insight 2017............. 26 for hele 85 % av salget. også vært opptatt med å lage sin debut Vidar Villa................... 27 album som forhåpentligvis kommer ut Dagny ...................... 28 i 2018. Hun var nominert til to priser under Spellemann 2017 og vant prisen for Årets IFPI Norge .................. 29 Nykommer & Gramostipend. 2 Innledning 2017 var et nytt godt år i norsk musikkindustri og nordmenn fortsetter å streame musikk som aldri før. Totalsalget av innspilt musikk i Norge er opp 3,7 % fra 2016 til 2017 og streaming står nå for hele 85 % av salget av innspilt musikk i Norge. Årstallene for 2017 viser at det ble solgt Det totale fysiske salget (CD, vinyl osv.) innspilt­­ musikk for hele kr.
    [Show full text]
  • ED311449.Pdf
    DOCUMENT RESUME ED 311 449 CS 212 093 AUTHOR Baron, Dennis TITLE Declining Grammar--and Other Essays on the English Vocabulary. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-1073-8 PUB DATE 89 NOTE :)31p. AVAILABLE FROM National Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 10738-3020; $9.95 member, $12.95 nonmember). PUB TYPE Books (010) -- Viewpoints (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *English; Gr&mmar; Higher Education; *Language Attitudes; *Language Usage; *Lexicology; Linguistics; *Semantics; *Vocabulary IDENTIFIERS Words ABSTRACT This book contains 25 essays about English words, and how they are defined, valued, and discussed. The book is divided into four sections. The first section, "Language Lore," examines some of the myths and misconceptions that affect attitudes toward language--and towards English in particular. The second section, "Language Usage," examines some specific questions of meaning and usage. Section 3, "Language Trends," examines some controversial r trends in English vocabulary, and some developments too new to have received comment before. The fourth section, "Language Politics," treats several aspects of linguistic politics, from special attempts to deal with the ethnic, religious, or sex-specific elements of vocabulary to the broader issues of language both as a reflection of the public consciousness and the U.S. Constitution and as a refuge for the most private forms of expression. (MS) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** "PERMISSION TO REPRODUCE THIS MATERIAL HAS BEEN GRANTED BY J. Maxwell TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC)." U S.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Top 40 Singles Top 40 Albums Closer Say It Suicide Squad OST Nothing Has Changed: the Best of 1 the Chainsmokers Feat
    05 September 2016 CHART #2050 Top 40 Singles Top 40 Albums Closer Say It Suicide Squad OST Nothing Has Changed: The Best Of 1 The Chainsmokers feat. Halsey 21 Flume feat. Tove Lo 1 Various 21 David Bowie Last week 1 / 5 weeks Gold / Disruptor/SonyMusic Last week 18 / 19 weeks Platinum / FutureClassic/Univers... Last week 2 / 4 weeks Atlantic/Warner Last week 28 / 32 weeks Platinum / Parlophone/Warner Cold Water Ride 25 All Over The World: The Best Of 2 Major Lazer feat. Justin Bieber And... 22 Twenty One Pilots 2 Adele 22 ELO Last week 2 / 6 weeks Gold / Because/Warner Last week 20 / 16 weeks Gold / FueledByRamen/Warner Last week 3 / 41 weeks Platinum x7 / XL/Rhythm Last week 22 / 20 weeks Gold / SonyMusic Let Me Love You This Girl Blonde A/B 3 DJ Snake feat. Justin Bieber 23 Kungs And Cookin' On 3 Burners 3 Frank Ocean 23 Kaleo Last week 3 / 4 weeks Interscope/Universal Last week 23 / 9 weeks KungsMusic/Universal Last week 1 / 2 weeks BoysDon'tCry Last week 15 / 4 weeks Elektra/Warner Heathens Cheap Thrills Poi E: The Story Of Our Song Endless Highway 4 Twenty One Pilots 24 Sia 4 Various 24 Phil Doublet Last week 4 / 11 weeks Gold / Atlantic/Warner Last week 22 / 28 weeks Platinum x2 / Inertia/Rhythm Last week 6 / 4 weeks SonyMusic Last week - / 1 weeks PhilDoublet Sucker For Pain Final Song Encore: Movie Partners Sing Broadw... Revival 5 Lil Wayne, Wiz Khalifa And Imagine... 25 M0 5 Barbra Streisand 25 Selena Gomez Last week 7 / 4 weeks Atlantic/Warner Last week 21 / 7 weeks SonyMusic Last week - / 1 weeks Columbia/SonyMusic Last week 14 / 16 weeks Interscope/Universal Don't Worry Bout It Cool Girl Blurryface Beauty Behind The Madness 6 Kings 26 Tove Lo 6 Twenty One Pilots 26 The Weeknd Last week 5 / 8 weeks Gold / ArchAngel/Warner Last week 29 / 3 weeks Universal Last week 5 / 34 weeks Gold / FueledByRamen/Warner Last week 20 / 40 weeks Republic/Universal One Dance Needed Me Views Cloud Nine 7 Drake feat.
    [Show full text]
  • A Study of Afrikaner Identity in New Zealand
    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Wie is ek?: A study of Afrikaner identity in New Zealand A thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in Social Anthropology at Massey University, Albany, New Zealand. Kris Finlayson 2018 Acknowledgements Many people helped in creating this thesis and supporting me throughout its construction. Firstly, I would like to thank my family. My children, Noach, Naomi and Ezra, though you are too young to fully understand it yet, this is your heritage and I hope that you will remember it throughout your lives. Reuel, my wife, you have supported me throughout my many adventures into academia without ever raising an eyebrow; thank you for your support. Without you, I would never have known how wonderful Afrikaans culture is. Thank you also to both of my postgraduate supervisors, Dr. Robyn Andrews and Dr. Graeme MacRae. Your positive feedback – and necessary critique – have been invaluable in guiding me to completion. The Afrikaans community in New Zealand has been one of the most welcoming, warm and boisterous communities I have had the pleasure of being a part of. Specifically, I would like to acknowledge Charl, Janelle, Daniël, Simone, Erich, Louise, Edrich as well as Arnelle and Vernita in South Africa. You likely don’t realise it but you have helped immensely in guiding my thoughts and reminding me of the importance of this research.
    [Show full text]