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ATLANTIC'S SUPER BOWL PLAY Doritos Partnership Drives Synchs NEW LIFE FOR RHAPSODY Telecom Bundles Drive 13* Scale FILM/TV MUSIC CONFERENCE

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7 896 47205 9 UK £5.50 "ONE OF THE BESTWorldMags.net"THE ARRIVAL OF "ONE OF THE MOST STRIKING STORIES IN POP" A NEW KIND OF STAR " ARTISTS IN R&B " -- -- -- NEW YORK TIMES * * * * * * * * * * taylor swift the weeknd *IDE / BILLBOARD TOP 200 a1 DEBUT / BILLBOARD TOP ROCK ALBUMS / BILLBOARD TOP R&B ALBUMS siSINt "I KNEW YOU WERE TROUBLE" #1 SINGLE "ROYALS"' "LIVE FOR"

Source: Billboard Hot Digital Source: Billboard Hot too Songs Source: rTunes / Top R&B / Soul 's (8.20.13)

"THIS MIGHT BE THE MOST -AN AMALGAM OF EVERYTHING "THE BIGGEST STORY IN COUNTRY INVITING POP RECORD OF 20f3 " YOU'D WANT FROM A NEW MUSIC THIS YEAR [201.91 IS MOST -- LA TIMES BLACK SABBATH " -- NME CERTAINLY FLORIDA LINE" * * -- THE ARGUS LEADER * * * * * black sabbath florida #1 DEBUT / BILLBOARD TOP 200 ALBUMS / BILLBOARD TOP 200 ALBUMS #1 SINGLE "THE WAY"" "GOD IS DEAD" georgia line #1 DEBUT / BILLBOARD #1 SINGLE "CRUISE"`

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Source: iTures / Top Singles (3.25.r3) Source: Mechabase (5.24,3)

"...HELLA-COOL DEBUT" `AN ARTISTIC TOUR DE FORCE THAT ROWLAND STEPS OUT WITH PEOPLE FURTHERS THE POTENT/AL SHOWN SURE FOOTING, A GIRL -NEXT * * * * ON GROUP'SAWARD-WINNING DEBUT. " DOOR WHO BELONGS ON TOP" -- THE ASSOCIATED PRESS - SPIN of monsters * * * * * and men the perry *1DEBI./ BILLBOARD TOP ROCK ALBUMS #1 DEBUT / BILLBOARD TOP COUNTRY ALBUMS / BILLBOARD TOP R&B ALBUMS "LITTLE TALKS" #1 SINGLE ""` "KISSES DOWN LOW"

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A Irrirffei Source: Billboard republic for your grammy® consideration WorldMags.net WorldMags.net THIS WEEK Volume 125 [ No. 42 i VI EVVP I FEATURES NT 18 “: ” soundtrack 22 Billboard Music & TV Roundtable 28 Celine Dion

TOPLINE 4 Atlantic and Doritos to include music in snack brand’s ad contest. 6 My Day Victor Zaraya, Razor & Tie 10 The Deal Rhapsody, Telefonica pair up. 12 Think Tank On the Road, Business Matters, Latin Notas 9 Questions Answered Melissa Ormond, Entertainment Melissa Ormond photographed BACKBEAT in New York. 14 Parties T.J. Martell FEATURE QUESTIONS ANSWERED Foundation gala, CMJ Music P.21 Marathon “I get to sit at home P.9 “Learn everything you can about whatever you 16 Places Napa Valley, Calif. with the dogs on the sofa love to do. Then learn the underlying fundamentals.” 17 My Hit List Martin or in bed, record in a MELISSA ORMOND, MADISON Bandier, Sony/ATV closet in the of ce, send SQUARE GARDEN ENTERTAINMENT MUSIC 31 Lucho Gatica songs of and, if I’m lucky, 32 Jake Bugg, Margo FEATURE Rey, Alex Winston make a million dollars.” 34 Reviews Arcade P.18 Fire, Lupe Fiasco, “Whether it’s soundtracks or trailers, music is being used Eagles, Capo 3 in exciting ways all the time to break our bands.” 36 Happening Now YG, August Alsina, SIA TOM MACKAY, REPUBLIC Avett Brothers CHARTS MY HIT LIST 39 Over the Counter is No. 1. 40 Charts P.17 62 Coda Hot 100 “I’m still old-fashioned. Streaming services aren’t suited to me. I songs by streams, still want to own something, even if it’s just a download in the cloud.” airplay and sales.

ON THE COVER T

F Sia photograph by Emily Berl O R C

S in for Billboard.

A MARTIN BANDIER, SONY/ATV T

R Hair and makeup by Alison E B O

R Christian. : E D AN R G ; S E G A M

I BILLBOARD APP MOST READ ON BILLBOARD.BIZ THIS WEEK ON BILLBOARD.COM Y T T E G /

S Download this 1 Roseland closing in April 2 1 The top 10 Halloween songs R E D week’s issue and Chart moves: Korn, Stone Temple 2 Pop Zombies photo gallery 3 SAN R E T

AL get exclusive access Pilots 3 Diddy betting big on Ariana Grande video Q&A 4 W M: O

O to charts, news Revolt TV 4 U.S. digital sales drop NBA season preview playlists 5 ALLR B

D and more. Go to in Q2 5 Katy Perry’s executive Pharrell Q&A AN L E

S PRISM O billboard.com/ipad team on rollout R WorldMags.net PHOTOGRAPH BY SASHA MASLOV NOVEMBER 2, 2013 | WWW.BILLBOARD.BIZ 3 WorldMags.net

10 acts represent f ve dif erent countries. The Super Bowl averages more than 110 million view- ers in the alone, according to Nielsen, and its commercial breaks are the most closely watched of any TV event. In recent years, it’s proved its power as a launch pad for new singles, as Atlantic learned in 2012 with Doritos’ ad agency Goodby, Silverstein & Partners and client Chevrolet, which featured fun.’s “We Are .” That campaign prompted a huge sales spike on the following week’s , ultimately help- The winning submission ing the song reach the chart’s summit and making “We in Doritos’ Are Young” one of the biggest singles of last year. Crash the “All artists who have songs synched in these commer- Super Bowl contest cials win, with heritage acts and classic songs gaining will feature new fans, and new artists and singles achieving imme- music by one diate exposure on a global scale,” Atlantic VP of brand of a group of Atlantic acts partnerships and commercial licensing Brad Rains says. that includes Aspiring commercial directors can download pre- (clockwise, approved master, instrumental and 30-second ver- from far left) Classified, sions of the participating artists’ songs at Doritos.com, Crystal or preview them on . Submissions are due Nov. Fighters and 24. While it’s virtually impossible to recapture the light- Grouplove. ning-in-a-bottle reaction to “,” Rains is excited by the activity he’s already seen among sub- missions, which started to be accepted on Oct. 8. “I don’t believe there is a model or road map to achieve this kind of success with a single song/artist,” he says. “It’s a constantly evolving process.” Doritos’ Krishnan says the company is still deter- mining ways it can activate the partnership with Atlan- tic from a live perspective during the week of the Super Bowl in the New York area and beyond. With corpo- rate sister Pepsi already a sponsor of the halftime show, Doritos may also look to its integrated sponsorship at South by Southwest for additional opportunities. For the last two years, Doritos has installed a six-story vending machine at the conference that has featured performances from , LL Cool J and dozens of emerging acts. BRANDING Advertisers like Doritos paid an average of $3.7 million for a 30-second Super Bowl ad in 2013, and have increas- ingly embraced the strategic role of music in their com- Crashing The Ad Party mercials. During the 2013 Super Bowl, Warner Bros. act teams with Doritos to get artists’ songs into a user-generated Super Bowl ad By Andrew Hampp

oritos and Atlantic Records are partnering to put music front and center at the Super Bowl with the latest version of Crash the Super Bowl, the Frito-Lay snack brand’s annual user-generated D ad contest that invites consumers to submit their own 30-second commercials. ¶ The winner will not only receive a $1 million prize

for a commercial that will air during the most-watched TV event of the year, the Flaming Lips starred in a commercial for Hyundai but one of 10 Atlantic acts will have its song featured in the ad as well, marking featuring the custom-written song “Sun Blows Up Today,” Budweiser made emotional use of Fleetwood Mac’s Doritos’ first music partnership in Crash the Super Bowl’s seven-year history. “Landslide” for its latest Clydesdale ad, reprised his ¶ Participating Atlantic acts are Icona Pop, Grouplove, Portugal. The Man, “Gangnam Style” dance for Wonderful Pistachios and made a cameo in a Mercedes-Benz commercial Crystal Fighters, Classified, Fitz & the Tantrums, Night Terrors of 1927, Cash scored by the Rolling Stones’ “Sympathy for the Devil.” Cash and Twenty One Pilots, as well as Warner Bros.’ Atlas Genius. The Major synchs can fetch anywhere from $100,000 to $1 million, depending on the artist, number of ter- campaign is open to consumers worldwide, and as such the participating artists ritories airing the ad, the length of the commercial and are equally global in scope—Frito-Lay VP of marketingWorldMags.net Ram Krishnan says the whether the song has been synched previously. CLASSIFIED: SCOTT MJNN; CRYSTAL FIGHTERS: PEPE BRIX; GROUPLOVE: PAMELA LITTKY 4 BILLBOARD | NOVEMBER 2, 2013 WorldMags.net

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slAckeR Adds uniVision Slacker Radio has expanded its roster of Latin stations with the addition of six rEtail when it requires fewer units to break into the top 10 of Artists that have Univision Radio outlets to the . benefited its stable. Among them will In addition to Nelson, earlier this year QVC hosted from be Univision America, a appearances from Andrea Bocelli, George Benson appearances Apple Vs. new talk station produced on QVC and HMV exclusively for Slacker. and Cody Simpson, and will have Phillip Phillips later Rise Of The HSN include Apple in Others will be live streams of in 2013. Bocelli’s hourlong appearance spurred sales earth, wind the United terrestrial stations including of about 27,000 units out of its debut-week total of & Fire (who Kingdom KLVE Los Angeles, WRTO appeared is being Miami and KKMR Houston. 94,000. Phillips, meanwhile, is releasing a live EP on 0 TV Shopper with david criticized for trying to squelch The additions bring Nov. 19 and will make a 12-minute appearance on one Foster) fair competition after it Slacker’s total number of scores his first top 10 album of QVC’s programs on Nov. 5. and Willie removed the app of music Latin stations to 17. Nelson. retailer HMV from its app in 31 years thanks to QVC, as Earth, Wind & When QVC chooses an artist, “we look at who is rele- store. HMV’s app, which vant in the marketplace,” director of music merchandis- allowed users to browse, ing Rob Ellerstein says. “Nelson may not be a new artist, purchase and download music Fire and others reap similar rewards directly to their iTunes library, By Ed Christman and Gail Mitchell but he had a story—he was just turning 80 and putting was found to be “violating App out a new album—and resonates with our Store guidelines,” although audience.” For viewers, the Nelson release also came Apple has yet to elaborate. Britain’s Entertainment with a bonus CD that featured six live songs. Retailers Assn., of which HMV Meanwhile, HSN has been taking a diferent ap- is a member, has called on the ven as traditional music retail continues to proach to studio appearances. It has begun staging tech giant to reverse the ban. fall away, TV shopping channels HSN and shows outside of its studio and has so far hosted the QVC have stepped in as specialty retailers Earth, Wind & Fire in Vegas on Aug. 30, after YouTuBe’s Jenni FiRsT Music and helped legacy acts chart more frequent- earlier live with (Jan. 18) and Mi- RiVeRA AwARds E FilM woes The breakout ly and higher with album projects. chael Bolton (Feb. 8). has sued This week, Willie Nelson’s To All the Girls debuts at HSN will work with younger as well as legacy artists. Lionsgate is year for United being sued YouTube’s Airlines, No. 9 on the Billboard 200 with 43,000 copies, accord- “The artist and the core group that will be most interested over a film influence on the music Inflight ing to Nielsen SoundScan, with almost half of those in them defnes how you engage your [viewers],” says featuring late business will culminate Nov. Productions units coming through QVC thanks to Nelson’s one- Andy Sheldon, chief creative ofcer for HSNi and GM star Jenni Rivera after two 3 with the inaugural YouTube and Rightscom consultants to the project Music Awards. The event, over hour live performance on Sept. 15. The new album is of HSN Productions. “With Josh Groban, he’s a younger say they were cheated out to be streamed live from copyrighted his highest-charting album since 1982. artist with a somewhat younger fan base that’s ferocious of production credits that New York, will be directed music made Last month, Earth, Wind & Fire’s Now, Then & For- about him and his music. With a legacy band like EWF, would have entitled them to by filmmaker Spike Jonze available one-third of its net income. and feature performances by through in- ever debuted at No. 11 with 27,000 copies. Of that total, sure, people want to hear what’s new, but it’s essential that “Filly Brown” went into limited Eminem, , Arcade flight systems. about 11,000 were bought by viewers of the band’s live they also hear what they know and love about the group.” release six months ago after Fire and others. Integrated According to a concert from Las Vegas’ Venetian Theater for a show From the label’s point of view, “part of the appeal premiering at Sundance in into the Billboard Hot 100 complaint filed 2012. Consultants Edward formula in February, YouTube in New York produced by HSN. (Both albums are issued by Sony for Legacy and its artist is that networks like QVC and “E-Dub” Rios and Lisa “Kool streaming has been integral federal court, Music Entertainment’s Legacy Recordings.) HSN reach an audience in their home, and the artist Aid” Seltzer of syndicated to hits by artists like Baauer, the defendants “Without the HSN sales, this album comes in at appearance on the networks provide entertainment radio show “Pocos Pero and Miley are duplicating Locos” say they were brought Cyrus. Awards will be given sound about No. 25, and then me and you wouldn’t be having and makes the purchase of music very convenient,” onboard to give the movie, in categories including artist, recordings and a conversation about Earth, Wind & Fire,” says an in- Legacy president Adam Block says. about an aspiring female response and innovation of music videos, rapper, a ring of authenticity. the year. then installing dustry executive who works in the catalog division of QVC and HSN promotions can generate anywhere the allegedly one of the major labels. “So the sales from QVC and from 5,000 to 25,000 units, or even more as events infringed HSN are very important.” for Bocelli and, in 2012, proved. Richie’s copies to Jenni servers In light of the diminishing number of retailers that HSN appearance was responsible for 26,000 copies of Rivera in located aboard are capable of generating big sales numbers, QVC the overall 199,000 units his Tuskegee album gener- “Filly Brown” aircraft. and HSN, when they selectively decide to back an art- ated in the week ending April 1, 2012, when it debuted ist, are welcome additions to selling a record at a time at No. 2 on the Billboard 200.

phillip phillips. If his QVC Mary J. Blige. She returns to appearance is successful, it HSN on Nov. 17 to promote would help both shopping her first holiday album, A networks to push the Mary Christmas. In 2010, envelope in terms of the when Blige launched her first types of artists they book to perfume, My Life, she sold support, which could also more than 60,000 units. In appeal to younger viewers— 2011, she performed a mini- and shoppers. concert to promote My Life II . . . The Journey Continues (Act EARTH, WIND & FIRE: DENISE TRUSCELLO/WIREIMAGE; JONzE: JIM SPELLMAN/WIREIMAGE; RIVERA: ©JOHN CASTILLO/PANTELION BLIGE: FILMS 2013; MARKUS KLINKO & INDRAN WorldMags.net1) and sold 16,000. november 2, 2013 | WWW.bILLboArD.bIZ 5

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WorldMags.netWorldMags.net We have an internal meeting an internal to discuss the new Kidz have We in Dallas They’re down on tour. going Bop who are kids and doing vocal training. now rehearsing right the [Balsam], and Craig with Cliff [Chenfeld] I meet catch the time up all We & Tie. of Razor co-founders 14 with them for worked I’ve and informally. formally at the head Stupak, of sales I had lunch with Darren Sony Distribution, which has distributed the past us for and he Jets fan [New York] a fellow also He’s 15 years. At we have. that job a candidate a sales for I interview and it’s company, small still a relatively 75 people we’re hiring. importantreally to we’re that get to everyone know 15-minute meeting with our head a brief I have the new for Lamb of about the rollout of marketing God album. peace just to an hour of head get my together. I have to an [AmericanI go Assn. of Independent Music] board for meeting. been I’ve of the organization on the board an important that’s It’s organization the past few years. and kids. wife dinner with my and have home I go with Scott Berenson from SoundExchange. with Scott from coffee Berenson I get been have partner and their revenues They’re a great and stay try in touch with We tremendously. growing am pm pm pm pm pm pm am am 7.00 9.30 3.45 5.00 3.00 4.00 11.00 12.00 10.30 those guys prettythose guys regularly. in work and in life. so they’veyears, become mentors in a way, my and Chiodos Reckless records we discuss the new Pretty Today coming out next are year. that down. encourages me when I’m independents.made for a big difference WorldMags.net COO m y Razor & Tie Day VictorZaraya

SOO by jumping on me. me up, usually wake My kids to the coffeeHopefully turn I remembered machine and then breakfast the kids I make before. on the night a little early just to brain the office get my into I get I check reporting on sales, get crazy. things going before and media.radio am am 6.00 8.30 watch NY1 with Pat Kiernan. NY1 with Pat watch Overseeing operations at supersized indie Razor at operations & Tie, Overseeing of has sold 40 million units in 21 existence, which years the Kidz Bop includes that running a business means and a company a publishing franchises, and Wiggles has house. COO Victor Zaraya video/postproduction 1999. since been with the company

BILLBOARD | nOvemBeR 2, 2013 2, | nOvemBeR BILLBOARD Victor Zaraya photographed & Razor at offices in Tie’s New York. 6 topline ii WorldMags.net

DIGITAL Number of telco music bundles offered in Distribution Of different regions around the world. Active Paid Vs. Active FreeI Streaming Apple has The Bundle’s 21 ,.. Music Users, unveiled a --...... -... ,-.--....-....-.....-...,-. new thinner ------,,...... ,../. Globally .--...-.....-...- and lighter .-_-_,-w. Western Europe ...... ,-,_.------.-- Active tablet called Promise ..-w. ..-----._-.....-....-- 0 Paid the iPad Air, .--....--,...- - - Central Europe.. '_11P., 28% along with a .r. slew of new Why music-mobile partnerships Jy.,rY,_e ..^,, JW,.yw Macs ahead ....WV,....W.,WW`,. V ..,,,,. of the holiday offer more benefits than yywJ .-..Wv-.1..W.. -.W., ,,,'.., ,e, .4, shopping yww,,y .1WWW, ..,W/'rN, OW ,w.0,. season as __ .._e^.o, it faces pitfalls, according to new - growing label-sanctioned research ,w..... ,-,.------mia. -, ,-, - - .------ft:-.t --- competition Latin America _,-.-...-._,--- eillf-______w,. from rival --- - -._,------w--..w....--*. _,..w. .,..-.- By Alex Pham or ._.,-...... _.y..._..-...... -...... ,s,-...... ,,,...... _..-. -...... y.-...... y...... _...... gadget rill...... /.....,,...01,..,.....,lV.,...,...... ,... -...... ,...... _...... ,...._...... ,...... _...... ,....., W...... ,,./...... /...... ,,N,...... makers. ..../....J...,...... r.01.VNJ..,...... j...... /.V., ...... , - ...... -, --.0...... W.-..-.W.....V. .,...... ,.,...w...... ,,_,,...,_...,.. The iPad Air ...... /...... y...... e...... ,...,...... , ..."...... /...... ,...."...... V.....oV.....-...... -...... -....,V, ..,...,...... -...... ey-...... ,...... ,.....-.....W...... -...... /...... , ...... ".....NY,...e,...."...... ,,...,.....^. weighs just ^...... ,....^...... "...... \./1/1.../"....^V."...... yJ.....,,W....o,,...... W.....,*f ^...... ,,...... ^...../VW...... , ...... ,..-,,...... ,...... ,-,...... 1-...-..-0,. a pound, ....-...... ".....,,,- .....-.....M.,-,...,-,....". ,...0, -e"...... -,.....W. compared usic services have been busy of late died'-,.....^.._Wr.._o-..._.e,.._..*... ..-.."..-WW%-./...-.".. with 1.4 speed-dialing carriers, hoping to seal pounds for distribution deals that can propel their the previous version. Msubscriber base from niche market to mainstream. How streaming music is adopted in Europe and the U.S. The attraction is understandable. Carriers have direct-billing relationships with hundreds of millions Free Premium 3% 6% 9% of people, making it easy for customers to subscribe 11% without having to use their credit cards and type out 16 digits and their home addresses whenever they try to make a purchase. Carriers also have the ability to help DENMARK market music services. And, if the price is right, they’ve also shown a willingness to help subsidize the cost. It’s 10% no wonder, then, that Beats Music is in talks with AT&T and other carriers, while Google is considering a deal 11% 8% with Verizon to bundle its All Access music service. A new study, conducted by MIDiA Consulting and 12% commissioned by , suggests the 25% time is ripe for carriers, handset manufacturers, Inter- 36% net service providers and music services to join forces. Smartphones are far more prevalent now than they’ve ever been, making up nearly six out of every 10 hand- sets in the United States and major European countries. Globally, 1.1 billion people have access to smartphones. 19% 17% 13% One in three consumers in those markets now stream music, and about one in 10 pays for a premium stream- ing service, according to the study, titled “Building the New Business Case for Bundled Music Services.” NORWAY As a result, there are nearly 50 telecommunications music bundles across six markets worldwide. But not 35% all of these bundles maximize their use of music to at- tract new customers, reduce “churn” among existing users and increase average revenue per user—three of the big advantages to carriers that of er music, the How various demos make up paid and free streaming services. study concludes. Some don’t properly promote or support the music services they of er. Others regard music as a box they check in order to stack up features to compete with rival carriers. sS Properly integrated and promoted, both music ser- 30 vices and carriers can benef t, according to the study. For

U.S.-based Leap Wireless’ Cricket service, average reve- 25 nue per user increased from $38.14 to $42.73 since 2010, after it launched its Muve Music service. For TeliaSone- 20 ra , which mainly operates in Sweden and , add- 15 ing Spotify in 2010 helped reduce customer churn from 17% to 15%. ’s Orange carrier had a 50% lower 10 churn among subscribers who also paid for Deezer’s mu- sic bundle, compared with subscribers who didn’t opt for S the music service. 0 For music services, the benef t is obvious—55% of free-trial users on mobile devices convert to the paid MALE FEMALE 13-15 16-24 25-34 35-44 45-54 55-64 65+ service after just a month. 0 Source: UniversalWorldMags.net Music Group Global Insight/MIDiA Consulting NOVEMBER 2, 2013 | WWW.BILLBOARD.BIZ 7 topline WorldMags.net

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Okarenmomomo digital created by Australian startup We Are Hunted that mined the Web to seek out hot new bands favored by music critics but not yet widely known. Chinese #Music Lives authorities CH V “You had a list of very obvious R C H CHVRCHES are cracking Opeace4everever = s @chvrches stuf that the masses were engaged down on with, and another list of indie cool, how often brings music app inside broadcasters as it builds media-focused tastemaker tracks, but nothing in the can air middle,” Feinberg says. “I felt it was reality, missing 60%-70% of the other things dating platform for targeted ads and talent By Alex Pham people are interested in.” shows like Osancuscomusic Olauramvula Twitter attempted to address that the Chinese issue in June by introducing more versions of “American charts in a wider variety of genres. In Idol” and Twitter September, it also flled a gap in its product team, “The Voice,” fter a rocky six months as a stand- appointed Bob hiring Bob Moczydlowsky, former senior VP of which Moczydlowsky draw huge alone application, Twitter #Music is to oversee its product marketing at Topspin Media, as head of audiences, likely to be folded into Twitter’s pri- @fox entheband Oautrenv Ochac_valley #Music app. Twitter #Music. Moczydlowsky, who is widely re- according mary platform, according to several spected within digital music circles, flled a void to the a Play sources familiar with the plans. "111 - created months earlier by the April 24 departure Associated Suggested ,hp. Press. The possibility, and its implied uncertainty about I of Kevin Thau, a VP who spearheaded the acquisi- Provincial the product, led recent reports that Twitter was tion of We Are Hunted and who worked to create broadcasters air such “strongly considering” killing of the mobile app. the initial app. programs, Sources, however, say that wasn’t the case. In- Among Moczydlowsky’s challenges is fguring which are stead, Twitter intends to integrate the app into its son Feinberg says. “That was the Nos. 1, 2, 3, 4 and 5 out how to keep users engaged in the app, which cheap to produce main feed of several topic verticals that the problem. It was a stand-alone app that wasn’t truly directs listeners away to Spotify or Rdio to listen and earn Silicon Valley company intends to build so it can a part of Twitter. It forced people to use Twitter in a to full tracks. Otherwise, the app plays a string of plenty of sell more efectively targeted advertising. Other way they weren’t accustomed to.” random 30-second clips. That jarring experience is advertising revenue, verticals include news, TV and movies. Develop- Twitter #Music initially launched to great celeb- a hurdle faced by numerous music discovery apps on satellite ing those verticals, sources say, is seen as to rity-hyped fanfare on April 18, propelling the app to that lack the licenses to play full songs. channels Twitter’s future growth as the company prepares to the top of the iTunes download charts. But the app “The challenges in growing a music app are how seen around the country. raise an estimated $1 billion from an upcoming ini- quickly fell of the map within a few weeks as the quickly listeners can hear the music and how eas- tial public ofering. buzz died. As of Oct. 22, the app ranked No. 165 in ily they can share it,” says Jonathan Sasse, a digital Music marketers say a move to combine the two the free music apps category, according to AppData. music consultant and former head of marketing for would go a long way to solving one of the biggest Another initial problem was the lack of breadth in Slacker Music. “The frst part, consuming music, problems hampering Twitter #Music’s growth. Twitter #Music’s recommendations. It served up two gets messed up when people have to jump through “It was never fully integrated into the primary sets of recommendations—one based on what was hurdles to get to the song they want to hear by hav- product,” Epitaph Records VP of digital strategy Ja- trending on Twitter and another based on software ing to sign in or switch apps.”

CHaRtS in the list’s 25-year history. “Feedback has been positive. It’s awesome to be able to introduce “Royals” is crossing over to so many formats that the hip-hop audience to this song.” some R&B/hip-hop PDs can’t help but see if the pop/ Notably, Republic has promoted “Royals” to alternative, pop and alternative track works for their audiences, too. And, at adult radio. It’s not putting such an ofcial push at R&B/hip-hop, Lorde: R&B Diva a time when Avicii is leading the rootsy triple A format making its unsolicited airplay at the for- with the club-banging “Wake Me Up!,” genre catego- mat more impressive. The ’s ‘Royals’ crossover spreads ries may be meaning less to listeners and consumers. “We noticed local download sales on “Royals” topped the Triple A chart for eight weeks the song. Then, my staf started talking to its most unlikely format yet, garnering and now ascends to the summit on Mainstream Top about it around the same time that [New major-market R&B/hip-hop airplay 40. It bullets at No. 2 on Adult Top 40, No. 12 on York’s urban-leaning station Dance/Mix Show Airplay and, in its fourth week, No. WQHT] Hot 97 began playing it,” says By Gary Trust 21 on Adult Contemporary. It also becomes the frst Al Payne, PD of R&B/hip-hop WERQ Alternative No. 1 to reach the top fve on Rhythmic, Baltimore, which played “Royals” 13 where it jumps 6-3 with Greatest Gainer honors (up times last week. “Those three indicators 783 plays) for a third consecutive week. However, usually signal strong potential.” ven though its lyrics decry some of the clichés of R&B/ rhythmic currently features heavy doses of pop from While the early acceptance for “Roy-

hip-hop, Lorde’s “Royals” (Republic) is fnding favor on the likes of Katy Perry, and Miley Cyrus. Lorde als” at R&B/hip-hop radio is notewor- several of the format’s leading stations, and enters Bill- “We’re playing ‘Royals’ because we feel that it’s a hit thy, the song reaches the R&B/Hip-Hop Eboard’s Nielsen BDS-based R&B/Hip-Hop Airplay chart record that can cross formats,” KBFB Dallas operations Airplay chart with 2.7 million in audi- at No. 46. manager/PD Mark McCray says. The R&B/hip-hop ence. That’s just 2% of its overall audience last week (158 million). The crossover marks the latest, and seemingly most surprising, station is one of 18 playing the song, having spun it 68 Still, as the song has become a somewhat unlikely multiformat milestone in the song’s journey. The U.S. breakthrough hit for the times during the Oct. 14-20 tracking week. “It’s easy to juggernaut, tracks like “Royals” and “Wake Me Up!” also add sup- 16-year-old New Zealander has topped the Billboard Hot 100 for try to categorize music into boxes, but sometimes there port to the thinking that younger generations consume music from four weeks running and has sold 2.5 million downloads, accord- are those songs that you have to play because they’re so multiple platforms, not just, say, one favorite radio station, and, ing to Nielsen SoundScan. With seven weeks atop the Alternative strong. ‘Royals’ is one of those songs. thus, don’t think of formats as strictly in the past. Plus, technology airplay chart (Aug. 24-Oct. 5), “Royals” passed ’s “The texture of it easily fts with all the hits from has evolved and become more accessible, helping create hits and “You Oughta Know” (1995) for the longest reign by a lead female and WorldMags.netthe R&B we currently play,” McCray says. mixing previously unthinkable contrasts. LORDE: ROb Kim/GEtty imaGEs 8 BILLBOARD | nOvemBeR 2, 2013 WorldMags.net

QUESTIONS Answered

Melissa Ormond [ President Madison Square Garden Entertainment

What did you wake up thinking about this morning? My day starts around 6 a.m. when my 6-year-old comes into our bedroom for a snuggle. After an appropriate length of snuggling time, my thoughts turn to more pressing or timely issues. There is an awful lot on all of our minds as we face the opening or reopening of 17,000-plus-capacity are- nas—one that opens this week [New York’s Madison Square Garden], and the second, the Forum [in Los Angeles], opening in January.

Describe a lesson you’ve learned from a failure. I can remember, after having done the Blink-182 tour that took them from ballrooms to amphitheaters over an 18-month period, really looking forward to be- ing the promoter of the next tour. But at that time the industry had Favorite breakfast: “Protein changed quite a bit, and one of the major promoters had a ton more smoothie.” venues than the company that I worked for had, and sheer economics dictated that the other company was a better deal for the band. It was First job: “Seth Hurwitz [at I.M.P.] hired me as the a hard lesson to learn, that economics played such an important role. assistant GM of the old I was a little more naïve and idealistic back then but, although very 9:30 Club on F Street in disappointed, I didn’t view it as a failure, and a lot of learning came Washington, D.C., because I had a college degree. He out of it. Working with those guys was a really important part of my wasn’t accustomed to having life, and I still love them. college grads apply for a job at the club back in the late ‘80s.” What will defi ne your career in the coming year? We are at the Memorable moment: “My tail end of the transformation [at New York’s Madison Square Gar- first R.E.M. show in college, den], and there has been an extraordinary team working on that, and Bad Brains at the 9:30 Club and all the Nirvana shows I we achieved it on time and virtually on budget, and with spectacu- promoted in New York.” lar results. It has been extremely hard for us not to have date avail- ability in the months, which for us turned out to be f ve or Advice for aspiring venue/ entertainment executives: six months a year. The other main focus of the coming year is the re- “One cannot demand opening of the Forum. Melissa respect—it must be earned. Ormond Through success and trying photographed times, always maintain your Who’s your most important mentor, and what did you learn? at the MSG integrity. Learn everything you I’ve had the privilege of working with and for some of the great pro- Entertainment can about whatever you love to offices in moters and business operators in the business, from Seth Hurwitz [at do. Then learn the underlying New York. fundamentals.” I.M.P.] to Ron Delsener and Mitch Slater [formerly of Delsener-Slater Presents] and, of course, [former MSGE president] Jay Marciano. The teams of people I’ve worked with in the past and work with now, I’ve 2 3 learned stuf from every one of them. I’ve learned things to do, things not to do. I’ve learned the value of hard work and integrity and ethics.

Name a project that you’re not affi liated with that has most impressed you in the past year. I’ve been really intrigued watch- ing the last year with Melissa Mayer in the lead on Yahoo, from her policies on the of ce as a workplace to the redesign of the website and the email platform, and things as simple as the logo. I’ve been fasci- nated watching her taking the job [while] pregnant, having had after starting the role. I’ve watched that literally daily. 1 “This is the power outage Blink-182 that affected bunny that downtown Name a desert island album. I’d pick Radiohead because they’re the band Manhattan for Radiohead, and R.E.M. because I’m in the business because of autographed days following R.E.M. I love the music so much. —Ray Waddell and gave to the storm.” me at their Madison 3 “My hard hats Square Garden from Madison show in 2009.” Square Garden “There’s an awful lot and the Forum. 2 “ The 12-12- I retired my on all our minds as we 12 Concert Garden hat for Sandy when we Relief was the reopened face the opening or largest event following the ever staged three-year at MSG. transformation. reopening of 17,000- The post- In less than Superstorm three months, plus-capacity arenas.” Sandy photo the Forum will shows the reopen.” WorldMags.net PHOTOGRAPH BY SASHA MASLOV NOVEMBER 2, 2013 | WWW.BILLBOARD.BIZ 9 TOplIne WorldMags.net The Deal Telefonica Is In Rhapsody

WHAT: Rhapsody International, which operates as Rhapsody in the United States and Napster in international markets, has struck a deal to ofer its Napster digital music streaming service to Telefonica’s 200 million Latin America customers. As part of the deal, Telefonica will be able to earn an equity stake in Rhapsody International as subscribers grow. Napster will replace Telefoni- ca’s existing Sonora service beginning Nov. 1. Sonora was already one of the largest subscription services with hundreds of thou- sands of subscribers in Brazil, Argentina, Colombia, Chile, Peru and Mexico. In Brazil, customers of digital media company Terra will be among the frst ofered the opportunity to switch from So- nora to Napster.

WHY: In the tough digital music subscription market, partner- ships with telcos—in particular mobile—are now widely seen as the holy grail to reach meaningful scale quickly enough to cover the costs of licensing music rights in the frst place (see story, page 7). Even though Rhapsody has been in existence for more than 10 years under various owners and iterations, it has struggled to grow signifcantly in the United States—it reported a total of 1 million subscribers in 2012. The deal with Telefonica could be a major game-changer for the increasingly unfashionable and unproftable digital music service. According to flings, Rhapsody lost $9.2 mil- lion in frst-half 2013 on revenue of $68.6 million.

WHO: The current version of Rhapsody was created as a joint venture in 2007 between Real Networks (51%) and MTV Networks (49%). In 2010, after a minority equity deal with the major labels, Real Networks’ stake was reduced to 47%. But in September 2013, Rhapsody International went through a restructuring after invest- ment frm Columbus Nova Technology Partners became a signif- cant shareholder in the company. Longtime president Jon Irwin stepped down along with 15% of its staf. The company is now run by an executive operating committee of Rhapsody executives including chief technology ofcer Brian Ringer, senior VP of the Americas Paul Springer, senior VP of Europe Thorsten Schliesche and new CFO Ethan Rudin.

IF: If Rhapsody/Napster gets signifcant traction in Latin Ameri- ca’s fast-growing market for digital music, it could inject fresh con- fdence into its U.S. operations as well as a much stronger argument in negotiations with U.S. mobile partners. So far it has only been able to convince Metro PCS of the advantages of rolling out a mo- bile partnership. An early sign of how quickly things can change is that Telefonica is already planning to preload Napster on mobile de- Rhapsody’s deal with Telefonica could be a vices that it sells in Brazil and three other Latin-American markets during the current quarter. And since Telefonica is also a signifcant game-changer for the increasingly unfashionable player in Europe, the deal ofers expansion opportunities there too. —Yinka Adegoke and unprofitable digital music service.

Beats Music. It seems the Spotify. With 6 million paying Latin America. The region longer Jimmy Iovine and Dr. music streaming subscribers had been much slower to Dre’s Beats Music takes to worldwide, Spotify is the adopt the digitization of launch, the more competitors market leader. But privately, content but has now taken off, step up their game. With its executives say they’ll particularly in music. Several Beats now expected to launch be concerned if U.S. rivals U.S. digital music companies in the first quarter, it will team with telco companies, have turned their focus here almost certainly need to come because that could easily because it’s been easier to out of the gate with a telco allow those rivals to catch launch their services. partner—or soon after launch. Spotify up—but not if Spotify does a WorldMags.netdeal first. iovinE & dr. drE: JEffrEY maYEr/WirEimagE; South amEriCa map: SCiBaK/E+/gEttY imagES 0 BILLBOARD I NOVEMBER 2, 2013 ILLUSTRATION BY BRIAN STAUffeR

11 Keys Alicia at Blackat last year. Ball Redux Redux Ball performing Revenue generated generated Revenue by Rhapsody in 2013 first-half g o o d Works 10th anniversary november 2, 2013 | WWW.bILLboArD.bIZ | 2013 2, november Just added to the gala’s performance is Phar- lineup the gala’s to added Just making are and Battle Ayers Both vibraphonist co-founded and AIDS activist Leigh Blake Keys Twyman, is CEO Peter with Keys Leading the charge ac- to been able so proud we’ve of everything “I’m $68.6m Keep a Child alive marks marks alive a Child Keep Alicia Keys’ Keep a Child Alive (KCA) will celebrate will celebrate (KCA) Alive a Child Keep Alicia Keys’ The gala. Ball Black this year’s at its 10th anniversary place takes fund-raiser and care HIV treatment annual York. in New Ballroom the Hammerstein 7 at Nov. perform- announced joins previously Williams. He rell Battle, Kathleen soprano King, Roy Ayers, Carole ers King— herself. and Keys Mvula Laura singer British slated of the Year—was Person MusiCares also 2014’s due canceled was ball, which year’s performto last at Sandy. Hurricane to Ball Black the inaugural played Ayers visits. return global KCA alongside sang in 2004, Battle while ball. The hot-ticket the 2007 at host Keys ambassador/ event, include whose past performers and honorees Richard and Clinton Bill Z, President Bono, Jay Adele, million. than $18.5 more has raised Branson, about the HIV awareness global raise in 2003 to KCA in Sub-Saharanepidemic to funds and grant Africa life-saving providing organizations community-based fght, has continued that currently KCA treatment. food treatment, providing and support nine through af- and families children for organizations grass-roots South Africa Uganda, Rwanda, by HIV in Kenya, fected and India. 10 million “Now in July. joined the organization who none a to next it was whereas on treatment, people are 58% of “Only adults who Twyman says. ago,” decade it, getting and only 28% are of are need treatment kids is still Our work cry. a rallying That’s treatment. getting as important as ever.” in a state- said Keys decade,” the last over complish to is all about givingment. dignity and care “KCA —Nick Williams those need it most.” who Rhapsody’s net loss net Rhapsody’s 2013 in first-half The The tosoundtrack Disney Walt Animation Studios’ “Frozen”— which features neweight from songs Award- Tony winning Robert Lopez, a new Demi Lovato (“Let track and It Go”) performances by cast members Kristen Bell and Idina Menzel—is 25. due Nov. by score, The Christophe Beck, is included with the from songs Lopez and and his wife collaborator, Kristen Anderson- Lopez.

$9.2m fund manager danielfund manager re- Loeb, who billion for the mobile phone business the mobile billion for in mobile giant Nokia. Loebin mobile bought is similar to one explored by digital mu- one explored to is similar ing original shows including “Orange Is “Orange including shows ing original transaction. Expected to close in frst- close to Expected transaction. the Nokia Siemens Networks, the HERE Siemens Networks, the Nokia the possibility of ofering its service The strategy companies. cable through the New Black” and “House of Cards.” and “House of Cards.” Black” the New hedge point . . . third States. the United fxed-line and mobile partners and mobile outside fxed-line maps business and a patent portfolio and a patent maps business sive patent-licensing agreement. Once patent-licensing sive sic streaming services like Spotify and services like streaming sic vealed a meaningful stake in Sony a meaningful Corp. stake vealed earlier this year, has announced a stake has announced this year, earlier dubbed Advanced Technologies. Advanced dubbed ecutives have been publicly discussing been publicly have ecutives Nokia shares late in the third quarter in the third late shares Nokia phone sold its mobile the company after Microsoft for to and services business and €1.6 billion for a 10-year nonexclu- billion for and €1.6 Despite its recent success, Netfix ex- Netfix success, its recent Despite partnerships with telco have Rdio that quarter 2014, €3.8 will provide the deal will include the new Nokia complete, €5.4 billion ($7.4 billion) in an all-cash €5.4 billion ($7.4 WorldMags.netWorldMags.net Telefonica Telefonica customers worldwide ryan o’Connor of head business ryan CFO. He served in the same in the same served He macri CFO. steven Vanessa Krom- Nederlander Concerts Vanessa promotes [email protected] peters, —mitchell puBLIshINg tourINg medIa dIgItaL eral business operations. Both report operations. Bunt. to Snow business eral the dmg la- for as VP of served marketing previously senior was VP and Abdo bel and Hollywood Records, to In addition DMG. at and distribution of operations comprises DMG Records, Disney Hollywood and Walt . The dmg Nashville music publishing and disney artists such as Selena includes Go- roster company’s & the Nocturnals. Potter mez, and Grace Demi Lovato Bmg/primary servicesLabel Wave sal- Ira names BMG at roles executive in various worked He’s len COO. as a consultant. most recently than 20 years, more for english as manag- taps Keith Ireland ticketmaster director. development business was He ing director. senior director VP ofer to communications. of publicity. ap-Clear Channel media and entertainment points . Prior to that he was executive role executive he was at. Prior that Logicsource to . music group Warner at VP/CFO WillCall names development and operations. He was director of busi- director was He and operations. development . ticketfly at development ness WorldMags.net

in 316m Chiwetel Chiwetel Ejiofor a “12 Years Slave” users. The company beat Wall Street Wall beat users. The company ing up more than 31ing up more million in the third overtook premium cable ser- cable overtook premium Netflix to HBO even though it’s an online ser- it’s though HBO even to flm. . . . Online video streaming serviceflm. streaming . . . Online video share. Netfix has often been compared Netfix share. vice, particularly it started after vice, produc- vice HBO in subscriber rack- vice numbers, expectations with revenue of than more with revenue expectations $1.1 billion and profts of$1.1 52 per cents quarter by adding 1.3 million new U.S. million new U.S. quarter 1.3 by adding david abdo Ken Ken president have hollywood and records announces two key positions to key two announces LaBeLs disney music group disney . Abdo will be will . Abdo records disney Walt in and licensing sales for responsible in production,his duties to addition tech- royalties, distribution, fnance, and other gen- strategy global nology, has been appointed senior VP of global and distribution. operations business with overseeing will beSnow tasked creative, marketing, the worldwide and ad- digital marketing publicity, vertising for Bunt business. global the company’s expand to has been promoted snow robbie of senior role VP of created the newly and marketing, global

David David Sweden. Creators, composers and au- Sweden. Creators, hammered out a European licensing ar- licensing out a European hammered revenue earn to and afliates holders lected by John Legend. With the helplected place with various music creators’ rights creators’ music with various place . . . Columbia (France). and SACEM ly) in a number of European countries, in a number countries, of European will release the soundtrack to the soundtrack will release records thors will take a cut from YouTube’s ad YouTube’s a cut from will take thors when their music is played on YouTube on YouTube is played their music when will holders rights international while sic (United Kingdom), BUMA Stemra BUMA Kingdom), (United sic revenue. YouTube has existing deals in deals has existing YouTube revenue. rangement. The deal allows STIM rights allows The deal rangement. rives Nov. 19. Nine of the songs are in the Nine of are 19. the songs Nov. rives nell, Joy Williams, Laura Mvula, Cody Mvula, Williams, Laura Joy nell, songs of freedom. A digital version is ofsongs A digital version freedom. organizations, including PRS Mu- including for organizations, earn revenue from YouTube plays in plays YouTube from revenue earn due Nov. 5, and the physical album ar- album and the physical 5, due Nov. of co-executive producers Mike Jackson of co-executive Jackson Mike producers Chesnutt and Alabama Shakes to record record to Shakes and Alabama Chesnutt and Thais Stiklorius, Legend recruited and Thais Stiklorius, recruited Legend creators’ rights organization stIm organization rights creators’

rhapsody By the NumBersthe By rhapsody Further Dealings eXeCutIVe turNtaBLe eXeCutIVe (Netherlands), SGAE (Ita- (Spain), SIAE (Netherlands), and Sweden-based music and Sweden-based Alicia Keys, Gary Clark Jr., Chris Cor- Chris Jr., Clark Gary Alicia Keys, Abdo Robbie Robbie (left) Snow and

“12 Years a Slave” featuring 16 se- songs featuring a Slave” “12 Years KEYS: StEphEn LovEKin/ChiLd12/WirEimagE; “12 YEarS a SLavE”: Jaap BuitEndiJK Jaap SLavE”: a YEarS “12 LovEKin/ChiLd12/WirEimagE; StEphEn KEYS: topLinE WorldMags.net Think Tank

on thE Road Ray waddELL The Hidden Tax

The increasingly common practice Staples Center’s Lee of unmanifested tickets could Zeidman (far left) with shortchange artists to the tune of promoter Louis millions of dollars each year Messina and Taylor Swift; inset: Ed Rubinstein of ArenaNetwork TOURING A signifcant number of agents tell Billboard that there’s a growing CONFERENCE & AWARDS tendency for arenas in major markets to hold back some seats to sell 4.4 on their own, thus creating another revenue stream for the building— one in which the artist doesn’t share. Register For years, many professional sports arenas have kept revenue now for the 10th annual in-house from suite tickets, a portion of season tickets, club seats Billboard and a few others. This revenue wasn’t reported as part of Billboard Touring Boxscore grosses, and promoters, agents and managers never liked seems to me this [practice] would be rather stupid on I’m fnding it as frequently as I’m fnding it is pretty Conference & Awards. it but learned to live with it. a venue’s part to risk future relationships for current incredible. There needs to be a new level of exposure.” Use code What we’re hearing about today is unmanifested seats that are es- relatively small gains,” says Ed Rubinstein, CEO of Many arena managers asked about the issue either BIZ13 and sentially building holds—not suites or club seats, or PSLs (permanent Arena Network, a consortium of venues that shares in- didn’t respond or declined to comment. Lee Zeidman, save. seat licenses) or comps—but seats that are sold, sometimes the top formation and often promotes or co-promotes within GM of AEG’s Staples Center in Los Angeles, is one who price point, sometimes a couple of hundred per show, sometimes member arenas. “If it is happening with reserved seats, did. “At Staples Center and Nokia Theatre, all building many more. The revenue from these seats isn’t reported with the that’s a recipe for discovery and future punishment.” holds are manifested and paid on as part of the gross,” gross at settlement. “It’s crazy—300, 500, 600 [tickets]. It’s all over “Punishment” may be a strong word, but certainly he says. “The only seats not manifested are our suites.” the place, and it’s like a tax,” says one agent who, like most, prefers to more agents are calling the buildings out on the prac- Promoter deals, and talent costs for buildings that remain anonymous on the topic. “The buildings are collecting money tice. One agent who is booking a major arena tour for a promote in-house, are tighter than ever on the build- that the artists never get. They charge rent, there’s a facility fee, and superstar artist says “every building” on the route has ing side, with most arenas relying increasingly on an- they can go from 250 tickets in [market X] to 1,000 in [market Y], ba- unmanifested seats. “You’re making a deal with some- cillaries to turn a proft. As such, selling unmanifested sically selling tickets and not putting them into the deal.” body, and unless you ask, nobody’s talking about it. It seats becomes one of those ancillaries, but it’s a move The unmanifested-seats practice seems to be mostly a primary- should be negotiable. In every one of my negotiations that’s proving extremely distasteful to those represent- market issue, as secondary and tertiary markets are too concerned now, one of my questions is, ‘How many unmanifested ing the talent. 0 with bringing in tours in the frst place to risk alienating agents, seats do you have?’ We’ve made a couple of people managers and artists. And the practice also appears to be done on adjust the deal to show the gross is really $1.6 million TAKEAWAY: Unmanifested seats may be a common a market-by-market basis as opposed to any widespread policy. “It instead of $1.55 million, or whatever it is. The fact that practice, but full transparency is better business.

BuSinESS MattERS GLEnn pEopLES @BiLLBoaRdGLEnn Yorke hasn’t attracted many supporters. That’s a bit model. Yorke is equally certain his opponents are wrong. strange considering the basic tenants of his views. He But certainty is a tricky thing in business. An out- questions the revenue potential of subscription ser- come that seems practically preordained one year vices. He’s concerned that streaming revenue won’t be can turn unlikely a few years later. The music biz has The Yorke Debate Veteran able to support the creativity of young, been certain about the subscription Nashville emerging artists. He bemoans a busi- model before, yet those expectations music Is the Radiohead frontman ness model that doesn’t forge a direct didn’t pan out. The download business executive John Grady has on the right side of a link between fan and artist. Of course, exploded in 2003 and still dominates been named Yorke wraps these beliefs in colorful digital revenue. president never-ending debate about language—he called the subscription So why not consider that Yorke might of I.R.S. Nashville, streaming services, or will model a “dying corpse”—but the sub- be correct? Perhaps the subscription a new label stance isn’t all that controversial. model will not drive the expected bil- based on history prove him wrong— Yet controversy has followed Yorke lions of dollars of global revenue. Maybe the imprint started 34 and does it matter? because the prevailing wisdom in the subscriptions aren’t the best solution years ago and music business goes against him. Execu- for young artists. Might acts be better- revived by EMI Thom Yorke tives have long argued that subscription served by digital platforms that foster a in 2011. Grady will continue services are helping fuel digital growth direct link between artists and fans? serving as and do not cannibalize purchases—although recent de- The momentum of the market isn’t on Yorke’s side. partner thom yorke has turned into a lightning rod for his views on music clines in U.S. digital music purchases should raise ques- Spotify and its peers are fnding both consumer adop- at Crush Management. subscription services. It’s not surprising that his comments are closely tions about the latter view. Yorke believes low payouts tion and investor backing. The act of purchasing physi- I.R.S. Nashville followed, but it’s surprising they stir up so much controversy. will discourage new artists, lacking catalogs to mon- cal and digital goods is becoming increasingly anach- was founded Each new thought about Spotify—Yorke targets the popular service etize, from investing in creative projects. Executives ronistic in music as well as flm and TV. Numerous by Caroline, a division of more than the broader category—creates ripples in the media and the point to large payouts in countries where subscription artists who once avoided subscriptions now embrace Capitol Music music community. In the last week, U.K. publication services were quickly adopted by consumers. them. The future of music is taking shape—but it’s far Group. has run pieces by david Byrne, who thinks along the lines of Yorke, Leadership is a competition of ideas—a proponent of from certain. 0 and Gang of Four bassist dave allen, who disagrees with Yorke and one idea needs to speak with as much certainty as pro- Byrne. Eurythmics’ dave Stewart and pink Floyd’s nick Mason ponents of competing ideas. Much of the music busi- TAKEAWAY: Many are certain that Thom Yorke is wrong about Spotify—but certainty in business is a tricky thing. have also spoken out recently, both in favor of Spotify. ness is certainWorldMags.net about the potential of the subscription ZEIDMAN, MESSINA AND SWIFT: KEVIN WINTER/GETTY IMAGES; NBC SUNDAY NIGHT FOOTBALL: ZADE ROSENTHAL/NBC; YORKE: STEVE KEROS 12 BILLBOARD | nOvemBeR 2, 2013 vice CineAsia CineAsia CineEurope CineEurope The Clio Awards Jen Gilbert Diehl David vice President, Human Resources Human Resources President, schoorl vice Rob Julie Cotton Donna Delmas Leila Cobo (Miami) (Miami) Cobo Leila [email protected] DiGital DiGital ShowEast Back Stage Back Stage eDitOrial liCenSinG Reg Gonzales Reg [email protected] OPeratiOnS PrODuCtiOn COnferenCeS Meredith kahn kahn Meredith BillBOarD.COm Marcia olival [email protected] olival Marcia BiLL WeRde nick MehRa nick MehRa John aMato ChartS & reSearCh ChartS eDitOrial DireCtOr eDitOrial ZandeR LuRie Film Journal International Journal International Film MicheL PRotti MicheL PRotti DeSiGn & PhOtOGraPhy Wolfgang Spahr (Germany) Wolfgang [email protected] Gabrielle Ziegler Andrea Martin [email protected] Andrea Ross Levinsohn Ross JoE LEvy JoE LEvy [email protected] Senior vice MillerSenior vice dana ofcer Chief christopher Roe Technology J. Mitchell Peters [email protected] aDvertiSinG & SPOnSOrShiP & aDvertiSinG BillBOarD GrOuP PreSiDent BillBOarD Manager, ad ops ad Manager, Marketing Manager Marketing Amelia Halverson [email protected] Subscriptions: Call 800-684-1873 marketinG & Creative ServiCeS marketinG & Creative aSSOCiate CirCulatiOn manaGer CirCulatiOn aSSOCiate coordinator Marketing Rix Ashley Tom Roland, Paul Sexton, Richard Smirke Richard Sexton, Paul Roland, Tom Randi Windt Randi Windt [email protected] Gregory DelliCarpini Jr. Gregory DelliCarpini Jr. [email protected] editor editor social Marketing Manager, Morse Katie Marketing design Manager Marketing Grasing Kim Jay Goldberg Goldberg Jay [email protected] Michael Cusson Manager Michael chart Production & Licensing development ANDREW MIN [email protected] associate Production Manager Production associate director Production TERRENCE C. 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Andrew Hampp (Branding) Hampp (Branding) Andrew [email protected]; Phil Gallo (Film/Tv) Chief ofcer Financial Kate Glicksberg Kate Billboard.com art director, Ryan Andrew art director Mirna Gomez [email protected] Gomez Manager of sales analytics Mirna Fashion editor editor Fashion SeniOr vP, StrateGy anD OPeratiOnS, GuGGenheim DiGital meDia GuGGenheim DiGital anD OPeratiOnS, StrateGy SeniOr vP, digital sales associate Partnerships & integrated entertainment Branded director, executive SILvIo PIETRoLUoNGo PIETRoLUoNGo SILvIo of charts director [email protected] Gordon Murray Murray Manager Gordon Research Billboard [email protected] Jatnna Nuñez Bannister Junior Photo editor Tawni editor Photo assistant Juliet Dickey [email protected] Dickey Juliet operations director, associate Marketing President, vice DoUG BACHELIS [email protected] contributors contributors contributing editor, Billboard.biz Andy Gensler Billboard.biz editor, contributing [email protected] vP, BuSineSS & COrPOrate DevelOPment, GuGGenheim DiGital meDia GuGGenheim DiGital DevelOPment, & COrPOrate BuSineSS vP, (U.S. Toll Free); 845-267-3007 (International); or [email protected] 845-267-3007 (International); Free); Toll (U.S. Gene Smith [email protected] Gene Managing director/Latin [email protected]; Gail Mitchell (R&B) [email protected]; Gail Mitchell (R&B) [email protected]; [email protected]; Hanon Rosenthal angeles Hanon Rosenthal Los of video, director [email protected] Magazine Reprints or [email protected] Media 877-652-5295 Wright’s international international Judy Cantor-Navas Judy Cantor-Navas editor en español Billboard [email protected] Adweek Adweek Billboard Wade Jessen (Bluegrass, Christian, Country, Gospel; Nashville) Christian, Jessen (Bluegrass, Country, senior chart Manager Wade for Latin Music and entertainment Music and entertainment for Latin - Malone [email protected] Tim consumer executive, account national JoHN WALBERG [email protected] WALBERG endemic JoHN director, sales east coast executive assistant to the editorial director Emily White director the editorial to assistant executive [email protected] Bob Allen (Boxscore; Nashville), Keith Caulfield (The Billboard 200, Cast, Cast, 200, Caulfield (The Billboard Keith Nashville), chart Managers Bob Allen (Boxscore; Songs, Mainstream Top 40, Rock, Triple A), Alex vitoulis (Blues, Classical, Kid Audio, video) (Blues, Classical, Audio, Kid vitoulis A), Alex Rock, Triple 40, Top Songs, Mainstream Stephanie Hernandez [email protected] Hernandez Manager Stephanie digital account Ed Christman (Publishing/Retail) [email protected]; Christman Ed (Publishing/Retail) [email protected]; senior correspondents Aki Kaneko [email protected] Kaneko sales Aki coast & West special Features director, L.A.), William Gruger (Social/Streaming), Amaya Mendizabal (Latin), Gordon Murray (Comedy, (Comedy, Murray Mendizabal (Latin), Gordon Amaya L.A.), Gruger (Social/Streaming), William Ray Waddell (Nashville) (Nashville) Waddell Ray entertainment and Live for touring [email protected] Dance/Electronic, , New Age, Ringtones, World), Silvio Pietroluongo (The Billboard Hot 100, Hot 100, (The Billboard Silvio Pietroluongo Ringtones, World), Jazz, Age, Dance/Electronic, New associate editor of Latin and special Features Justino Águila and special Features of Latin editor associate [email protected] Julian Holguin [email protected]; Holguin [email protected]; Julian executives account consumer east coast Peter Lodola [email protected] Lodola Peter coordinator assistant/advertising executive Danielle Weaver Weaver Danielle executive account consumer coast West [email protected] Diane Driscoll [email protected] Driscoll Diane & Licensing Business development director, The Hollywood Reporter Compilations, Digital Albums, Heatseekers Albums, Independent, Internet, Pop Catalog, Soundtracks; Digital Albums, Heatseekers Albums, Independent, Compilations, Internet, Pop Catalog, Soundtracks; vice President, Business President, vice Cebele Marquez [email protected] Marquez Manager Cebele development sponsorship/Business Alyssa Convertini [email protected] Alyssa Programs Manager integrated senior account Digital Songs), Rauly Ramirez (R&B/Hip-Hop, Rap) Gary Trust (Adult, Alternative, Chart (Adult, Alternative, Rap) Gary Beat, Heatseekers (R&B/Hip-Hop, Trust Ramirez Digital Songs), Rauly Human Resources Director Meghan Director Milkowski aguilar Human Resources alexandra Counsel Michele singer General Wilbur Jefrey Entertainment Marketing Branded President, & Integrated Hispanic are viewers of fans bigger programming NBC’s like Night “Sunday Football” than “Modern ABC’s Family.” 13

0 There’s no shortcut to capturing the Latin There’s WorldMags.netWorldMags.net november 2, 2013 | WWW.bILLboArD.bIZ | 2013 2, november Pundits often talk of “Ugly Betty”Pundits often talk of as a prototype “Ugly But stereotypes work just fne on “Modern Fam- just fne on “Modern stereotypes work But As for the eternal conundrum of going bilingual vs. bilingual vs. of conundrum going the eternal As for As the TV ratings show, adding Latin characters or characters Latin adding show, As the TV ratings Spanish or English, my bets are still placed on the latter. on the latter. still placed bets are or English,Spanish my for a successful Latin-themed prime-time show. They prime-time a successful show. for Latin-themed lombian hit series “Betty La Fea,” then later adapted adapted then later La Fea,” hit series “Betty lombian in viewers. And English-titled songs defnitely don’t don’t defnitely songs And English-titled in viewers. than the other, that’s where he or she will turn to, re- will turn to, he or she where that’s than the other, if anyone involved in the show had ever met, less much had ever in the show involved if anyone Hispanic. with, anyone interacted , Vergara Sofia the over-the-top features which ily,” translate to added airplay. added to translate the top-paid female TV actress today. But while the while But the top-paid TV today. female actress well among Hispanics. Out of its 10.6 million aver- among Hispanics. Out of its 10.6 well matter what ethnicity had the role. ethnicity what matter never mention that “Ugly Betty” based was “Ugly on Co- mention that never The stateside. debuting before successfully in Mexico show in the country, NBC’s “Sunday Night Football,” Night Football,” “Sunday NBC’s in the country, show show is a ratings hit overall, it doesn’t fare particularly fare it doesn’t hit overall, is a ratings show even Latin plot lines to a show doesn’t guarantee Lat- guarantee doesn’t a show to lines plot Latin even or 6.8%, were Hispanic. In contrast, TV’s top-rated top-rated TV’s Hispanic. In contrast, were or 6.8%, gardless of heritage. of heritage. gardless averaged 22.1 million viewers, of which 2.3 million—or 2.3 22.1 ofwhich million viewers, averaged concept—already tested —would have worked no twice—would worked tested concept—already have age viewers the week ending Oct. the week 13, viewers only 731,000, age Once a person feels more comfortable in one language comfortable one language in more a personOnce feels TakEaway: demo—quality content beats cliché. 10.3%—were Hispanic. 10.3%—were

Don Omar’s WorldMags.net

Upscale Hispanics tend to be to Hispanics tend Upscale But it’s still hard to pinpoint to what still hard it’s But For programmers and marketers, and marketers, programmers For By the same token, NBCUniversal is heavily vested in mun2, its bi- in mun2, vested is heavily NBCUniversal token, the same By In 2012, 15 were million upscal- there Latin nOtaS @LeiLaCObO CObO LeiLa According to Nielsen, His- to bicultural According And on the music charts, an increasing number of acts are charts, Latin And on the music an increasing Spanish and watch content in both content lan- and watch Spanish households of three or more) and more of or more) households three have a household of three or more com- a household of or more three have baby boomers.” baby marries a gorgeous Mexi- Schneider a gorgeous marries language comedies, documentary-style comedies, language lingual, bicultural Hispanics, and also lingual, bicultural lingual, bicultural network, while this month, and ABC are while Univision network, lingual, bicultural TV network. English-language Fusion, their joint venture launching panics tend to gravitate toward English- toward gravitate to panics tend They shows. and kiddie programming pared with 69% in the mainstream with with 69% pared in the mainstream it’s an attempt to reach the younger bi- the younger reach to an attempt it’s ing on late-night TV and shows like “Austin City Limits.” “Austin TV like ing on late-night and shows inducing gags, we were left wondering wondering left were we inducing gags, in acts, it’s a unique opportunity to get in the mainstream’s face and face a unique opportunity in the mainstream’s get to in acts, it’s than half have gone to college. to gone than half have truly Three- bilingual and bicultural. the culture clash ensuing when Rob when ensuing clash the culture tural events, concerts sports. and events, tural the “upscale” Hispanic: a segment of as Nielsen defnes the population that works for them and what doesn’t. Last doesn’t. them and what for works ries “Rob”—which told the travails of the travails told “Rob”—which ries most infuential the segment since recording bilingual songs with English titles, including including titles, with English bilingual songs recording switch to Spanish-language TV cul- for Spanish-language to switch year, CBS canceled the comedy se- the comedy CBS canceled year, ence at a far broader level than before. level broader a far at ence ers, making up 29% ofers, all Hispanics. guages, even if they’re slightly more more slightly if they’re even guages, attention isn’t as simple as simple isn’t attention thinkas you Watch prime-time TV virtually any night of the week and you’ll fnd prime-time TV virtually night of and you’ll the week any Watch years two there weren’t and personalities that Hispanic characters and “American on “The in Spanish Voice” ago: contestants acts perform- Latin and more judging contests such stars Latin Idol,” and $100,000 per year” and calls “the per and calls year” and $100,000 English-dominant. can —aftercan just one season. connect with an English-speaking audi-connect quarters of and them speak English They are younger than non-Hispanics younger They are

there’s a bilingual demo there’s Getting With On TV and the charts, on up for grabs. Getting for up its (33 vs. 39), have bigger families (85% families (33 bigger have 39), vs.

After watching fve minutes of cringe- minutes fve watching After The Program “households making between $50,000 “households $50,000 making between “I Love It.” For Lat- For “So and JenCarlos’ It.” “I Love What” Sie7e’s Hot,” “Feeling 1, 2: KEVIN MAZUR/GETTY IMAGES; 3: THEO WARGO/GETTY IMAGES; 4: LARRY BUSACCA/GETTY IMAGES; 5: TAYLOR HILL/GETTY IMAGES HILL/GETTY TAYLOR 5: IMAGES; BUSACCA/GETTY LARRY 4: IMAGES; WARGO/GETTY THEO 3: IMAGES; MAZUR/GETTY KEVIN 2: 1,

John John , . (right) was was (right) presented stopped stopped presented Bryan Adams Bryan Brandon honored at at honored —the artists—the teamed for . and John Sykes with the Artist Bill Clinton Peter Orlowsky Doug Morris Doug Sting , founder/chairman of the T.J. of the T.J. , founder/chairman Brandon Steiner Brandon accepted the Spirit of Music Award accepted the Spirit of Music Award Jennifer Ron Pearlman Ron Bill Clinton Bill Clinton (far left) with the Lifetime Music Industry left) with the Lifetime Music Industry (far Tony Martell Tony tell Foundation. endition of their 1994 hit “All for Love”—and for endition of their 1994 hit “All “When I started with several this foundation Former President President Former Jennifer Citi Jennifer senior VP of marketing Steiner Sports’ Sony Music CEO Sony Music CEO do all that I could to make sure other families families other I could sure that todo all make Breithaupt of my peersof my in the music and entertainment at the gala. at the T.J. Martell event— the T.J. and Gala Draws Stars, President Carrie Underwood Citi’s Breithaupt were Steiner Clear salute to by Channel’s a r cancer research. said Carrie Underwood Carrie Sykes business in honor of my son T.J., I wanted to son T.J., business in honor of my named Humanitarian of the Year, and mingled named Humanitarian of the Year, he left the White House,” Sykes said. “Just think said. “Just he left the White Sykes House,” 5 2 Clinton helping lower the cost for of cancer and Cipriani 42nd Street in New York on Oct. 22. in New York Cipriani 42nd Street Entertainment Channel Clear president 3 Mar Revlon’s Revlon’s Foundation’s 38th annual Honors Gala at at Gala Honors annual 38th Foundation’s 4 (second left), from Achievement Award. In turn, Sykes praised praised Sykes turn, In Achievement Award. after did that by 90% in 2003. “He drugs AIDS Achievement Award at the T.J. Martell the T.J. at Achievement Award would not have to suffer the way my family did,” did,” family my to have would not suffer the way with Getty Images’ what he canwhat accomplish when he gets back in.” Sykes and Clinton posedSykes with 1 The event raised $1.4 million for AIDS and AIDS $1.4 million for event raised The 5 BACKBEAT 4

WorldMags.netWorldMags.net 3 WorldMags.net 1 BILLBOARD | NOVEMBER 2, 2013 2, | NOVEMBER BILLBOARD 2 14 .com For photos For of the music business at work and go to play, Billboard.biz. submit To photos for consideration, send images to backbeat@ billboard.com. 2 WorldMags.net “This band’s about to blow through the stratosphere.” —Sean “Diddy” Combs 1

Surprise Sets And Guests OVER At the CMJ Music Marathon in Heard New York, Arcade Fire pulled off imposter gigs, while Diddy stunned 3 4 Trio redux? “You know when fans of indie band Deerhunter. things go so smooth, it’s just meant to be? That’s what Hillary Clinton was honored at it was like,” Kelly Clarkson tells Billboard. No, she Elton John’s AIDS Foundation wasn’t referring to Brandon Blackstock, whom she wed on dinner, and Pearl Jam invaded Oct. 20, but to recording “Silent Night” with new mother-in-law Reba McEntire Brooklyn’s Barclays Center and Trisha Yearwood. The a cappella track closes Clarkson’s Christmas album, Wrapped in Red, but it won’t be the last you’ll hear of the 1 Night bright: Jesse Ware (left) wowed the trio. The three singers will turn up on Clarkson’s crowd performing at the Grey Goose speakeasy NBC Christmas special in December, and quite in New York on Oct. 16, and later hung with possibly on a record of their own: “We’re planning Grey Goose’s Lyle Tick. a whole album, like the one Dolly Parton, Linda Ronstadt and Emmylou Harris did.” 2 Surprise! Well, not exactly. Arcade Fire played two sold-out CMJ shows in Brooklyn (Oct. Last dance: It’s 18-19) billed as the Reflektors. Frontman Win official—Roseland, the Butler told the crowd his band had “only ever New York nightspot played for a couple hundred people.” But he that once held didn’t fool anyone. Some 3,000 fans showed up 5 6 jitterbug marathons to hear songs from new album Reflektor. 7 and went on to host the Rolling Stones 3 Puff rock: Sean “Diddy” Combs (left) rubbed and Madonna, is shuttering its doors. Billboard shoulders with indie rock fans when he showed broke the news last week, but got confirmation up to announce Deerhunter’s Converse Rubber from the venue’s spokesman who released this Tracks CMJ gig in Brooklyn on Oct. 18. Combs statement: “The owners of 239 West 52nd filmed an interview with the band and frontman Street have operated the Roseland Ballroom Bradford Cox for his music startup Revolt TV. for over three decades. Managing Roseland has been a labor of love, which is why the owners 4 Loud and proud: The forces came out to toast have deferred major changes for all these years. Diane Birch’s new album, Speak a Little Louder, Though final plans for the property will not be and hear her sing at New York’s City Winery on made until next year, redevelopment of the Oct. 19. Birch chatted with (from left) S-Curve’s property is the likely outcome. Roseland will Milo Pacheco and Rik Reinholdtsen and cease operations at the end of April 2014.” Jeremiah Silva of VH1’s “Big Morning Buzz 7 8 Live.”

5 The best in Christian music graced the 44th US! #BACKBEAT annual Dove Awards in Nashville on Oct. 15. From left are Warner Music Nashville president/ CEO John Esposito, King & Country’s Luke Smallbone, 2011 Dove artist of the year Francesca Battistelli, King & Country’s Joel Smallbone and Word Records president/CEO Rod Riley.

6 Austin Mahone (center) hung out with Aquafina’s Rebecca Granne (left) and PepsiCo’s Bozoma Saint John at the FlavorSplash launch at Sony Pictures Studios in Culver City, Calif., on Oct. 15.

7 Elton John (right) honored Hillary Clinton, who spoke of an “AIDS-free generation,” at the Elton John AIDS Foundation’s 12th annual An Enduring Vision benefit at New York’s Cipriani .biz Wall Street on Oct. 15. “We’re a week away from our 20th anniversary,” John said of his foundation. 9

8 Billy Joel talked with Clear Channel’s Tom Poleman and John Sykes (from left) at the The Kentucky HeadHunters blasted ears at the International Elton John AIDS Foundation gala. Entertainment Buyers Assn. in Nashville on Oct. 23. From left: HeadHunters Greg Martin and Richard Young, Billboard’s Ray 9 Backstage pass: Billboard Group president Waddell, Bobby Roberts Co.’s Lance Roberts, HeadHunter Fred John Amato, Pearl Jam’s and Young, BRC founder Bobby Roberts and HeadHunter Doug Phelps. Republic executive VP Charlie Walk (from left) at PJ’s Barclays Center show in Brooklyn on @billboardbiz Performing at the Bobby Roberts Co. showcase at Oct. 18. the International Entertainment Buyers Assn. in Nashville today were the Kentucky HeadHunters with @Billboard touring guru Ray Waddell #backbeat

To get your Instagram photos onto Billboard.biz, tag @Billboard and include #Backbeat in the caption, along with , what, when and where. One submission will be featured in the 1: ANDREW H. WALKER; 2: ERIC KAYNE; 3: JOHNNY NUNEZ/GETTY IMAGES; 4: ALISON SMITH/SHOREFIRE; 5: COURTESY OF ; 6: LESTER COHEN; 7, 8, 9: KEVIN MAZUR/GETTY IMAGES; CLARKSON: DIMITRIOS KAMBOURIS/GETTY IMAGES; ROSELAND BALLROOM: JAMES DEVANEY/ JAMES ROSELAND BALLROOM: IMAGES; DIMITRIOS KAMBOURIS/GETTY CLARKSON: IMAGES; MAZUR/GETTY 7, 8, 9: KEVIN COHEN; MUSIC GROUP; 6: LESTER OF WARNER 5: COURTESY 4: ALISON SMITH/SHOREFIRE; IMAGES; 3: JOHNNY NUNEZ/GETTY 2: ERIC KAYNE; 1: ANDREW H. WALKER; @BILLBOARDBIZ INSTAGRAM: GETTY IMAGES; WorldMags.net magazine every week. NOVEMBER 2, 2013 | WWW.BILLBOARD.BIZ 15 BACKBEAT PLACESWorldMags.net

Michael Dorf

T&E GO TIME TRAVEL ESSENTIALS TALK Report Grapes That Rock: @striking- matches A Club King Picks Aaaalright Napa Valley, Calif. Napa Valley. Live in the Vineyard, Nov. 2-4 Ya win. His Top Bottles #holybeee- aauuuutiful- batman

@lee- Few pair wine and music better than Michael Dorf, ’s Napa Valley is one of the mean, my colleagues,” Five for Fight- spur the region’s recent musical renais- ranaldo who opened City Winery in New York f ve years ago West Coast music industry’s top week- ing’s John Ondrasik jokes. Ward is a sance. “It’s the acoustic equivalent S’long Napa, as a venue for tastings and talent alike. The Knitting it’s been end spots, known for amazing vistas fan as well: “I love their truf e and of Carnegie Hall,” boasts Bottlerock fun... @ Factory founder and newly passionate winemaker and even more amazing wines. But brown-butter ravioli!” she gushes. Try co-founder Will Vogt, who co-owns the Rutherford, hit upon such a winning blend—attracting acts from that doesn’t mean it’s all play and no the truf e salad at Zu Zu (zuzunapa. venue with Francis Ford Coppolla and Ca the Zombies to —that he’s going national. He work: City Winery, which has popular com), in Napa’s Old Town area, a must others. But the essence of Napa is still @scooter- launched in Chicago last year, and Nashville is in the locations in New York and Chicago, found at the bottom of a bottle. City braun works. But Dorf seems most excited about opening Outdoor is opening a new venue in downtown Winery’s Michael Dorf recommends fireside the Napa Valley Opera House, a 130-year-old build- Napa next March (see story, right), and competitor-to-be Mountain Winery chat with ing and the oldest music institution in the area. “To two new music festivals hit the region (mountainwinery.com) in Saratoga, friends while carry on that legacy in wine country is what we’re all stars fill the this year. The biannual Live in the where Bonnie Raitt recently played. northern Cali about,” he says. To toast the occasion, Dorf recom- Vineyard, an invite-only event in which Continuum (continuumestate.com) sky. #Napa mended the best Napa wines, from holiday gifts to attendees must win an online sweep- in St. Helena is singer/songwriter/ #Blessed power-lunch libations. —Nick Williams #Thankful stakes, hosts its second swing Nov. 2-4, producer Butch Walker’s favorite. “It’s with performances by James Blunt, owned by a friend, Carlo Mondavi, on @mward- BEST WINE FOR A POWER LUNCH tweeting Jason Derulo, Jonas Brothers and Five the back side of St. Helena at the top of feels good “Barnett Vineyards’ Rattlesnake Hill is as big, for Fighting. “They’re all artists: wine this mountain,” he says. “Carlo’s father, to be back powerful and bold a cabernet sauvignon you can f nd in california makers, chefs, ,” Live in the Tim, must have sold his soul to the dev- here—it’s got the metaphorical bite of the rattle- U - napa U Z Vineyard co-founder Claire Parr says. il to get the land.” Ondrasik frequents tonight - city snake. It shows you’re not fooling around.” Y OF Z

“When we put them in the same place, Cliff Lede Vineyards in Yountville of angels TES

tomorrow OUR we see that connection.” And in May, (clif edevineyards.com) because “they BEST WINE TO CELEBRATE A DEAL U: C the f rst Bottlerock Festival saw Kings do a great wine class for newbies like @VW- “I would go to Flowers Vineyard’s pinot noir. That’s U Z of Leon, and 40 acts Official on the Sonoma coast. It’s ref ned, distinguished and TRE; Z Still full WN THEA rock the Napa Valley Expo fairgrounds. after a 16 has a sophistication, which to me connects to closure. O course meal It says, ‘We’ve made it.’” @French- Y OF UPT The four-star Westin Ve- TES

Laundry OUR rasa Napa (westinnapa. for Spanish tapas, Live co-owner Bobbii Insanely BEST BUBBLY FOR BOTTLE-POPPING STAY TRE: C com) plays host to most Hach-Jacobs says. But Christensen rec- delicious! “Schramsberg’s bubbles are the best in Napa, with a

#food- WN THEA

guests at Live in the ommends Thomas Keller’s Yountville delicious aroma and bouquet that are very similar to O orgasms

Vineyard. Renowned chef Ken Frank BBQ spot Ad Hoc (adhocrestaurant. #napa French-quality Champagne. The winery is [owned GES; UPT

has a restaurant, La Toque (latoque. com): “It’s family-style—whatever is by] a family that’s been here for generations. ” TY IMA com), there, but Peter Gray, senior farm fresh at the time, and it doesn’t GET VP of promotion at Warner Bros. and break the bank.” Adrian Moreira, BEST WINE FOR CHECKING OUT A LIVE SHOW frequent Napa visitor, heads straight to senior VP of promotion at RCA, prefers “Go with Randall Grahm, who owns Bonny Doon ANUDOSEN/ the bar: “Bobby at the Westin’s Bank Mustard’s Grill (mustardsgrill.com), Vineyards. He’s revered by many as the consum- Cafe and Wine Bar might be the named for the mustard f owers that mate artist, and the variety of Rhone-style f avors he ARD: IMEH AKP best bartender I’ve ever had.” Singer blanket the valley every spring. “It’s plays with perfectly complement live music. I love GES; W ZZ Ward, who performed at Live in TY IMA

like the world’s fanciest truck stop, with drinking it at a concert—it’s a great pairing between GET 2011, chooses the cosmopolitan Andaz haute cuisine takes on American com- the musicality onstage and the musicality in the WIARZ/ A downtown (napa.andaz.hyatt.com) fort foods,” he says. “Don’t leave with- me.” Roadrunner/Fueled by Ramen bottle. It’s spicy and ref ective of the soil, yet very T because it’s “right in the middle of it out trying their onion rings.” Stacey GM Mike Easterlin raves about the pi- easy to drink.” TRID S all,” while KORB Santa Rosa, Calif., PD K, PD of KHTH (Hot 101.7) in nearby not noir at Robert Sinskey (robertsin- TIN: AS ; MAR Tim Hopkins balls out at the Silverado Sonoma, gets her seafood f x skey.com). “They’re known for it. I take BEST WINE Y

(silveradoresort.com), “a big, expansive at the Hog Island Oyster radio people there, grab TO SEND AS AK WINER resort, with a spa—very f ush.” Q Prime Bar (hogislandoysters.com). a bottle and look out at A GIFT TO A VER O

manager Warren Christensen likes to “They grow their own the valley. It’s amazing.” COLLEAGUE Y OF SIL TES

get away from it all at the Villagio (vil- oysters, and they’re super Sam Martin of past Live “Silver Oak cab- OUR lagio.com) in Yountville, a luxury inn fresh!” performer Young- ernet sauvignon

and spa further up the Valley. “You feel blood Hawke is a consistently GES; WINE: C

more out of the big city,” he says. “It’s The burns of the great classic TY IMA vineyard country, a bit more relaxing.” recent buzz with Napa California GET PLAY ANK/ Y B renova- Valley Bike Clockwise cab aged in : BOBB Napa’s hilly farmland tion of Tours (napa- from above American oak. makes for world-famous the historic Uptown valleybiketours. left: Spanish It will remind EAT tapas from GES; DORF locavore cuisine. High- Theatre (uptown- com): “You ride your business Zu Zu, the TY IMA

end Italian Bottega (bot- theatrenapa.com), a from vineyard Uptown partners that GET Theatre, teganapavalley.com) in Yountville is an 1937 Art Deco the- to vineyard—it’s you are a loyal, : PGIAM/ Sam Martin Y insider destination. “[It’s] where you’ll ater in the heart of incredible.” and ZZ solid, consistent ALLE A V f nd your favorite music biz snobs—I downtown, is helping WorldMags.net—Nick Williams Ward. partner.” 0 NAP 16 BILLBOARD | NOVEMBER 2, 2013 WorldMags.netBACKBEAT plAy

Wheels: My first car, which Biz bashes: I go to all the was a ’58 Chevy Impala, BMI and ASCAP awards kind of gold-ish. It was a sex ceremonies—those aren’t machine. beauty contests, they’re based on having hits. I go to the Bite: You can never go Grammys. wrong with an Italian meal at [Manhattan restaurant] Bucket list event: I’ve yet to Patsy’s. go to South by Southwest.

Spirits: I love a good red Deal of a lifetime: Clearly wine—I have a fairly decent it would have to be [Sony/ collection of French Bordeaux ATV’s acquisition of] the and California cabernet—or a EMI catalog. It’s the world’s terrific MacKillop scotch. greatest catalog of music and artists, and something I Right time: I’m big on the would like to think I helped nighttime—I don’t go to sleep create, having been the CEO till 2 o’clock in the morning. of EMI Music Publishing for [Sings] “I like the nightlife, I 15, 16 years. It was particularly like to boogie.” satisfying to become reunited with the people, the artists and the songs there. I’ve been in Destination: I spend a lot publishing for a long time, and A few of his of time in Southhampton, [this] is the top of the ladder. and some in Palm Beach in favorite things Florida—I have houses there. (from top): New I’m big on oceans. But most Mantra: The Winston York’s Beacon of my time is in New York. You Churchill saying, “Never Theatre, alma can’t be hands-on if you’re give up.” If I told you that I mater Syracuse 2,000 miles away in Florida or worked on trying to acquire G, University, a 100 away in the Hamptons. the Motown catalog for 10 1958 Chevrolet years it would probably be an Bel Air Impala underestimate—God knows Sport Coupe, Screen gem: “Godfather I” how long that took. Then one “The Godfather” and “II.” My dad was Italian, day [Motown founder] Berry and Carole and sadly he died before those [Gordy] called and said, “I’m King’s Tapestry. movies were made. I always ready,” and we made a deal. felt that he would have loved them. While I didn’t know a lot about his childhood, I felt Top toasts: I’ll go to the background parts of the [Manhattan restaurant] 21 --111N7Frimg stories were very much like Club. I’ve celebrated there his family. Aside from that, we since I was a little kid. All of also own the theme. the times I’ve gone there it’s provenance: I had a great been to celebrate a birthday, 1111116, childhood in New York. I came an engagement—or the from a loving family. Most Binge watch: I think I’ve closing of a deal. M y of all, I loved the holidays seen every “Seinfeld” that you because we celebrated both possibly can. Hanukkah and Christmas—I Grammy moment: got the best of both worlds. [Recording Academy personal soundtrack: president/CEO] Neil Portnow Hit list Tapestry by Carole King was at rehearsal at the Staples School days: I went to is right up at the top with Center a couple of years ago, Syracuse and was there Rumours by Fleetwood and they were showing the In when we won the national Mac, Marvin Gaye’s What’s Memoriam [segment]. He just Martin Bandier championship in football and Going On or 21 by Adele. I’m happened to be sitting there, went to the Sugar Bowl. It in San Francisco right now Chairman/CEO and up flashed my picture. was overwhelming to me: I because tonight is the opening He said, “Wait a minute, I just Sony/ATV Music Publishing never thought I’d make it out of “Beautiful,” the Carole had dinner with that guy last of Jackson Heights, Queens, King show. I’d seen lots of night!” Thank God he noticed and here I was somewhere in rehearsals while the show was that, otherwise it would the Deep South. I endowed the in New York. have appeared on television. Bandier Program for the music Although lots of people would school. It’s funny—if I applied Venue: The Beacon. It’s have said, “Thank God that We all know Martin Bandier: one of the most aggres- to that school now I probably intimate and at the same time bastard died.” wouldn’t get in. 0 sive dealmakers in the music business, the chairman/ has a nice crowd. I’ve seen a lot of shows there—the last CEO of Sony/ATV, the man who led its $2.2 billion Uniform: A blazer, a blue one was John Mayer. acquisition of EMI Publishing in 2012 and now man- shirt with a white collar and, ages a massive catalog that includes Motown, Michael if it’s the summer, tan pants. Mentors: My parents; my first In the winter, gray pants. My Jackson and the Beatles. But what about the man partner, Charles Koppelman; shirts come from Cego, one and my ex-father-in-law ture behind the power moves? Here, he shares his defning of the great shirt makers. It’s [former partner in LeFrak moments, personal signatures and guilty pleasures, tough to fit this body with a Entertainment Co.] Sam : c ar ul walk-off-the-rack shirt. from vintage Chevy Impalas to custom Cego shirts to LeFrak. vrolet that time the Grammys almost left him for dead. — Accessory: There’s always News source: CNN. I also ; 1958 che Andrew Hampp a cigar in my pocket. You scan the Wall Street Journal, can’t smoke it anywhere now, New York Times and the ainMent t though—it’s more for show sports of the Post. I’m not one than anything else. for reading Page 6—or trying to be a part of it. y of M sG enter Sport: Golf is probably Date playlist: I remember tes the biggest, most time- our App: I’m still old-fashioned and consuming and aggravating use iTunes. Streaming services tre: c times in my life with The Best hobby I have. Sporting events aren’t suited to me. I still feel are also a major part of my on thea

c like I want to own something, life. I have incredible seats at of Bread ; b ea even if it’s just a download in —that was always a tv Knicks games, a spectacular a / the cloud. box at Arthur Ashe stadium for the U.S. Open. Those are y of sony closer when I was on a date.

tes all more enjoyable than golf— our except when the Yankees lose. andier: c b WorldMags.net NOVEMBER 2, 2013 | WWW.BILLBOARD.BIZ 17 billboard 11011171(1)0(1 WorldMags.netFILM &TV

CONFERENCEMUSIC

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n early October, executives from were attending a flm pre- Following its No. 1-debuting miere and discussing the promotion of a soundtrack. As much as they were proud of the flm receiving its Los Angeles debut that night—Greg Cama- soundtrack to “The Hunger Games,” lier’s documentary “Muscle Shoals”—and its Republic-released soundtrack Republic Records tweaked its (and its one new track: Alicia Keys’ cover of Bob Dylan’s “Pressing On”), the next flm project promised to be much larger in scope, “The Hunger Games: formula to blanket radio and go Catching Fire.” Nineteen months ago, “The Hunger Games” became the frst flm fran- global with sequel “Catching Fire” chise to launch in March, and the frst for its distributor Lionsgate. The movie topped the box ofce for four straight weeks, grossing $408 million in the By PHil Gallo United States and another $283.2 million in the rest of the world, according to fgures compiled by Box Ofce Mojo. The soundtrack—The Hunger Games: Songs From Dis- trict 12 and Beyond, overseen by T Bone Burnett and led by a Taylor Swift single fea- “The Hunger Games” star turing the Civil Wars, “Safe & Sound”—was a No. 1 debut on the Billboard 200, and Jennifer

has sold 480,000 copies, according to Nielson SoundScan. “Safe & Sound” won a Lawrence AND OF MONSTeRS The COBRASNAKe: AGUILeRA: CLOSe/LIONSGATe; “The MURRAY hUNGeR GAMeS”: De WILDe: GOULDING: SIMON eMMeTTMeN: AUTUMN

WorldMags.net 18 BILLBOARD | NOVEMBER 2, 2013 WorldMags.netHollywood’s ;Z% sta'r,_.4f Go-To Label war. vort, How Republic reignited the ivom. soundtrack market

On one of his first business trips to Los Angeles as executive VP for Republic Records early this year, Charlie Walk paid visits to film and TV studios, riding on the success of “The Hunger Games,” “Les Misérables” and tracks from NBC’s “The Voice.” “It’s our intention to be known in Hollywood as the go-to music company,” Walk said at the time. Republic continues to actively integrate Hollywood projects at a pace that exceeds all other major labels. As it prepares for the release of soundtracks to “The Hun- ger Games: Catching Fire” and “The Secret Life of Wal- ter Mitty,” this year Republic has sold 51,000 copies of a second edition of music from the film “Pitch Perfect,” according to Nielsen SoundScan (the first volume has moved 926,000), and pushed a new version of Anna Kendricks’ sALEs Of “Cups (Pitch Perfect’s When I’m THE HungEr gamEs: Gone)” to No. 1 on Billboard’s songs from disTricT Adult Top 40 chart with sales of 12 and bEyond 1.6 million downloads. In addition, Republic released a soundtrack to AMC’s hit series “The Walking Dead” in March 480K (31,000 sold) and followed it 111111111111111111111111111 with a soundtrack album that was packaged with the show’s third-season DVD as a Walmart exclusive. (It’ll repeat the CD/DVD concept in 2014.) The soundtrack to “The Mortal Instruments: City of Bones” (which made a paltry $31 million in the United States, according to Box Ofice Mojo) has been the company’s only underperformer, selling 20,000 units. Republic’s fourth-quarter schedule also includes the soundtrack to “Muscle Shoals,” and the label has already Catching Fire notched the highest debut of any performer on NBC’s soundtrack “The Voice.” Third-season winner ’s artists Frame by Frame sold 43,000 copies to open at No. 9 on include Christina the Billboard 200 and No. 1 on Top Country Albums. Aguilera, Of “Whether it’s TV or film, you have to look at the fran- Monsters chise, take a really hard look at the fan base and a really and Men hard gauge of the passion level,” says Republic executive and Ellie VP of A&R Tom Mackay, who has led the company’s Goulding (from top). charge into Hollywood. “There’s almost a countercul- ture for these TV projects, whether it’s ‘The Voice’ or “The frst soundtrack came out in March of 2012. This ‘Walking Dead’—a real fervent, intense passion level.” will come out November of ’13,” Republic executive VP When Republic signed sALEs fROM thE Tom Mackay says. “Within that space of time our com- on in the summer of 2011 to sOuNDRAck tO “thE pany has really grown. And it’s picked up bands like Of release the “Hunger Games” WALkINg DEAD” Monsters and Men, the Weeknd, Lorde, Phantogram. series—which encompasses It’s exciting to have those kinds of bands associated with four films, and therefore four the soundtrack, but it’s also a testament to the develop- soundtracks—albums associ- ment of the label. I also think these artists were naturally ated with films and TV shows 31K passionate about participating.” were at their commercial nadir. 111111111111111111111111111 Only a handful of items in the “Hunger Games” se- With no soundtrack selling more quel soundtrack resemble the approach to the frst than 400,000 copies, Disney’s “Lemonade Mouth” led the TV titles at 421,000 units flm. Mackay and Lionsgate head of flm music Tracy and “The Twilight Series: Breaking Dawn—Part One” Grammy Award for best song written for visual media Mc Knight again placed a single individual in charge of was tops in film with sales of 618,000. in February. the music. But instead of Burnett—who also handled Last year saw some change. Republic’s two major Needless to say, the musical possibilities for all things production duties on Songs From District 12 and Beyond— soundtrack releases in 2012, Songs From District 12 “Hunger Games” have increased in the time since. The they turned to music supervisor Alexandra Patsavas, and Beyond and Les Misérables—both hit No. 1 on the conversation in Los Angeles that early October evening who had overseen the “Twilight” series for Summit, the Billboard 200. The former has sold 480,000 units (the was about the soundtrack’s frst three singles being re- flm company that merged with Lionsgate in 2012. As “Safe & Sound” track moving 1.6 million downloads) and leased simultaneously on iTunes and promoted at radio with Songs From District 12 and Beyond, artists who were the latter 331,000. more than six weeks ahead of the flm. There was also fans of ’ trilogy of books were asked to “There was definitely a moment when we were the possibility of soundtrack artists making the rounds write songs based on events in “Catching Fire” for an al- doing the [first] ‘Hunger Games’ where we asked, ‘How do we even feel about soundtracks in general?’” on TV talk shows. And last, but by no means least, were bum of music very literally inspired by the series’ second Mackay says. “Whether it’s soundtracks or movie the opportunities for Republic’s own roster—with recent book. The songs don’t appear in the body of the flm, but trailers, music is being used in more and more exciting successes Lorde and the Weeknd both appearing on The fans will recognize the narrative just the same. ways all the time. They’re cool ways to break our bands Hunger Games: Catching Fire, and a track from recent “Honestly, the goal was to tell the stories through the and at the same time make our partners, in the ‘Hunger signing Phantogram, “Lights,” already being used in music,” Patsavas says, “and make a soundtrack that is Games’ case Lionsgate, pleased with what we can connection with presales at the Fandango website. refective of the stories in the flm and the books.” musically build for them.” —PG

WorldMags.net NOVEMBER 2, 2013 | WWW.BILLBOARD.BIZ 19 billboard //0/C0 foyd WorldMags.netinto a haunting dirge. It’s the only cover to appear on ei- ther “Hunger Games” soundtrack, but Mackay and the FILM &TV team felt it ft in with the flm’s story. “There was not time for her to write a demo, submit it MUSIC and come back after changes [are requested],” Mackay CONFERENCE says, crediting Lava president Jason Flom and Lorde’s manager Scott Maclachlan with the idea and the execu- INICSNTRI WV = ,,.S,DITERTAINMENT CAKIIITutotm tion. “Like a lot of songs on this album, it’s an artistic leap. When we heard it, we were amazed how she re- shaped it—it’s hard not to think about President Snow A list of 20-25 artists was created and outreach began. and the Capitol in the flm and in the book.” They were asked to submit demos that the music teams Mackay, McKnight and Patsavas credit the variety of tweaked to ensure the lyrics stuck to the action of the artists on the soundtrack to the concerted efort by the “Catching Fire” book. Once director Francis Lawrence team to utilize each other’s strengths and connections. (“I Am Legend,” “Like Water for Elephants”) felt the For example, Cynthia Sexton, executive VP of brand- flm was far enough along, , Coldplay ing and licensing for Republic and Island Def Jam Mu- and Sia were shown the work in progress. The other doz- sic Group, brought in Coldplay, and Mackay connected en artists wrote songs based purely on the book. with Aguilera through Irving Azof for her to sing the “Everything was carefully considered and every art- Ryan Tedder composition “.” ist selected is meaningful to the fans of the books,” Pat- “It was a united vision,” McKnight says. “When we savas says. were reaching out to artists, we were all on the same Unlike the frst soundtrack, where Burnett was the page before they were approached. It’s wonderful when lone producer, artists were allowed to do the recordings you have a book that has reached people of all ages on their own. “On this one we wanted to get away from worldwide, and we feel like we’ve created an album the concept of one producer producing everything,” where there’s something for everyone.” Mackay says. “Without T Bone on the frst one we would said, ‘Do not send that track to anyone else—I’ll pay for In the hopes of broadening the flm’s international not have gotten those bands [Maroon 5, Taylor Swift, Ar- the track tomorrow,’” she recalls. “And he said, ‘You appeal, tracks by local artists are being appended to cade Fire]. Now it’s a franchise. don’t have to pay for the track, you dingaling, it’s yours.’” the soundtrack and end credits in European and South “We basically said, ‘Here are the rules: You’re going Sia wrote lyrics for the song in the hopes that Katy American territories. “Hombre a Tierra,” from Spanish to send in a demo and we may ping-pong it with you to Perry would record it, perhaps for Catching Fire. Once alternative band Lori Meyers, will be added in Spain, craft it, but once that demo is approved you are free to Perry passed, Sia did her own vocal and, in the hopes Central America and South America; “Again,” by Berlin- use whoever you want and do whatever you want. Send of getting Republic’s attention, her manager called the based electronic dance act ABBY, will play in Germany it back to us and we’ll work with you on the mix.’ I think Weeknd to contribute a verse. She had to rewrite the and Austria; and “13” by São Paulo rock group CPM22, a lot of the bands were excited about the autonomy we lyrics to make the song ft the movie, but Republic got a will be heard in Brazil. gave them on the production side.” CULDPLAY track from a songwriter whose work has sold more than “It’s something we didn’t do on the frst one,” Mc- Of Monsters and Men’s “Silhouettes” was recorded 12 million units in the last two years, and Sia got a teaser Knight says. “We did a lot of brainstorming with Repub- in a single 22-hour session at Blackbird Studio in Nash- for her frst album in four years, which RCA will release lic and they reached out to those artists to facilitate that.” ville during the Icelandic band’s spring and summer U.S. early next year. “It’s fantastic to attach to a franchise The hope is that those acts—in addition to some of tour. The group left the studio where Jacquire King pro- such as this,” she says, “because it really does take a lot those on the U.S. soundtrack—will be able to promote duced the track at 9 a.m. and took a three-hour bus ride of the load of [of promotion].” the album in local territories on TV and radio, as well as to a festival where it performed an acoustic set at noon. “,” one of three singles from the perform at various worldwide premieres. It’s a unique Ragnar Porhallsson came up with the initial idea for the soundtrack ofered as instant downloads for iTunes global strategy that is still being worked out. song; Nanna Bryndís Hilmarsdóttir co-wrote the lyrics. preorders, has reached No. 29 on Billboard’s Pop Digi- “This is a project that’s a little odd in terms of getting “The concept works for us,” Porhallsson says. “We tal Songs chart and sold 29,000 copies. (Technological the music,” Mackay says. “[Artists] have to know the get some of the same vibe from our album and the frst limitations at iTunes prevented more than one prere- story, they have to read the book, so it brings people to movie. It’s weird to read a book and write a song—we’ve lease track at the time of the frst movie.) The songs were the table who are invested in the story and invested in the never done anything like this.” also shipped to radio months ahead of the flm’s Nov. 22 franchise. A byproduct of that is they want to be active The Lumineers’ Wesley Schultz had his curiosity opening. Coldplay’s “Atlas” was sent to triple A radio on when things start to kick of around the premiere.” O piqued when he saw a pin that Patti Smith Sept. 9, Aguilera’s “We Remain” went for adds on Oct. was wearing at Clive Davis’ pre-Grammys party. (Smith 14, and “Elastic Heart” went out Oct. 21. also turns up on Catching Fire.) He started reading the “We always had the concept of putting out multiple “The Hunger Games” books, and chose to focus on the character Gale Haw- singles by diferent artists in diferent genres that would thorne, the childhood friend of protagonist Katniss Music not necessarily step on one another at radio,” Mackay TiTle: The Hunger Games: Everdeen (played by ) and a romantic supervisor says. “Coldplay is at alternative, Christina Aguilera has Alexandra Catching Fire (Original rival to Peeta Mellark. Patsavas a beautiful [adult top 40] record, and Sia is a rhythmic Motion Picture Soundtrack) “I was interested in his perspective, “ Schultz says of says the goal record for top 40. It worked out nicely.” “Atlas” is No. 6 the Lumineers’ contribution, “Gale Song.” “He is a man was to “tell on Rock Digital Songs, and “We Remain” is No. 22 on the story label: Republic Records in the shadows, left waiting in the wings as Katniss takes through Pop Digital Songs. They’ve sold 120,000 and 30,000 the stage with Peeta.” the music,” copies, respectively. Release daTe: Nov. 19 One of the frst singles from Catching Fire, “Elastic including The soundtrack album—12 tracks for the standard, the first Heart,” had a diferent beginning outside of the “Hun- 15 in the deluxe package—ofers considerable vari- sinGles: “Atlas” by Coldplay, “We Remain” by three singles Christina Aguilera, “Elastic Heart” by Sia featuring ger Games” world. It started as a track sent to (above). ety. Smith, the National and the Lumineers contribute two people, Sia and Dr. Luke. Sia’s reaction was instan- acoustic-guitar-driven, folk-based tracks. Santigold the Weeknd and Diplo taneous: “For the frst time ever, I called someone and mixes electronics and rock on “Shooting Arrows at the OTHeR aRTisTs: Of Monsters and Men, the Sky.” “Atlas,” which plays over the end credits (and has National, , Lorde, the Lumineers, its melody adapted in part to the James Newton How- Ellie Goulding, Patti Smith, Santigold, Mikky Ekko, ard-penned score), has the calming steadiness for which Phantogram, Antony & the Johnsons the band is known. Fire and water imagery is rampant in “It’s weird to read a book and the songs, as are themes of resiliency. sOundTRack success: The first film’s “Having a diferent musical experience [from the frst soundtrack, The Hunger Games: Songs From write a song—we’ve never done flm] gives it a nice combination of diferent favors,” Li- District 12 and Beyond, has sold 480,000 copies onsgate’s McKnight says. “This time out there are difer- (according to Nielsen SoundScan) and peaked at anything like this.” ent sensibilities from each artist and it’s a nice refection No. 1 on the Billboard 200. Taylor Swift, the Civil of what this story is about.” Wars and T Bone Burnett’s “Safe & Sound” won —Ragnar Porhallsson, Lorde, who was wrapping her album at the time a Grammy Award for best song written for visual tracks were being solicited for the soundtrack, reworked media at the 2013 ceremony.

Of Monsters and Men Tears for Fears’ “Everybody Wants to Rule the World” Sia: PrettyPuke

WorldMags.net 20 BILLBOARD | NOVEMBER 2, 2013 WorldMags.netsays. “I was too fearful, scared that I would be judged or somehow unlovable if people saw who I truly was. After 14 years of songwriting, I feel less vulnerable about telling the truth about what’s really mine.” THE That truth has changed through time. Three years ago, when she pulled back from her own career, she needed to regroup. “All I wanted to do was write for pop stars. For one reason or another it never hap- pened for me. Then I got seriously addicted to Vicodin and Oxyco- done, and I was always a drinker but I didn’t know I was an alcoholic. I was really unhappy being an artist and I was getting sicker and sicker.” INVISIBLE Things improved after a misdiagnosis was corrected and Sia was treated for hyperthyroid disease. Her medication was switched and she rested. The pills and booze stopped, and she began doing exactly what she’d always wanted. The f rst project that Crush’s Daniel brought was 10 tracks from POP STAR Guetta. She chose “Titanium,” writing the lyric in 40 minutes. Re- leased in December 2011, it climbed to No. 7 on the Billboard Hot 100 Her home of three years in the hilly Echo Park sec- and has sold 3.6 million copies, according to Nielsen SoundScan. For Sia thought she would tion of Los Angeles is also her workspace, with a small a follow-up, she wrote “Wild Ones” for Flo Rida in 15 minutes, she retire and become a of ce for writing and an adjoining closet as a vocal says. It peaked at No. 5 on the Hot 100 and has sold 3.8 million. booth. Here Sia has been working on her own album, In both cases, Sia recorded vocal demos that wound up being used songwriter. Turned out with a hoped spring 2014 release. RCA CEO Peter on the singles . What Daniel had pitched as a good way for her to get Edge—a Sia fan for more than 10 years—says he need- into pop songwriting, she says, was backf ring and keeping her name her pop craft made her ed nothing more than “blind faith” to sign her. The alive as a recording artist. RCA team met with her in Los Angeles at the end of “They asked me to record [“Wild Ones”] over and over for almost a bigger star than ever last year at her house, with the dogs running around, six months. Eventually I said, ‘OK, but don’t put my name on it.’ I was to hear her music. angry because we had already had this discussion. Jonathan said to BY PHIL GALLO “Soon as we were in the house I knew we weren’t me, ‘I don’t think I really believed you that you didn’t want to be cred- dealing with a regular artist. Working with Jonathan ited or get the recognition you deserve.’” Daniel [of Crush Management] we crafted a deal Obviously there weren’t any surprises when her tracks were sent hree years ago, Sia Furler tried to pull of uniquely for her,” he says. in for consideration for the f lms “The Great Gatsby” and “The Hun- a disappearing act that hasn’t worked Billboard heard seven songs , most co-written with ger Games: Catching Fire.” Once she knew she would be the artist out so well. Burned out from a solo ca- producer Greg Kurstin (P!nk, Kelly Clarkson). Tracks recording “Elastic Heart” for the latter’s soundtrack, Sia says she felt reer that began in 1997, Sia wanted to like “Fire Meet Gasoline” showcase the Sia who has there was a shift in the direction her RCA album could take. She’s not stop recording under her own name and lately been f lling the song pipeline for Rihanna and planning to target the pop charts—she’s created an animation project, simply write for others. The hits came Beyoncé . Others, like “Cellophane” and “Eye of the Greta Gorgeous, and her band Surprise Party with that in mind. Her quickly, some featuring her vocals, and Needle,” demonstrate her willingness to marry pop goal is something more stylistically and lyrically fearless. her fame grew instead of shrank. melodicism with emotional turmoil. “I don’t care about commercial success,” she says. “I get to do what During that time, she’s refused all “I hear real lyrical depth in the stuf I love and communicate whatever I want.” 0 interview requests, not wanting to be choosing to do herself,” Edge says. drawn into the celebrity culture that’s “She has an unusual ability to express hungry for details about the pop stars herself musically, rhythmically and in for whom she writes. But when she does her breathing. I have heard plenty of agree to an interview with Billboard singers say they like [a Sia-written] song, about her songwriting, she doesn’t shy but they can’t sing it the way she does. My Anti-Fame away from talking about herself or her On the album, she’s able to do songs that desire to step away from fame: Within four others couldn’t sing the way she does.” Manifesto minutes of sitting down, she explains Sia explains she writes her own material her addiction to painkillers, alcohol- with Kurstin or other collaborators. “I’ll BY SIA FURLER ism, medical misdiagnosis and the sing where I want the note to go and clauses in her contract with RCA they’ll go around several chords un- If anyone besides famous people knew what it was like to be for her next album that stipulate til I say, ‘That one.’ St a famous person, they would never want to be famous. Imagine the stereotypical highly opinionated, completely uninformed mother- she doesn’t have to tour or do “The pop stuf I write to track. Peo- in-law character and apply it to every teenager with a computer in the press to promote it. ple send me the tracks—I probably entire world. Then add in all bored people, as well as people whose Sia is amazed at how things get 10 a day—so I have to chose out job it is to report on celebrities. Then, picture that creature, that force, have worked out. “It shows the of thousands. I feel the reason I’m criticizing you for an hour straight once a day, every day, day after day. power of saying ‘no,’” she says. getting the singles is that I’m good That’s what it’s like, even the smallest bit of it. Of course, that’s if New management; co-writes for at picking the tracks, more than my you even allow yourself to stay in touch with the world using public Rihanna, Katy Perry and David Guetta; having special skills.” media. If I were famous, I wouldn’t. guest vocals with Guetta and Flo Rida; She does, however, have a series If I were famous, I might want to see what is happening on the and appearances on the Great Gatsby of guidelines for her pop songwriting: news channel, or on CNN.com. But I couldn’t. Because I would know and The Hunger Games: Catching “The songs that work best are that I might run into that mother-in-law there, sharp-tongued and ly- ing in wait for my self-esteem. And she’s not just making cracks about Fire soundtracks have only elevated broad lyrically and have one strong dying before I give her some grandkids, she’s asking me if I’m barren. Sia’s prof despite her protestation, concept in the metaphor. She’s asking me whether I’m “so unattractive under those clothes “I’m retired.” “You have to sing [the metaphor] a that her son/daughter doesn’t want to fuck me anymore,” or if I’m “so “I get to sit at home with the dogs lot of times in a lot of dif erent ways. dumb I don’t know what a dick is and how to use it.” on the sofa , record in a closet in the “People like victory, victim to vic- She questions everything there is to question. Even things I had of ce, send them of and, if I’m lucky, tory, and party time. never thought to question. Things I had never dreamed of feeling make a million dollars,” she says. “Songs that have a negative chorus insecure about prior to meeting her. She laughs, joyfully squirming on and sad songs without an uplifting cho- I’ve never been very famous, but I’ve worked with a lot of famous one of two couches in her living room rus are harder to place. people and I’ve seen a lot of their mothers-in-law. And I can tell from covered by multicolored quilts. A broad “I have to keep it a lot simpler,” she says, what I’ve seen that I don’t want one of my own. I’ve worked with a lot of artists who have mothers-in-law, and on occasion I’ve inherited their smile appears as she talks about how contrasting the pop work with songs she family. Even that is not something I’m interested in. I have a family I her income from copyrights has “made considers for herself. love. They tend to say, “Great job!” Or “You work really hard! Good for things easier,” paving the way for her Simplicity, though, doesn’t translate you!” Or “You look nice today!” Or “Don’t be ridiculous, order the fries!” to purchase more property and f nance into being less revealing. Ten years ago, Or “You are hilarious.” travel and parties for friends, not to men- the stories behind her lyrics were “all That’s all the family I need. tion do a good deed or two. mine but I wouldn’t admit to it then,” she So me and fame will never be married.

WorldMags.net NOVEMBER 2, 2013 | WWW.BILLBOARD.BIZ 21 WorldMags.net

Clockwise, from top left: “Mad Men,” “Sleepy Hollow,” “True Blood,” “The Newsroom,” “Girls,” “Nashville” and “Californication” (center)

WorldMags.net 22 WorldMags.netbillboard //0//yopif FILM &TV

CONFERENCEMUSIC M.O. In CREDITENTERTAINMENT ThE BillBoaRD RoUNDTaBlE With the right synch still able to launch a hit single and sell millions of tracks, Billboard convened seven experts to discuss the best ways of getting music on TV, the hottest genres for placements right now and the growing importance of Nashville—the city and the show By Phil Gallo

ring together a collection of individuals who work in synch Weaver’s key placements was Icona Pop’s “I Love It,” which went on to peak at licensing for flm and TV and no one wants to talk about the No. 7 on the Billboard Hot 100 and has sold 2.6 million downloads, according to bottom line, which has been shrinking rather than growing in Nielsen SoundScan. recent years. But everyone perks up when the conversation TV, with its hundreds of channels and thousands of shows, continues to have turns to shining a light on the undiscovered, simultaneously signifcant impact for labels, musicians and publishers when their songs appear on playing the role of A&R executive, promoter and manager. it. The feld has leveled a bit. Gone are massive paydays for single usage, as are the “Our jobs are crazy and hectic,” Atlantic Records executive days of networks demanding that a song be used for free. VP Kevin Weaver says, “but one of the things that makes me Billboard gathered top professionals from the TV music licensing space for a dis- love my job to this day is when you get a great placement for a baby act or a new cussion on their roles in creating opportunities for recording artists, the newfound single from an established act. You DVR the use and you put it on late at night importance of “Nashville”—the show and the city—and what it takes to make a and you feel like a kid on Christmas again. They still make me giddy.” One of great soundtrack.

The Panel

GaRy CalamaR NoRa FElDER BRiaN lamBERT FRaNkiE PiNE liza RiChaRDsoN kEViN WEaVER RUssEll ziECkER

President, Go Music President, Picture Music Executive VP/head of film CEO, Whirly Girl Music Music supervisor Executive VP, Atlantic Executive VP of TV music, As music supervisor, he has Music supervisor on and TV music, Universal Music supervisor for Film/TV music supervisor Records Lionsgate overseen “Six Feet Under,” “Californication,” she has Music Publishing Group “Nashville” and “The Richardson’s credits include He oversees the creation He oversees in-house “True Blood,” “Dexter” and produced six soundtracks He oversees all of UMPG’s Newsroom,” her series credits all five seasons of “Friday and placement of Atlantic- music supervision for such “House,” and is working on M. for the Showtime series. U.S. synch business and drives include “Brothers and Sisters,” Night Lights,” animated film affiliated music and Lionsgate-produced shows Night Shyamalan’s “Wayward Felder’s career began in music revenue through creative “Army Wives,” “Hung” and “Hotel Transylvania” and “The artists across all visual as “Mad Men,” “Nashville,” Pines” (Fox) and “Those Who production, and she’s currently placements of the company’s “Body of Proof.” Pine’s film Kids Are All Right.” Current media—including film, TV “Nurse Jackie,” “Orange Kill” (A&E), set to air in 2014. working on “Unforgettable” catalog in film, TV and work includes “Magic Mike,” shows include “Parenthood,” and videogames—and is Is the New Black” and and the upcoming “The Night advertising. Lambert signed “Nurse Betty,” the two sequels “ Five-0,” “Sleepy responsible for developing the upcoming “Houdini,” Shift.” and manages key film and to “The Santa Clause” and Hollow” and “The Following.” and overseeing soundtrack “Manhattan” and “Saint TV administration deals with “Ocean’s Eleven” and its two projects, strategic alliances, George.” Warner Bros. Entertainment, sequels. licensing opportunities and DreamWorks and HBO. marketing initiatives. “mad men”: Jaimie Trueblood/amC; “sleepy hollow”: brownie harris/FoX; “True blood”: John p. Johnson; “The newsroom”: melissa moseley/hbo; “girls”: JessiCa miglio/hbo; “nashville”: mark levine/abC; “CaliForniCaTion”: monTy brinTon/showTime; Calamar: lisa monTy brinTon/showTime; “CaliForniCaTion”: “nashville”: mark levine/abC; miglio/hbo; JessiCa “girls”: Johnson; “The moseley/hbo; newsroom”: melissa John p. “True blood”: harris/FoX; brownie hollow”: “sleepy Trueblood/amC; “mad men”: Jaimie margolis; Felder: CourTesy oF nora Felder; lamberT: CourTesy oF umg; pine: CourTesy oF Frankie pine; riChardson: CourTesy oF liza riChardson; weaver: kevork dJansezian/geTTy images; zieCker: CourTesy oF lionsgaTe CourTesy zieCker: images; dJansezian/geTTy kevork oF liza riChardson; weaver: oF Frankie pine; riChardson: CourTesy oF umg; pine: CourTesy CourTesy oF nora Felder; lamberT: margolis; Felder: CourTesy

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Seven to 10 years ago when “The O.C.” and “Grey’s Anatomy” were introducing music to listeners, everyone fell in love with the term “TV is the new radio.” Is there still truth to that, that it plays a role in terms of music discovery? Kevin Weaver: We still fnd that the right TV placements can be in- credibly meaningful. We had the Icona Pop “I Love It” placement on an episode of “Girls” earlier in the year and that kicked of the beginning of momentum. We got a ton of adds at radio, we spiked at sales, and that was the catalyst. Uses can kick-start momentum, but you’ve got to have digital and press and all the traditional stuf set or coming shortly thereafter. A synch placement cannot singlehandedly move the needle to the next place if there is nothing else going on. Gary Calamar: We used Imagine Dragons [“Radioactive”] in “True Icona Pop Blood” when it was already getting popularity, but our use helped it round third and head home. Brian Lambert: We have to strategize how to approach artists. Yes, “The right TV placements can kick-start there can be sales spikes and visibility, but it can’t always be the sales pitch to the artist. They’ve become shrewd in understanding it. Imag- momentum for a record. We had the Icona Pop ine Dragons is a great example. Dan Reynolds, the lead singer, praises us in interviews, saying synch played a big role in success for them, but ‘I Love It’ placement on an episode of ‘Girls,’ they were incredibly supportive and great with approvals. and that was the catalyst.” —Kevin Weaver, Atlantic As much as everyone would like to believe a show’s musical character is driven by the vision of the creator or producer and music supervisor, is it not a case of how much money you have to spend? Nora Felder: There are more smaller budgets than there are larger budgets, so it’s important to have a relationship with Brian and Kevin stage.” Then you get into a creative conversation: “What On the flip side, major artists who once balked because we can talk to their stafs and say, “We’ve only got X,” and kind of band? Where are they performing? What do they at TV uses are allowing their music into series: they’ll sit down with us to go over their newer songwriters and artists look like?” And then you put feelers out to see who’s in Led Zeppelin on “Californication,” the Rolling they’re trying to jump-start. I know I have been in situations where I town. Last season we had Lindi Ortega, Cadillac Three, Stones on “The Blacklist” and, of course, the get artists for a small fee and then the fee rises as they gain visibility. It . Beatles on “Mad Men.” If the big guys are in the works for both sides. Liza Richardson: On “Parenthood,” we have a lot of game, what is the impact? Lambert: It’s a diferent time out there now. Every angle of the busi- live performances in the Luncheonette, which is the Felder: Having done “Californication” for seven years ness, with the exception of digital rights, is generally tanking. Synch is recording studio the two brothers run. What I try to do now, we started with what I call the “no middle-class the only area that can maintain and grow. We don’t want to give things is, the summer beforehand, take the pitches from labels budget”—it’s either the Rolling Stones or my neighbor away, but the days of saying “this way or the highway” are over. and managers [who] want their acts to be on and tell the Cindy and her band. The labels would come pitching Russell Ziecker: The budget is always the backstop. Most everybody writers before they start writing. Oftentimes the con- me all their new bands that are in that middle area and makes creative decisions frst and then it’s a matter of balance in the cept comes from the very beginning of the season. I’d have to say, “Sorry, no. I’m either going to have one uses of songs and artists and how important each is to the show. Weaver: We do something similar. If we fnd that an really big song or indie music.” Now it’s a diferent story, Weaver: We’re happy to work with these guys where they have limited artist has an interest in performing on camera or they’re where they can ofer me all diferent areas of artists. budgets, because it gives us an opportunity to get placement for devel- into a specifc show, we’ll reach out to [a show produc- Calamar: Led Zeppelin [“In the Evening”] was used as oping artists when they need visibility. We really are a volume business. er] to let them know they’re interested in being on the an end-credit song, and it was a fuke. The editors put We want to work with everyone because the more volume we do afects show. I had and Kid Rock on “CSI” and both it in to try it on for size, and it was that temp love situa- our bottom line and we get the great marketing kick. of those were initiated by the bands. tion—all the producers could not think of anything else that would work. It was obviously very expensive and Could it be flipped and music be used like product placement? “Nashville” has more performances than any we worked out a deal. They found the money and we Lambert: I can’t imagine that happening. show except perhaps “Glee.” How diferent is it cut back on other shows. Weaver: We wouldn’t buy into an opportunity but we’ll play ball with from every other show on TV? our friends if something is super important in a relevant window. I don’t Pine: “Nashville” is its own beast. I spend two days a What clearances made you feel like you were think it will ever evolve into [pay for play]. week in the writers’ ofce listening to pitches for sto- helping an act early in his or her career? Calamar: From the show side, say [“True Blood” producer] Alan Ball, ries so that I know what’s coming story-wise when I’m Richardson: A bunch of cool, indie stuf on “Hemlock he would prefer to not go for that because it would take you out of the listening to music. [That relationship] also allows me to Grove,” which is on Netfix. And on “The Following” show. If the big press is about how you’re premiering a song or that pitch a song by saying, “I love this song. Is there any way [on Fox] we have had some cool uses of metal, which there’s going to be a big promotion around a band, he would shy away you can work this in?” I spend time on set so I’m in the you don’t see too much—Sepultura covering Massive from that. recording studio, I’m casting the backing band. There Attack and Danzig. are guitar lessons I set up, vocal lessons. You then have Pine: Last season on “Nashville” we were looking for a “The Voice” winner Danielle Bradbery recently shot a the postproduction aspect, making sure the lip-syn- song that our little girls [Lennon and Maisy Stella] could performance scene on the CW’s “Hart of Dixie” and ching looks great and selecting the background music. cover. It’s a hard get because they’re young girls and the National will be on “The Mindy Project” this month. And that all the songs are unreleased songs. their parents don’t want them singing about something Obviously, there are lots of performance scenes on Lambert: In “Nashville,” you’re creating artists— they shouldn’t be singing about. We kept looking and “Nashville.” How do these come together, and how do you you’re literally staging an unknown artist. Music tells looking and found a song we felt was great, [the Lum- determine whether they’re worth the efort? the story on “Glee,” but they’re not trying to turn these ineers’] “Ho Hey.” The label [Dualtone Records] called Frankie Pine: It’s usually written into the script, like “band plays on- cast members into stars on the show. me the next day to say they had bigger sales for the Lu-

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mineers because of that use. It’s our most downloaded song [158,000]. Felder: There was an artist from the [New] Jersey Shore, Pat Guidano, and we do a lot of Warren Zevon on the show. He covered “Don’t Let Us Get Sick.” The local ra- dio station played the song every day leading up to the airing. Everyone hung out at the local sports bar and when the song came on, they all went crazy. Having that kind of impact will never cease to move me. Mumford & Sons (top) and Led What’s hot musically right now? Zeppelin Calamar: Certainly, the Black Keys’ sound has been holding on. show like “Mad Men”? Lambert: That’s rampant. We’re doing a lot of busi- Ziecker: Each show is like a kid, and they all develop their own needs. I ness with our EDM roster right now. generally hire music supervisors, and Alex Patsavas has been with that Richardson: I don’t know if it’s a hot genre, but I’ve show since the beginning. I go to all the table reads and forensically ex- been using a lot of retro stuf, standards and blues on amine how music is being assimilated into the culture [at the time the “Sleepy Hollow.” show is set]. If there is anything onscreen [that’s music-related], I get Weaver: EDM is getting licensed a lot into trailers, but involved. In the aftermarket, I do character playlists and compilations. we’re still doing a lot of TV. That genre’s exploding. We also work with the Warner Nashville roster, and there There’s been an increase in soundtracks, and “Mad Men” has are more opportunities for country than ever before. a holiday set with Jessica Pare’s performance of “Zou Bisou Lambert: And Nashville is thrilled about it, too. Nash- Bisou” that came out Oct. 15 at Target. When is the right ville felt overlooked for so many years. “Hart of Dixie” time for a soundtrack? What qualities make for a good one? and a lot more shows are fnally starting to realize that Weaver: The shows that use music in an compelling way. We don’t al- it is a huge genre with the most loyal fans in the world. ways sell a ton of records so we try to do them very cost-efectively, so we can make money with our partners. The other upside is to position It feels like there’s a Hollywood version of acts into episodes and then onto the album. “Girls” was a big opportu- country, which is more in the Americana range. nity to get music on the show [and the soundtrack]. We did a new song It feels like this is a rare moment where sounds from fun., a new song from Grouplove, one from Santigold. you hear on the radio are making their way into Ziecker: Any exclusive content works. That was three new songs. The TV shows, which wasn’t true five years ago. exclusive content is critical in selling records. Lambert: Obviously there’s more of a strummy sound “Music tells the story Pine: Because we do so many songs per episode, some of them are in the Mumford & Sons zone—rhythmic, strummy pop available on iTunes [immediately after “Nashville” airs] and some are rock. You’re going to always have the Coldplay/Snow on ‘Glee.’ On ‘Nashville,’ reserved for the physical soundtrack album. Those masters that we’ve Patrol-type songs that work in any show’s montages. We created, ABC and Lionsgate own those, so it’s easy for us to put that never stop getting asked for those things. EDM, there you’re creating artists— stuf up on the ABC Music Lounge and iTunes. are moments for it, but it certainly does not ft every- Calamar: It’s defnitely going downhill for most, even with music thing and, of course, it’s the crossover [EDM] stuf. literally unknowns.” from cool, interesting artists. With everything streaming, you have to Felder: The Mumfords made the banjo hip, and ever have something that’s special and works on many diferent levels. since then all these things started lining up until ev- —Brian Lambert, UMPG Weaver: Gary and I did the frst couple of “True Blood” soundtracks eryone looked like they were in the Band. I’m glad an and sold several hundred thousand worldwide, and the second one we organic-ness in music has come back, which paves the did a quarter of that. On “Girls” we’ve done about 40,000 units in the way for country. I’ve got a midseason show, “The Night U.S., but we don’t spend a lot of money. We fgure out a way to make Shift,” that takes place in San Antonio, , and we’re a great record, spend some of the money from the show and make it defnitely talking to everybody about getting Nashville season of “The Newsroom”] and said to me, “Really get very inexpensively with expectations of not selling a lot. “Boardwalk to send the country stuf. The Black Keys, for lack of a inside Aaron Sorkin’s head.” We did some talking back Empire” only sold 13,000, but we made that record for $10,000, so at better term, is a throwback sound and all of these artists and forth and I was making playlists. We got to a point a thousand units we’re making money. A lot of these shows are good we’re taking about have a throwback base, so it brings where there were going to be a bunch of 20-somethings associations on the label side, credible shows to have our artists associ- the old school into the new school. out by a pool at a party. So I said, “They would be listen- ated with. Ziecker: We had [the Black Keys] on [“Nashville”], ing to something that appeals to 20-somethings,” and Lambert: It doesn’t have nearly the impact for publishing it does on had [Keys singer/guitarist] Dan [Auerbach] produce a he goes “Um, no.” If Aaron decides to do something, the label side, because with the label, you’re attaching yourself to a track for us on the show and put one of our characters he’s going to do it. But Steve Miller came out of the brand and you may attract other artists because of it. It’s not all about at Zac Brown’s festival, so we try to pay attention to the woodwork and wants to license for the show. being a moneymaking venture. On publishing, we’ll have pieces of “life imitates art” thing. That’s where there’s a real odd Felder: It’s always a challenge. The [executive produc- things, and one song on a platinum soundtrack makes a publisher cross-section. When Dan was on, he was with Vince Gill. ers] like what they listened to in high school, and they $91,000. But how many soundtracks sell a million? Things like “Glee,” Some reacted to Dan being on there and some reacted have to think about it from the outside—what’s going to where they have sold millions of downloads, are a diferent story be- to Vince, but I don’t think a lot of people recognized make your audience tick. It gets a little tricky for some cause it’s revitalizing old catalog. That’s done wonderful things for the both of them when they were in the same frame. people . . . Like Frankie said, you’ve got to get inside publishing business, but not so much for labels, beyond Sony. their head and fgure out how to enhance their vision, Weaver: I’m going to do “Girls 2,” but I’ll probably make a smaller If the producers of “Nashville” didn’t understand but also lead them to other areas. That’s the tricky part. amount of money. The upside is getting our artists involved with the the importance of the music, the show wouldn’t show and hopefully breaking another act. succeed. On other shows, though, what do you Russell, you handle several shows and, I believe, Calamar: One thing I have decided to do in the future is not call it “vol- have to do to get producers to understand? have to do far more than manage budgets and ume 2 or 3”—just give it a title. Pine: [Producer] Alan Poul brought me on [to the second bring in music supervisors. What’s your role on a Weaver: Good idea. 0

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THOROUGHLY MODERN CEL For her first English-language album in six years, Celine Dion has tapped current songwriters like Sia and Ne-Yo for a sound that reminds people—or at least her son—of Rihanna

BY ANDREw HAmpp

eline Dion packs two voice without surrounding it with so much albums right now as she maple syrup.” travels the country, and Dion hasn’t had a top 40 hit since soon Europe—Adele’s 21 2003’s “I Drove All Night,” and the and Rihanna’s Unapologetic. pop landscape has only gravitated She may soon add a third to toward even more beat-driven that collection, however. dance tracks and hip-hop in the “How do you spell ensuing decade. Besides, she’s ‘Avicii’—A-V—as in ‘envy’?” been spending most of her time Dion asks on the phone from her home in Las Vegas, performing her greatest hits at her Cjust learning of the Swedish EDM phenomenon for the now-groundbreaking residency at frst time. Her interest is piqued because Avicii’s True the Colosseum at Caesars Palace in Las features three songs by Audra Mae, a young singer/ songwriter from Oklahoma who’s also the grand-niece Team Celine of Judy Garland. Mae penned two standout tracks on Loved Me Back to Life, Dion’s frst English-language al- ALBUM: Loved Me Back

bum in six years—including the powerful “Breakaway,” , to Life which features arguably the grittiest, most authentically “rock” vocal we’ve ever heard or would expect from Dion. LABEL: Columbia Her last album may have been titled Taking Chances, RELEASE DATE: Nov. 5 but Dion takes even bigger stylistic leaps on Loved Me Back to Life, teaming with Sia for the stuttery, dubstep- MANAGEMENT: II Rene lite title track and lead single; Ne-Yo for the stadium- Angelil sized duet “Incredible”; Eg White for “Water and a Flame,” a snarly ballad originally recorded by Daniel PRODUCERS: Ne-Yo, Eg White, Babyface, Tricky Merriweather and Dion’s vocal hero Adele; and Mae Stewart, Play Production, Walter Afanasieff, for both “Breakaway” and the propulsive, minor-key Hasham “Sham” Hussain & Denarius “Motesart” “Somebody Loves Somebody.” Motes, Emanuel Kiriakou “I have always been jealous of people who, they go PUBLISHING: Sony/ATV out at night, they have a drink or two—or three or four— and the next morning they feel hoarse and sound bad,” BOOKING AGENT: Rob Prinz, United Talent Agency Dion says of meeting Mae. “But then they take their guitar and they sing, and you just cry because it’s so TOURING: Nov. 21–Dec. 5 (Antwerp, Belgium; raw. It’s so heartfelt. So painful in a good way. And I Paris), Dec. 30–March 19 (Colosseum at Caesars was just like, ‘I want to be broken apart a little bit too. Palace, Las Vegas) I don’t have that broken life, which is great, but can UPCOMING TV: “Today” and “Late Night With I borrow that from you? Please teach me.’ And she Jimmy Fallon” (Oct. 28), “The View” (Oct. 30) taught me. She was a big infuence for me.” Dion has had aspirations of trying her hand at act- PUBLICITY: Kim Jakwerth ing, so Loved Me Back to Life, out Nov. 5, is her trying out diferent characters, in many cases. “It’s been a ATTORNEY: Jamie Young, Ziffren, Brittenham, very fun project,” she says. “What I’ve done [in the Branca, Fischer, Gilbert-Lurie, Stiffelman, Cook, past] is something I’m very proud of, but am I going Johnson, Lande & Wolf to give my fans what I’ve done already? No, so they’re SITE: getting something else. It’s a little edgier but def- CelineDion.com nitely fresh and modern. Because of the words, the TWITTER: @celinedion approach, how they mix it and how they capture the WorldMags.net 28 BILLBOARD | nOvemBeR 2, 2013

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latin O Return Of The King Chilean bolero icon Lucho Gatica teams with Michael BublŽ, Nelly Furtado and Il Volo for first album in decades By Leila Cobo

With his matinee-idol demeanor and velvety voice, Chilean singer Lucho Gatica earned the title of Latin America’s “King of Bolero,” the traditional Spanish and Cuban slow-tempo dance genre, in the 1950s. The legend grew through the decades: through Gatica’s re- cording heyday, which lasted until the 1960s; through performances on “The Ed Sullivan Show” and “The Perry Como Show”; through being awarded a star on the Hollywood Walk of Fame; and even when Gatica stopped recording in the late ’60s, but continued to tour Latin America. Now, at 85, Gatica is looking to reafrm his royalty with his frst album in more than 30 years. Historia de , out Nov. 12 on UVA Music/V enemusic, features 11 Gatica classics, performed as duets with guest artists and lush, romantic . “I decided to do this with singers who are my fans, and they behaved truly like friends,” Gatica says, speak- ing on the phone from Los Angeles. “This album, it’s like a farewell.” The songs run the gamut of the Latin-American stan- dards songbook, from the title track, performed with Laura Pausini, to “Besame Mucho” with Nelly Furtado, “La Barca” with Il Volo and “Quizas Quizas,” a bilin- gual duet with Michael Bublé that served as the original demo shopped to labels as far back as 2009. What followed illustrates how perseverance can pay of in today’s music industry, fertile ground for out- of-the-box deals. “It was a question of timing,” says Humberto Gatica, Lucho’s nephew, who co-produced the album with K.C. Porter. “Lucho is an international legend. And when you hear him, he’s at the same lev-

el—emotionally and in conviction—as the others who Artist: Lucho Gatica Humberto, known for his big, lush sound, agreed to this summer. participated with him here.” participate as long as he had creative control. He invited Now, Pino says, the album’s marketing won’t focus ALbum: Historia de un Amor Humberto is a Grammy Award-winning producer his friend Bublé to sing one of the tracks, and then con- on pushing a single track to radio but instead spreading who long worked with and has contributed LAbeLs: uVA musica/ centrated on his uncle’s vocals. “The most important the word about the album, and its concept, as a whole. Venemusic to albums by Andrea Bocelli, Barbra Streisand and Josh thing for me was to make a beautiful, worthy record- Because Venemusic has a partnership with Univision, Groban, among others. He is close to his uncle, who reLeAse DAte: Nov. 12 ing of his voice, so our guests could hear how good he Historia de un Amor will beneft from a massive cam- introduced him to the music business, and was by his ProDucers: Humberto Gatica, sounded,” he says. paign of 30-second spots that will air on Univision, side when Lucho won a Lifetime Achievement Latin K.c. Porter The project was turned down by all three majors, and Unimas and Galavision, in addition to campaigns on Grammy in Las Vegas, where he heard about an album mANAGemeNt/booKiNG: Luis languished until Cuillo hired Diana Rodriguez, who Televisa in Mexico and Chile. A frst push will sell the in the works. It was the brainchild of Sebastian Jacome, medina, uno Productions owns marketing/management frm Criteria Entertain- album as the ideal Christmas gift, then as a Valentine’s a producer/engineer/composer who’d fallen in love twitter: @ ment, as an A&R consultant. Rodriguez took the Bublé Day gift and fnally, a Mother’s Day gift. with Lucho’s music while working with Porter. They LuchoGaticamusic demo to Venevision Musica VP of music Jorge Pino, As unique as the album is, it’s impossible to ignore had already taken the idea to Bob Cuillo, a businessman who fell in love with the album and inked a global li- the fact that it follows a slew of duets albums, includ- and Broadway producer (credits include “La Cage Aux censing deal. Venemusic works as an indie, though it’s ing Bennett’s Viva Duets, which has sold 158,000 cop- Folles” and “The Producers”) who also had a record la- distributed by Universal Music Latin Entertainment. ies, according to Nielsen SoundScan, and Draco Rosa’s bel, UVA Music, and decided to fnance the project. “We can give it that boutique attention,” Pino says. Vida (32,000). But Lucho’s album has one thing they “Lucho had a history, and so did I,” says Cuillo, a sort Humberto asked Jorge Calandrelli (Bublé, Bocelli, don’t: Humberto. “These boleros have beautiful sto-

A of renaissance man who also owns wineries in Italy. “I Tony Bennett) to take over the arrangements, and as ries—the lyrics are timeless,” Humberto says. “And

ORROIJ really wanted to do this CD and put my heart into it. It a team, the group looked for ideal duet partners for Lucho’s songs represent entire families. It’s a multigen- GO T DIE just took a bit of time.” WorldMags.netLucho, recording the last—with Mexico’s Lucero— erational album.” november 2, 2013 | WWW.bILLboArD.bIZ 31 music WorldMags.net

ARTIST: Margo Rey

LABEL: Organica Music Group

MANAGEMENT: Michael Blakey

PUBLISHING: Organica Music Group Publishing

BOOKING AGENT: APA

CHART HISTORY: “This Holiday Night” (2011), No. 18 Adult Contemporary; “Tempted” (2013), No. 18 Adult Contemporary; “Let the ” (2012), No. 17 Adult Contemporary; “Between Us” (2012), No. 21 Adult Contemporary ALEX WINSTON Alex Winston’s debut album TWITTER: @MargoRey King Con, released by in early 2012, was the kind of quirky alt-pop set adult contemporary of songs that can sometimes confound a major label’s mar- keting department or get lost in the shufle as executives Soul Survivor switch chairs. Still, catchy songs like the calypso-tinged “Velvet Elvis” and haunting “Fire Ant” developed a follow- Singer Margo Rey hasn’t let ing, allowing her to tour Eu- rope and the East Coast even two cancer diagnoses slow her after she left Island this year. But if stark new single “101 stready rise Vultures” is any indication, New York-based Winston will By Deborah Evans Price be taking a darker turn on her next outing. “Why’d you go and leave me to the vultures? It got so heavy,” she sings in it, despite serious challenges. In 2009, the same year play chart; second single “Between Us” hit No. 21. a quivering, Kate Bush-like croon. “I had a really crazy she released her debut album, My Heart’s Desire, on Or- “Organica is truly a David-and-Goliath story in that year-and-a-half,” the 26-year- ganica, she was diagnosed with breast cancer. She had we’re able to chart records with our little slingshot,” old says, “and it would be a double mastectomy, but the disease returned in her Rey says. “Most of the artists on the chart have major foolish of me not to draw from that. The first record Some artists ft neatly into a genre. Others, such as lymph nodes this year. machines behind them.” was me being more voy- Margo Rey, create their own. “Even though my lymph nodes were clean and clear Blakey says the label has benefted greatly from a euristic of other people, but “Several years ago I coined the term ‘organica’ be- three years ago, there was a recurrence,” says Rey, who distribution deal with Universal/Fontana. “We try as this will definitely be more personal.” Winston is reteam- cause people kept asking me, ‘What kind of music do spent this past summer undergoing chemotherapy and a boutique label to operate like a major,” Blakey says ing with producer Charlie you write?’” Rey says. “It’s a hybrid of a number of radiation. She fnished treatment in September and is of Organica, whose roster has expanded to include the Hugall and collaborating things: It’s organic, but it’s deeply rooted in yummy, now cancer-free. “I’m very thankful. It’s all about keep- Boxmasters, the Darlings and Gladys Knight. “When we delicious things that people love. It’s all played by hu- ing yourself clean and clear in your mind, heart and im- started this it was literally just to be a promotional tool mans and not machines.” mune system.” for Margo, but as we developed people approached us.” The all-natural philosophy fuels both Rey’s music, a Rey’s battles have helped make her impressive, four- Among those people is director Linda Bloodworth blend of AC pop and soul, and her label home, Organi- and-a-half-octave voice even more relatable to fans, Thomason, whose “Bridegroom,” a documentary about ca Music Group, co-founded by Rey’s husband, come- which Blakey says is already one of her greatest strengths. the rights of same-sex couples that received the Audience dian Ron White, and her manager Michael Blakey, pro- “I’ve been doing this many years and it’s very rare when Award at this year’s Tribeca Film Festival in New York for ducer and former 2K/Virgin Records executive. “It’s all you come across a voice that is clearly undeniable,” he non-fction, features three Rey songs. The flm will make pure,” Organica CEO Blakey says. “The instruments says. “From the frst phrase, she has a connection with the its broadcast premiere on the Oprah Winfrey Network on are real. Everything is real.” audience. She sings to them rather than at them.” Oct. 27 and then hit Netfix, , iTunes and else- with former Editors guitarist Chris Urbanowicz for the Born in Acapulco, Mexico, and raised in Dallas, Rey That connection can be heard throughout Rey’s where on Nov. 19. Meanwhile, “Let the Rain” has also album, due in spring 2014. eventually winged her way to Los Angeles, where she Blakey-produced 2012 album, Habit, which she calls become the theme song for Brides Against Breast Cancer. But whether she works with dabbled in acting and voice-over work, most notably “an homage to the singer/songwriter of the ’70s and Rey is currently writing songs for a new album and a major again is a decision her manager Asif Ahmed has in Disney’s “Beverly Hills Chihuahua.” But music re- ’80s.” The single “Let the Rain,” a duet with John Oates, releasing stand-alone singles—“Tempted,” a cover of helped previous clients like mained her frst love, and she’s continually pursued peaked at No. 17 on Billboard’s Adult Contemporary air- the Squeeze classic released in May, peaked at No. 18 Yeah Yeah Yeahs and TV on on the AC chart. “We’re releasing singles just because the Radio navigate. “Alex is in a liberating place,” he says. that’s kind of the way of the world,” she says. “There “I just don’t want her to be- are no rules right now in the way music is released.” come Vitamin C—like, one hit Judging from Rey’s wedding to White on Oct. 13, for a major and then, ‘Where “From the first phrase, she has a the fuck did she go?’” that seems to be the way she likes it. “We’re not very —Andrew Hampp connection with the audience. she sings traditional,” she says with a laugh. “We didn’t have the ceremony [frst]. We had a party, then Ron and I got up to them rather than at them.” in the middle of it and I performed ‘Let the Rain,’ then we exchanged vows. I’m one of the few brides that had —michael Blakey, manager a sound-check before her wedding.” 0

Melissa Frost, KRRV Amber Hayes, “Any Day Is Sara Evans, “Slow Me Alexandria, La. Eric Paslay, a Good Day.” This song has Down.” I wasn’t sure if I liked “Friday Night.” This guy has been huge for us. Sometimes this because it was just a written No. 1 songs for Jake all it takes is a simple great song or because I’m a Owen, Eli Young Band and message that touches people, huge Sara Evans fan. After Love and Theft, and now he’s and that’s what this song playing it on air—it’s just doing his own thing. “Friday does. It reminds them that the a great song! The listener Night” is really fun—it’s one little things in life are what reaction was huge and of those songs you can listen really matter. This makes me continues to grow every time to on repeat and never get proud to be part of country we play it, which makes this tired of it. WorldMags.netmusic. Sara Evans fan very happy. EVANS: WESTENBERG; GUY EPPEL; BUGG: KEVIN VELEZ; WINSTON: MAURICIO REY: 0 BILLBOARD I NOVEMBER 2, 2013 WorldMags.net music

Charli XCX British alt-pop heroine Charli XCX has launched a 19-date fall tour to further sup- port her LP, ARTIST: Jake Bugg True Romance 0 released April 15. Aiding her ALBUM: Shangri La in the jaunt is longtime book- ing agent Marty Diamond of RELEASE DATE: Nov. 19 Paradigm, who praises the

LABEL: Island Records singer’s road hustle. “I wish we could clone her,” he says. PRODUCER: Rick Rubin “She really works hard, and she works hard for herself. MANAGERS: Keith Armstrong This isn’t someone who and Jason Hart, Soul Kitchen expects everyone else to do the heavy lifting.” PUBLISHER: Kobalt

BOOKING AGENT: Kirk Sommer, routing: Having toured William Morris Endeavor Charli through the United States extensively already, CHART HISTORY: Jake Bugg Diamond hoped to further (2013), No. 7 Folk Albums, solidify her status as an able No. 75 Billboard 200, 47,000; headliner here, booking her at “Lightning Bolt” (2013), No. mostly club- and theater-size 15 Triple A venues of 350-1,000 capac- ity. “She’s really made a com- TWITTER: @jakebugg mitment to work this country, and it’s working for her,” he says. After setting the trek of rock road,” the British singer/songwriter says, noting that his For the singer, Shangri La is an opportunity to unveil at Las Vegas’ Life Is Beautiful last year has been “pretty crazy.” “I went to record with a complete piece of music, one with a distinct thematic Festival (Oct. 27), Charli will Rick [and] there were all these ideas I had. Rick’s very sensibility behind it. His debut, in contrast, was re- hit Slim’s in San Francisco (Nov. 1), Wrongbar in Toronto Paradise good at making sure I was turning them into songs. I had corded in various locations during the course of several (Nov. 9), Vinyl in (Nov. these ideas and he said, ‘Well, let’s record them.’” years with a few diferent producers. “It ft together,” 19) and Club Dada in Dallas Bugg’s nonchalant, just-do-it attitude has worked Bugg says of the new record. “It feels more like an al- (Nov. 25). Found for him throughout his short career, which began at bum, whereas the frst record was just a list of songs I’d audience: Coming of the 2011 U.K. Glastonbury festival’s new-act stage. gathered up over the years.” the stateside success of That led to a quick deal with Mercury Records in the The album bounds from tightly wound punk-pop Icona Pop’s smash “I Love It!,” which she appears on and Already a star at home, British United Kingdom and a self-titled debut album, which to moody, acoustic-guitar-driven singer/songwriter co-wrote, Charli’s fan base topped U.K. charts last October with a throwback folk fare, all steered by Bugg’s nasal, Bob Dylan-like has been expanding steadily, singer/songwriter Jake Bugg blend of punk and folk and made him unlikely tabloid vocals and working-class lyricism. First single “What aided by touring and choice opening opportunities. Dia- looks to Rick Rubin to hit a fodder there. Doesn’t Kill You,” which rings in at just 2:05, is def- mond cites a sold-out double In the United States, however, the album has nitely the former. Island recently began pushing it to gig at Schubas in Chicago higher plane stateside on new moved only 47,000 copies, according to Nielsen triple A and alternative radio, and Bugg performed (Nov. 6) and a near sellout at the Parish in Austin (Nov. 24) album SoundScan, bowing at No. 75 on the Billboard 200 the song on “Conan” in mid-October, launching the as markers of her growing when it arrived in April. But Island Def Jam Music label’s plan to push Shangri La for the next 18 months. appeal to U.S. audiences. By Emily Zemler Group president/COO Steve Bartels says Bugg’s Bugg will embark on a U.S. tour in January, perform at “This is kind of the final layer of the process for this album profle has jumped signifcantly since then, calling South by Southwest in March and make several more cycle, a process that has seen his set at Chicago’s in August a “big in- TV appearances, including PBS’ “Front & Center” in her touring with Marina & the dicator.” As a result, the label pushed up the album’s November, “The Tonight Show With Jay Leno” in De- Diamonds and Coldplay,” he says. “We’re really pleased “It just happened by accident,” says Jake Bugg, referring release, initially slated for early 2014, to coincide cember and “The Ellen DeGeneres Show” in January. with where things are—she’s to his work with Rick Rubin for his second album, Shan- with Mercury’s U.K. date of Nov. 18 and ensure it He also unveiled a new video, for “Slumville Sunrise,” forging a path on her own.” gri La, out Nov. 19 in on Island Records. wasn’t depriving stateside fans of new music. on Oct. 20, although the track won’t be released as a Promotion: Charli isn’t work- When the 19-year-old frst linked with the hitmaking “What Jake has done amazingly well here in the single in the States. Instead, Island Records president ing with national promoters producer, he was only scheduled to lay down two tracks. United States, even in the limited time that he’s been David Massey says Bugg will release another single like AEG or Live Nation; her But he ended up recording 12, frst around his April ap- here, is amassing a large amount of fans so swiftly,” stateside before the end of the year. The idea is to main tactic for spreading the word about her shows pearance at Coachella in Indio, Calif., and then several Bartels says. “We realized quickly that his demand is capitalize on his U.S. road work and ensure that his is reaching her support- more in August, and even named the album after Ru- really high. When you go from the [New York club] success in the United States mirrors what he’s already ers directly through social bin’s scenic Malibu, Calif., studio where it was recorded. Slipper Room to Terminal 5 in less than a year, there’s a accomplished at home. media. “She lives in the blog space, and she’s actively “I had a load of songs that I came up with on the public out there that’s wanting Jake Bugg.” “We have already established a signifcant identity engaged with the media and in the U.S. in terms of his profle, and very strong ticket fans,” Diamond says. “She is sales,” Massey says. “Jake intends to spend a lot of time incredibly social—it’s exciting when you have an artist like touring in the U.S. and growing his already dedicated that.” —Nick Williams “Shangri La feels more like an album, following. We see a long career for him here.” Bugg, however, is happy to let his music do the AGENT: Marty Diamond, whereas the first record was just a list talking. “Whatever I think about these songs is quite Paradigm irrelevant once [the album] comes out,” he says. “I DATES: Oct. 27-Nov. 30 of songs i’d gathered up over the years.” can say what I want to say and people will decide for themselves.” —jake bugg WorldMags.net november 2, 2013 | WWW.bILLboArD.bIZ 33 music WorldMags.net Reviews

Lupe Fiasco featuring ed ing new acts doesn’t feel Sheeran sinGLes like getting out of bed: “old School Love” (4:33) On “Bed Peace,” Aiko swims through a chatter- Producer: dJ Frank e countrY ing stream of beats and daVid naiL WriterS: various laments having to “care “Whatever She’s Got” (3:57) PubLiSherS: various about this fake stuf” in ProducerS: chuck Ainlay, LAbeL: Atlantic records the real world when she Frank Liddell, Glenn Worf could wake up at 2:30 WriterS: Jimmy robbins, Jon Nite p.m., “hit the blunt, then hit you up to come over PubLiSherS: various to my place.” The song is LAbeL: McA Nashville anything but lazy, though The power of a pair of Childish Gambino’s guest jeans: On Nail’s steadily verse sounds almost too gaining single, the coun- laid-back. —JL try singer has got a girl with them “painted on dance tight.” The pop-leaning cut is an ode to all the aFroJacK FeaturinG feminine qualities that sPree WiLson excite and confuse men, “the Spark” (4:04) including pedicures Producer: not listed

and mood swings. But Writer: not listed

what she’s got, he wants, PubLiSher: not listed which is enough for hiP-hoP LAbeL: universal Music/ this nonchalant tune to PM:AM recordings/island celebrate. —Jm Following EDM crossover stars David Fiasco’s ‘Old’ Is New Again PoP Guetta, Zedd and Avicii, KatY PerrY Afrojack conjures a radio-friendly hook from “unconditionally” (3:49) On paper, Lupe Fiasco recruiting Ed Sheeran for a uber-catchy pop jam, anchored by Sheeran’s wispy singer/MC Wilson on ProducerS: dr. Luke, cirkut hearty dose of feel-good pop on his new single looks hook and twinkling (think ’s this club-igniter. Led WriterS: Katy Perry, dr. Luke, by a pseudo-folk guitar a bit curious. Then again, “Old School Love” marks “Family Business”). “Give me that late-’80s, ear- Max Martin, henry Walter a sensible career move for Fiasco after the MC’s ly-’90s old school,” the Chicago rapper demands, strum and a blooming PubLiSherS: When i’m previous album, Food & Liquor II: The Great Ameri- while riding a boombox beat stripped straight from rich You’ll be My bitch chorus that pulls the can Rap Album Pt. I, generated little fanfare. What A Tribe Called Quest’s “People’s Instinctive Travels (AScAP) administered by listener in at the 0:37 Warner-chappell/Kobalt better strategy to rejigger one’s mainstream appeal and the Paths of Rhythm.” “Old School Love” might mark, the single posits than teaming with one of the most commercially not return Fiasco to the radio heights of “Superstar” LAbeL: capitol Wilson—who informs, viable (and non-polarizing) pop artists in recent or “The Show Goes On,” but it’s certainly a step in How does Perry follow “We all got the spark to- LeGend years? It helps that “Old School Love” is a slinky, the right direction. —dh “Roar,” one of the most night”—as a fresh voice & immediate pop hits of worth monitoring. —nW credits the year? By taking an unexpected turn with aLternatiVe “Unconditionally,” a love Edited by Alex “old school Love” is a slinky, uber-catchy the neiGhBourhood Gale (albums) and song so sweeping and Jason Lipshutz pop jam, anchored by ed sheeran’s wispy full of pounding drums, “Afraid” (4:11) (singles) it could soundtrack the ProducerS: Justin Pilbrow, emile haynie coNtributorS: hook and twinkling pianos. next “Avatar” movie. david downs, Alex WriterS: the Neighbourhood, Perry’s PRISM is full of emile haynie Gale, Gary Graff, lighthearted moments Andrew hampp, PubLiSherS: various dan hyman, fans have come to expect, Jason Lipshutz, but “Unconditionally” LAbeL: [r]evolve/columbia LiVe Jill Menze, Gail should help establish her The blackened edges of Mitchell, deborah evans Price, as more of a balladeer, the Neighbourhood’s reggie ugwu, The Eagles served up a master as they do in the “History of a skill she’s only hinted breakout single “Sweater Nick Williams, at on hits like “Wide Weather” claw toward emily Zemler class in musicianship as the His- the Eagles” documentary. The the center of follow-up All albums tory of the Eagles tour hit Music band paid homage to the Beach Awake.” —ah commercially City. The sold-out show kicked Boys as well, with a fresh take on “Afraid,” a harrowing available in the account of paranoia that united States of with Don Henley and Glenn “Heartache Tonight,” and gave r&B focuses on the supposed are eligible. Send Frey onstage alone singing the Travis Tritt a shout-out with Jhene aiKo FeaturinG album review poetic “Saturday Night.” What “Take It Easy.” Henley’s vocals authenticity of one’s copies to Alex chiLdish GamBino relationships. The rock Gale and singles followed was a perfect blend of mesmerized on “Witchy Wom- “bed Peace” (4:18) band’s willingness to em- review copies to entertainment and education, as an,” earning a standing ovation. Jason Lipshutz Henley, Frey, Joe Walsh, Timo- After a full three hours, the set Producer: Fisticuffs brace its heaviest impuls- at billboard, 770 WriterS: Jhene Aiko es makes for compelling broadway, 15th thy B. Schmit and former Eagle concluded with him command- chilombo, moments. If listeners Floor, New York, Bernie Leadon (who’s perform- ing the stage with an achingly NY 10003, or to ArtiSt: the eagles ing with the band on this tour) beautiful rendition of “Despera- PubLiSherS: various can finch through the the writers in VeNue: bridgestone Arena, Nashville LAbeLS: Artium/def Jam darkness, “Afraid” will the appropriate wowed with timeless hits and do.” Like the Eagles’ long career, be a welcome regular on bureaus. dAte: oct. 16 shared the stories behind them, it was an incredible ride. —deP One of Def Jam’s promis- IMAGES RICK DIAMOND/GETTY ARCADE FIRE: GUY AROCH; EAGLES: REID ROLLS; FIASCO: WorldMags.net alternative radio. —JL 34 BILLBOARD | nOvemBeR 2, 2013 WorldMags.net music

aLBums but the lyrics and hooks are as sticky and tweet- worthy as ever. —ah countRY

See AlSo: eLectRonic Guitar Jam Drinks After Work m.i.a. Tracks reLeAse dAte: oct. 29 An award­ Matangi winning, capo 3 Producer: toby Keith Producers: various $3.99 scale turns song files into LAbeLs: show dog/universal trainer and LAbeL: Interscope practice ready­to­ After two decades, Keith play guitar reLeAse dAte: Nov. 5 buddy that keeps fnding new depth will hone tablatures. as a songwriter. His latest M.I.A.’s long-delayed your axe­ fourth album hits all the shredding aPP is flled with nuance, from pentatonic the weekend-celebrating marks one would expect skills. “Shut Up and Hold On” from the line-crossing Scale to the regret paean “The star who put Bollywood Finder Other Side of Him.” beats, Baltimore bounce A Play Anything With Capo 3 and revolutionary minimalistic “Chuckie’s Gone,” an and user­ ode to his late bandleader politics in a blender. friendly free Chuck Gof on the deluxe Matangi at times feels app to help Twenty years ago, 16-year-old guitar novices would a song from his or her iTunes library. Capo 3 analyzes like an attempt to you find have killed for this app when they were teaching the frequencies of incoming tracks on the fy and in- edition, will put a river’s scales for worth of tears in your rekindle the urgency of any note themselves Nirvana and Pearl Jam songs in garages— stantly renders a spectrogram across the screen with beer. —GG her 2005 debut, but it’s you want by ear. Today’s kids can just use Capo 3, a thrilling the associated chords at the bottom. Hit play to play a tall order that yields on a scale app for Mac and iOS that automatically tabs out any along. Billboard threw at Capo a trippy, efects-laden mixed results. —Ru keyboard PoP interface. song thrown at it, making it a slick must-buy for ama- ambient track of our own. The app put us squarely in teur and professionals alike. A single programmer, the ballpark of the song, giving us more than enough Yuna Better ears R&B working as SuperMegaUltraGroovy, is responsible chord information to reverse engineer the once-for- Beginner Nocturnal Music ear for the original, award-winning Capo, which debuted gotten progression. Users can slow down music while RoBeRt GLasPeR Producers: various training, for for Mac and iOS in 2009. On Oct. 7, the 7-year-old retaining pitch to facilitate easy learning, and Capo eXPeRiment free. ten LAbeL: Verve Black Radio 2 different company launched the new Capo 3 in the App Store, can read all popular sound fles. It also comes with a reLeAse dAte: oct. 29 exercises where it became an Editor’s Choice by Oct. 10. It’s powerful suite of note isolation tools like a 10-band Producer: robert Glasper cover $29.99 in the store, but the Capo 3 website has a free equalizer, mono remixer and vocal reduction, as well Malaysian singer/ LAbeL: blue Note interval trial version, which downloads and installs in sec- as the ability to transpose key and tunings for guitar; songwriter Yuna’s recognition reLeAse dAte: oct. 29 all the way onds. The launch screen contains tutorial videos, ukulele; four-, fve- and six-string bass; and fve- major-label debut fulflls Dismissing convention, to chord but one can intuitively select “Control O” to import string banjo. Get ready to play anything. —dd the promise heard on progressions keyboardist Glasper her earlier indie work. on 100 won critical acclaim different Breezy, AC-pop numbers (and a Grammy Award) instruments. like “I Wanna Go” are for exhilarating vocal likely coming soon to a compilation Black Radio. synch or Starbucks near The sequel is no less you. But when Yuna links refreshing, thanks to his with alt-soul producers genre-blurring musical- like Chad Hugo, who fips ity and vocal match-ups the “Eternal Sunshine of with Emeli Sandé, Com- aLteRnative the Spotless Mind” score mon and more. Glasper’s into a deep-house work- only rule: Pay it forward out on “Someone Who with smart, honest Can,” her angelic voice music. —Gm Arcade Fire truly fies. —aG aLteRnative aLteRnative Luscious JacKson Burns On Los camPesinos! Magic Hour No Blues Arcade Fire Producers: various On its fourth and best album, Arcade Fire detonates Producers: John Good­ Reflektor manson, tom campesinos! LAbeL: city song the signature, soaring, baroque pop that made it fa- LAbeL: Wichita recordings reLeAse dAte: Nov. 5 mous, opting for a new groove-based, humanistic and Producers: James Murphy, Markus dravs ultimately more ambitious sound. Refektor—a double reLeAse dAte: oct. 29 Luscious Jackson’s frst album that, at just 13 tracks, actually feels less bloated LAbeL: Merge Each Los Campesinos! album in more than a de- cade fnds an unexpected than previous LP The Suburbs—has rhythm in places reLeAse dAte: oct. 29 LP since 2008 breakout that seem beyond the reach of the Canadian/American Hold On Now, Youngster cohesion with its prior family band that captured the indie-blog zeitgeist in has gotten less frenetic releases, embracing the 2004. The island-inspired “Fishbulb Eyes” and “Here musically but no less po- synth-y alt-rock of the Comes the Nighttime” could soundtrack a block etic. No Blues, the Welsh band’s formative years. party, while early standout “We Exist” rifs on the iconic sextet’s most contempla- Standouts “Show Us bassline from “Billie Jean.” LCD Soundsystem master- tive set , continues the What You Got” and “So mind James Murphy helps the band realize its eclectic trend. It’s loaded with Rock Out” capture the visions in wide-screen high-defnition with fourish, heady titles like “What magic of past work, but a depth and detail. The songs never coast, each one con- Death Leaves Behind” sense of fresh excitement —Ru and “Cemetery Gaits,” shines throughout. —eZ taining seamless switches ofWorldMags.net trajectory and tempo. november 2, 2013 | WWW.bILLboArD.bIZ S35 music happeningWorldMags.net now

.biz the

During the annual EDM numbers conference Amsterdam Dance Event, OneBeat, the integrated “crazysexycool: media platform designed the tLc story” for the EDM audience, unveiled its new leader: Eric The new VH1 biopic “CrazySexyCool: The TLC Story” Thompson, bowed to big TV ratings on Oct. 21. The premiere who will join the scored nearly 4.5 million viewers, according to Nielsen, company as making it VH1’s highest-rated original movie. Further, CEO, leaving label sources suggest the R&B group’s new album, 20, Microsoft’s YG’s debut Xbox, where is having signifcant sales gains thanks to the premiere. album, My he helped Krazy Life, is develop due in 2014. the gaming system’s OneBeat hip-hop DJ Fresh, PD at WHWT Huntsville, Ala., which has live app. played the song 25 times, points to its pan-regional ap- OneBeat co-founder peal and YG’s grass-roots fan base, which spans back 4.5m Mikhail to 2008’s 4Fingaz mixtape, as main contributors to “CrazySexyCool: The TLC Story” attracted 4.5 Lapushner its success. “It’s a certifed club banger—it blends the million viewers for its premiere. According to will step YG Hits Big VH1, the broadcast is also the No. 1 original down as West and the South perfectly,” Fresh says. “YG’s been cable movie of the year among adults and CEO, but will on the grind for a while and he’s built up his base.” YG’s women aged 18-49. It also logged a 2.9 rating stay on in biggest previous hit was 2010’s “Toot It and Boot It,” in the 18-49 demo. an advisory With ‘My capacity as which peaked at No. 60 on Hot R&B/Hip-Hop Songs. executive The song’s West/South appeal is cemented by chairman. Hitta’ guest verses from Atlanta rappers Rich Homie Quan and Young , as well as the bouncy, sparse beat Compton rapper cleans from DJ Mustard, who produced Tyga’s “Rack City.” YG and Mustard are frequent collaborators and part- 1,000% up street hit for radio and ners, founding indie label Pu$haz Ink together in streaming success 2008 before YG signed to Def Jam in 2009. “Every- By Sowmya Krishnamurthy thing that we been trying to do in the last couple of 4k months is trying to connect the West Coast with the According to label sources, TLC’s new hits South,” says YG, who is currently on Memphis native album, 20, sold nearly 4,000 digital copies on Yo Gotti’s I Am tour. the day the movie premiered. That’s about a YG and Jeezy are bridging state lines on the business 1,000% gain over what the set sold the day before. The album was released on Oct. 15, and YG’s new single featuring Young Jeezy and Rich Homie side too: YG inked what a rep describes as a label and features 13 hits, along with new song “Meant Quan may be called “My Hitta,” but he didn’t know executive production deal with Jeezy’s CTE World ear- to Be.” Thanks to the bounce, 20 debuts on it would be a hit. When the rapper originally released lier this year. the Billboard 200 at No. 72 with 5,000 copies sold in the week ending Oct. 20, according to the track earlier this year, it was strictly for the streets, “I had to take my situation to the next level,” YG Nielsen SoundScan. indicated by its original title, “My N---a.” But demand says. “He gets it. He wants to see me win.” prompted YG to record a radio-friendly edit. It was a Jeezy, an artist on Def Jam Records and senior VP wise move: “My Hitta” rises 22-20 on the Billboard Hot of A&R at Atlantic, is executive-producing YG’s forth- 100 this week and holds steady at No. 7 on Hot R&B/ coming 2014 CTE/Def Jam studio debut, My Krazy Hip-Hop Songs. Life. Working closely with Sickamore, YG’s A&R rep at “We knew it was going to be a big street record. Def Jam, Jeezy brought Rich Homie Quan to the studio 1.9m Then we put it out, and it started blowing up,” says YG, to record his verse for “My Hitta,” and encouraged YG In a press release from VH1, SocialGuide who recalls feverishly trying to come up with suitable to change his album title from I’m 4rm Bompton to My reports that “CrazySexyCool” was the most- radio-friendly titles after the song started taking of. Krazy Life in order to give the project more widespread tweeted show on TV on Oct. 21, with 1.9 million tweets. That sum was four times larger “It did better than what we thought it was going to do.” appeal. “It’s like being a part of a great, winning team,” than the next-closest program, “Monday Night The song’s success has been fueled by the explicit Sickamore says. Football.” SocialGuide also reports that 55% of version’s video, which debuted Sept. 6, and has racked The majority of , which will feature a all tweets about TV on the night of Oct. 21 were related to hashtag #crazysexycool. up 11.5 million YouTube views. “My Hitta” receives 3.6 cameo from Drake, was produced by Mustard. “I just million U.S. streams this week, 70% of which come want it to be the real him,” Mustard says. “Everybody from the video, according to Nielsen BDS. It was the is taking his style right now, rapping like him.” Greatest Gainer on the Oct. 26 Streaming Songs chart, “The album will shock a lot of people with how great skyrocketing 49-10, though this week it dips to No. 11. it is,” Sickamore says. “There’s an incredible narrative The song is still growing on radio, however, bubbling and storyline. It’s a great body of work—not just a col- 1,097% under R&B/Hip-Hop Airplay with a 35% rise to 2.1 mil- lection of songs.” lion listener impressions. The track about friendship YG will unveil a new single and possible tour in early Both curious and casual fans visited TLC’s even inspired (and soundtracked) a popular Vine clip 2014, but for now he’s confdently focused. “We’ll Wikipedia page on Oct. 21. The page received 35,000 views, according to Next Big Sound—a of President smoothly shaking hands work ‘My Hitta’ until we get it to No. 1,” he says. “If not, jump of 1,097% compared with the day before with NBA star Kevin Durant. I got other records,WorldMags.net so I’m not really worried.” 0 (3,000). —Keith Caulfield 36 BILLBOARD | nOvemBeR 2, 2013 WorldMags.netMUSIC HAPPENING NOW

R&B/HIP-HOP o° BUBBLING Alsina Feels The ‘Luv’ UNDER August Alsina’s ‘I Luv This Sh*t’ becomes first R&B 0 debut single to top Mainstream R&B/Hip-Hop chart Pop’s Hit in four years Alexa Ray Joel’s cover of dad Billy’s “Just the Way You By Gail Mitchell Are” (ARJ) makes its way to radio, as SiriusXM channel the Blend becomes the first Nielsen BDS-monitored outlet to play it, giving it 22 spins during the Oct. 14-20 “Raw honesty.” That’s what convinced Island Def Jam executive VP/head of A&R tracking week. Her father Karen Kwak to sign native August Alsina. Now the 21-year-old singer/ took the original version to songwriter’s unfinching style is attracting national attention. No. 3 on the Billboard Hot 100 in 1978. Alexa Ray’s Alsina recently earned his frst Billboard chart-topper with “I Luv This Sh*t,” vaulting remake is featured in the 4-1 over Drake, J. Cole and Jay Z on the Mainstream R&B/Hip-Hop airplay tally the week Gap’s current ad campaign, of Oct. 19. The song’s 21-week climb made Alsina the frst R&B singer to top the chart which has helped it sell 1,000 downloads in each of the with a debut single since Jeremih’s 2009 “Birthday Sex.” (This week it sits at No. 2.) The past five weeks, according to track, which features labelmate Trinidad James, also hits No. 2 on R&B/Hip-Hop Airplay Nielsen SoundScan. this week, a new peak, with 27.3 million audience impressions, according to Nielsen BDS. ‘Home’ On The Radio “It was a slow burn,” Alsina says of the song’s rise. “It created a life of its own.” New York’s is “This young man is a star,” says Mark McCray, OM/PD of mainstream R&B/hip-hop breaking through as an artist, as she’s featured on Cash KBFB Dallas, where “I Luv This Sh*t” racked up 110 spins during the Oct. 14-20 tracking Cash’s “Take Me Home” period. “With singles like this, he can be an artist we’re talking about for years to come.” (RRP), which is No. 4 on “I Luv This Sh*t” is from Downtown: Life Under the Gun, an autobiographical EP re- Dance/Mix Show Airplay. She previously wrote a song leased in August that candidly refects Alsina’s hard-knock life. By age 18, he’d lost his dad on Selena Gomez’s Stars to drugs and alcohol and dealt drugs himself before a fnal wake-up call: the murder of his Dance and co-wrote Nikki brother. A refocused Alsina recorded mixtape The Product in 2012, the same year he inked Williams’ No. 3 Dance Club Songs hit “Glowing.” Next up with Def Jam. “I Luv This Sh*t” initially appeared on its 2013 sequel, The Product II, before for Rexha: a co-write on “The it began its chart climb. “My music is a gift from God that saved my life,” Alsina says. Monster,” featuring Rihanna, He’s now prepping his debut album, set for early 2014. “People can expect more hon- on Eminem’s forthcoming The Marshall Mathers LP 2. est music,” he says. “I just tell the truth.” In the meantime, Def Jam senior director of urban marketing Rob Caiafa says a video Cashing In Los Angeles rapper/singer/ for the “I Luv This Sh*t” with Chris Brown and Trey Songz is being shot in New writer/producer Ty Dolla York, a tour and new single are coming soon, and Alsina is slated to play “The Wendy Sign nears his first chart Williams Show” on Oct. 28. appearance as an artist, as “Paranoid” (RRP), featuring “August represents a lifeline of new, young energy in R&B,” Caiafa says. “He’s a guy B.o.B, closes in on Rhythmic. with a profound story, and incredible vocals and lyrics to match.” KBOS Fresno, Calif., led with 66 spins for the track last “I Luv This week. As a writer, Ty Dolla Sh*t” by Sign is credited with three August hits at the format: YG’s “Toot Alsina took It and Boot It,” which reached 21 weeks Battle Plan: The Avett Brothers No. 12 in 2010; Snoop Dogg to top the and Wiz Khalifa’s “Young, Mainstream Wild & Free,” which spent R&B/Hip- three weeks at No. 1 last Hop chart. year; and B.o.B’s “HeadBand,” 2 MONTHS AGO 1 MONTH AGO RELEASE WEEK NEXT WEEK which rises 18-16 this week.

Voices Lift The band recorded the After launching a fall tour on The band performed After the Avetts’ fall tour Memphis-based Billy Rivers LP during sessions for its Sept. 8 in , the band “Morning Song” on “The wraps Nov. 23 at the Rupp & the Angelic Voices of Faith previous album, Grammy appeared on “Late Night With Tonight Show With Jay Leno” Arena in Lexington, Ky., the gain traction beneath Gospel Award nominee The Jimmy Fallon,” performing on Oct. 7. The next day, it band will play its hometown Songs with “Must Jesus Carpenter, so the Republic “Another Is Waiting” on unveiled all of the album’s of Charlotte, N.C., for an Bear the Cross Alone,” the team had demos to work with Sept. 25 and “Vanity” with lyrics in an exclusive premiere annual New Year’s Eve show lead track from the choir’s early on, but only received ’s Chris Cornell on MetroLyrics.com, further at the Time Warner Cable self-titled EP (Rivers of the final master in June. on Oct. 1, when it also filmed engaging its base. “The lyrics Arena. The act will continue Praise). Although the group Folk rock “This release is coming so a skit with Fallon called “Love are so important to the fans,” heavy touring into the new has been together for more group the close—13 months—from The Metal.” “They were singing Arigo says. “They really loved year, with big gigs at Barclays than 30 years, it’s yet to grace Avett Brothers Carpenter, which is an added metal classics,” Arigo says. it.” The label reteamed with Center in Brooklyn and TD the Gospel Songs chart. It reunited with bonus for Avett fans,” senior “It’s really gotten a lot of NPR to launch a “First Listen” Garden in Boston in March reached No. 29 on Gospel producer Rick VP of marketing Frank Arigo online pickup and helped album stream on Oct. 9—the already announced. But the Albums in 1993 with A Gift Rubin for its says. The band announced raise awareness for the perfect lead-up to street group still plans to enter the to You. eighth full- the album and premiered album.” On Sept. 25 the band week. “The feedback from the recording studio at the top of Reporting by Keith Caulfield, length album, the single “Another Is also taped an intimate set for fans was amazing,” Arigo says the year as well, Arigo says, Wade Jessen, Rauly Ramirez Magpie and Waiting” on NPR’s “All Things PBS’ “Front and Center” at of the stream. “It really helped with a new album coming and Gary Trust. the Dandelion, Considered” on Aug. 8. The New York’s McKittrick Hotel drive first-week sales.” The at the end of 2014 or early which debuts next day, the label started that will air in early 2014. band spent the Oct. 15 street 2015. “These guys have a lot at No. 5 on the working the song to triple A On Oct. 2, the single’s video, date at an in-store signing at of songs. There’s no slowing Billboard 200. and alternative radio. Album which Scott Avett co-directed Record Exchange in Boise, them down. I believe they’ll pre-orders began Aug. 19, and wrote the treatment for, Idaho, followed by a sold- be with Rick [Rubin] again— with several different bundles premiered on Entertainment out show that night at the almost positive. They’re going available. Weekly’s website. Morrison Center. right back in.” —Nick Williams ALSINA: DIWANG VALDEZ DIWANG ALSINA: WorldMags.net NOVEMBER 2, 2013 | WWW.BILLBOARD.BIZ 37 billboard WorldMags.net MARKETPLACE CONNECT WITH THE MUSIC INDUSTRY'S MOST IMPORTANT DECISION MAKERS

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CDBILLBOARD I NOVEMBER 2, 2013 WorldMags.netCher’s closer to the aloe blaCC’s “wake me miley Cyrus’ bangerz truth sales this week up!” sales sales this week 45,000 13,000 72,000 50% 398% 73%

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this Week 4,684,000 1,973,000 19,845,000 And Spooky Sales Talk last Week 4,802,000 2,134,000 19,776,000 Christmas albums start to parade onto the charts, Chavril Charts change -2.5% -7.5% 0.3% husband and wife Chad this Week last Year 5,269,000 2,100,000 22,076,000 even though Halloween has yet to say ‘Boo!’ kroeger and combine forces musically on change -11.1% -6.0% -10.1% “let me Go,” which enters *Digital album sales are also counted within album sales. the billboard hot 100 at No. 78. separately, lavigne has charted 17 titles beginning t’s yet another busy week atop the Billboard 200, Holiday albums from core R&B acts—like Blige with “Complicated” in 2002, Weekly Album sales (Million Units) as Pearl Jam’s Lightning Bolt leads 10 debuts in and Carey—haven’t sold large amounts through the while kroeger’s prior history includes 19 entries with 2013 the top 20 of the chart (see story, page 43) with years, with a few exceptions. Of the 50 best-selling Nickelback and another 2012 three as a soloist since 2001. sales of 166,000. Christmas albums in the SoundScan era, only one is 15 Pearl Jam’s reign atop the list will be a one- from a core R&B act: Carey’s Merry Christmas. It’s it makes sense, of course, that the two wouldn’t have 10 week afair, as Katy Perry is set to start at No. 1 next the No. 3 holiday seller of that time span, with 5.3 mil- I teamed for a hot 100 hit until 4.7m week with her third album, PRISM. Industry sources lion sold. now: they married on July 5 1. they’re also not the only suggest the pop diva’s latest release may sell around That said, Blige leads a debut-flled top four on 0 couple currently charting J F M A M J J A s o N D J 275,000 frst-week copies. The album arrived Tues- this week’s Holiday Albums chart, as Mannheim with a collaboration: John day, Oct. 22, and was led by the No. 1 Billboard Hot Steamroller’s Christmas Symphony II, Ernie Haase mayer jumps 26-23 on adult 100 single “Roar.” & Signature Sound’s Christmas Live! and Celtic top 40 with “who you love,” YeAr-tO-DAte featuring girlfriend katy perry. If PRISM sells as expected, it will be Perry’s best Thunder’s Christmas Voices also arrive at Nos. 2-4, —gary trust Overall unit sales sales week ever, and the largest week this year for a respectively. 2012 2013 chAnge

female artist. Perry’s biggest frame to date was when At No. 7 on Holiday Albums is a release that mar- Albums 234,148,000 219,464,000 -6.3% her last album, 2010’s Teenage Dream, debuted with ries Christmas with Halloween: the soundtrack to Digital tracks 1,076,493,000 1,034,029,000 -3.9% 192,000, according to Nielsen SoundScan. And, the Tim Burton’s “The Nightmare Before Christmas.” biggest week for a female this year currently belongs The spooky seasonal ofering straddles both holidays, the big number store singles 2,843,000 2,461,000 -13.4% to Miley Cyrus’ Bangerz, which started with 270,000 and usually has its best sales around Halloween, be- total 1,313,484,000 1,255,954,000 -4.4% a week ago. fore tapering of in November. Album w/teA* 341,797,300 322,866,900 -5.5% Speaking of Halloween, while the holiday doesn’t *Includes track equivalent album sales (TEA) with 10 track downloads equivalent to one album sale. Merry Mary Christmas: Mary J. Blige’s A Mary generate monster-selling albums like Christmas does, Christmas kicks of the holiday season in earnest on the scary celebration has spurred a number of solid- the Billboard 200, as the new album debuts at No. selling titles. Album sales 23 with 12,000 copies. It also enters at No. 1 on the Since SoundScan started tracking sales in 1991, the 64 2012 234.1 million Top Holiday Albums chart (see Billboard.biz/charts), biggest-selling album with “Halloween” in its title marking the frst R&B set to crown the list since Nov. is sound efects set Sounds of Halloween, released on 2013 219.5 million sixty-four debuts arrived on 20, 2012, when Mariah Carey’s Merry Christmas II Madacy Records in 1992. The long-out-of-print al- the top holiday albums chart You bowed. bum has sold 528,000 copies, but has been of the in its 13-week run during the sales by Album Format 2012-13 season. that was up In total, Blige’s release is just the ffth R&B efort market since 2008. from the 41 new arrivals in the 2012 2013 chAnge to crown the Holiday Albums chart in the SoundScan At least 10 other “Halloween”-specifc albums have just-as-long previous season. cD 138,823,000 120,932,000 -12.9% era (1991-present). Before Carey’s chart-topping Mer­ sold more than 100,000 in the SoundScan era. They ry Christmas II You, there was Kenny G’s Faith: A Hol­ include Rhino’s out-of-print Halloween Hits (117,000), Digital 91,789,000 93,850,000 2.2% iday Album (1991) and Miracles: The Holiday Album Kidz Bop Kids’ Kidz Bop Halloween (214,000) and Vinyl 3,414,000 4,421,000 29.5% (1994) and Carey’s frst holiday set, Merry Christmas the studio covers compilation Monster Mash and Oth­ Other 123,000 260,000 111.4% (1994). (Indeed, Kenny G’s albums charted on the er Songs of Horror (173,000). Top R&B/Hip-Hop Albums chart, though he’s not a Unlike Christmas albums, which provide mood core R&B artist.) music for weeks of family dinners and holiday parties, sales by Album category the appeal of Halloween releases is limited to one 2012 2013 chAnge day—the holiday itself. And most of that appeal lies current 116,303,000 112,718,000 -3.1%

in providing a soundtrack to Halloween parties with catalog 117,845,000 106,746,000 -9.4% sounds like creaking doors and moaning ghosts. Deep catalog 94,105,000 86,337,000 -8.3% Thanks, But No Thanks: Notably, while Christ- mas and Halloween rack up big numbers for certain current Album sales albums, the major holiday that falls between them— 2012 116.3 million Thanksgiving—is left out in the winter cold when it comes to themed releases. The Nielsen SoundScan- 2013 112.7 million era top seller with the word “Thanksgiving” in its title is Windham Hill’s 1998 set Thanksgiving. The catalog Album sales compilation, which peaked at No. 9 on the New Age 2012 117.8 million chart, has sold 75,000 copies. In the past 25 years, .com it’s one of only two compilations with “Thanksgiv- 2013 106.7 million

ing” in the title to chart. The other, 2001’s A Clas­ Nielsen soundscan counts as current only sales within the first 18 months of an album’s release (12 read more months for classical and jazz albums). Titles that stay in the top half of the Billboard 200, however, remain sic Thanksgiving: We Gather Together, reached No. 14 as current. Titles older than 18 months are catalog. Deep catalog is a subset of catalog for titles out more Chart beat at than 36 months. on the discontinued Mid-Line Classical chart. It has billboard.com/ For week ending oct. 20, 2013. Figures are rounded. compiled from a national sample of retail store and rack sales reports collected by Nielsen soundscan. niclscn sold 5,000. 0 WorldMags.netchartbeat. SoundStAn NOVEMBER 2, 2013 | WWW.BILLBOARD.cOM/BIZ 39 rules andexplanations. Visit billboard.com/biz. Publishing song index available on SG AG DG GG PS HG Awards ¡ 0 Charts Digital Songs ¢ ) ™ ¡ 0 Album Charts Bulletsindicatetitleswith LEGEND 40 40

(Streaming Gainer) (Airplay Gainer) (Digital SalesGainer) volume gain) (Greatest Gainerfor largest sales gain) (PaceSetter for largest %album (Heatseeker Graduate) multiplatinum level. symbol indicatessong’s Numeral notedwithplatinum paid downloads (Platinum). for 1million certification RIAA paid downloads (Gold). for 500,000 certification RIAA album’s multi-platinum level. Platinum symbolindicates (Platino). Numeral notedwith downloads of100,000 units physical shipments &digital for Latin albumscertification downloads of50,000 units(Oro). physical shipments &digital for Latin albumscertification platinum level. symbol indicatesalbum’s multi- Numeral notedwithDiamond of 10millionunits(Diamond). shipments &digitaldownloads for physical certification RIAA platinum level. symbol indicatesalbum’s multi- Numeral notedwithPlatinum of 1millionunits(Platinum). shipments &digitaldownloads for physical certification RIAA (Gold). downloads of500,000 albums physical shipments &digital for certification America (RIAA) Recording Assn.of Industry greatest weekly gains. billboard.com/biz for complete 1 Go November 2 t o 2013 B I L L B O

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heavily involved inthat. dropping, chances are I’llbe dvlp Q&a every album since every with LilWayne—I’ve beenon me. I’ve doneover 35records as co-producing theshow with someone Ihave inmindasfar that Icreated, andshe’s I have ananimationsitcom were cutby [Jennifer Lopez]. I have acouple ofrecords that works? What doyou have inthe approached thebeat. It’s mind-boggling how he hear once. Iwas blown away. It’s notasong thatyou just to hearitagain andagain. I heard itonce, andIhad song? when you firstheard the What wasyour reaction tracks he’d ever heard. He saiditwas oneoftheillest Eminem wanted torap over it. didn’t know tillitwas setthat over toShadyRecords andI Stephen [Hacker], sent it My manager, [Hebrew Hustle’s] heavily involved inhip-hop. trap andelectronic were in November 2011,before aggressive. Imadethetrack It was poppy, butitwas still hip-hopproduction. typical would beforItwasn’t it. a knowing where thehome I created thetrack notreally Billboard Hot100thisweek. debuts at no. 7onthe eminem’s “rapgod,”which Tell usaboutproducing II eminem “rap god,” pupil. homage, and pay in the arm yourself pinch doberman, ai’m poodle. common, nothing in we have noodle, my ramen i’m out . Any albumthat hewillbe —Erika Ramirez —Erika

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#1 PEarL JaM III HOT SHOT Lightning Bolt 24 1 1 1 WK 11 24 FaLL OUt BOY PAX-AM Days (EP) MONKEYWRENCH/REPUBLIC NEW DEBUT DECAYDANCE/ISLAND/IDJMG

12 the band reissued its save rock and - 1 2 MiLEY CYrUs Bangerz RCA roll last week with a handful of bonus tracks, which are also found on the 31 NEW 3 PaUL MCCartNEY New paX-am days ep, which debuts at no. MPL/HEAR/CONCORD 24 with 12,000 sold. the revamped 14 234 DraKE Nothing Was The Same deluxe album encourages a 65% sales YOUNG MONEY/CASH MONEY/REPUBLIC gain for the original, which climbs 51 103-60. NEW 5 tHE aVEtt BrOtHErs Magpie And The Dandelion AMERICAN/REPUBLIC

61 1 45 NEW 6 sCOttY MCCrEErY See You Tonight 18 23 25 BrUNO Mars Unorthodox Jukebox ¡ 19/INTERSCOPE/MERCURY/UMGN ATLANTIC/AG

33 44 3 6 7 LOrDE 10 26 26 ELtON JOHN The Diving Board LAVA/REPUBLIC ROCKET/MERCURY/CAPITOL

GG CHEr 1 12 clinch danny pearl jam: of nettwerk records; courtesy millard; passenger: wayne the head and heart: 8 11 8 Closer To The Truth 34 15 27 27 rOBiN tHiCKE WARNER BROS. STAR TRAK/INTERSCOPE/IGA

91 72 NEW 9 WiLLiE NELsON To All The Girls... - 7 28 sOUNDtraCK Glee: The Quarterback (EP) LEGACY 20TH CENTURY FOX TV/COLUMBIA

10 1 29 1 NEW 10 tHE HEaD aND tHE HEart Let’s Be Still NEW 29 DOM KENNEDY Get Home Safely SUB POP THE OPM COMPANY the act’s self-titled debut, released 24 in 2010, has sold 282,000—but hasn’t 7 21 30 Mechanical Bull RCA risen higher than no. 109. it spawned 47 the triple a no. 1 “lost in my mind,” 29 25 31 JOHN LEGEND Love In The Future and helped build a fan base that turned G.O.O.D./COLUMBIA up for the first week of its second 30 4 30 38 32 VariOUs artists WOW Hits 2014 album, which bows with 42,000. PROVIDENT/WORD-CURB/CAPITOL CMG

13 18 1 5 11 JUstiN tiMBErLaKE The 20/20 Experience (2 Of 2) 17 29 33 aVENGED sEVENFOLD Hail To The King RCA WARNER BROS.

1 10 11 4 4 13 12 LUKE BrYaN Crash My Party ¡ 20 36 34 The Bluegrass Album CAPITOL NASHVILLE/UMGN ACR/EMI NASHVILLE/UMGN 13 1 15 NEW 13 GaViN DEGraW Make A Move 9 22 35 JaCK JOHNsON From Here To Now To You RCA BRUSHFIRE/REPUBLIC

42 36 1 - 4 14 My Name Is My Name NEW 36 tiMEFLiEs Warning Signs (EP) G.O.O.D./DEF JAM/IDJMG ISLAND/IDJMG

15 1 25 NEW 15 triViUM Vengeance Falls 13 28 37 JUstiN MOOrE Of The Beaten Path ROADRUNNER VALORY/BMLG

16 1 2 11 NEW 16 CHasE riCE Ready Set Roll (EP) 33 33 38 VariOUs artists NOW 47 DACK JANIELS UNIVERSAL/SONY MUSIC/UME the former “survivor” tV show

The Billboard 200 14 2 - 14 39 PriNCE rOYCE Soy El Mismo contestant-turned-singer/songwriter SONY MUSIC LATIN makes a splashy debut with his new 40 1 ep, selling 17,000 copies (see story, NEW 40 HaLEstOrM Reanimate 2.0: The Covers (EP) 2013 ATLANTIC/AG page 45). He co-wrote the longest- 1 15 running no. 1 single in the history of 26 31 41 JaY Z Magna Carta... Holy Grail 2 the chart, Florida ROC-A-FELLA/ROC NATION

November 2 November Georgia line’s “Cruise” (24 weeks). 16 21 30 42 KEitH UrBaN Fuse HIT RED/CAPITOL NASHVILLE/UMGN

17 1 43 1 NEW 17 NataLiE GraNt Hurricane NEW 43 BrYaN & KatiE tOrWaLt Kingdom Come 2 CURB JESUS CULTURE 92 2 90 - 9 18 CassaDEE POPE Frame By Frame 37 44 44 Born To Die 0 REPUBLIC NASHVILLE/BMLG POLYDOR/INTERSCOPE/IGA

22 27 - 2 19 PaNiC! at tHE Too Weird To Live, Too Rare To Die! 23 34 45 taMar BraXtON Love And War DECAYDANCE/FUELED BY RAMEN STREAMLINE/EPIC

2 59 4 30 and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2013, Prometheus rules and explanations. complete for Nielsen SoundScan. by See Charts sales data as compiled on billboard.com/biz by ranked Legend all genres, albums across top-selling The week’s 16 19 20 iMaGiNE DraGONs Night Visions ¡ 70 61 46 ONErEPUBLiC Native KIDINAKORNER/INTERSCOPE/IGA MOSLEY/INTERSCOPE/IGA

4 46 1 53 12 20 21 FLOriDa GEOrGia LiNE Here’s To The Good Times ¡ 48 54 47 JasON aLDEaN Night Train ¡ REPUBLIC NASHVILLE/BMLG BROKEN BOW/BBMG

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23 1 55 NEW 23 MarY J. BLiGE A Mary Christmas 34 46 49 aViCii True MATRIARCH/INTERSCOPE/VERVE/VG PRMD/ISLAND/IDJMG

WorldMags.net 422 Go to BILLBOARD.cOm/BIZ for complete chart data Data for week of 11.02.2013 2 WKS. LAST THIS PEAK WKS. ON 2 WKS. LAST THIS PEAK WKS. ON artist Title cErT. artist Title cErT. AGO WEEK WEEK WorldMags.netPOS. cHArT AGO WEEK WEEK POS. cHArT Mu imprint/distributinG label imprint/distributinG label 3 30 63 36 47 50 Based On A True Story ... Á 6 40 80 HaiM Days Are Gone WARNER BROS. NASHVILLE/WMN COLUMBIA

2 54 3 14 39 48 51 MaCKLEMOrE & rYaN LEWis The Heist 0 51 62 81 sOUNDtraCK Teen Beach Movie MACKLEMORE WALT DISNEY

17 94 32 39 52 ariaNa GraNDE Yours Truly 25 51 82 MEtaLLiCa Metallica: Through The Never (Soundtrack) REPUBLIC BLACKENED/WARNER BROS. Pearl 12 2 1 52 - 12 53 aLtEr BriDGE Fortress 80 58 83 taYLOr sWiFt Red 4 ALTER BRIDGE BIG MACHINE/BMLG Jam

2 52 37 57 59 54 KENDriCK LaMar good kid, m.A.A.d city Á 58 67 84 Hesitation Marks Bows At TOP DAWG/AFTERMATH/INTERSCOPE/IGA THE NULL CORPORATION/COLUMBIA No. 1 35 1 26 31 50 55 CHris YOUNG A.M. 63 80 85 MiCHaEL BUBLE To Be Loved RCA NASHVILLE/SMN REPRISE/WARNER BROS. Pearl Jam (above) captures its fifth no. 1 album on the 1 57 2 81 billboard 200 as lightning 43 52 56 P!NK The Truth About Love Á 71 74 86 tHE LUMiNEErs The Lumineers Á bolt strikes atop the chart, RCA DUALTONE selling 166,000 copies in 57 1 10 29 its first week, according to NEW 57 YOUNG DrO High Times 78 94 87 tHirD DaY Miracle nielsen soundscan. GRAND HUSTLE/ATLANTIC/EONE ESSENTIAL/PLG the band’s last studio efort, 2009’s , sold 53 2 115 5 35 58 tYLEr Farr Redneck Crazy 87 88 88 LUKE BrYaN Tailgates & Tanlines 2 189,000 in its first frame COLUMBIA NASHVILLE/SMN CAPITOL NASHVILLE/UMGN to debut at no. 1. the new album’s launch is the smallest 1 13 89 1 debut frame for any of pearl 83 71 59 sELENa GOMEZ Stars Dance NEW 89 DJ sKEE PrEsENts tHE GaME OKE: Deluxe Edition HOLLYWOOD THE FIRM BIZ/SKEE Jam’s studio releases. still, it’s the largest debut week 48 for any rock album since 117 103 60 Ps FaLL OUt BOY Save 1 27 62 70 90 JUiCY J Stay Trippy DECAYDANCE/ISLAND/IDJMG last november, when Phillip KEMOSABE/COLUMBIA Phillips’ the World From the side of the moon bowed with 1 31 67 11 45 61 JUstiN tiMBErLaKE The 20/20 Experience 2 49 63 91 JaHEiM Appreciation Day 169,000. RCA ATLANTIC pearl Jam also previously topped the billboard 200 with 24 4 49 24 41 62 raY CHarLEs Ray Charles Forever 126 143 92 Songs From St. Somewhere (1996), TANGERINE/CONCORD MAILBOAT (1994) and Vs. (1993). and it’s notched four no. 2-peaking 10 2 a performance by bufett on “the ellen albums with ten (1992), Yield - 10 63 MaYDaY ParaDE Monsters In The Closet (1998), binaural (2000) and FEARLESS deGeneres show” (Oct. 17) boosts the album, BUFFETT JIMMY pearl Jam (2006). hum: drum brr as it earns a 57% gain. meanwhile, Cher gets no other band has notched 15 2 - 15 64 CaGE tHE ELEPHaNt Melophobia Greatest Gainer honors again (no. 8, up by as many albums in the top two DSP/RCA 50%) thanks to her successful album/concert of the chart in the soundscan era (1991-present). With nine 26 40 53 65 tHE WEEKND Kiss Land ticket promotion. top two albums, pearl Jam XO/REPUBLIC has collected more than Dave Matthews Band, Linkin 66 1 7 88 Park and Metallica (which NEW 66 iCON FOr HirE Icon For Hire 95 84 93 HUNtEr HaYEs Hunter Hayes Á all have seven top two sets). TOOTH & NAIL ATLANTIC/WMN among all acts, Jay Z has 67 1 39 logged the most albums in NEW 67 rED FaNG Whales And Leeches 60 72 94 tGt Three Kings the top two region: 14. (Only RELAPSE ATLANTIC/AG one of Jay’s 14 titles, however, didn’t reach no. 1: the best of 17 2 56 - 17 68 JOE NiCHOLs Crickets 67 75 95 JaNELLE MONaE The Electric Lady both Worlds with r. Kelly.) RED BOW BAD BOY/WONDALAND/ATLANTIC/AG pearl Jam’s lightning bolt is also the 11th top 10 set for 66 96 12 56 55 69 AM 128 108 96 HG PassENGEr All The Little Lights the act—all 10 of its studio BLACK CROW/NETTWERK DOMINO eforts have reached the region. it also claimed a top 2 12 after spending 45 weeks on the Heatseekers 10 with the soundtrack to 55 57 70 FiVE FiNGEr DEatH PUNCH The Wrong Side Of Heaven And The Righteous Side Of Hell: Volume 1 albums chart (eight of those at no. 1), 2011 documentary “pearl Jam PROSPECT PARK twenty.” —Keith Caulfield passenger finally graduates from the tally, 71 1 NEW 71 starLitO / DON triP Step Brothers Two and into the top 100 of the billboard 200. RPM MSC meanwhile, single “let Her Go” rises 38-34 on 72 1 NEW 72 tLC 20 mainstream top 40. LAFACE/EPIC

73 1 97 1 NEW 73 DEatH aNGEL The Dream Calls For Blood NEW 97 tOaD tHE WEt sPrOCKEt New Constellation NUCLEAR BLAST ABE’S

29 the Kickstarter-funded album is the act’s 46 56 74 JOHN MaYEr Paradise Valley COLUMBIA first studio set since 1997’s Coil debuted and peaked at no. 19. the crowd-funding campaign 43 2 - 43 75 KENNY rOGErs You Can’t Make Old Friends generated $264,000 in 60 days, after the WARNER BROS. NASHVILLE/WMN band initially aimed to raise $50,000.

The week’s top-selling albums across all genres, ranked by sales data as compiled by Nielsen SoundScan. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2013, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2013, Prometheus rules and explanations. complete for Nielsen SoundScan. by See Charts sales data as compiled on billboard.com/biz by ranked Legend all genres, albums across top-selling The week’s 11 7 59 65 76 BastiLLE Bad Blood VIRGIN/CAPITOL

1 56 5 71 53 60 77 MUMFOrD & sONs Babel 2 139 109 98 ED sHEEraN + 0 N GENTLEMAN OF THE ROAD/GLASSNOTE ELEKTRA C) V, 1 139 1 22 y, 75 76 78 aDELE 21 a 79 86 99 DaFt PUNK Random Access Memories sales data compiled by compiled sales data XL/COLUMBIA DAFT LIFE/COLUMBIA

16 2 3 52 - 16 79 aMOs LEE Mountains Of Sorrow, Rivers Of Song 82 87 100 sOUNDtraCK Pitch Perfect 0 BLUE NOTE UME

WorldMags.net Data for week of 11.02.2013 | For chart reprints call 212.493.4023 Go to BILLBOARD.cOm/BIZ for complete chart data 43 2 WKS. LAST THIS PEAK WKS. ON 2 WKS. LAST THIS PEAK WKS. ON artist Title cErT. artist Title cErT. AGO WEEK WEEK WorldMags.netPOS. cHArT AGO WEEK WEEK POS. cHArT imprint/distributinG label imprint/distributinG label

101 1 1 138 NEW 101 rOB BaiLEY & tHE HUstLE staNDarD Beast RE-ENTRY 126 EriC CLaPtON Unplugged a THE HUSTLE STANDARD DUCK/REPRISE/WARNER BROS.

102 1 an expanded reissue of the 1992 album of eb media pr rice: courtesy NEW 102 JErrY GarCia BaND GarciaLive: Volume Three: Legion Of Mary: December 14-15, 1974 Northwest Tour ROUND/ATO returns it to the tally for the first time since this is the third Jerry Garcia 1995, as it rebounds with 3,000 sold (up band release to hit the chart 4,342% from essentially zero copies in the Grant’s this year, following Volume WOLI previous week). With 138 weeks on the list, it’s One (march) and Volume by far Clapton’s longest-charting album. Grand .11111 .1111q two (July). they debuted 3 14 Entrance and peaked at nos. 87 and 94 104 127 KiDZ BOP KiDs Kidz Bop 24 82, respectively, and each LC01011 RAZOR & TIE singer/songwriter Natalie Grant scores her best week spent one week on the chart. 27 3 27 82 128 stEVEN CUrtis CHaPMaN The Glorious Unfolding on the billboard charts, as expect the same one-week REUNION/PLG new album Hurricane blows run for the limited-appeal in. the set debuts with her 129 1 largest sales week (16,000 Volume 3 as well. DOIMBI3114.15 197.I-1011111ESTTMIA NEW 121299 WiLL HOGE Never Give In sold, according to nielsen CUMBERLAND/THIRTY TIGERS soundscan) and arrives at no. 10 283 3 157 17 on the billboard 200 and 161 97 103 JOUrNEY Journey’s Greatest Hits f 109 114 130 BrUNO Mars Doo-Wops & Hooligans 2 no. 1 on Christian albums. COLUMBIA/LEGACY ELEKTRA it’s her highest-charting 1 11 1 139 album on the billboard 45 73 104 tHE CiViL Wars The Civil Wars 105 129 131 EMiNEM The Eminem Show a 200 and first no. 1 on the SENSIBILITY/COLUMBIA WEB/AFTERMATH/INTERSCOPE/UME Christian tally. she previously topped out at no. 32 on the 2 22 sUBLiME 13 117 billboard 200 with 2010’s 92 92 105 DariUs rUCKEr True Believers RE-ENTRY 132 Sublime 5 love revolution. On Christian CAPITOL NASHVILLE/UMGN GASOLINE ALLEY/MCA/UME albums, she notched a pair of 65 3 promotion at digital retail spurs a 191% gain no. 2-peaking sets with love 69 106 LOrDE The Love Club (EP) 65 for the set, which has sold 69,000 this year. LAVA/REPUBLIC ed. revolution and predecessor v relentless (2008). its total sales now stand at 6.4 million, which eser 24 2 ts r the new album’s title track - 24 107 stONE tEMPLE PiLOts WitH CHEstEr BENNiNGtON High Rise (EP) ranks it at no. 32 among the biggest-selling recently became her seventh PLAY PEN . All righ top 10 single on Christian rock albums of the nielsen soundscan era an, Inc songs, climbing to no. 8 on ONE DirECtiON 1 49 (1991-present). the sept. 28 tally. this week it 85 93 108 Take Me Home ¡ SYCO/COLUMBIA holds steady at no. 15. the album’s robust debut 39 26 133 1 week was about 4,000 copies 99 101 109 tHE NEiGHBOUrHOOD I Love You. NEW 133 KEViN DEViNE Bubblegum C and Nielsen SoundSc bigger than her previous best [R]EVOLVE/COLUMBIA PROCRASTINATE!/FAVORITE GENTLEMAN/DEVINYL frame, when love revolution the singer/songwriter opted to release two 32 2 launched with 12,000. - 32 110 LYFE JENNiNGs Lucid industry sources suggest MASS APPEAL new studio albums (funded by a Kickstarter

ometheus Global Media, LL that Hurricane’s sales campaign) on the same day, which also start were buoyed by prerelease 29 8 104 112 111 MaNDisa Overcomer at nos. 2 and 3 on Heatseekers albums. it’s concerts with key radio SPARROW/CAPITOL CMG stations, like Christian aC KlJY the first time since 2007 that an act has had st. louis. Grant’s sept. 11 show

12 4 two titles concurrently in the top three. xplanations. © 2013, Pr with the station generated 42 77 112 CHVrCHEs Bones Of What You Believe upwards of 2,000 pre-orders GOODBYE/GLASSNOTE for the album, which was 45 1 18 temporarily discounted to $5 44 66 113 VariOUs artists MMG: Self Made 3 89 105 134 J. COLE Born Sinner omplete rules and e MAYBACH/ATLANTIC/AG ROC NATION/COLUMBIA for the ofer. —Keith Caulfield or c om/biz f NataLiE GraNt’s aLBUM 114 1 99 13 c CHart HistOrY NEW 114 CULts Static 106 117 135 tHE COUNtDOWN siNGErs aND OrCHEstra Monster Mash And Other Terrifying Tunes d. ITNO/COLUMBIA SONOMA debut Year, title, Christian albums peak, billboard 200 2 24 136 1 peak 73 85 115 sOUNDtraCK The Great Gatsby: Music From Baz Luhrmann’s Film NEW 136 aNBErLiN Devotion egend on billboar WATERTOWER/INTERSCOPE/IGA BIG3 ts L

2013, Hurricane, no. 1, no. 17 har 2010, love revolution, no. 2, 3 24 2 69 no. 32 160 179 116 VariOUs artists NOW 46 81 102 137 MarOON 5 Overexposed ¡ an. See C UNIVERSAL/SONY MUSIC/UME A&M/OCTONE/IGA 2008, relentless, no. 2, no. 81 DaNNY BrOWN 18 2 MUMFOrD & sONs 2 187 2005, believe, no. 29, did - 18 117 Old 119 110 138 Sigh No More 2 y Nielsen SoundSc not chart FOOL’S GOLD GENTLEMAN OF THE ROAD/GLASSNOTE

2005, awaken, no. 3, no. 141 ompiled b 1 25 K. MiCHELLE 2 10 2003, deeper life, no. 25, did - 146 118 CHris tOMLiN Burning Lights 98 111 139 Rebellious Soul not chart SIXSTEPS/SPARROW/CAPITOL CMG ATLANTIC/AG y sales data as c

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46 5 4 48 g albums acr 131 123 121 EarNEst PUGH The W.I.N. (Worship In Nassau) Expierence: Live In Nassau Bahamas 107 96 142 PHiLLiP PHiLLiPs The World From The Side Of The Moon 0 P-MAN 19/INTERSCOPE/IGA s top-sellin eek’

1 67 143 1 The w 159 119 122 ZaC BrOWN BaND Uncaged 0 NEW 114343 KEViN DEViNE Bulldozer ROAR/SOUTHERN GROUND/ATLANTIC/AG PROCRASTINATE!/FAVORITE GENTLEMAN/DEVINYL

5 136 2 29 RE-ENTRY 123 JOHNNY CasH The Legend Of Johnny Cash 2 112 95 144 Pioneer 0 LEGACY/COLUMBIA NASHVILLE/AMERICAN/ISLAND/UME REPUBLIC NASHVILLE/BMLG

76 1 28 64 91 124 sHErYL CrOW Feels Like Home 125 139 145 ParaMOrE Paramore sales data compiled by compiled sales data WARNER BROS./WMN FUELED BY RAMEN

32 5 146 1 RE-ENTRY 125 JOHN P. KEE aND NEW LiFE Life And Favor NEW 146 DaYsHELL Dayshell KEE/NEW LIFE SUMERIAN

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AIRPLAY/STREAMING DATA COMPILED bY SALES DATA COMPILED bY Papoqmq HOT 100 AIRPLAY: The week's most popular current songs across all genres, ranked by radio airplay audience impressions as measured by Nielsen BDS. Songs are defined as current if they are newly-released titles, or songs receiving widespread airplay and/or sales activity for the first time. 1,245 stations, encompassing pop, adult, rock, country, R&B/hip-hop, Christian, gospel, dance/electronic, jazz and Latin formats, are electronically monitored 24 hours a day, 7 days a week. HOT DIGITAL SONGS: The week's top-downloaded songs across all genres, ranked by sales data as compiled by Nielsen SoundScan. STREAMING SONGS: The week’s top streamed radio songs and on-demand songs and videos on leading online music services. Hot 100 Airplay, Hot Digital Songs and Streaming Songs data is used to compile the Billboard Hot 100. See Charts Legend on billboard.com/biz for complete rules and explanations. All charts © 2013, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. All rights reserved. r e g 47 u

r , Avril film G m a debuts at li il W — Nickelback (above) and (above) Chad KroegerChad Hardwell make big gains on big gains make Robert Rodriguez Right behind Gaga is behind Gaga Right Lavigne also grows her fan also grows Lavigne Dutch 40, at No. Elsewhere, Gaga moves 32-12 after 32-12 moves Gaga

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Avicii 8 4 5 OUT OF MY leAGUe Fitz And The Tantrums 36 5 5 VOiCeS Alice In Chains 12 PRMD/ISLAND/IDJMG DANGERBIRD/ELEKTRA/ATLANTIC CAPITOL 4 6 TRUe lOVe P!nk Feat. Lily Allen 15 6 6 DeMONS Imagine Dragons 29 6 6 lOlA MONTeZ Volbeat 9 RCA KIDINAKORNER/INTERSCOPE VERTIGO/REPUBLIC 7 7 COUNTiNG STARS OneRepublic 19 7 7 SAFe AND SOUND Capital Cities 49 7 7 TiReD Stone Sour 13 MOSLEY/INTERSCOPE LAZY HOOKS/CAPITOL ROADRUNNER/RRP Perfect 10 8 eVeRYTHiNG HAS CHANGeD Taylor Swift Feat. Ed Sheeran 14 9 8 SWeATeR WeATHeR The Neighbourhood 45 11 8 BATTle BORN Five Finger Death Punch 6 BIG MACHINE/REPUBLIC [R]EVOLVE/COLUMBIA PROSPECT PARK 11 9 leT HeR GO Passenger 15 11 9 HURRiCANe MS MR 24 10 9 GOOD MAN Devour The Day 27 10 BLACK CROW/NETTWERK/WARNER BROS. CREEP CITY/COLUMBIA FAT LADY 9 10 lOVe SOMeBODY Maroon 5 24 10 10 CiTY OF ANGelS Thirty Seconds To Mars 12 9 10 DeAl WiTH THe DeVil Pop Evil 10 Three Days Grace (above) A&M/OCTONE/INTERSCOPE IMMORTAL/VIRGIN/CAPITOL EONE tallies its 10th Mainstream 13 11 APPlAUSe Lady Gaga 10 8 11 elePHANT 23 17 11 SiReNS Pearl Jam 4 STREAMLINE/INTERSCOPE MODULAR/INTERSCOPE MONKEYWRENCH/REPUBLIC Rock No. 1, as “Misery Loves My Company” lifts 2-1. The 8 12 BlURReD liNeS Robin Thicke Feat. T.I. + Pharrell 19 15 12 GG SiReNS Pearl Jam 5 14 12 SeeTHeR Seether 6 STAR TRAK/INTERSCOPE MONKEYWRENCH/REPUBLIC WIND-UP band first reigned with “Just Like You” the week of Aug. 14 13 DeMONS Imagine Dragons 8 12 13 WAKe Me UP! Avicii 10 13 13 BORN TO RiSe Redlight King 16 KIDINAKORNER/INTERSCOPE PRMD/ISLAND/IDJMG HOLLYWOOD 21, 2004. Since the chart 12 14 CUPS (PiTCH PeRFeCT’S WHeN i’M GONe) Anna Kendrick 24 13 14 A liGHT THAT NeVeR COMeS X Steve Aoki 5 21 14 ADDiCTeD TO PAiN Alter Bridge 9 adopted Nielsen BDS data UME/REPUBLIC MACHINE SHOP/WARNER BROS. ALTER BRIDGE in 1991, the group trumps 15 15 STill iNTO YOU Paramore 20 16 15 MiSS JACKSON Panic! At The Disco Feat. Lolo 13 20 15 ADReNAliNe Shinedown 10 all acts for the most leaders, FUELED BY RAMEN/RRP DECAYDANCE/FUELED BY RAMEN/RRP ATLANTIC outpacing shinedown 16 16 ClARiTY Zedd Feat. Foxes 16 21 16 DO i WANNA KNOW? Arctic Monkeys 7 8 16 We’Re AN AMeRiCAN BAND Rob Zombie 16 (eight) and Collective soul, INTERSCOPE DOMINO ZODIAC SWAN/T-BOY/UME metallica, Nickelback and 19 17 SUMMeRTiMe SADNeSS Lana Del Rey & Cedric Gervais 8 18 17 ReFleKTOR Arcade Fire 6 16 17 RADiOACTiVe Imagine Dragons 34 stone Temple Pilots (seven POLYDOR/INTERSCOPE MERGE/CAPITOL KIDINAKORNER/INTERSCOPE each). Three Days Grace’s 66 20 18 GG WReCKiNG BAll Miley Cyrus 4 22 18 TeAM Lorde 3 22 18 COMe A liTTle ClOSeR Cage The Elephant 9 RCA LAVA/REPUBLIC DSP/RCA weeks at No. 1 in that span are also the most, ahead 21 19 COMe TO Me Goo Goo Dolls 10 20 19 AFRAiD The Neighbourhood 9 12 19 THeRe’S NO GOiNG BACK Sick Puppies 22 WARNER BROS. [R]EVOLVE/COLUMBIA DRILL DOWN/CAPITOL of 3 Doors Down’s 53 and Nickelback’s 49. 22 20 BeST DAY OF MY liFe American Authors 5 19 20 ATlAS Coldplay 6 19 20 TReNCHeS Pop Evil 33 MERCURY/IDJMG REPUBLIC G&G/EONE Lorde, born Ella Yelich- 23 21 WAiTiNG FOR SUPeRMAN Daughtry 3 23 21 TeSSellATe alt-J 9 23 21 BlACK HeART Stone Temple Pilots With Chester Bennington 4 O’Connor on Nov. 7, 1996, 19/RCA INFECTIOUS/CANVASBACK/ATLANTIC PLAY PEN/ADA becomes the third-youngest 18 22 BeST i eVeR HAD Gavin DeGraw 17 24 22 SHOT AT THe NiGHT 4 15 22 MiND YOUR MANNeRS Pearl Jam 15 solo artist to crown RCA ISLAND/IDJMG MONKEYWRENCH/REPUBLIC Mainstream Top 40 (which 26 23 WHO YOU lOVe John Mayer Feat. Katy Perry 4 29 23 UNBelieVeRS 8 24 23 THe DeATH OF Me Asking Alexandria 22 launched in 1992), as “Royals” COLUMBIA XL/BEGGARS GROUP SUMERIAN/ADA rises 2-1. JoJo was 13 years 24 24 GORillA Bruno Mars 4 26 24 BleeD OUT Blue October 8 26 24 GO TO Hell, FOR HeAVeN’S SAKe Bring Me The Horizon 22 and seven months old when ATLANTIC UP DOWN/BRANDO EPITAPH “Leave (Get Out)” began a 25 25 OUT OF MY leAGUe Fitz And The Tantrums 7 30 25 WHO We ARe Switchfoot 4 27 25 WHORe In This Moment 4 five-week reign in 2004, while DANGERBIRD/ELEKTRA/ATLANTIC LOWERCASE PEOPLE/ATLANTIC CENTURY MEDIA/RED miley Cyrus was 16 years, 11 months and two weeks old when “Party in the U.S.A.” COUNTRY™ R&B/HIP-HOP™ LATIN RHYTHm™ reached No. 1 in 2009. The five youngest soloists to top LAST THIS TiTle Artist WKS. on LAST THIS TiTle Artist WKS. on LAST THIS TiTle Artist WKS. on WEEK WEEK ImPRINt/PROmOtION LAbeL cHArT WEEK WEEK ImPRINt/PROmOtION LAbeL cHArT WEEK WEEK ImPRINt/PROmOtION LAbeL cHArT the chart are all female, in #1 #1 #1 fact: Britney spears was 17 1 1 2 WKS iT GOeS liKe THiS Thomas Rhett 26 1 1 2 WKS HOlD ON, We’Re GOiNG HOMe Drake Feat. Majid Jordan 11 2 1 1 WK QUe ViVA lA ViDA Wisin 4 VALORY YOUNG MONEY/CASH MONEY/REPUBLIC SONY MUSIC LATIN years, two months and three weeks old when “. . . Baby 3 2 THAT’S MY KiND OF NiGHT Luke Bryan 12 3 2 i lUV THiS SH*T August Alsina/Trinidad James 22 1 2 HABle De Ti Yandel 20 CAPITOL NASHVILLE DEF JAM/IDJMG Y/SUMMA/SONY MUSIC LATIN One More Time” hit the top in 5 3 SOUTHeRN GiRl Tim McGraw 17 5 3 CROOKeD SMile J. Cole Feat. TLC 18 3 3 FeeliNG HOT Don Omar 11 1999, and Avril Lavigne was BIG MACHINE ROC NATION/COLUMBIA MACHETE/UMLE 17 years and 10 months when 6 4 MiNe WOUlD Be YOU Blake Shelton 14 4 4 HOlY GRAil Jay Z Feat. Justin Timberlake 16 4 4 lA NOCHe De lOS 2 Daddy Yankee Feat. Natalia Jimenez 18 “Complicated” climbed to the WARNER BROS./WMN ROC-A-FELLA/ROC NATION EL CARTEL/CAPITOL LATIN/UMLE summit in 2002. (Including 8 5 AW NAW Chris Young 24 2 5 BlURReD liNeS Robin Thicke Feat. T.I. + Pharrell 20 5 5 NO TeNGO DiNeRO MAFFiO 18 group members, Hanson’s RCA NASHVILLE STAR TRAK/INTERSCOPE SPANGLISH GLOBAL Zac Hanson is the youngest 7 6 PARKiNG lOT PARTY Lee Brice 26 8 6 TOM FORD Jay Z 13 6 6 ZUMBA Don Omar 54 artist to rule Mainstream CURB GG ROC-A-FELLA/ROC NATION ORFANATO/MACHETE/UMLE Top 40. He was 11 years and 2 7 HeY GiRl Billy Currington 33 7 7 V.S.O.P. K. Michelle 15 9 7 liMBO Daddy Yankee 53 six months old when the MERCURY ATLANTIC EL CARTEL/CAPITOL LATIN brotherly trio’s “MMMBop” 4 8 NiGHT TRAiN Jason Aldean 22 12 8 iT WON’T STOP Feat. Chris Brown 10 7 8 YO Te lO DiJe J Balvin 34 BROKEN BOW CBE/ATLANTIC CAPITOL LATIN/UMLE reached No. 1 in 1997.) “Royals” concurrently crosses 10 9 We WeRe US Keith Urban And Miranda Lambert 7 11 9 HONeST Future 9 10 9 lA PReGUNTA J Alvarez 65 HIT RED/CAPITOL NASHVILLE/RCA NASHVILLE A-1/FREEBANDZ/EPIC NELFLOW to R&B/Hip-Hop Airplay, where it debuts at No. 46 (see 12 10 SUNNY AND 75 Joe Nichols 25 10 10 lOVe MORe Chris Brown Feat. Nicki Minaj 13 8 10 ROMPe lA CiNTURA Alexis & Fido 38 RED BOW RCA COEXISTENCE/WILD DOGZ story, page 8). —Gary Trust 11 11 ReD Taylor Swift 19 9 11 POWeR TRiP J. Cole Feat. Miguel 34 14 11 CHUCUCHA Ilegales 14 BIG MACHINE ROC NATION/COLUMBIA DOTEL 13 12 CAROliNA Parmalee 37 6 12 HOW MANY DRiNKS? Miguel 32 11 12 COTORRA Y VOli El Cata Feat. Pitbull 14 STONEY CREEK BYSTORM/BLACK ICE/RCA FAMOUS ARTIST/MR. 305 15 13 RADiO Darius Rucker 14 13 13 TYPe OF WAY Rich Homie Quan 17 new 13 HASTA ABAJO Yandel 1 CAPITOL NASHVILLE RICH HOMIEZ/THINKITSAGAME/GOLD GANG/DEF JAM/IDJMG SONY MUSIC LATIN 18 14 DRUNK lAST NiGHT Eli Young Band 19 14 14 WiTHOUT Me Fantasia Feat. Kelly Rowland & Missy Elliott 26 12 14 Te GUSTA Grupo Treo Feat. Elijah King 26 REPUBLIC NASHVILLE 19/RCA JDK

17 15 All KiNDS OF KiNDS Miranda Lambert 18 15 15 ADORN ILJiLJLMiguel 70 13 15 HACe MUCHO TieMPO Arcangel “La Maravilla” 21 RCA NASHVILLE BYSTORM/BLACK ICE/RCA PINA 509 19 16 DAYS OF GOlD Jake Owen 12 18 16 All Me Drake Feat. 2 Chainz & Big Sean 9 20 16 AlOCATe Alexis & Fido 3 RCA NASHVILLE YOUNG MONE Y/CASH MONEY/REPUBLIC COEXISTENCE/WILD DOGZ 11)S13!U 20 17 DON’T leT Me Be lONelY The Band Perry 10 17 17 BODY PARTY Ciara 30 16 17 MAl De AMOReS Juan Magan 19 REPUBLIC NASHVILLE EPIC MACHETE/UMLE 21 18 FRiDAY NiGHT Eric Paslay 26 16 18 THe ONe Tamar Braxton 24 21 18 Me NieGAS Baby Rasta & Gringo 17 EMI NASHVILLE STREAMLINE/EPIC EME The week's most popular current songs across various genres, ranked by radio airplay detections, except for Country and R&B/Hip-Hop, which are ranked by audience impressions, as measured as measured by Nielsen BDS. Songs are defined as current if they are newly-released titles, or songs receiving widespread airplay and/or and/or airplay widespread titles, or songs receiving newly-released are if they defined as current Songs are Nielsen BDS. by as measured as measured impressions, audience by ranked which are Country for and R&B/Hip-Hop, detections, except airplay radio by ranked genres, various songs across most popular current The week's RADIO AIRPLAY: and Nielsen SoundScan, Inc. All charts reserved. rules and explanations. All rights complete Global Media, LLC for © 2013, Prometheus a week. 7 days See Charts on billboard.com/biz Legend 24 hours a day, electronically monitored sales activityare the firstStations for time. 23 19 SWeeT ANNie Zac Brown Band 10 21 19 BOUNCe iT Juicy J Feat. Wale & Trey Songz 9 18 19 BeSAS TAN BieN Farruko 19 ATLANTIC/SOUTHERN GROUND KEMOSABE/COLUMBIA S&A/SIENTE 22 20 DRiNKS AFTeR WORK Toby Keith 19 20 20 HURT YOU Toni Braxton & Babyface 8 15 20 OTRA NOCHe Kent & Tony 9 SHOW DOG-UNIVERSAL MOTOWN/IDJMG CROSSOVER 24 21 WASTiNG All THeSe TeARS Cassadee Pope 20 19 21 MeMORieS BACK THeN Hustle Gang Feat. T.I., B.o.B, Kendrick Lamar & Kris Stephens 18 17 21 MARiA J-King y Maximan 5 REPUBLIC NASHVILLE HUSTLE GANG/GRAND HUSTLE/EPIC MACHETE/UMLE 27 22 WHATeVeR SHe’S GOT David Nail 21 25 22 i WANNA Be WiTH YOU DJ Khaled Feat. Nicki Minaj, & Future 9 19 22 DeJAlO Myzta 11 MCA NASHVILLE WE THE BEST/YOUNG MONEY/CASH MONEY/REPUBLIC CASH NO OPTIONS 26 23 CHilliN’ iT Cole Swindell 13 23 23 MY STORY R. Kelly Feat. 2 Chainz 9 23 23 TRANKillAH J Balvin 2 WARNER BROS./WMN RCA CAPITOL LATIN/UMLE 25 24 i CAN’T CHANGe THe WORlD Brad Paisley 11 22 24 ReD NOSe Sage The Gemini 8 new 24 lA BOTellA Zion & Lennox 1 ARISTA NASHVILLE BLACK MONEY/EMPIRE/REPUBLIC BABY 28 25 UP All NiGHT Jon Pardi 31 26 25 FOR THe ReST OF MY liFe Robin Thicke 16 25 25 el AMANTe Daddy Yankee Feat. J. Alvarez 7 CAPITOL NASHVILLE STAR TRAK/INTERSCOPE EL CARTEL/CAPITOL LATIN/UMLE AIRPLAY DAtA COmPILeD bY bY COmPILeD DAtA AIRPLAY WorldMags.net Data for week of 11.02.2013 | For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 49 The week's top-downloaded songs across various genres, ranked by sales data as compiled by Nielsen SoundScan. See Charts Legend on billboard.com/biz for complete rules and explanations. All charts © 2013, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. All rights reserved. rights All Inc. 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2013 November 2 2 November Go to BILLBOARD.COM/BIZto Go chart complete data for

PjDNMq 50 AiRpLAy/STREAMiNG HEATSEEKERS ALBUMS: The week's top-selling albums by new or developing acts, defined as those who have never appeared in the top 100 of the Billboard 200 or the top 10 of Top Country Albums, Top Rock Albums, Top R&B/Hip-Hop Albums, Top Latin Albums, Christian Albums or Gospel Albums. If a title reaches any of those levels, it and the DATA COMpiLED By SALES DATA COMpiLED By act's subsequent albums are then ineligible to appear on Heatseekers Albums. Titles are ranked by sales data as compiled by Nielsen SoundScan. HEATSEEKERS SONGS: The week's most popular songs across all formats by new or developing acts, defined as those who have never appeared as a lead artist in the top 50 of the Billboard Hot 100 (or the top 50 of Hot 100 Airplay prior to Dec. 5, 1998). If a title reaches those levels, it and the act’s subsequent songs are then ineligible to appear on Heatseekers Songs. Titles are ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data as compiled by Nielsen SoundScan and streaming activity data provided by online music Will Hoge: courtesy of sWeet talk pr sources tracked by Nielsen BDS. See Charts Legend on billboard.com/biz for complete rules and explanations. All charts © 2013, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. All rights reserved.

Data for week of |For reprints chart call 11.02.2013 212.493.4023 BDSniclscn SoundScanniclscn

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Data for week of |For reprints chart call 11.02.2013 212.493.4023 BDSnielsen SoundnicIscii Scan

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The Paradigm Shift

Save Rock AndRoll The Love (EP) Club My Head Is An Animal MyHeadIsAnAnimal Babel Night Visions HailTo TheKing Vengeance Falls New Constellation New Constellation Melophobia Days Are Gone ILove You. Pure Heroine Let’s BeStill Bad Blood Bulldozer High Rise (EP) HighRise(EP) Devotion Fortress Miracle Beast Beast Static New New Title AM +

cErT. ¡ 2 ¡ 0 0 0 0

K. ON WKS. cHArT 90 48 56 59 24 27 25 81 81 27 12 12 71 11 8 4 4 4 6 9 5 3 3 3 2 2 2 2 2 2 2 7 7 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

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Go to BILLBOARD.COM/BIZ for data complete chart Go to BILLBOARD.COM/BIZ November 2 2013 R&B/Hip-Hop 2 WKS. HOT r&B/Hip-HOp sOngs™ AGO 048 40 638 46 027 30 033 20 835 38 545 45 432 34 939 39 646 36 237 42 328 43 924 29 834 28 631 26 740 47 542 35 326 33 522 25 236 32 37 23 010 10 37 219 22 615 16 414 14 920 19 516 15 130 31 213 12 123 21 717 17 112 11 41 — 47 — — 50 — 43 — RE-ENTRY HOT SHOT 9 8 5 4 11 9 4 5 3 3 2 2 8 7 1 1 1 DEBUT NEW NEW NEW WEEK LAST LAST 41 29 billboard 6 WEEK 40 THIS 46 20 44 49 39 48 50 30 28 45 20 26 34 43 42 24 38 10 39 36 35 14 28 25 29 32 26 23 18 22 27 16 47 10 41 35 14 25 33 19 32 23 37 18 22 27 16 21 19 17 15 13 12 21 31 11 31 17 11 8 4 8 6 9 5 7 5 3 7 2 2 1 ACT RIGHT TIMBALAND,J.TIMBERLAKE,JROC (J.TIMBERLAKE,T.V.MOSLEY,J.HARMON,J.E.FAUNTLEROY II) TAKE BACK THENIGHT DR. LUKE,CIRKUT (R.THICKE,K.DUCKWORTH,W.ADAMS,L.GOTTWALD,H.WALTER) GIVE IT2U ALL ME R.LEWIS (B.HAGGERTY,R.LEWIS) HOLDUS CAN’T SAGE THEGEMINI(D.W.WOODS,S.A.WILLIAMS) GAS PEDAL SURVIVAL BERZERK Y.BURGANDY,DONUT,CHEF TONE,MAEJOR ALI(B.GREEN,T.SCALES,R.M.FEREBEE, JR.,J.HOUSTON,R.R.WILLIAMS,B.BELL,J.BIEBER) P LO (M.MIMS,P.Y.RODRIGUEZ,J.W.JENKINS,K.D.R.JACKSON,C.WALLACE,O.S.HARVEY,JR.,R.TROUTMAN) P.L.WILLIAMS (T.EPPS,P.L.WILLIAMS) FEDS WATCHING J.L.COLE (J.COLE,M.SMITH,K.LEWIS,P.WHITFIELD) SMILE CROOKED DJ KHALIL(M.MATHERS III,K.RAHMAN,E.ALCOCK,L.RODRIGUES,P.INJETI,M.STRANGE) FRESHM3N III(D.EVERSLEY,H.EVERSLEY,S.SPEARMAN,C.M.BROWN,E.BELLINGER,M.N.SIMMONDS,O.T.MARAJ) MIKE WILLLMADE-IT,P-NASTY (M.L.WILLIAMS,P.R.SLAUGHTER,T.THOMAS,T.THOMAS,C. THOMAZ,J.HOUSTON) 23 P.L.WILLIAMS (P.L.WILLIAMS,R.THICKE) BLURRED LINES T.NASH,TIMBALAND,JROC (S.C.CARTER,J.TIMBERLAKE,T.NASH,T.V.MOSLEY,J.HARMON,E.D.WILSON,K.COBAIN,D.GROHL,K.NOVOSELIC) N.SHEBIB (A.GRAHAM,A.PALMAN,N.C.FISHER,A.PROCTOR,N.SHEBIB) OWN IT DJ DAHI (A.GRAHAM,A.PALMAN,D.NATCHE) WORST BEHAVIOR K. STEWART III(L.A.DANIELS,T.BRAXTON,K. STEWART II,M.R.RIDDICK) HOT SUGAR SNUGSWORTH (D.BROWN,C.SAMUEL,M.WASHINGTON,R.MAYERS,H.G.LEWIS) SHABBA ZAYTOVEN (Q.MARSHALL,K.BALL,K.CEPHUS,X.DOTSON) VERSACE NINETEEN85,R.KELLY (T.EPPS,R.S.KELLY,P. JEFFERIES) M.FRESH (T.EPPS,B.O.THOMAS) USED 2 NINETEEN85,SAMPHA (A.GRAHAM,S.SISAY,P. JEFFERIES,E.HAYNIE) TOO MUCH N.SHEBIB (T.BALDURSSON,A.GRAHAM,A.PALMAN,N.SHEBIB,J.ROSE,D.COLES,R.DIGGS,L.HAWKINS,J.HUNTER,C.WOODS,M.BJOERKLUND,J. KODULETSCH) WU-TANG FOREVER T.WILLIAMS (J.DUNN,A.BROWN,M.ABDUL-RAHMAN,T.WILLIAMS) THAT DROP DON’T THUNTHUN! LOLLY N.SHEBIB,M.THOMAS,JAKE ONE(A.GRAHAM,A.PALMAN,N.SHEBIB,M.THOMAS,A.ACCLESTON) THING FURTHEST LEE ONTHEBEATS,DJ KHALED(K.M.KHALED,O.T.MARAJ,N.WILBURN CASH,W.L.ROBERTS II,A.L.NORRIS) I WANNA BEWITHYOU CAKE/PARISPOUND MORTON MUSIC2 LOVE MORE MY HITTA HOLY GRAIL NOT LISTED (NOT LISTED) RAP GOD MY STORY HONEST HONEST TIMBALAND,J.TIMBERLAKE,JROC (J.TIMBERLAKE,T.V.MOSLEY,J.HARMON,J.E.FAUNTLEROY II,B.WHITE) METRO BOOMIN,DJ SPINZ(N.WILBURN CASH,L.WAYNE,G. HILL) L.CARTER (D.LAMAR,L.CARTER, JR.) THE LANGUAGE TKO OFWAYTYPE D.TOZER,JOHN LEGEND (JOHNLEGEND,T. GAD) BOUNCE IT J.L.COLE (J.COLE,H.LAWS) KNUCKLEHEAD (A.ALSINA,S.MCMILLION,R.JEANTY,S.IRVING III,C.MASSA,N.WILLIAMS) ALL OFME POWER TRIP I LUV THISSH*T BEWARE NOT LISTED (NOT LISTED) FDB DJ FRANKE(W.JACO,E.SHEERAN,A.CEDAR,G.EARLEY,J.FRANKS) OLD SCHOOLLOVE BOI-1DA (A.GRAHAM,A.PALMAN,M.SAMUELS,A.RITTER,A.HERNANDEZ,B.WILLIAMS) THC,G.BUNN (Q.M.HANLEY,K.DUCKWORTH,R.RIERA,A.MORGAN) COLLARD GREENS POP,OAKWUD (P.RENAE,A.WANSEL,W.FELDER,L. PETERS,W. JEFFREY,W.BOYD,E.POWELL) V.S.O.P. BOI-1DA,J.EVANS (A.GRAHAM,S.C.CARTER,A.PALMAN,M.SAMUELS,N.C.FISHER,M.BURNETTE,J.EVANS,A.PROCTOR,D.COLES,R.DIGGS,G.GRICE,L.HAWKINS,HAYES,J.HUNTER,R.JONES,PORTER,C.SMITH) DR. LUKE,CIRKUT,BABY E(J.HOUSTON,O.AKINTIMEHIN,L.GOTTWALD,J.KASHER HINDLIN,E.LOWERY,H.WALTER) KEY WANE,NO I.D. (S.M.ANDERSON,D.M.WEIR II,A.IZQUIERDO,J.AIKO,D.CARTER,D.LAMBERT,B.POTTER,M.DEAN) KEY WANE (A.GRAHAM,A.PALMAN,S.M.ANDERSON,T.EPPS,D.M.WEIR II,L.WILLEMETZ,J.CHARLES,M.YVAIN) DJ MUSTARD,M.LEE (K.JACKSON,D.MCFARLANE,J.W.JENKINS,D.LAMAR,C.C.BROADUS JR.,A.JOHNSON,C.LAWSON,C.MILLER) R.RUBIN (M.MATHERS III,W.SQUIER,A.HOROVITZ,A.YAUCH,R.RUBIN,J.MODELISTE,A.NEVILLE,C.NEVILLE,V.BROWN,A.CRISS,K.GIST) RDCR (SONGwRITeR) PRODuCeR TITLE SAGE THEGEMINI(D.W.WOODS) RED NOSE N.SHEBIB (A.GRAHAM,J.CHILOMBO,N.SHEBIB,J.BECK) TIME FROM BOI-1DA,VINYLZ (S.C.CARTER,M.SAMUELS,A.HERNANDEZ,W.L.ROBERTS II) F*CKWITHMEYOUKNOWIGOTIT 4 WK Dg ag sg #1 Mike WiLL Made-ItFeat. Miley Cyrus, WizJ Khalifa&Juicy S

MAJID JORDAN,NINETEEN85,N.SHEBIB (A.GRAHAM,M.MASKATI,J.ULLMAN,P.JEFFRIES,N.SHEBIB) HOLD ON,WE’REGOINGHOME PICARD BROTHERS,DIPLO,FREE SCHOOL(A.STREETER,M.PICARD,C.PICARD,M.HENRY,R.BUENIDA,J.BAPTISTE,M.POWELL) TOM FORD NOT LISTED (NOT LISTED) IT WON’T STOP TIMBALAND,JROC (S.C.CARTER,T.V.MOSLEY,J.HARMON) WHITE WALLS

WorldMags.net

Robin Thicke Featuring Kendrick Lamar

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Robin Thicke Featuring T.I. +Pharrell

Macklemore &Ryan Lewis Feat. ScHoolboy Q&Hollis

ScHoolboy QFeat. Kendrick Lamar

Lupe Fiasco Featuring Ed Sheeran Maejor AliFeaturing J&JustinBieber Juicy

DJ KhaledFeat. NickiMinaj,RickRoss &Future

Macklemore &Ryan Lewis Feat. Ray Dalton

Sevyn Streeter Sevyn Feat. Brown Chris YG Featuring Jeezy&RichHomieQuan

RICH HOMIEZ/THINKITSAGAME/GOLD GANG/DEFJAM/IDJMG

Big SeanFeat. LilWayne &JheneAiko Drake Featuring &BigSean 2Chainz

Juicy JFeaturingJuicy Wale &Trey Songz

Chris BrownChris Featuring NickiMinaj Sage TheGeminiFeaturing IamSu Jay ZFeaturing JustinTimberlake A$AP Ferg Featuring A$APRocky

August Alsina/Trinidad James Yo Gotti Featuring Jeezy&YG Jay ZFeat. RickRoss Drake Featuring JheneAiko

2 Chainz Featuring2 Chainz Pharrell R. Kelly Featuring 2Chainz

YOUNG MONEY/CASH MONEY/REPUBLIC YOUNG MONEY/CASH MONEY/REPUBLIC

WEB/SHADY/AFTERMATH/INTERSCOPE

J. Cole Featuring Miguel

YOUNG MONEY/CASH MONEY/REPUBLIC YOUNG MONEY/CASH MONEY/REPUBLIC

MACKLEMORE/ADA/WARNER BROS. A$AP WORLDWIDE/POLO GROUNDS/RCA

WE THEBEST/YOUNG MONEY/CASH MONEY/REPUBLIC

Drake Feat. MajidJordan BLACK MONEY/EMPIRE/REPUBLIC BLACK MONEY/EMPIRE/REPUBLIC

THE FINATTICZ/KNOCKOUT/EONE J. Cole Featuring TLC GRAND HUSTLE/ATLANTIC/EONE YOUNG MONEY/CASH MONEY/REPUBLIC

WEB/SHADY/AFTERMATH/INTERSCOPE MACKLEMORE/WARNER BROS. YOUNG MONEY/CASH MONEY/REPUBLIC

ImPRINT/PROmOTION lABel

YOUNG MONEY/CASH MONEY/REPUBLIC Justin Timberlake Justin Timberlake

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WorldMags.net Drake Feat. Jay Z

STAR TRAK/INTERSCOPE STAR TRAK/INTERSCOPE TOP DAWG/INTERSCOPE ROC NATION/COLUMBIA ROC NATION/COLUMBIA Tamar Braxton WEB/SHADY/AFTERMATH/INTERSCOPE The FiNATTiCZ

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BELIEVE PARTNERS/ISLAND/IDJMG EARDRUMMERS/INTERSCOPE

John Legend G.O.O.D./COLUMBIA

QUALITY CONTROLQUALITY G.O.O.D./DEF JAM/IDJMG

COCAINE MUZIK/EPIC COCAINE MUZIK/EPIC KEMOSABE/COLUMBIA ROC-A-FELLA/ROC NATION K. Michelle Young Dro YOUNG MONEY/CASH MONEY/REPUBLIC

DEF JAM/IDJMG DEF JAM/IDJMG DEF JAM/IDJMG

CTE/DEF JAM/IDJMGCTE/DEF 2 Chainz 2 Chainz Eminem Eminem Eminem

Future ATLANTIC CBE/ATLANTIC Drake Drake Drake Drake Drake Drake Migos

Artist Jay Z

RCA RCA RCA RCA RCA RCA

cErT. ¡ 6 ¡ PEAK POS. 08 40 81 48 41 44 52 45 64 36 28 28 26 24 415 24 36 23 52 35 312 33 513 25 34 23 27 32 015 10 015 10 818 18 86 18 712 27 16 414 14 14 17 21 512 15 14 31 114 31 11 31 13 13 218 12 115 11 15 8 6 4 6 2 6 4 6 1 2 5 5 36 5 8 2 2 12 7 7 7 4 7 11 1 48 1 30 1 K. ON WKS. cHArT 16 14 19 13 8 4 4 4 4 6 5 7 DEB WEEK NEW NEW NEW NEW NEW NEW NEW NEW TOp r&B/Hip-HOp alBums™ SHO LAST LAST H 30 40 38 42 28 24 20 33 34 36 29 26 35 25 32 23 10 37 22 31 13 18 27 41 16 14 19 15 21 12 17 11 8 4 5 9 6 2 3 7 1 OT UT T

WEEK THIS 46 43 29 45 36 40 38 44 46 48 49 41 35 18 20 19 50 30 45 34 29 42 24 39 36 47 26 28 38 43 17 12 10 13 14 22 27 41 25 37 16 32 23 18 35 19 33 12 17 21 15 31 13 11 4 6 4 6 9 8 7 2 5 3 1 2 CHAINZ S T DEF J B MIGUEL S R X THE WEEKND JOHN LEGEND G. ROC J E DEVIN THEDUDE G. A$AP W A$AP R BIG SE ImPRINT/DISTRIBuTING lABel ARTIST KEMOSABE KELL JUIC THE FIRMBIZ/ D LAF T RPM MSC S T RA RCA JUS GRAND HUS Y MA MA MA MARY J G. PUSHA T RCA JUS REPUBLIC MAS RAHEEM DEV ISLAND A S ALL W E THE OPMC DOM KENNED TECH N9NE Y LIL W X THE WEEKND A$AP W SRP BULK DEL REPUBLIC NELL A$AP FER RIHANNA CAPIT EMELI S J MA W B J TGT A A E K IAMP GLENN LE BLA F G. KANYE WE T E A K D F MA V MAS L ROC NA J gg 3 WK ANGERINE AN CRES A TREAMLINE T TRANGE OOL OUNG MONE O ONE O ONE TLANTIC TLANTIC TLANTIC Y AD BO #1 AY AHEIM ANELLE MONAE . C YFE JENNING UGUS T J SKEEPRE O O O O ARTH, WIND&FIRE AMAR BRAXT AR TRAK/INTERSC LC ARL S T BEA ARIOUS ARTIS OUNG DR -CI &JO S /REPUBLIC /REPUBLIC ANNY BR OBIN THICKE . MICHELLE YB YB TRIARCH/INTERSC CKLEMORE . . . . ALE A ARLIT /DEF J T O O O O - S APPEAL S APPEAL TIN TIMBERLAKE A ORM/BLA Y CHARLE CE S /R ’ .D .D .D .D AM/ID CKLEMORE &RY TIN TIMBERLAKE

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cErT. 2 ¡ 2 ¡ ¡ 0 0 0 K. ON WKS. cHArT 40 48 30 49 54 52 55 32 10 18 18 18 72 15 13 12 17 8 8 4 6 6 6 9 9 9 9 6 5 5 3 3 3 3 2 2 2 7 7 7 7 1 1 1 1 1 1 1 1 1 Data for week of 11.02.2013 Is Coming Christmas Jay Z Jay This ishissecond appearance Though the29-year-old MC on the chart following 2011’son thechart era (December 1992-present). Yellow Album Album Yellow on aworld tourthathitfive since 2008).His2012mixtape seasonal setmatchesthe second-most intheNielsen set as success, itsettherapper of 12,000 copies, according to 10s (see list, below). Blige’s10s (seelist, 19 onNov. 3, 2012, with3,000 9 thefollowing month. at No. 6with10,000 copies. and eventually peaked atNo. peaked atNo. 19 with6,000. (Act 1) (Act Christmas entry on the list, onthelist, entry Christmas Christmas Christmas timing oflastyear’s first this timeframe with20top top 10 title on the list, tying top 10titleonthelist, with mixtapes(releasing eight II: From the Westside, With With Westside, the From II: II . . . The Journey Continues Continues Journey The . . . II Dec. 10,Dec. 2011,with156,000 Hip-Hop Albumsas European and13U.S. cities Nielsen SoundScan.Blige’s Love last chart appearance, last chart Means last fall. following week. he keeps hisfanbasesatisfied albums, onlytwo has charted before peaking atNo. 2the holiday seasontoTop R&B/ snoop Dogg for Dogg her withsnoop Kem’s mary J. Blige J. mary Kennedy Kennedy On TOp r&B/Hip-HOp alBums Blige’s debutmarksher15th Jay Z 20 Los Angeles rapper Dom in THe sOunDscan era in THesOunDscan ,

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AIRPlAy/STReAmING SAleS DATA COmPIleD By DATA COmPIleD By HOT R&B/HIP-HOP SONGS: The week's most popular current R&B/hip-hop songs, ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data as compiled by Nielsen SoundScan and streaming activity data by online music sources tracked by Nielsen BDS. Songs are defined as current if they are newly-released titles, or songs receiving widespread airplay and/or sales activity for the first time. s The week's most popular current R&B/hip-hop albums, ranked by sales data as compiled by Nielsen SoundScan. Albums are defined as current if they are less than 18 months old or older than 18 months but still residing in the Billboard 200's top 100. See Charts Legend on BDSnielsen SoundScannicIscii billboard.com/biz for complete rules and explanations. © 2013, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. All rights reserved. AiRPlAy/StReAmiNG R&B, RAP SONGS: The week's most popular current R&B and current rap songs, ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data as compiled by Nielsen SoundScan and streaming activity data by online music sources tracked by Nielsen BDS. SAleS DAtA COmPileD By DAtA COmPileD By Songs are defined as current if they are newly-released titles, or songs receiving widespread airplay and/or sales activity for the first time. R&B, RAP ALBUMS: The week's most popular current R&B and current rap albums, respectively, ranked by sales data as compiled by Nielsen SoundScan. Albums are defined as current if they are less than 18 months old or older than 18 months but still residing in the Billboard 200's top 100. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2013, Prometheus Global Media, LLC and Nielsen SoundSZcan, Inc. All rights reserved.

EminEm: JEnny RishER Data for week of |For reprints chart call 11.02.2013 212.493.4023 BDSnielsen SoundScannicIsen

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AIRPLAY/STReAMING SALeS DATA COMPILeD BY DATA COMPILeD BY HOT LATIN SONGS: The week's most popular current Latin songs, ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data as compiled by Nielsen SoundScan and streaming activity data by online music sources tracked by Nielsen BDS. Songs are defined as current if they are newly-released titles, or songs receiving widespread airplay and/or sales activity for the first time. TOP LATIN ALBUMS: The week's most popular current Latin albums, ranked by sales data as compiled by Nielsen SoundScan. Albums are defined as current if they are less than 18 months old or older than 18 months but still residing in the Billboard 200's top 100. LATIN AIRPLAY: The week's BDSnielsen SoundScannicIscii most popular Latin songs, ranked by radio airplay audience impressions as measured by Nielsen BDS. Stations are electronically monitored 24 hours a day, 7 days a week. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2013, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. All rights reserved. AIRPLAy DATA COMPILED By SALES DATA COMPILED By REGIONAL MEXICAN, , TROPICAL AIRPLAy: The week's most popular current regional Mexican, Latin pop and tropical songs, respectively, ranked by radio airplay detections as measured by Nielsen BDS. Stations are electronically monitored 24 hours a day, 7 days a week. REGIONAL MEXICAN, LATIN POP, TROPICAL ALBUMS: The week's most popular current regional Mexican, Latin pop and tropical albums, ranked by sales data as compiled by Nielsen SoundScan. TRADITIONAL, CONTEMPORARy JAZZ ALBUMS: The week's top-selling current traditional and contemporary jazz albums, respectively, ranked by sales data as compiled by Nielsen SoundScan. Albums are defined as current if they are less than 18 months old or older than 18 months but still residing in the Billboard 200's top 100. SMOOTH JAZZ SONGS: The week's most popular current smooth jazz songs, ranked by radio airplay detections as measured by Nielsen BDS. Songs are defined as current if they are newly-released titles, or songs receiving widespread airplay and/or sales activity for the first time. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2013, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. All rights reserved. Data for week of |For reprints chart call 11.02.2013 212.493.4023 WEEK WEEK WEEK TROpICAL AIRpLAyTROpICAL LATIN pOpAIRpLAy™ REGIONAL AIRpLAy MEXICAN ™ LAST LAST LAST 10 10 14 15 14 12 10 12 14 13 17 17 15 11 13 13 12 11 4 9 8 4 9 9 6 5 8 6 2 7 5 3 8 4 6 2 2 3 7 5 3 7 1 1 1

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AIRPLAy MONITORED By SALES DATA COMPILED By TRADITIONAL CLASSICAL, CLASSICALCROSSOVER ALBUMS: The week's top-selling current traditional classical and classical crossover albums, ranked by sales data as compiled by Nielsen SoundScan. WORLD ALBUMS: The week's top-selling current traditional classical and classical crossover albums, ranked by sales data as compiled by Nielsen SoundScan. CHRISTIAN SONGS: The week's most popular current Christian songs, ranked by radio airplay audience impressions as measured by Nielsen BDS. Stations are electronically monitored 24 hours a day, 7 days a week. CHRISTIAN ALBUMS: The week's top-selling current Christian albums, ranked by sales data as compiled by Nielsen SoundScan. GOSPEL SONGS: The week's most popular current gospel songs, ranked by radio airplay detections as measured by Nielsen BDS. Songs are defined as current if they are newly-released titles, or songs receiving widespread airplay and/or sales activity for the first time. GOSPEL ALBUMS: The week's top-selling current gospel albums, ranked by sales data as BDSnielsen nielsenSoundScan compiled by Nielsen SoundScan. Albums are defined as current if they are less than 18 months old or older than 18 months but still residing in the Billboard 200's top 100. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2013, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. All rights reserved. AirplAy/StreAming SAleS DAtA CompileD by DAnCe/eleCtroniC SongS: The week's most popular current dance/electronic songs, ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data as compiled by Nielsen SoundScan, streaming activity data by online music sources tracked by Nielsen BDS and reports from a national sample of club DJs. Songs are defined as DAtA CompileD by current if they are newly-released titles, or songs receiving widespread airplay and/or sales activity for the first time. DAnCe/eleCtroniC AlbUmS: The week's most popular current dance/electronic albums, ranked by sales data as compiled by Nielsen SoundScan. Albums are defined as current if they are less than 18 months old or older than 18 months but still residing in the Billboard 200's top 100. DAnCe/miX SHoW AirplAy: The week's most popular current songs ranked by total weekly plays on 8 dance-formatted stations and mix show plays on mainstream top 40 and select rhythmic stations that have submitted their hours of mix show programming, as monitored by Nielsen BDS, to Billboard. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2013, Prometheus Global Media, LLC and Nielsen SoundScan, Inc. All rights reserved.

Data for week of |For reprints chart call 11.02.2013 212.493.4023 BDSnielsen SoundScannielsen November 2 2013 Dance/Electronic 2 WKS. DANCE/ElECtroNiC SoNGS AGO 445 44 030 30 023 20 334 43 935 39 641 36 931 29 832 28 624 26 537 35 333 33 23 525 25 329 23 236 32 10 739 37 817 18 726 27 616 16 415 14 920 19 1 127 31 313 13 211 12 121 21 718 17 112 11 HOT SHOT 9 8 4 4 9 5 6 6 5 3 3 2 7 7 1 1 1 46 - - 38 - 40 - - - - - 5 DEBUT NEW NEW NEW NEW WEEK LAST LAST 47 49 22 28 10 14 19 2 billboard 8 WEEK 46 40 THIS 44 46 44 43 24 42 48 49 48 50 30 28 29 20 45 34 43 42 24 38 39 36 35 47 28 33 29 25 26 23 37 16 10 35 41 14 25 33 23 37 18 15 22 31 13 27 32 16 12 32 17 15 13 31 19 12 19 21 17 21 11 9 4 8 6 9 7 5 3 2 7 1 1 E.LOELV,B.LEE (E.LOELV,B.LEE,A.JAWO,C.HJELT,N.LITTLEMORE,L.STEELE,J.SLOAN) ALL NIGHT A.VAN BURREN,B.DOGOEIJ(A.VAN BUUREN,B.DEGOEIJ,J.VAUGHAN,T.GUTHRIE,J.EWBANK) THIS ISWHAT ITFEELSLIKE P.BERGER (P.BERGER,C.AITCHISON,L.EKLOW) I LOVE IT M.GARRIX (M.GARRIX) ANIMALS (C.HARRIS,E.GOULDING)C.HARRIS T.BANGALTER,G. DEHOMEM-CHRISTO (T.BANGALTER,G. DEHOMEM-CHRISTO,N.RODGERS,P.L.WILLIAMS) S.INGROSSO,OTTO KNOWS,WILL.I.AM (W.ADAMS,O.JETTMANN,S.INGROSSO,A. PRESTON,R.CUNNINGHAM,B.SPEARS) M.BRESSO,LADY GAGA,DJ WHITESHADOW,D.ZISIS,N. MONSON(S.GERMANOTTA,P.BLAIR,D. ZISIS,N. MONSON,M.BRESSO) LEGACY CASH (J.P.MAKHLOUF,S.FRISCH,A.L.MAKHLOUF,B.REXHA,B.LOWRY) TAKE MEHOME NOT LISTED (NOT LISTED) DNA THE CATARACS (N.HOLLOWELL-DHAR,M.J.GARTON JR,R.RAMIREZ,E.M.IGLESIAS) TURN THENIGHTUP D.STEIN,DIPLO (D.STEIN,T.W.PENTZ,D.CLARKE) EARTHQUAKE KASKADE,F.BJARNSON (R.RADDON,F.BJARNSON,K.N.PYFER,M.STEVENS) ATMOSPHERE NOT LISTED (NOT LISTED) FLASHING LIGHTS (C.HARRIS,A.MARAR) C.HARRIS THINKING ABOUTYOU GOONROCK,J.ORVASH (D.J.LISTENBEE,J.ORVASH,M. MCDONALD,F.RICHARD,A.SMITH,S.FERGUSON,A.SCOTT,A.MARTIN,K.FAREED) PARTYA LITTLE NEVERKILLEDNOBODY (ALLWEGOT) NOT LISTED (NOT LISTED) BONELESS (S.MOORE,A.RISK) ,A.RISK TRY ITOUT ,V.KHAN (T.W.PENTZ,D.TAYLOR,BRUNO MARS,M.NGUYEN-STEVENSON,MYSTIC) AVICII (T.BERGLING,A.POURNOURI,V.PONTARE,S. ALFAKIR) YOU MAKEME CASH (K.TRINDL,J.P.MAKHLOUF,A.L.MAKHLOUF,S.FRISCH,N.DITRI,D.BOSELOVIC,J.YOUSAF,Y.YOUSAF) LIVE FORTHENIGHT T.BANGALTER,G. DEHOMEM-CHRISTO (T.BANGALTER,G. DEHOMEM-CHRISTO,N.RODGERS,P.L.WILLIAMS) LOSE YOURSELF TO DANCE DIPLO,M.B.OLSEN,H.SOMANI (T.W.PENTZ,M.B.OLSEN,A.D.BRIGANTE,H.SOMANI) REVOLUTION S.AOKI,R.R.KOLSCH (S.AOKI,R.R.KOLSCH) BRING YOU TO LIFE(TRANSCEND) (WE ARE)NEXUS,FLATDISK,C.ALVA,SINCLAIR,CHATTERS THETRIBE,WAYNE G,LFB,T.MARINOS,NEON KNIGHTS (S.J.BELOFSKY,L.C.BURDICK,S.M.CLARKE,L.M.PLEETH GRAEME) IT FEELSSOGOOD WASTE MANAGEMENT (J.SUTTA,B.MCLAUGHLIN,C.FLURY,A.V.NICEFORO) LIGHTS OUT ZEDD,INFECTED MUSHROOM,LADY GAGA (S.GERMANOTTA,A.ZASLAVSKI,A.DUVDEVANI,E.EISEN) R.BIRCHARD,L.F.PIERRE II(R.BIRCHARD,L.F.PIERRE II) HIGHER GROUND AVICII (T.BERGLING,A.POURNOURI,M.DAVIS,J.KRATCHIC) TOADDICTED YOU DISCLOSURE (H.LAWRENCE,G.LAWRENCE,S.SMITH,J.NAPIER) LATCH MAJOR LAZER,THE FLEXICAN,FS GREEN(T.W.PENTZ,T.GOETHALS,R.GORDON,R.R.BLADES) WATCH OUTFORTHIS(BUMAYE) DIPLO,M.VAN TOTH,J.MEJIA (T.W.PENTZ,M.VON TOTH,J.MEJIA) BOY OH BOY R.RESNICK (C.SHAPIRO,R.RESNICK) I BELIEVE D.AUDE (D.AUDE,L.CAPORASO,N.CLOW,A.THIAM) &DRUMS(BAD BOY)ELECTRICITY N.ROMERO,J.YOUSAF,Y.YOUSAF,K.TINDL,T.GAD (N.ROMERO,J.YOUSAF,Y.YOUSAF,K.TINDL,T. GAD) I NEEDYOUR LOVE ZEDD (A.ZASLAVSKI,B.E.HANNAH,H.WILLIAMS,C.FAYE) STAY THENIGHT ZEDD (A.ZASLAVSKI,MATTHEW KOMA,P.ROBINSON,SKYLAR GREY) CLARITY LUCKYGET WORK B**CH! E.HAYNIE,R.NOWELS REY,R.NOWELS) (L.DEL SUMMERTIME SADNESS APPLAUSE rDCr (SongWriter) proDUCer TITLE AFROJACK (N.VAN DEWALL,J.YOUNG III,M.E.MAXWELL) THE SPARK AVICII (T.BERGLING,A.POURNOURI,V.PONTARE,S. ALFAKIR) HEY BROTHER M.SHINODA (LINKINPARK,S.AOKI) A LIGHTTHAT NEVERCOMES WALKING ONTHINICE2013 AVICII (T.BERGLING,A.POURNOURI,K.M.ORSTED,J.KNUTSSON) BOYDEAR (A.BJORKLUND,S.FURRER,A.POURNOURI,K.CAZZETTE AMELIE) WEAPON RAIN MAN(J.YOUSAF,Y.YOUSAF,K.TRINDL,N.MARZOUCA,MARZ) COME IT &GET MT. EDEN(J.COOPER,J.SIGAUQUE,K.R.SMITH,P.COHEN,S.ATWELL,Z.MAHOLA) SIERRA LEONE AURA J.LENNON,Y. ONO,J.DOUGLAS (Y.ONO) BUBBLE BUTT BUBBLE BUTT REDONE (N.KHAYAT,G.SANDELL,R.AZIZ,A.C.PEREZ,P.CHOPRA) EXOTIC AFROJACK (P.HILTON,N.VAN DEWALL) GOOD TIME NOT LISTED (NOT LISTED) WILD OUT 7 WK #1 S

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GSG AG Borgore Featuring Waka FlockaFlame&Paige

WorldMags.net

DJ Fresh Vs. DiploFeat. DominiqueYoung Unique DiploFeaturing Faustix &ImanosKai

MajorLazer Feat. Tyga BrunoMars, &Mystic

CHERRYTREE/DECONSTRUCTION/FLY EYE/ULTRA/ROC NATION/INTERSCOPE/COLUMBIA

Calvin HarrisFeaturing Calvin EllieGoulding

AVICII (T.BERGLING,ALOE BLACC,M.EINZIGER) WAKE MEUP!

MajorLazer Feat. Busy Signal,TheFlexican &FS Green Calvin HarrisFeat. Calvin Ayah Marar Daft PunkFeaturingDaft Pharrell Williams DECONSTRUCTION/FLY EYE/ULTRA/ROC NATION/COLUMBIA

LanaDelRey &Cedric Gervais Arminvan Buuren Feat. Trevor Guthrie

Daft PunkFeat. Daft Pharrell Williams

Priyanka Chopra Featuring Pitbull ™ Cash Cash Featuring Cash Cash BebeRexha

Afrojack Featuring Spree Wilson Paris HiltonFeaturing LilWayne Steve Aoki, Lake Chris &Tujamo Disclosure Featuring SamSmith Zedd Featuring Hayley Williams

LinkinPark XSteve Aoki

Icona PopFeaturing XCX Charli

Steve Aoki &Rune RKFeat. RAS

THE SLEEPYJACKSON/ASTRALWERKS/CAPITOL PMR/UNIVERSAL ISLAND/CHERRYTREE/INTERSCOPE

Aude Feat. &Luciana

SPINNIN’/SILENT/CASABLANCA/REPUBLIC

Nicky RomeroNicky VS Krewella WASTE MANAGEMENT/CITRUSONIC STEREOPHONIC

YOUNG MONEY/CASH MONEY/REPUBLIC

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MACHINE SHOP/WARNER BROS. Skrillex &AlvinRisk

Fergie, Q-Tip &GoonRock

imprint/promotion lAbel Empire OfTheSun WALL/PM:AM/ISLAND/IDJMG MAD DECENT/SECRETLY CANADIAN

WorldMags.net

Enrique Iglesias

(We Are) Nexus

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26 41 SLOW DOWN Selena Gomez 10 new 1 LIGHTNING BOLT Pearl Jam 1 THE RED SHOES IU HOLLYWOOD MONKEYWRENCH/REPUBLIC/MERCURY/UNIVERSAL 1 LOEN ENTERTAINMENT

49 42 LIGHTNING Smokey Jones 2 2 PURE HEROINE Lorde 2 LOVE, AT FIRST ISLAND/IDJMG 2 UNIVERSAL 2 CHUNGCHUNMUSIC, CJ E&M

50 43 BEG BORROW STEAL Ayah Marar 2 3 BANGERZ Miley Cyrus new 3 YOU DON’T KNOW LOVE K.Will RADIKAL 1 RCA/SONY MUSIC STARSHIP ENTERTAINMENT

42 44 SPITFIRE LeAnn Rimes 7 4 BEAUTIFUL Jessica Mauboy 4 NO.9 T-ara CURB 3 SONY MUSIC 6 CORE CONTENTS MEDIA hot shot 45 INDESTRUCTIBLE Veronica Jensen 1 Re 5 TRUE Avicii 5 A GUY LIKE ME Lim Chang Jung debut DAUMAN POSITIVA/PRMD/ISLAND/UNIVERSAL 4 NH EMG

37 46 IN A WORLD LIKE THIS Backstreet Boys 6 new 6 FLASHING LIGHTS Havana Brown 6 TWENTY FIVE, TWENTY ONE Jaurim K-BAHN/BMG ISLAND/UNIVERSAL 53 SOUND HOLIC

new 47 LOOK CLOSER MORTEN 1 new 7 TRIBUTE John Newman new 7 SUNNY DAY Kim Jaejoong (Feat. Lee Sang Gon of Noel) PRMD ISLAND/UNIVERSAL C-JES ENTERTAINMENT

new 48 WHAT CHA FEELING Liam Keegan Feat. Julissa Veloz And Kae Lou 1 new 8 VENGEANCE FALLS Trivium 8 TOUCH LOVE Yoon Mi Rae (T) CARRILLO ROADRUNNER/WARNER 8 BORN FACTORY, LOEN ENTERTAINMENT An overview of the week’s most popular music outside the U.S. BOXSCORE: The top grossing concerts as reported by promoters, venues, managers and booking agents. Boxcsores should be submitted to Bob Allen at [email protected]. to Bob Allen at [email protected]. should be submitted concerts Boxcsores managersagents. The top grossing as reportedand booking venues, promoters, by BOXSCORE: most popular music outside the U.S. An overview of the week’s new 49 I CAN’T GET ENOUGH OF YOU Pearl Future Feat. Sidney Samson 1 9 DAYS ARE GONE HAIM 9 CROOKED G-Dragon CHARM SCHOOL 4 POLYDOR/UNIVERSAL 18 YG ENTERTAINMENT

38 50 TURN THE NIGHT UP Enrique Iglesias 11 10 TATTOOS Jason Derulo new 10 WHAT ARE WE? As One (Feat. ) REPUBLIC 6 BELUGA HEIGHTS/WARNER BROS./WARNER BRANDNEW MUSIC HITS OF THE WORLD: HITS and Nielsen SoundScan, Inc. reserved. All rights Global Media, LLC © 2013, Prometheus rules and explanations. complete for See Charts on billboard.com/biz Legend WorldMags.net 60 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 11.02.2013

61 Delta —Bob Allen (above) (above) Delta Machine , released in March. in March. , released The ongoing The ongoing The top grosser among among The top grosser

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Three more arena arena more Three venue. and 29 and Oct. a total 2, amphitheaters. the Among Bank at the First Midwest and wrapped with an Oct.and wrapped 11 City at the Austin appearance grosses from 10 concert from grosses generating $4.3 million in $4.3 generating second European leg begins European second 13 shed performances, the 13 shed performances, sales at the 20,000-seat sales at the 20,000-seat stand at Staples Center in Center stand at Staples attending sellout crowds engagements on the Northengagements of 43,957 tickets were sold, were tickets of 43,957 concerts held at outdoor were concerts is a three-night dots the Boxscore chart with dots the Boxscore dates were included among included among dates were The seven-week trek through through trek The seven-week Depeche Mode’s North Abu Dhabi on Nov. 3, then a 3, Abu Dhabi on Nov. American leg of the world American leg of the world Amphitheatre on Aug. 24 24 on Aug. Amphitheatre American Triumph LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION FUN FOR T4F-TIME LIVE, gOLDENVOICE/AEg ABC PRODUCTIONS LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION LIVE NATION MAINLAND MUSIC LIVE NATION NINE LIVE LIVE NATION LIVE NATION gREAT ALLENTOWN FAIR FAIR ALLENTOWN gREAT LIVE NATION OCESA-CIE LIVE NATION LIVE NATION BEAVER PRODUCTIONS BEAVER OCESA-CIE LIVE NATION LIVE NATION BEAVER PRODUCTIONS BEAVER EVENkO LIVE NATION, NINE LIVE LIVE NATION, EVENkO EVENkO LIVE NATION, CIRqUE DU SOLEIL BEAVER PRODUCTIONS BEAVER LIVE NATION LIVE NATION OCESA-CIE OCESA-CIE LIVE NATION Go to BILLBOARD.COM/BIZto Go chart complete data for SELLOUT SELLOUT SELLOUT 19,896 19,896 SELLOUT SELLOUT 16,353 16,353 18,747 13,271 SELLOUT 24,814 24,814 SELLOUT 6,469 SHOWS TWO 7,188 11,204 SBS ENTERTAINMENT 13,500 5,026 10,500 SELLOUT 22,200 22,200 SELLOUT 19,192 19,192 SELLOUT SELLOUT 13,000 SELLOUT 16,220 SELLOUT 7,928 SELLOUT 14,065 14,065 SELLOUT SELLOUT 14,683 17,776 SELLOUT 10,704 10,704 SELLOUT 11,963 11,984 16,110 16,110 SELLOUT 10,526 10,526 SELLOUT 10,880 SELLOUT 30,831 THREE SHOWS 30,831 11,159 11,159 11,998 24,284 FOUR SHOWS FOUR 24,284 11,715 11,715 SELLOUT 14,725 14,725 SELLOUT 153,972 TWO DAYS TWO 153,972 43,957 THREE SELLOUTS ATTENDANCE ATTENDANCE CAPACITY PROMOTER OCT. 12 OCT. 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LIVE, BRISTOW, LUBE jIFFY SEPT. 14 14 SEPT. luke bRyAn, ThOMpSOn SquARe, flORIDA GeORGIA lIne ThOMpSOn SquARe, flORIDA bRyAn, luke UTAH CITY, VALLEY WEST USANA AMPHITHEATRE, SEPT. 26 26 SEPT. luke bRyAn, ThOMpSOn SquARe, flORIDA GeORGIA lIne ThOMpSOn SquARe, flORIDA bRyAn, luke PA. BURgETTSTOWN, PAVILION, NIAgARA FIRST 23,131 DepeChe MODe DALLAS PAVILION, gExA ENERgY SIlveR DeeJAy ThOMAS RheTT, OWen, AlDeAn, JAke JASOn IND. kLIPSCH MUSIC CENTER, NOBLESVILLE, AUg. 17 17 AUg. leWIS & RyAn MACkleMORe züRICH HALLENSTADION, 20 SEPT. 20 SEPT. JASOn AlDeAn, JAke OWen, ThOMAS RheTT, DeeJAy SIlveR SIlveR DeeJAy ThOMAS RheTT, OWen, AlDeAn, JAke JASOn CENTER, N.Y. CENTER, DARIEN ARTS LAkE PERFORMINg DARIEN 21,640 OCT. 16 OCT. DepeChe MODe TExAS THE WOODLANDS, PAVILION, MITCHELL WOODS CYNTHIA 14,842 SEPT. 22 SEPT. luke bRyAn, ThOMpSOn SquARe, flORIDA GeORGIA lIne ThOMpSOn SquARe, flORIDA bRyAn, luke PA. ALLENTOWN, FAIR, ALLENTOWN gREAT eROS RAMAzzOTTI MExICO TELMEx, gUADALAjARA, AUDITORIO AUg. 30 AUg. DepeChe MODe N.Y. WANTAgH, THEATER, jONES BEACH AT NIkON 8 SEPT. 12,907 12 OCT. AUg. 24 24 AUg. DepeChe MODe CALIF. VIEW, MOUNTAIN SHORELINE AMPHITHEATRE, MIChAel bublé CENTER, SAN ANTONIO AT&T OCT. 19 19 OCT. MuSe, The RuSe MExICO gUADALAjARA, ARENA VFg, 7 OCT. DepeChe MODe TORONTO CANADIAN AMPHITHEATRE, MOLSON 1 SEPT. MIChAel bublé CENTER, HOUSTON TOYOTA RICky MARTIn, TIMOMATIC CENTRE, BRISBANE, AUSTRALIA ENTERTAINMENT BRISBANE 7,664 OCT. 20 OCT. DepeChe MODe BELL CENTRE, MONTREAL 3 SEPT. OCT. 19-21 19-21 OCT. DepeChe MODe CALIF. CHULA VISTA, SLEEP TRAIN AMPHITHEATRE, 19,405 DRAke, MIGuel, fuTuRe BELL CENTRE, MONTREAL 21 OCT. OCT. 15-17 15-17 OCT. DepeChe MODe ILL. PARk, TINLEY AMPHITHEATRE, BANk MIDWEST FIRST 22,773 MIChAel bublé AMERICAN AIRLINES CENTER, DALLAS OCT. 18 OCT. DepeChe MODe N.Y. CENTER, BROOkLYN, BARCLAYS SEPT. 6 SEPT. One DIReCTIOn, 5 SeCOnDS Of SuMMeR One DIReCTIOn, 5 SeCOnDS CENTRE, BRISBANE, AUSTRALIA ENTERTAINMENT BRISBANE 30,405 MIChAel JACkSOn The IMMORTAl WORlD TOuR by CIRque Du SOleIl by TOuR WORlD IMMORTAl The MIChAel JACkSOn CENTRE, ADELAIDE, AUSTRALIA ADELAIDE ENTERTAINMENT 21,323 DepeChe MODe DepeChe MODe ANgELES LOS CENTER, STAPLES OCT. 12-13 12-13 OCT. 2 OCT. 28-29, SEPT. COROnA CApITAl 2013 COROnA CApITAl CITY MExICO HERMANOS RODRígUEz, AUTóDROMO 141,971 ARTIST ARTIST VENUE DATE

GROSS PER TICKET PRICE(S) $55.25/$25.50 $745,388 $745,388 $52.75/$26.75 CANADIAN) ($765,879 $58.41/$39.02 $735,372 $50/$25.25 (1,715,053 REAIS) (1,715,053 $246.25/$62.68 $250/$21 $727,610 $727,610 $773,407 $773,407 fRANCS) (714,350 $221.95/$124.51 $55.25/$25.50 $774,166 $774,166 $55.25/$25.50 $742,526 $742,526 $778,916 $778,916 $50/$25.25 $767,880 $767,880 $762,381 $762,381 $779,384 $779,384 $50/$25.25 $770,764 $119.50/$22.50 $55.25/$25.50 (731,885 fRANCS) (731,885 $73.51 $815,441 $815,441 $59.75/$30 $818,337 $815,614 $99.50/$27.50 $829,835 $829,835 $51 PESOS) (10,451,549 $117.45/$21.92 $149.50/$25 $792,656 $783,417 $803,007 $803,007 $837,827 $837,827 $143.50/$24.75 $887,372 $887,372 $99.50/$54.50 (11,072,140 PESOS) (11,072,140 $101.79/$15.66 ($1,008,362 CANADIAN) ($1,008,362 $112.86/$30.11 $1,004,891 $1,004,891 $115/$59.50 $957,988 AUSTRALIAN) ($1,006,121 $571.30/$94.26 $825,055 ($1,030,790 CANADIAN) ($1,030,790 $94.36/$65.91 $144/$23.50 $1,033,680 $1,033,680 CANADIAN) ($1,063,840 $106.64/$58.06 $866,928 $866,928 $1,066,824 $1,066,824 $149/$23.50 $956,300 $956,300 $977,570 $977,570 $1,139,018 $1,139,018 $115/$59.50 $1,019,015 $1,019,015 $1,303,305 $125/$45 ($2,830,161 AUSTRALIAN) AUSTRALIAN) ($2,830,161 $384.81/$76.19 $2,837,820 $2,837,820 AUSTRALIAN) ($2,997,842 $169.45/$84.25 $129.50/$99.50/ $129.50/$99.50/ $79.50/$49.50 $8,686,079 $8,686,079 PESOS) (110,936,000 $121.36/$70.47 $2,729,520 $2,729,520 $4,255,118

1 7 2 3 5 9 6 8 4 11 17 21 12 31 13 15 19 16 27 22 18 23 32 33 25 14 35 10 26 29 28 24 34 20 30 cOncerT GrOsses cOncerT

WorldMags.netWorldMags.net Boxscore 2013

PiiDocoug2 November WorldMags.net

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R O Malu Sting Sting Sting Sting Avicii Avicii Moda Nirvana Anitta Anitta Emma Artist Artist Artist Artist Negrita Metallica Por Ellas Ciquittas Ciquittas Katy PerryKaty John Mayer John Mayer Miley Cyrus Cyrus Miley Miley Cyrus Cyrus Miley Miley Cyrus Cyrus Miley

Pink Martini Demi Lovato Demi Lovato COMPILED BY GFk BY COMPILED COMPILED BY GFk BY COMPILED Luca CarboniLuca Kings Of Leon Of Leon Kings Marc Anthony Anthony Marc 60 John Newman Nunca Tem fin fin Nunca Tem Gianni Morandi Gianni Morandi Diogo Nogueira Manos Vafeiadis Manos Vafeiadis Giannis Haroulis Giannis Haroulis Artists Various Vanessa Da Mata Da Vanessa Giannis Parios Natassa Mpofiliou Artists Various COMPILED BY APBD/NIELSEN BY COMPILED Alessandra Amoroso Amoroso Alessandra Natassa Theodoridou Jovanotti Roberto Vecchioni Santana Luan Robin Thicke feat. T.I. + Pharrell T.I. feat. Thicke Robin

Jesse & Joy feat. Alboran Pablo

COMPILED BY NIELSEN SOUNDSCAN INTERNATIONAL NIELSEN BY COMPILED

COlOR eSpeRAnzA COlOR SONY MUSIC De TI A pRuebA SONY MUSIC vIvIR MI vIDA SONY MUSIC Me up! WAke POSITIVA/PRMD/ISLAND Me AGAIn lOve ISLAND REAL NEWS/MINOS/EMI/UNIVERSAL REAL NEWS/MINOS/EMI/UNIVERSAL DOnDe eSTA el AMOR DOnDe eSTA PARLOPHONE/WARNER WReCkInG bAll RCA We CAn’T STOp RCA lIneS bluRReD TRAk/INTERSCOPE STAR ROAR CAPITOL MeTAllICA: ThROuGh The neveR (SOunDTRACk) ThROuGh The neveR (SOunDTRACk) MeTAllICA: BLACkENED/UNIVERSAL ShIp The lAST In uTeRO: 20Th AnnIveRSARy SupeR DeluXe SUB POP/DgC/gEFFEN/MINOS/EMI/UNIVERSAL MeChAnICAl bull A&M/CHERRYTREE/INTERSCOPE/MINOS/EMI/UNIVERSAL A&M/CHERRYTREE/INTERSCOPE/MINOS/EMI/UNIVERSAL MUSIC FEEL gOOD/RCA/SONY MAGGAneIeS MINOS/EMI MUSIC RCA/SONY & pOlITICO fISICO MUSIC RCA/SONY Il beST 1987-2012: bACkup AMORe puRO COLUMBIA/SONY MUSIC COLUMBIA/SONY pIu IO nOn AppARTenGO UNIVERSAL bAnGeRz MERCURY/UNIVERSAL GIOIA BUILDINg RECORDS BUILDINg RECORDS AnITTA WARNER O RAppA WARNER JObIM TOM CAnTA EPIC/SONY MUSIC DeMI ULTRASUONI bISOGnA vIveRe COLUMBIA SChIenA UNIVERSAL CIquITTAS CIquITTAS HOLLYWOOD/UNIVERSAL HOLLYWOOD/UNIVERSAL vAlley pARADISe MUSIC COLUMBIA/SONY bOM - InTeRnACIOnAl SAnGue UNIVERSAL ShIp The lAST A&M/CHERRYTREE/INTERSCOPE/UNIVERSAL vu DeJA’ SOM LIVRE MAIS AMOR SOM LIVRE 1 vOl. - nACIOnAl AMOR A vIDA FEEL gOOD TSITSAnIS vASSIlIS MOu O DIkOS nAO TeleIA nAO hORAlIA XAnAzOO EMI AquI AS MelhOReS ATe HEAVEN S’AGApO MINOS/EMI/UNIVERSAL GeT hAppy HEINz/NAIVE SOM LIVRE TITle IMPRINT/LABEL IMPRINT/LABEL TITle IMPRINT/LABEL TITle IMPRINT/LABEL TITle IMPRINT/LABEL 1 1 1 1 3 5 3 3 3 5 5 5 2 7 7 7 2 7 2 2 8 8 8 8 6 9 9 6 9 9 6 6 4 4 4 4 THIS THIS THIS THIS 10 10 10 10 WEEK WEEK WEEK WEEK 1 1 1 1 7 7 7 2 2 2 5 3 3 3 3 8 8 6 6 6 4 4 4 Re Re Re Re Re 10 10 10 10 DiGiTal sOnGs DiGiTal albuMs albuMs albuMs albuMs albuMs albuMs LAST LAST LAST LAST spain iTaly Greece brazil new new new new new new new new WEEK WEEK WEEK WEEK

Data for week of 11.02.2013212.493.4023 chart call reprints | For of week for Data DEPECHE MODE: RiCk kERn RiCk MODE: DEPECHE il il WorldMags.netTrend Report: Billboard Hot 100 Songs By Streams, Airplay & Sales

SaleS This week, Billboard looks at the current Billboard Hot 100 and which of its songs are powered more by sales, airplay or streaming points. Those three data elements are weighted, and then airplay blended together, for Billboard to arrive at the Hot 100’s overall rating. The graphic below shows the StreamS five songs with the greatest percentage of points in either sales, airplay or steams.

Sales data courtesy of Nielsen SoundScan Airplay and Streaming data courtesy of Nielsen BDS

all kindS of Southern girl parking lot kindS party Tim McGraw Miranda Lambert don’t let me be Lee Brice The Bandlonely Perry radio

o Darius Rucker g at. tenniS court e fe t m ne r e g ge Lorde l avi oe il L Kr vr ad 3 A Ch

the fox 2 4 Ylvis

SurvivalEminem

b e S O t n S e o D n ir g ec e t i v dark horSeJuicy J o e n r Katy Perry feat. 5

p p a o D r u r a m iS n k d e u m f S c e o i a a c r k t t rap god . 2 e Eminem o J / ay n

Z

we can’t S

Miley Cyrus

1 all that top matterS

Justin Bieber

80 60 40 20 20 40 60 80

1 2 3 4 5

JuSTin BieBer Avril lAvigne DAriuS rucker lorDe one DirecTion This week’s rank: 24 This week’s rank: 78 This week’s rank: 96 This week’s rank: 82 This week’s rank: 80 Sales: 91% Sales: 63% Sales: 18% Sales: 25% Sales: 29% Airplay: 0% Airplay: 31% Airplay: 80% Airplay: 0% Airplay: 7% Streams: 9% Streams: 6% Streams: 2% Streams: 75% Streams: 64% The second installment (out Of the five songs with the It’s not a shocker that the top Lorde’s single “Team” is Thanks to steady, but slowly of 10) of Bieber’s “Music largest sales percentage on five songs based on radio beating her own “Tennis eroding streaming totals, Monday” download series the Hot 100, only this track airplay percentage this week Court” in airplay (2,800 vs. One Direction’s former No. posts the Billboard’s Hot 100’s is an active radio-promoted are all country tracks, as that 1,600) and download sales 2-peaking Hot 100 song has largest sales percentage as single, debuting on Adult genre generally lags behind (142,000 to 115,000) to date. been able to hang onto its it shifts 127,000. Without Top 40 at No. 37 this week. others in streaming and sales However, “Court Court” is far place on the list for 13 weeks. any current radio promotion That airplay, plus the Vevo activity. Aptly, the track with outpacing “Team” in streams For the current week, the plans by Bieber’s label, Island premiere of the video on Oct. the highest airplay ratio is tracked so far (10.8 million to track is No. 39 on Streaming Def Jam, for any of the “Music 15 on the same day of its titled “Radio.” Rucker’s third 3 million). Of the 1.6 million Songs and just ranks Monday” tracks, only nine download release, prompts single from his True Believers streams that “Court” earned among the top 100 in overall Nielsen BDS-monitored radio at No. 36 entry on Hot Digital album inches up 15-13 on this week, 50% come from download sales and top 300 stations took the initiative to Songs with 35,000 and a No. Country Airplay. plays on Spotify. in radio airplay. play “All That Matters” a total 78 debut on the Hot 100. of 36 times. In contrast, the song had 507,000 streams on the singer’s Vevo channel, as tracked through YouTube.

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