DOCSLIB.ORG

Thestrad Sfz 02 Contents 3/3/06 4:09 Pm Page 3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Thestrad Sfz 02 Contents 3/3/06 4:09 Pm Page 3 Sfz_02_Cover 3/3/06 4:52 pm Page 1 WIN > GIG BAG FROM RITTER SSffA forcez forz young string players CARBON-FIBRE BOW FROM ARCUS WHERE DO I GO FROM HERE? six suggestions for a fantastic career after college GIG BAG ROUND-UP the convenient way to travel with strings ClaudioBohórquez South America's super-cool cellist meditates on his rise to stardom CHRISTIAN STELLING supplement to April 2006 issue theStrad Sfz_02_Contents 3/3/06 4:09 pm Page 3 If you’re into meditation and music, then you'll love this issue’s cover star – Claudio Bohórquez, J. HENRY FAIR who has thought much about the connection between them. The South American cellist defines himself as a Buddhist and has a laid-back approach that’s refreshing in today’s frenetic musical world. It also seems to have Contents helped him to cope with his busy schedule, no bad thing. Meanwhile fellow cellist [3] KNOW IT ALL? Test your string Denise Djokic found a different way to knowledge with our quiz 4 create space for herself and took a month [ ] NEWS it’s all change for the Australian String Quartet, while out of her schedule to learn Prokofiev’s two youth orchestras hit trouble Symphony-Concerto, as she describes [6] COVER STORY CLAUDIO BOHÓRQUEZ on our back page – a great idea if you the South American cellist with a can afford the time. charmingly laid-back attitude Elsewhere we’re in the thick of things, [12] CAREER MOVES finding the perfect with a feature on today’s young stars job after college who have plugged in their instruments to [16] PUMP UP THE VOLUME find out forge a music career. With rock, hip-hop who’s making waves in the world and jazz all featured, they’re really taking of electric strings electric strings in a dynamic new direction. [18] WIN a top-of-the-range Ritter gig bag And while we’re on the subject of careers, [20] ON THE MOVE a round-up of padded don’t miss our feature on page 12, gig bags for all stringed instruments which shows just how many options [24] MY MONTH young Canadian cellist there are out there for bright young Denise Djokic music graduates. [25] WIN a fine Arcus carbon-fibre bow Naomi Sadler Editor-in-Chief Sfz> Editor-in-chief Naomi Sadler Editor Amanda Holloway Sfz, The Strad,Newsquest Specialist Media Ltd, 30 Cannon Street, Design & Art Direction Kelly Al-Saleh & Alex Cameron London EC4M 6YJ, UK email [email protected] tel +44 (0)20 7618 3456 tel +44 (0)20 7618 3095 fax +44 (0)20 7618 3483 Advertising Gordana Kalli, Duncan Brown, Tom Byford, www.thestrad.com/sfz Emma Newton © Newsquest Specialist Media Ltd 2006. Published by the Email [email protected] Orpheus portfolio at Newsquest Specialist Media Ltd, Tel +44 (0)20 7618 3474 part of Newsquest Media Group – a Gannett company. Publisher Hannah Pilgrim Morris The Strad is a registered trademark Production Nikki Easton, Evelina Beckers [1] Sfz> APRIL 2006 Sfz_02_Quiz 3/3/06 4:07 pm Page 3 SOYOU THINKYOU KNOWYOURSTUFF… How much do you know about your instrument and the people who play it? Test your string knowledge with our quiz QThere’s rosin dust caked under &The highest price ever paid for AOn what part of your instrument or 1 the strings of your instrument. 3 a violin at auction is: 8 bow would you find a ‘ferrule’? What’s the best way to get rid of it? a) $4,000,550 a) frog a) white spirit on a soft cloth b) $950,300 b) tailpiece b) don’t do it yourself – take it to c) $2,032,000 c) pegbox aprofessional d) $1,704,000 c) chip it off gently with a palette knife How many performances on average d) don’t let it build up in the first place, always How do you tell a Stradivari from 9 does Nikolaj Znaider play each year? wipe gently before putting instrument away 4 a Guarneri ‘del Gesù’? a) 60 a) the scroll b) 150 Can you match the famous faces b) the f-holes c) 90 2 to the hands? c) the arching How often should you have your a 1 Which violinist below gave the 10 bow rehaired? 5 premiere of which violin concerto? a) every month or two 1) Brahms b) twice a year 2) Beethoven c) every two years 3) Tchaikovsky 4) Sibelius HOW DID YOU DO? Give yourself a point b 2 5) Elgar for every correct answer [11–18] Well done! You know all about a) Viktor Novácek your instrument. But maybe you should b) Franz Clement get out more c) Adolf Brodsky [5–10] Pretty darned clever, and not c 3 d) Fritz Kreisler too nerdy e) Joseph Joachim [0–4] Hmm, hope you can actually play your instrument – you don’t seem to How many works did Beethoven know much about it 6 compose for string quartet? d 4 a) 15 [a] player professional a for but use, on 10 depends [c] [c] 9 b) 19 frog the from out passes [a] – it’s the metal band that clamps the hair as it it as hair the clamps that band metal the it’s – [a] c) 17 8 can’t agree! can’t could be any of them, musicologists simply simply musicologists them, of any be could 7 [b] What was the name of the 6 [1e] [2b] [3c] [4a] [5d] [4a] [3c] [2b] [1e] 7 medieval ‘ancestor’ to the violin? 5 all three are correct are three all e 5 4 a) viola da braccio 2005 April York, New c], for the ‘Lady Tennant’ Strad, at Christie’s Christie’s at Strad, Tennant’ ‘Lady the for c], b) vielle 3[ [a3] [b4] [c2] [d5] [ e1] [ [d5] [c2] [b4] [a3] 2 [d], but if it needs more help, definitely [b] definitely help, more needs it if but [d], c) rebec 1 MARK WOHLRAB, AKIRA KINOSHITA, STRINGS IN THE MOUNTAINS, ALEXANDRA VOSDING, SHEILA ROCK, THOMAS MULLER/WARNER CLASSICS ANSWERS QUIZ [3] Sfz> APRIL 2006 Sfz_02_News 3/3/06 4:47 pm Page 4 N EWS...NEWS...NEWS...NEWS...NEWS.. TANKSTREAM TO BECOME LIVING AUSTRALIA’S OFFICIAL THE STRING QUARTET FANTASY All-female quartet steps into shoes of disgruntled ASQ members. Amanda Holloway reports BENJAMIN EALOVEGA ASPIRING SOLOISTS ARE always longing for a major new concerto to show off their talents. Mats Lidström is producing just the thing for cellists with attitude. Inspired by Sarasate’s ‘Carmen’ Fantasy for violin, Lidström is writing a 30-minute Fantasy for cello and orchestra, based on COURTESY KATIE HARLEY Verdi’s Rigoletto. He’s dedicating it to his cello students at the Royal Academy of Music. Lidström has happy THE AWARD-WINNING YOUNG we couldn’t sustain the ASQ to continue, ‘and then out of the memories of playing in the Tankstream Quartet has been as a business. And the ASQ looks blue this came up. It’s made opera as principal cellist in named as Australia’s national after its players – they stay in things a whole lot easier!’ Stockholm’s Royal Opera chamber ensemble. From 2007 five-star hotels nearly every- The Tankstream players, Orchestra. At first he hesitated it will take on the title the where, and there are always who won first prize in the Eighth to tinker with a masterpiece. Australian String Quartet (ASQ). gaps between tours for rest International String Quartet ‘Then I thought of the The Tankstream players, and relaxation.’ Competition in Cremona and countless others writing Rowell and Anne Horton,violins, Tankstream leader, violinist second prize in the Premio Paolo paraphrases on Donizetti, Sally Boud, viola, and Rachel Sophie Rowell, describes it as Borciano Competition in June, Weber or Bellini,’ he said. Johnston, cello, will be the ‘a fabulous opportunity. This is are currently based in Cologne, Lidström hasn’t modified ninth incarnation of the ASQ, like a dream come true for us, to where they are being mentored Verdi’s tonal language. which was founded in 1985 and be a full-time string quartet and by the Alban Berg Quartet at ‘The only major changes, is still Australia’s only full-time to make a living out of it.’ She the Hochschule für Musik. Two besides my introduction, nationally touring string quartet. said they’d reached the stage of recordings on ABC Classics are are that I’ve made one of The former members of the wondering how they were going due to be released this year. the arias into a cello sextet ASQ resigned last year, after and incorporated Liszt’s complaints about the gruelling Rigoletto paraphrase!’ schedule. Violinists Natsuko NEW USE FOR BAD VIOLINISTS? He’s not sure how many Yoshimoto and James Cuddeford POLICE FORCES AND PUBLIC TRANSPORT COMPANIES ALL of his students will be rushing and violist Jeremy Williams also over England are adopting a new deterrent for teenage gangs – to play it. ‘My wife asked me criticised the ‘management’s a black box which sounds like a badly played violin. Adult ears can at an early stage not to make continued reluctance to barely detect the high-pitched noise emitted by the Sonic the cello part too difficult. implement the clear artistic Teenager Deterrent, but youths find it so painful that they have But I’m not one to take the direction shown by us’. to leave the area immediately. Shop owners can control the easy option!’ Now Lidström But manager Stephen Block signal strength as the problem of loitering youth ebbs and flows. has to finish composing the says it’s an economic necessity With so many musicians out of work, however, why not music and learn it himself, to tour the cities and rural areas employ a soloist or a whole string section to play badly? in time for the premiere of Australia.
Load more

Recommended publications
  • Carla Shapreau-CV
    Carla Shapreau Department of Music 104 Curator, Ansley K. Salz Collection, Department of Music Morrison Hall #1200 Lecturer, School of Law University of California Senior Fellow, Institute of European Studies Berkeley, CA 94720-2316 University of California, Berkeley +1 (510) 849-0777 Research website: the Lost Music Project [email protected] _______________________________________________________________________________ Curriculum Vitae Academic Appointments and Affiliations • Curator, Salz Collection of Stringed Instruments, Department of Music, University of California, Berkeley, 2015-present • Lecturer, Berkeley School of Law, University of California, Berkeley, Art and Cultural Property Law, January 2010-present • Senior Fellow, University of California, Berkeley, Institute of European Studies (2014- present) (Research Associate 2011-2013, Visiting Scholar 2007-2010) Awards/Grants • 2018, National Endowment for the Humanities Fellowship Grant, European History: Orpheus Lost: The Nazi-Era Plunder of Music in Europe • 2017, France-Berkeley Fund grant: “The Economic, Social and Political World of Violins in the Pre-War and World War II Eras: Bridging the Archival Gap between the Musée de la Musique and the Smithsonian Institution Collections” • 2015, Claude V. Palisca Award, American Musicological Society for The Ferrell- Vogüé Machaut Manuscript, with co-authors Lawrence Earp and Domenic Leo • 2011, Austrian Marshall Plan Foundation grant: "Austria: Musical Expropriations During the Nazi Era and 21st Century Ramifications" • 2011,
    [Show full text]
  • Media Information 2020
    MEDIA INFORMATION 2020 THE STRAD DIRECTORY 2020 DIRECTORY DIRECTORY 2020 ESSENTIAL REFERENCE FOR THE STRING INDUSTRY In association with Roderich Paesold – Germany Meisterwerkstätten für feine Streichinstrumente & Bögen seit 1848 WWW.THESTRAD.COM WWW.THESTRAD.COM 2020 EDITION £20.00 US$30.00 €25.00 2020 STRING COURSES INTERNATIONAL COURSES FOR STRING PLAYERS AND MAKERS Supplement to The Strad January 2020 PUBLISHING READERSHIP PRINT RATES PRINT SPECS DIRECTORY DIGITAL RECRUITMENT SCHEDULE THE STRAD PORTFOLIO The voice of the string world since May 1890, The Strad reaches an influential audience of professionals and amateurs, experts and enthusiasts of all stringed instruments played with a bow. THE MAGAZINE The Strad is the only monthly magazine for stringed instruments with a truly international audience, 130-year heritage and a proud reputation for delivering the highest quality editorial content. THE STRAD SUPPLEMENTS DIRECTORY 2020 DIRECTORY DIRECTORY 2020 ESSENTIAL REFERENCE FOR THE STRING INDUSTRY 2020 In association with Roderich Paesold – Germany The Strad publishes essential market-leading supplements including a business Meisterwerkstätten für feine Streichinstrumente & Bögen seit 1848 STRING COURSES INTERNATIONAL COURSES FOR STRING PLAYERS AND MAKERS directory, guides to master classes and degree courses and an annual review of the latest accessories. We also publish a detailed instrument calendar, sponsored special WWW.THESTRAD.COM editions, and posters - all with promotional opportunities available. WWW.THESTRAD.COM 2020 EDITION £20.00 US$30.00 €25.00 Supplement to The Strad January 2020 DIGITAL PLATFORMS In 2019 we developed thestrad.com further by introducing The Strad Archive, allowing access to years of invaluable and exclusive content to our subscriber audience.
    [Show full text]
  • Edgar Meyer, Bass
    CONCERT SPONSORS The support from the organizations and individuals listed below has made this concert possible. The Board of Directors and all of us at the Festival are most appreciative and very thankful for their commitment to bringing musical excellence to Amelia Island and its environs. Richard and Jeanne Conner | Michel and Lyn Deroy Jack and Sandy Halsey – The Halsey Family Foundation Bud and Elizabeth Tanis, in memory of Maxine Tanis BECOME A CONCERT SPONSOR We are truly grateful for all levels of financial support from our patrons, but there is a very special group of people, who give at least $2,500 each year to become Concert Sponsors. These valued contributors are publicly recognized at the concert they sponsor and given preferred up-front seating at most other concerts. To learn more about becoming a Concert Sponsor as well as the benefits of various giving levels, please visit our website (aicmf.com), click Donate in the top navigation. Also feel free to contact our Executive Director Eric Sakurai or call our office at 904-261-1779 if you have any questions. BOARD OF DIRECTORS General & Artistic Director - Christopher Rex Emma Mills Bledsoe, President Barbara Alleva Gant Irene Sanchez, Vice President Sharon Lennon Sue Braddock, Secretary Tom Pippin Kathleen Minder, Treasurer Vicki Whittemore Hugh Williams Executive Director Emeritus - Dr. Joseph Marasco Staff Executive Director - Eric Sakurai Office Manager - Donna Hinton About the AICMF The Amelia Island Chamber Music Festival is nationally recognized as one of the foremost music events of its kind. The Festival is a not-for-profit, tax-exempt organization under Section 501 (c)(3) of the Internal Revenue Code.
    [Show full text]
  • Fiddlefest 03 Report
    NANCY SHEAR ARTS SERVICES REPORT OF PUBLIC RELATIONS BREAKS FOR FIDDLEFEST 2003 (As of 28 July 2004) American Symphony Orchestra League internet subscription service, 10 Oct 03 – Announcement about Fiddlefest American Symphony Orchestra League internet subscription service, 4 Dec 03 – Report on Associated Press story Associated Press – full story with photographer sent to shoot the Opus 118 rehearsal on 1 Dec. The story was carried on the wire, so had the potential to be published in more than a thousand papers. Among the ones we know of are the following: • Seattle Post-Intelligencer • Yahoo.com • msn.com entertainment • Newsday • Sun-Sentinel, FL • Comcast.net • Miami Herald • Stamford Advocate • Yahoo Asia News • TwinCities.com Pioneer Press • 13 WVEC.com Hampton Roads • Citrus County Chronicle, FL • tcpalm.com - Treasure Coast/Palm Beach • softcom.net internet communications inc. • mpdu.com – mom & pop attitude • RockKansas.com • newscenter.mind.net • FindLaw Legal News and Commentary • South Coast Today, The Standard-Times, New Bedford, MA • Shawano Leader, WI • Springfield News Sun, OH • Surferznet.net • news.netster.com • InfoStructure (online) Beethoven Radio - did promotion and gave away 5 pairs of tickets to contest winners Bergen Record (and Bergen County) – full article, “Fiddlers Fight to Preserve Music Education” by Eunnie Park, 28 Nov 03 Big Apple Parent – 17 Nov 03 – Quarter-page preview story, including interview with Roberta and photo of Roberta and the kids Black Star News – Covered concert City Guide (tourist guide given away at hotels, tourist offices, etc.) – Listing Craig’s List (online service) http://newyork.craigslist.org/eve/19316422.html - reprinted NSAS press release in its entirety in the event section Daily Record (Morris County, NJ) – listing, 29 Nov 03 Education Update – Reprinted NSAS’s press release as story, with photo; broke in newspaper and on-line The Forward – Masha Leon covered the event afterwards using quotes from Matilda Cuomo and Kitty Carlisle Hart Symphony Magazine - From the Field (10 Oct.
    [Show full text]
  • Uni International 300 N
    INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “ target” for pages apparently lacking from the document photographed is “ Missing Page(s)” . I f it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting througli an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated w ith a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image o f the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin film ing at the upper le ft hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. I f necessary, sectioning is continued again—beginning below the first row and continuing on until complete.
    [Show full text]
  • ELECTRIC VIOLA RESOURCE GUIDE: DISCOGRAPHY and LIST of COMPOSITIONS by Martha Mooke
    ALTERNATIVE STYLES ELECTRIC VIOLA RESOURCE GUIDE: DISCOGRAPHY AND LIST OF COMPOSITIONS by Martha Mooke This issue’s article continues the exploration of Many of the works on the list of compositions the electric viola with a discography of works were composed for me and which I also and a list of compositions for the instrument premiered. I have performed several of them (this includes actual electric instruments—of 4 many times in subsequent concerts (such as or more strings—or acoustic violas plugged in or Alvin Singleton's "Mookestueck" which I also miked so the sound is affected, not just recorded for Tzadik, Dave Soldier's "East St. amplified). There was some difficulty in Louis 1968 is a fave, and Tania León's "Hebras selecting works to include, because technically a d'luz"). I've come across many videos on 5‐string violin and 5‐string viola can play the YouTube and a plethora of electric violists on same repertoire, and I also have a collection of MySpace (many of whom are jazz/rock or heavy CDs from 5‐string violinists. I have only included metal), so these are wonderful resources for works that, as far as I can tell, were created for violists to investigate when searching for 5‐string viola. electric music. Please feel free to visit my YouTube channel at: There are a few exceptions to the rule. For http://www.youtube.com/user/POWERVLA. example, I included Jean Luc‐Ponty because he For those of you on Facebook, you are welcome was the first 5‐string violinist that inspired me to join a group I created called “Violas on the (in fact, I went out and bought the same Barcus Verge” which is an extension of a clinic that I Berry 5‐string violin—before I could find any have presented at the American String Teachers electric violas).
    [Show full text]
  • The Blake Collection Click on Item Titles Or in Memory of Nancy M
    (Scroll to the end of this document for an Index to all items. Please note that this Archive contains Live Links: The Blake Collection click on item titles or pictures to go to the In Memory of Nancy M. Blake Library’s catalog, and click on citations to see full articles.) BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma.
    [Show full text]
  • School of Music
    “Contrasts” Robert Spring, clarinet Andrew Campbell, piano Katherine McLin, violin Jana Starling, clarinet Katzin Concert Hall Faculty Artist Concert Series Sunday, September 28, 2008 2:30 PM Program Siren for two Clarinets (2008)* Roshanne Etezady Grand Duo Concertante Carl Maria von Weber for Clarinet and Piano, Op. 48 Allegro con fuoco Andante con moto Rondo: Allegro Air Varié on a Theme by Bellini Paul de Ville Intermission Bright Angel for Clarinet and Piano Roshanne Etezady Lookout Phantom Kiva Hermit’s Rest Bright Angel Contrasts for Violin, Clarinet and Piano Bela Bartók Verbunkos (Recruiting Dance) Pihenö (Relaxation) Sebes (Fast Dance) *Arizona Premiere. Commissioned by Robert Spring and Jana Starling. A reception will follow in the Cowley Lobby School of Music BrightAngel is inspired by designs by the American architect Mary Jane Colter (b. Pittsburgh, 1869). During her career, which spanned 46 years, Colter was responsible for dozens of projects, and eleven of her buildings are on the National Register of Historic Places. She was known as a feisty perfectionist, and often faced hostility in the "man's world" of architecture. However, her successes transcended gender, and she is considered among the foremost architects of her time. Colter was a pioneer of what is now called the "rustic" style of architecture; her buildings blend into their surroundings and harmonize with their environments. During a period when many architects were copying European design, Colter helped shape a style of architecture that is simple yet elegant, modern yet conscious of the past, and quintessentially American. I learned about Mary Jane Colter while I was researching another project, and felt especially drawn to some of her buildings located in the Grand Canyon: Lookout Tower, Phantom Ranch, Hopi House, Hermit's Rest, and Bright Angel Lodge.
    [Show full text]
  • 2021 Schedule
    2021 SCHEDULE TRADE SHOWS COPY SUPPLEMENTS THEMES & EVENTS ON SALE ISSUES (ALL DATES SUBJECT DEADLINES & POSTERS & FEATURES TO CHANGE IN VIEW DATE OF THE COVID-19 PANDEMIC) FEBRUARY 2021 18/12/2020 French focus 27/01/2021 MARCH 2021 26/01/2021 ASTA 3 – 6 March, Virtual 24/02/2021 APRIL 2021 24/02/2021 German focus 24/03/2021 MAY 2021 26/03/2021 Degrees 28/04/2021 JUNE 2021 30/04/2021 Accessories Musicora 4-6 June 26/05/2021 JULY 2021 21/05/2021 Poster 23/06/2021 AUGUST 2021 25/06/2021 21/07/2021 Mondo Musica C r e m o n a 2 4 - 2 6 S e p t SEPTEMBER 2021 30/07/2021 Education focus Music and Education 25/08/2021 Expo 24-25 Sept Music China 13-16 Oct OCTOBER 2021 25/08/2021 MusikMesse 22-24 Oct 22/09/2021 North American NOVEMBER 2021 23/09/2021 Poster 22/10/2021 focus DECEMBER 2021 21/10/2021 Directory 17/11/2021 JANUARY 2022 25/11/2021 String Courses Namm 20-23 Jan 2022 22/12/2021 CALENDAR 2022 05/08/2021 DIRECTORY 2022 07/10/2021 On sale with Strad December 2021 PUBLISHING READERSHIP PRINT RATES PRINT SPECS DIRECTORY DIGITAL RECRUITMENT SCHEDULE For advertising opportunities in print and online, please contact the advertising team: Tel: +44 (0)20 7618 3474 Email: [email protected] The Strad, Newsquest Specialist Media Ltd, 120 Leman Street, London E1 8EU, UK ADVERTISING RATES 2021 in Pounds Sterling (excluding VAT). DISPLAY AD NUMBER OF INSERTIONS IN TWELVE MONTHS SINGLE FOUR SIX TWELVE DPS £5,700 £5,200 £4,800 £4,000 Page £3,100 £2,700 £2,600 £2,100 Half page £1,900 £1,700 £1,600 £1,300 Quarter page £1,100 £950 £900 £750 COVERS
    [Show full text]
  • 2017 Free Summer Concerts, Fairs, & Festivals in and Around Portland
    2017 Free Summer Concerts, Fairs, & Festivals in and around Portland Compliments of AMERISAL FINANCIAL, INC. Lucia Reynolds 9221 SW Barbur Blvd #310 Portland, OR 97219 Phone: 503-344-4422 [email protected] amerisalfinancial.com SCF Securities did not assist in the preparation of this material. While Amerisal Financial believes the material to be from a reliable source, its accuracy and completeness are not guaranteed and will not be held responsible for any errors that might occur. SCF Securities is not responsible for any information contained on or within website or literature referred to herein. Securities offered through SCF Securities, Inc. - Member FINRA / SIPC; Investment Advisory Services offered through SCF Investment Advisors, Inc: 155 E Shaw Ave, Suite 102, Fresno CA 93710, Ph: 800-955-2517, Fax: 559-456-6109. SCF Securities, Inc. and Amerisal Financial are not affiliated. Page 1 2017 Free Summer Concerts In and around Portland Friday, June 30th 6:30 p.m. Friday Night Groove - Check out our FREE Friday night music featuring DJ George at Director Park! DIR ECTOR PARK • 815 SW Park Ave, Portland, OR • Saturday, July 1s 2:00 p.m. Tim Downing. Portland based pianist and keyboardist played to the likes of Nate Botsford, Hyper Static Union, and Natalie Grant. BRIDGEPORT VILLAGE ● 7455 SW Bridgeport Road, Tigard ● 6:00 p.m. Tony Furtado – Tony is an evocative and soulful singer, a wide-ranging songwriter and a virtuoso multiinstrumentalist adept on banjo, cello- banjo, slide guitar and baritone ukulele who mixes and matches sounds and styles with the flair of a master chef. BRIDGEPORT VILLAGE ● 7455 SW Bridgeport Road, Tigard ● 7:00 p.m.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UM[ films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typevvriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 AN ANALYSIS OF THREE VIOLIN SONATAS BY WILLIAM BOLCOM DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Philip Richard Baldwin, B.M., M.M.
    [Show full text]
  • A Prima Vista
    A PRIMA VISTA a survey of reprints and of recent publications 2012/1 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: + 31 (0)20 679 65 75 CDs: + 31 (0)20 675 16 53 / fax: + 31 (0)20 664 67 59 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 CONTENTS A PRIMA VISTA 2012/1 PAGE HEADING 03 PIANO 2-HANDS 11 PIANO 4-HANDS, 2 PIANOS, HARPSICHORD, ORGAN 12 KEYBOARD 13 ACCORDION 1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: 13 VIOLIN SOLO, CELLO SOLO, DOUBLE BASS SOLO 1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 14 VIOLIN with accompaniment, VIOLIN PLAY ALONG 15 VIOLA with accompaniment, CELLO with accompaniment, VIOLA DA GAMBA with accompaniment 15 2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 18 FLUTE SOLO, CLARINET SOLO, SAXOPHONE SOLO 19 TROMBONE SOLO 1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 19 PICCOLO with accompaniment, FLUTE with accompaniment 20 FLUTE PLAY ALONG 22 OBOE with accompaniment, CLARINET with accompaniment, CLARINET PLAY ALONG 23 SAXOPHONE with accompaniment 24 SAXOPHONE PLAY ALONG, 25 TRUMPET with accompaniment, TRUMPET PLAY ALONG 27 HORN with accompaniment, HORN PLAY ALONG, TROMBONE with accompaniment, TROMBONE PLAY ALONG 2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 29 2 AND MORE WOODWIND INSTRUMENTS, 2 AND MORE BRASS INSTRUMENTS 30 COMBINATIONS OF WOODWIND AND BRASS INSTRUMENTS 30 COMBINATIONS OF WIND AND STRING INSTRUMENTS 31 RECORDER 32 GUITAR 35 UKULELE, MANDOLIN 36 BANJO 37 HARP, PERCUSSION 38 MISCELLANEOUS, 38 SOLO VOICE(S) AND/OR CHOIR WITH INSTRUMENTAL ACCOMPANIMENT 45 SOLO VOICE(S) AND/OR CHOIR WITH ORCHESTRAL ACCOMPANIMENT, UNACCOMPANIED CHOIR 47 OPERA, OPERETTA, MUSICAL, ORATORIA, MASS (SCORES: POCKET-, STUDY-, FULL-, VOCAL-) 47 ORCHESTRA WITH AND WITHOUT INSTRUMENTAL SOLOISTS 48 BOOKS OF MUSICAL INTEREST 51 CDs compilation by Jan A.
    [Show full text]