Abraham Lincoln, 27 Adam's Rib, 5

Cambridge University Press 978-0-521-82022-6 - The “I” of the Camera: Essays in Film Criticism, History, and Aesthetics: Second Edition William Rothman Index More information

Index

Abraham Lincoln, 27 Batkin, Norton, xxx Adam’s Rib, 5, 7, 56, 171, 173, 176, Bazin, Andre,´ 131, 285, 322, 323, 200 325, 350 Allen, Woody, 52n Beavers, Louise, 98, 100, 104, 105, American ﬁlm, “Americanness” of, 268 1–10, 55–7, 146–7, 359–65, Beethoven, Ludwig van, 12 372–80 Bel Geddes, Barbara, 257 Andrews, Dana, 134 Bellamy, Ralph, 170 Anger, Kenneth, 70 Beloved Rogue, The, 80 Antonioni, Michelangelo, 325 Belton, John, 111 Apartment, The, 178–80, 185, 192, Benny, Jack, 352 193–205 Bergman, Ingrid, 226, 255, 257, 298, Apu trilogy, 358 326 Aravindan, G., 364 Berkeley, Busby, 170 Ascher, Steve, 283 Bhagavad Gita, The, 206 Astaire, Fred, 170, 193 Big Sky, The, 114, 115, 116 Astor, Mary, 69–73 Big Sleep, The, 112–4, 120, 121 Auerbach, Nina, 94–5 Birds, The, 234, 242, 257 Austen, Jane, 30 Birri, Fernando, 342 Avenging Conscience, The, 22 Birth of a Nation, The, xxix, 3, 11–16, Awful Truth, The, 5, 56, 170, 171 22, 29, 39, 78, 82, 83, 349, 362 Biskind, Peter, 7–8 Bacall, Lauren, 114, 120, 158–9, Bitzer, Billy, 24–5 161–5 Blackmail, 20, 242, 258 Baker, Carlos, 161 Block, Mitchell, 297 Ball of Fire, 113, 115, 119 Blonde Venus, 6, 55, 56, 59, 62–5, Barbary Coast, 114, 118, 121 302; role of African Americans Barnouw, Erik, 3 in, 96, 100–2, 107 Barrymore, John, 80, 84, 113, 114, Blue Angel, The, 84 120, 298 Bogart, Humphrey, 119, 120;inTo Barrymore, Lionel, 24 Have and Have Not, 158–66 Barthelmess, Richard, 24, 36, 298, Bogle, Donald, 100, 101, 104, 105, 302 106

381

© in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82022-6 - The “I” of the Camera: Essays in Film Criticism, History, and Aesthetics: Second Edition William Rothman Index More information

382 Index

Boles, John, 91 Chen, Kaige, 362 Bordwell, David, 56 Cheng, Jihua, 362 Boudu Saved from Drowning, 132 Cherrill, Virginia, 46 Boyer, Charles, 351 Chienne, La, 131 Brault, Michel, 281 Chopra, Joyce, 296 Brennan, Walter, 119, 134, 159 Chow, Yun-Fat, 355, 356 Brenner, Gerry, 161 Chronicle of a Summer, 281 Bringing Up Baby, 5, 10, 110–5, cinema-verit´ e,´ xxi, 8, 281–97, 304–6, 119–21 314 Brocka, Lino, 364 Circus, The, 46, 48 Broken Blossoms, 12, 29, 36, 79, 302 Citizen Kane, 178 Brook, Peter, 373 City Lights, 4, 46–54, 193 Brooks, Louise, 114–15 Cixous, Hel´ ene,` 375 Brooks, Peter, 58, 75, 87, 258, 372, Clark, Paul, xxix 373 Coen, Joel and Ethan, 201 Brown, Joe E., 180, 189, 192 Colbert, Claudette, 5, 72, 106, 108 Brown, Karl, 23, 24, 25 Collinge, Patricia, 108 Browne, Nick, 148, 153, 154 Collins, Joan, 117 Bunuel,˜ Luis, 351 comedy of remarriage, 5–8, 82, 94, Burch, Noel,¨ 56 95, 106, 139, 140, 157, 171–6; Burr, Raymond, 257 relationship to Billy Wilder ﬁlms, Buscombe, Edward, 141, 142, 143, 177–9, 191, 200, 204, 205;to 144 cinema-verit´ e,´ 285;toTale of Winter, 335–8;toThe Goddess, Cahiers du cinema´ , 323, 325 56, 57, 66; to Hitchcock ﬁlms, Camille, 6, 96, 302 271–7; see also melodrama of the Capote, Truman, 290 unknown woman; Stanley Cavell Capra, Frank, 72, 169, 170, 177, Conversation Piece, 302 334 Cooper, Gary, 119, 298 Carmichael, Hoagy, 159 Cotten, Joseph, 255 Carroll, Leo G., 244, 255 Coyote, Wile E., 351 Casablanca, 183, 297 Crime of M. Lange, The, 133 Cassavetes, John, 197 Crisis: Behind a Presidential Cavell, Stanley, xiii, xiv, xxvii, 2, 5, 6, Commitment, 286, 287 9, 10, 56–7, 82, 94–6, 99–100, Crisp, Donald, 24 139, 221, 271–3, 275–8, 285, Cronkite, Walter, 286 292, 326–7, 334–8, 359, 360, Crosland, Alan, 80 368, 374, 377, 378; see also Cukor, George, 177 comedy of remarriage; Cumberbatch, Guy, 348 melodrama of the unknown Curtis, Tony, 188, 192 woman; philosophy Chandler, Raymond, 180 Dalio, Marcel, 163 Chaplin, Charles, xx, 1, 4, 13, 193, Dall, John, 258 194, 198, 220, 298; and City Dasgupta, Chidananda, 364 Lights, 44–54 Davis, Bette, 6, 96, 374 Chatterjee, Gayatri, 371 Death in Venice, 298–303

Index 383

Delon, Alain, 302 Fifth Generation (of Chinese DeMille, Cecil B., 169, 170, 186 directors), 362, 363, 370 DeMott, Joel, 283 film criticism, xv, xvii, xxi–xxv, 9, 10, DeNiro, Robert, 355 99, 171, 270–4; relation to film Derrida, Jacques, 367 theory, 321–4, 346, 364–7, Descartes, Rene, xv 375–8 Dial “M” for Murder, 252 film noir, 173, 174, 177, 178, 180 Diamond, I. A. L., 200 film theory, xii, xv, xvi, 359; apparatus Diaries 1971–76, 283, 284 theories, xv, 350, 353; auteurism, Dickinson, Angie, 114 270–1, 321; feminist theory, 63, Dietrich, Marlene, 6, 100, 101, 147, 176, 375–80 238, 298, 302, 330; and Ruan Flaherty, Robert, 282, 284, 352 Lingyu, 58–64. Fleming, Victor, 67 Dinner at Eight, 68, 84, 85 Fonda, Henry, 196, 256, 336 Dissanayake, Wimal, xxix Ford, John, 8, 13, 139, 141–56, 170, Doll’s House, A, 5 177, 204 Donat, Robert, 254 Foster, Barry, 261 Double Indemnity, 7, 75, 76, 83, 177, Frege, Gottlob, xiii 178, 180–5, 190, 192 French Cancan, 122, 135–8, 220 Douglas, Kirk, 116 Frenzy, 255, 261 Dream Street, 27 Freud, Sigmund, 59, 335, 351, 369 Dressler, Marie, 84–5 Drew, Robert, 281 Gabin, Jean, 85–6, 135–8 Dreyer, Carl, 13, 19, 84, 326, 355 Gable, Clark, 67–73 Drunkard’s Reformation, The, 13, 15, Gallagher, Tag, 141, 142, 146, 148, 326, 327 154, 156 Dunne, Irene, 5, 102, 103, 172 Gandhi, Mahatma, 361 Dutt, Guru, 362 Garbo, Greta, 6, 179, 298, 302 Gardner, Robert, 282 Easy Virtue, 242 Gaslight, 6, 96, 297, 351 Eisenstein, Sergei, 13, 350, 353 Gentlemen Prefer Blondes, 111, 113, El Dorado, 115, 116 114, 115, 117, 120, 121, 179 Elena´ et les Hommes, 122, 137, 220 Gertrud, 84 Emerson, Ralph Waldo, films Ghatak, Ritwik, 362 inheritance of philosophical Gilda, xiii perspective of, xv, 2, 5, 10, 55, Girl in Every Port, A, 102, 114, 115 139, 170, 172, 177, 205, 240, Gish, Lillian, 3, 24, 29, 30, 31, 32, 279, 338, 347, 357, 359, 360, 34–6, 62, 83, 179, 298, 302 361, 368, 377 Godard, Jean-Luc, 325, 326 Goddess, The, xi, 55–66 Family Portrait Sittings, xxi, xxxi, Golden Coach, The, 122, 135, 218, 304–20 220 Fargo, 201 Goldwyn, Samuel, 118, 119, 120 femme fatale, 177, 185 Gold Rush, The, 198 feminist theory; see film theory Gould, Timothy, 275–9 Fields, W. C., 62 Grand Illusion, The, 85–6, 163, 208

384 Index

Grant, Cary, 5, 10, 63, 94; 172, 190, Hitchcock thriller, 272, 378; role of 192, 204; 255, 257, 277, 288, villains in, 254–63 298, 302, 334; in Howard Holden, William, 186 Hawks ﬁlms, 110, 112, 114–7, Home Sweet Home, 22 119–21;inNorth by Northwest, Hopkins, Miriam, 72, 114, 119 241–53 House of Darkness, A, 15 Grapes of Wrath, The, 157 Hovey, Richard, 161 Great Dictator, The, 53, 193 How Green Was My Valley, 147, 157 Greed, 4 Howitt, Dennis, 348 Grierson, John, 284 Hurst, Fannie, 104 Grifﬁth, David Wark, xx, xxix, 1, 3–5, Huston, Walter, 24 9, 11–16, 17–28, 29–43, 62, 78, 82, 83, 87, 88, 168, 169, 170, I Was a Male War Bride, 114, 116 220, 282, 288, 289, 295, 303, Ibsen, Henrik, 5 326, 327, 349, 350 Ikiru, 360 Guzzetti, Alfred, 304–20 Imitation of Life, 92, 104–8, 268, 269 improvisation, 289, 297 Happy Mother’s Day, A, 296–7 In Cold Blood, 290 Harlow, Jean, 67–73 Intolerance, 21 Harron, Robert, 17, 24, 29, 31 Irigaray, Luce, 375 Haskell, Molly, 110 Irma la Douce, 193 Hawks, Howard, xx, 8, 72, 110–21, It Happened One Night, 4, 8, 56, 72, 158–66, 170, 177, 179, 324 106, 170, 171, 177, 334 Hawthorne, Nathaniel, 2, 3 It’s a Wonderful Life, 172–4, 234 Haydn, Franz Joseph, 12 Ivens, Joris, 284, 304 Haye, Helen, 256 Hayworth, Rita, xiii, 116, 121 James, Henry, 2 Heche, Anne, 263, 264, 265 Jannings, Emil, 84 Hecht, Ben, 118 Jazz Singer, The, 102, 178 Hedren, Tippi, 181, 257 Jin, Xie, 61 Heidegger, Martin, xv, 368, 369 Jones, Allan, 103 Hemingway, Ernest, 158–63, 165–6 Ju Dou, 363 Hepburn, Katharine, 5, 10, 110, 112, Judith of Bethulia, xxix, 11, 17–28 120, 121, 147, 173, 176, 204, 288, 298, 302 Kant, Immanuel, 334, 361 Hessling, Catherine, 131 Kaplan, E. Ann, 372 His Girl Friday, 5, 79, 80, 114, 119, Kapoor, Raj, 362 120, 121 Keane, Marian, xxvii, 10n, 80n, 221, Hitchcock, Alfred, xxix, xx, xxii, 8, 231, 237 13, 20, 74, 76–84, 108, 111–3, Keaton, Buster, 44–6, 53, 145, 179, 116, 121, 135, 132, 143, 154, 231 178–82, 196, 200, 204, 216, 324, Kelly, Gene, 193 328, 336, 338, 350, 353, 381; Kennedy, John F., 287, 288, 351 authorship of, 265, 268–80; and King, Martin Luther, 361 North by Northwest, 241–53; Kreines, Jeff, 283 and Vertigo, 221–40 Krishnaswamy, S., 3

Index 385

Kristeva,´ Julia, 374 Madame Bovary, 6 Krupa, Gene, 119 Mahabarata, The, 373 Kurosawa, Akira, 359, 360 Maltese Falcon, The, 70 Man Who Shot Liberty Valance, The, Lacan, Jacques, xv, 271, 367, 372, 141 375 Mangano, Sylvana, 302 Lady Eve, The, 5, 76, 89, 171, 185, Manhattan, 52n 335, 336 Mann, Thomas, 298–303 Lancaster, Burt, 302 Man’s Favorite Sport?, 110, 115 Land of the Pharaohs, 114, 117, 118, Marnie, 119, 181, 238, 242 121 Marsh, Mae, 13, 14, 16, 17, 24, 78 Landau, Martin, 255 82, 83, 87 Land Without Bread, 351 Marshall, Herbert, 255 Lang, Doreen, 257 Martin, Dean, 116 Lang, Fritz, 1, 115 Mary of Scotland, 147 Last Laugh, The, xiii Mason, James, 243, 255 Late Spring, 360 May ‘68, 363, 369, 379 Laughton, Charles, 179 McCowen, Alec, 255 Leab, Donald, 105 McCrea, Joel, 118 Leacock, Richard, 282, 283, 296, 304 McDaniel, Hattie, 98, 100, 101, 103 Leigh, Janet, 181, 259, 263, 264, 350 McDormand, Frances, 201 Leigh-Hunt Barbara, 261 McElwee, Ross, 283–4 Lemmon, Jack, 179, 180, 188, 192–4, McQueen, Butterﬂy, 98 200, 201 Mei, Chen, 362, 371, 372 Leopard, The, 302 melodrama of the unknown woman, Letter from an Unknown Woman, 6, 6, 7, 56, 93–5, 96, 140, 221, 7, 56, 96, 214, 238, 239, 337, 238–40, 271–5, 285, 338, 374, 377 377; see also comedy of Lifeboat, 256 remarriage; Stanley Cavell Little Match Girl, The, 131, 213 Melville, Herman, 2, 3 Little Theater of Jean Renoir, The, Meyers, Jeffrey, 185 122, 137, 138 Mildred Pierce, 6 Lodger, The, 77, 78, 79, 255, 256, Miles, Vera, 196 260, 261, 266, 273 Milland, Ray, 186 Lombard, Carole, 113, 120 Mitchell, Thomas, 84 Lorentz, Pare, 284, 304 Mizoguchi, Kenji, 6n, 359, 360 Louisiana Story, 148 Modleski, Tania, 274, 377, 378 Lubitsch, Ernst, 1, 169, 170, 177, Monkey Business, 114, 119 178, 179, 352 Monroe, Marilyn, 95, 113, 114, 120, Lumiere,´ Louis, 353 179, 189, 191, 192 morality, Victorian, 148, 204, 206, MacDonald, Dwight, 325 348, 349, 357 MacLaine, Shirley, 179, 197, 199, Morgan, Frank, 84 200, 201, 203 Morgan, Helen, 84, 102, 103 MacMurray, Fred, 7, 75, 180, 185, Morgan, Kitty, xxvii, xxviii 192, 193 Morin, Edgar, 281

386 Index

Morocco, 101 Perkins, Anthony, 78, 79, 91, 119, Moss, Robb, 283 124, 125, 126, 128, 129 Mr. Deeds Goes to Town, 169 Percy, Esme, 255 Mr. Smith Goes to Washington, 169 Perez, Gilberto, 148n Mulvey, Laura, 9, 375, 376 Philadelphia Story, The, 5, 10, 56, 82, Murder!, 231, 241, 255, 283 94, 139, 171, 177, 204, 297, 302, Murnau, F. W., 1, 13, 169, 170, 177, 334 324 Philosophical Investigations, xiii, xv, xxv Nanook of the North, 284, 285, 352 philosophy: in American films, 55, 99, New Latin American Cinema, 340–7 177–8, 205, 220, 347, 359–61, New Wave, see Nouvelle vague 377–9;inDeath in Venice, Nichols, Dudley, 141, 146 298–303; in Hitchcock films, Nietzsche, Friedrich, xv, 361, 368, 254, 268–80; role in film study, 369 xi–xvii, xxix–xxv, 6–12, 360–9, Night and Fog, 352 359–61, 377–9;inTale of Winter, Night of the Hunter, 179 325, 333, 334; in writings of Eric Ninotchka, 178, 179 Rohmer, 321–4 No Lies, 297 Pick, Zuzana, 340–7 Noble, Peter, 104 Pilgrim, The, 49 Noonan, Tommy, 120 Pincus, Edward, 283 North by Northwest, 241–53, 255, Plato, 332, 333, 336, 337 277 Platt, Louise, 147 Notorious, 7, 226, 231, 242, 255, Poe, Edgar Allan, 2, 3 256, 257, 277 Primary, 281, 286, 287 Nouvelle vague, 281, 323, 325, 329 Production Code, 4, 59, 67, 68, 72, Novak, Kim, 222, 223, 224, 226, 265, 73, 350, 357 302 Psycho, 181, 196, 222, 223, 241, 242, Novello, Ivor, 24, 77, 78, 79, 260 243, 255, 259, 262, 281, 297; Now, Voyager, 6, 56, 96, 139, 173 place in Hitchcock’s authorship, 263–4, 267, 269–70, 272; role of O’Connor, Loyola, 29 camera in,78–81; violence in, O’Hara, Maureen, 147 350, 353 Ondra, Anny, 258 Psycho (Gus Van Sant remake), Only Angels Have Wings, 84, 113, 128–34 114, 116, 119, 120, 183 psychoanalysis, xv, 63, 224, 262, 335, Ophuls, Max, 1, 215, 351 367, 372, 375, 378 Orphans of the Storm, 12 Ozu, Yasujiro, 6n, 56, 359, 360 Raging Bull, 354 Rains, Claude, 255, 257 Parada, Rodolfo, 343 Rance, Mark, 283 Pascal, Blaise, 332, 333, 334, 337 Random Harvest, 6, 238 Passion of Joan of Arc, The, 19, 326, Raphaelson, Samson, 178 355 Rapper, Irving, 97 Peary, Gerald, xxx Ray, Nicholas, 8 Pennebaker, D. A., 304 Ray, Satyajit, 358

Index 387

Raymond, Gene, 68, 69 Secret Beyond the Door, The, 115 Rayns, Tony, 364 Sen, Mrinal, 362 Rear Window, 256, 272 Seventh Heaven, 73 Red Detachment of Women, 61 sexuality, xx, 5, 19–22, 24–5, 60, 61, Red Dust, 67–73, 183 200, 265, 271, 282, 349, 350;in Red River, 114, 115, 116 Red Dust, 67–73 Reed, Donna, 172–4 Shadow of a Doubt, 108, 143, 255, Reed, Elliott, 113 264, 272, 273, 277 remarriage comedy, see comedy of Shakespeare, William, xv, 325, 326, remarriage 327, 329, 338, 352 Renoir, Jean, xxx, xxxi, 13, 73, 85–6, Shantaram, V., 362 113, 122–9, 140, 141, 206–20, Shapiro, James, 227n 324, 328, 336, 352; cinematic Sheridan, Ann, 116 style of, 130–8 Sherlock, Jr., 45, 53, 145, 231 Ritchard, Cyril, 258 Sherman’s March, 283–4 Richie, Donald, 358, 364 Shop Around the Corner, 178 Rio Bravo, 113, 114, 119 Show Boat, 84, 96, 102–4, 106 Rio Lobo, 115, 121 Sidney, Sylvia, 257 River, The, xxx, xxxi, 206–20, Simon, Simone, 73 336 Sirk, Douglas, 1, 8 Robeson, Paul, 102–4 Slezak, Walter, 256 Robinson, Edward G., 114, 119 Some Like It Hot, 179, 180, 188–92, Rocco and His Brothers, 302 194, 196, 201, 205 Rogers, Ginger, 119, 170 Song Is Born, A, 113, 116 Rohmer, Eric, 321–4, 325–39 Southerner, The, 134 Rope, 258 Spellbound, 115, 119 Rossellini, Roberto, 324 Stagecoach, 139–48, 157, 204 Rozsa, Miklos, 181 Stage Fright, 238 Rouch, Jean, 281, 282 Stahl, John, 94, 108, 268 Ruan, Lingyu, 58, 59, 62, 64 Stanwyck, Barbara, 5, 7, 75, 76, 88, Rules of the Game, The, 73, 163, 89, 94, 95, 115, 119, 147, 180–5, 122–29, 130, 133, 134, 137, 140, 336 141, 352 Stella Dallas, 6, 7, 8, 56, 65, 76, 83, Russell, Jane, 113, 115 87–95, 96, 98, 99, 102, 173, 185 Russell, Rosalind, 113, 121 Sternberg, Josef von, 13, 55–60, 66, 111, 100, 170, 177, 330 Sabotage, 257 Stewart, James, 172, 173, 174, 221, Saboteur, 242 231, 234, 235, 256, 266, 288 Saint, Eva Marie, 245, 255, 257 Strangers on a Train, 255 Salles Gomes, Paulo Emilio, 343 Stroheim, Erich von, 4, 13, 186, Sarris, Andrew, 121, 178, 180, 193, 208 200, 201 Sturges, Preston, 89 Sato, Tadao, 358, 359, 360, 364 Sunrise, 4, 169, 177 Scarface, 96, 116, 118 Sunset Boulevard, 179, 180, 185–8, Schaetzel, Ann, 283 202 Schildkraut, Joseph, 24 Suspicion, 242, 244

388 Index

Swamp Water, 134 Ugetsu Monogatari, 360 Swanson, Gloria, 179, 186, Untouchables, The, 355 188 utopianism, 168, 171, 172, 174, 175, Sweet, Blanche, 19 176, 341

Tagore, Rabindranath, 361 Van Dyke, Willard, 284, 304 Tale of Springtime, 334 Van Sant, Gus, 263–9 Tale of Winter, 325–39 Vaughn, Vince, 263, 264, 26 Tearle, Geoffrey, 254 Vertigo, 112, 179, 221–40, 241, 254, television, 167, 174, 175, 176, 286, 257, 258, 265, 267, 272, 273, 287, 288, 357 275, 277, 302 theater, xxi, 1, 13, 11, 32, 37, 39, 74, Vertov, Dziga, 284 75, 78, 79, 81, 130, 137, 156, Very,´ Charlotte, 326, 336, 339 174, 179, 180, 189, 196, 197;in Vidor, King, 88, 99 Hitchcock, 222–3, 237–8; villains and villainy, 62, 66, 107, 108, relationship to cinema-verit´ e,´ 174, 254–62, 272, 363, 370, 372, 286–8; role in films of Renoir, 374 130, 137, 212, 213 violence, 66, 256, 272, 284, 348–57 theatrical melodrama, xxi, 15, 74–86, virtue, cinematic representations of, 258, 372, 373, 374 62, 66, 98, 102, 169, 258, 283, theory, see film theory 363, 370, 372, 374 Thing, The, 114, 116, 121 Visconti, Luchino, 298–302 Third Cinema, 342 Vivre sa vie, 326 39 Steps, The, 76–8, 83, 241, 242, 254, 257, 259, 328 Walden, 171, 282, 361 Thoreau, Henry David, 2, 5, 10, 55, Walker, Robert, 255 170, 171, 338, 347, 357, 359, Walthall, Henry, 15, 24 360, 361, 368, 377 Wang, Yuejin, 363 To Be or Not to Be, 352 Wanger, Walter, 147 To Have and Have Not, 114, 118, Warren, Charles, 238n 119, 108–16 Way Down East, 12 Toles, George, 201 Wayne, John, 115, 116, 148 Toni, 132, 133, 210n, 219 Washington, Fredi, 104, 105 Tracy, Spencer, 5, 63, 173, 176 Whale, James, 102 transcendentalism, 55, 139, 167, 170, White Rose, The, 21, 24, 38 171, 177, 291, 334, 357, 381 Whitman, Walt, 2, 5 Trevor, Claire, 147 Wiese, Ellen, xxx Triesault, Ivan, 256 Wilder, Billy, 1, 179–205 Trouble in Paradise, 179 Willeman, Paul, 380 Trouble with Harry, The, 200 Wilson, Edmond, 161 True Heart Susie, 12, 21, 29–43, 208, Winter’s Tale, The, 94, 325, 326, 327, 220 338 Truffaut, François, 255, 263 Wiseman, Frederick, 282 Turim, Maureen, 374, 375 Wittgenstein, Ludwig, xiii, xv, xxv, 10, Twentieth Century, 111, 113, 114, 276, 361 120 Woman on the Beach, The, 135

Index 389

Woo, John, 353, 354 Yarbo, Lillian, 98, 99 Wood, Robin, 111, 158–9, 160 Yellow Earth, 362 Wrong Man, The, 196, 241, 256, 264, Yonggang, Wu, 55, 58, 59, 64, 265, 266, 277 66 “Wrong One”, 254, 256, 261 Young and Innocent, 255 Wu, Tianming, 226 Young Mr. Lincoln, 157

Xi’an Film Studio, 363 Zhang, Yimou, 363, 363 Xiaolin, Chen, 362 Zizek, Slavoj, 271