HIS MORTGAGE 2.7 | Ihe Pectvr
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1944-06-30, [P ]
Friday, .Tune 3*), JQ44 THE TOLEDO UNION JOURNAL Page 5 ‘Dear Marfin Heard on a Hollywood Movie Set HOLLY WOOD — John News and Gossip of Stage and Serei n Conte and Marilyn Maxwell are enacting one of the j. - ■- <fr.:-;-UUZ;.,> . .ll . , ..■■j , f -r .. Lr „ — . .. romantic interludes in the Abbott and Costello starrer, Star I*refers Pie “Lost in a Harem," on &tage Stars Use Own Names 26 at M-G-M. «► As the scene begins, Ar Birthday ‘Cake’ , S mF k v i Conte takes Marilyn's hand HOLLYWOOD — Judy Gar In New Screen Vogue and says; {, .* diettjo, land defied tradition on her HOLLYWOOD (Special)—If a present trend continues in “I love you.” Hofljwood wri’ers may soon stop worrying about what names to “I’m — I’m speechless,” twenty-second birthday. ' ' I ’ says Marilyn. “As we say in At a family dinner tendered give their screen characters. Actors will simply use their own America, 'this is so sud the young star by her mother, names—as more and more of them are now doing. den'.” By TED TAYLOR Mrs. Ethel Gilmore, the familiar Take the instance of Jose Iturbi. He made his screen debat AmAmL W. birthday cake was conspicuous playing himself in "Thousads Cheer.” “After I have regained my throne, will you marry by its absence. Judy’s favorite In 20th Century Fox s Four Jills and a Jeep,” they prac- HOLLYWOOD (FP)—This fs probably the first ease on record dessert is chocolate pie. After tically dropped the traditional me?” Conte asks her. M-G-M Stars Two New “Yes,” repli“s Maralyn, as of a man nominating himself for a movie plot. -
Top Attractions
TOP ROME ATTRACTIONS The Pantheon Constructed to honor all pagan gods, this best preserved temple of ancient Rome was rebuilt in the 2nd century AD by Emperor Hadrian, and to him much of the credit is due for the perfect dimensions: 141 feet high by 141 feet wide, with a vast dome that was the largest ever designed until the 20th century. The Vatican Though its population numbers only in the few hundreds, the Vatican—home base for the Catholic Church and the pope—makes up for them with the millions who visit each year. Embraced by the arms of the colonnades of St. Peter’s Square, they attend Papal Mass, marvel at St. Peter’s Basilica, and savor Michelangelo’s Sistine Ceiling. The Colosseum Legend has it that as long as the Colosseum stands, Rome will stand; and when Rome falls, so will the world. One of the seven wonders of the world, the mammoth amphitheater was begun by Emperor Vespasian and inaugurated by Titus in the year 80. For “the grandeur that was Rome,” this obstinate oval can’t be topped. Piazza Navona You couldn’t concoct a more Roman street scene: caffè and crowded tables at street level, coral- and rust-color houses above, most lined with wrought-iron balconies, street performers and artists and, at the center of this urban “living room,” Bernini’s spectacular Fountain of the Four Rivers and Borromini’s super-theatrical Sant’Agnese. Roman Forum This fabled labyrinth of ruins variously served as a political playground, a commerce mart, and a place where justice was dispensed during the days of the emperors (500 BC to 400 AD). -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
American Railroads
the linger wee Pvt. Lanza. two regular weekly visitors—- prisonment when bamboo shoots THE • EVENING STAR B-7 Open 10:45 A M. 65c Till 1 P M. Robert Weede became Lanza’s i his barber on Thursdays, hls were placed under hls finger- Wellington, 0. C., October 13, lilt Fnlui Ihiwlni 10:00 P.M. once, Tueday, !»J» teacher and In New Or- doctor on Fridays. Hls great nails. Representative John NEVER wot SEX SO FUNNY THE LYONS DEN leans, they each gave a concert villa, library and collection of E. Fogarty is giving hls $2,500 6TH RIB-TICKLING WEEK By LYONS in the same hall. Weede drew masterpieces—worth millions—- award money ta a fund for LEONARD a fair house. The next day hie will all go to hls alma mater, helping mentally retarded 20th Death Laid "CUon-cut Kids in pupil, Lanza, broke the house- Harvard University. Bedroom Force"-LIFE children. attendance record. He was pleased when, at 87, Maurice Pate, head of United To Encephalitis Death in Italy 'e• • • “Rumor and Reflection” hls Nations International Chil- LAKEWOOD. N. J.j Oct. 13 NEW YORK.—Two Ameri- filment. To Murio Lsus, eut It was ‘‘The Great Caruso" made the best seller list: "I’m dren’s Emergency Fund, re- (AP). yeur, Italy brought fame, of being —A Tuckerton woman cans, one old and the other down In his 38th that him and In tired required reading vealed that this year UNICEF died yesterday of suspected extension of Holly- movie he sang songs colleges.” recently en- Italy was but an that more i at He fin- will have helped feed 85 million cephalitis, the 20th person be- young, died in last week. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
August 1940) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1940 Volume 58, Number 08 (August 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 08 (August 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/258 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. M V — — .. — — PSYCHOLOGY FOR THE MUSIC TEACHER Swisher ' By Waller Samuel Thurlow been bought than any More copies of this book have other music practical working reference book issued in recent years. A text. A real improve his hold on students and hel D to the teacher who wishes to interest and Personality Read Contents. Music Study , Peuckota, leal “Those Who and attention. Learn, The .Material with Mhtch He Work. Suggestions f Types How ITe r 3 Lieurance and bibliographies and imitation Questions, suggestions, at end of quotations. each chapter. Illustrated with musical Who Study Move Ahead wam^ScB men The American Composer FROM SONG TO SYMPHONY g PUBLISHED MONTHLY Has Revealed So Successfully By Daniel Gregory Mason By Theodore Presser Co., Philadelphia, pa. Lazy Minds Lie Asleep In Bed” in Lore While Second Year ASD ADVISORY STAFF Romance, and Tribal "A Study Course in Music Understanding’’ EDITORIAL The Beauty, Adopted by The National Federation of Music Clubs DR. -
Jimmy Durante Papers PASC-M.0195
http://oac.cdlib.org/findaid/ark:/13030/c8cv4m1z No online items Finding Aid for the Jimmy Durante Papers PASC-M.0195 Finding aid prepared by Alexandra Apolloni; machine-readable finding aid created by Julie Graham and Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2021 January 19. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Jimmy Durante PASC-M.0195 1 Papers PASC-M.0195 Contributing Institution: UCLA Library Special Collections Title: Jimmy Durante papers Creator: Durante, Jimmy Identifier/Call Number: PASC-M.0195 Physical Description: 150 Linear Feet(342 boxes) Date (inclusive): circa 1920s-circa 1990 Abstract: Jimmy Durante had a decades-long career as a musician, songwriter, comedian, and actor. The collection consists of script material, scrapbooks, photographs, written music, audio recordings, printed material and ephemera, and a small amount of correspondence documenting Durante's extensive career as an entertainer on stage, radio, film, and television. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the series and file levels. -
17-Aprilinparis(Cebusun-Star)2012
APRIL IN PARIS, SPRINGTIME IN ROME by Manny Gonzalez, Plantation Bay Resort & Spa Part One: April in Paris [intended to be laid out like a scrapbook, with the pictures askew and the captions written in hand-printed letters, arrows leading into the pictures, and the like] It sounded like a good idea at the time – take three beautiful girls to the Continent. Experience April in Paris. Savor Springtime in Rome. The idea was born during a 2011 visit to Plantation Bay by Grace Glory Go (of the Philippine Star) and her French diplomat friend Thierry Mixa, who waxed eloquent on the glories of Paris in spring. Paris 0 [city and number in red print denotes a picture] Grace, Thierry, and Hannah – one of the three girls. Okay, so Hannah isn’t exactly beautiful. But she has a pleasant personality. Mabait pa. Then many things started going wrong. But, not to bore you with the details, finally, six months later and with the mishaps behind us, there we were, on a Segway tour of Paris. Paris 1 Geli Reyes, Manny Gonzalez, Hannah Patalinjug, and Zuri Almendras. The first thing the girls wanted to see was this prominent erection. However, in Paris’s famous Pere Lachaise cemetery, the girls (having gone shopping instead) missed this other, equally fascinating erection: Paris 2 Victor Noir was a 19th-century journalist who was shot dead one night. But, as the groin area of his death effigy shows, he was thinking happy thoughts when he bought a bullet. Today, women come from all over the world, around the clock, to leave him flowers, and kiss his [ahem]. -
“Can't Help Singing”: the “Modern” Opera Diva In
“CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location. -
Rome Hotel Eden
ROME HOTEL EDEN Two day itinerary: Romance Italians are considered some of the most romantic people in the world, so where better to celebrate your love than in the Italian capital of Rome? From charming gardens and intimate restaurants to jewellery shopping and jaw-dropping views, there are plenty of opportunities to create lasting memories in the Eternal City. Spend a romantic weekend away in Rome with the help of this two-day itinerary. Day One Start the day with a 20-minute drive to The Orange Garden. THE ORANGE GARDEN Via di Santa Sabina, 00153 Rome While its name suggests that the highlight of The Orange Garden (Giardino degli Aranci or Parco Savello) is its orchard of fruit trees, its views are, in fact, its most captivating attraction. The pocket- sized garden directly overlooks St Peter’s Basilica and its terrace offers unbelievably beautiful views of Rome. Visit with your partner in the morning, when the sun casts an enchanting glow over the city. Take a short five-minute walk to the next garden on the itinerary. ROME ROSE GARDEN T: 006 574 6810 | Via di Valle Murcia 6, 00153 Rome Nothing says romance like a walk through a blossoming rose garden. Rome Rose Garden (Roseto Comunale) at the foot of Aventino Hill is one of the city’s most charming green spaces. Open from May to October each year, the garden is filled with over 1,000 different varieties of botanical roses from all over the world, with some dating back to Roman times. Then, take a 25-minute drive to Keats-Shelley House. -
Tales & Travel Adventures: Let's Visit…Italy
Tales & Travel Adventures: Let’s visit…Italy With Mary Beth Riedner Retired Librarian & Creator of Tales & Travel Interactive Literacy Activities for those Living with Dementia June 1, 2020 This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/4.0/ Our trip to Italy starts in the far northern Alpine regions of the country near Bolzano. The beautiful scenery includes green terraced fields. Can you see the ancient castle on the hilltop? As we head south on the highway, leaving the Alps behind, we come to the city of Verona on the Adige River. This medieval town is best known as the setting for Shakespeare’s play “Romeo and Juliet”. And here is Juliet’s balcony, as legend would have it. Perhaps this young girl is calling “Romeo, Romeo, wherefore art thou, Romeo?... What's in a name? That which we call a rose by any other name would smell as sweet…”. Verona is also well known for its 1st century Roman Arena. Let’s stop at this outdoor café for a cool drink and to enjoy the view. …or would you prefer gelato? Tonight we have returned to the Verona Arena for a sumptuous production of the opera “Rigoletto” by Giuseppe Verdi. To get to Venice, we have to drive east towards the Adriatic Sea. Venice is made up of over 100 small islands. There are no roads for cars in Venice. You have to get everywhere either on foot or in a boat. -
Finding Aid for the Fritz Lang Collection
Finding Aid for the Fritz Lang Collection Special Collections #4 Collection Processed by: Sarah Blankfort Clothier, 9.10.12 Revised, Emily Wittenberg, 10.18.18 Finding Aid Written by: Sarah Blankfort Clothier, 9.10.12 Revised, Emily Wittenberg,10.18.18 OVERVIEW OF THE COLLECTION: Origination/Creator: Lang, Fritz Title of Collection: Fritz Lang Collection Date of Collection: 1934 -- 1953 Physical Description: 19 boxes; 7.92 linear feet Identification: Special Collection #4 Repository: American Film Institute Louis B. Mayer Library, Los Angeles, CA RIGHTS AND RESTRICTIONS: Access Restrictions: Collection is open for research. Copyright: The copyright interests in this collection remain with the creator. For more information, contact the Louis B. Mayer Library. Acquisition Method: Donated by Michael Nesmith in 1990. BIOGRAPHICAL/HISTORY NOTE: Fritz Lang was a noted filmmaker who immigrated to Hollywood via France during WWII in 1934, in protest against the Nazi regime, becoming a United States citizen in 1939. Lang was born Friedrich Christian Anton Lang in Vienna, Austria, on December 5, 1890 to parents Anton and Paula Lang. He briefly attended the Technical University of Vienna where he studied civil engineering before switching to art; he studied painting under teachers in Vienna, Munich, and Paris. In WWI Lang served in the Austrian Army where he was wounded three times and decorated four times while fighting in Russia and Romania. His German Expressionist films, including METROPOLIS (1927) and M (1931), are considered precursors to the film noir style of filmmaking that was popular in Hollywood from the early 1940s to late 1950s. Upon his move to the United States, Lang was employed at Metro- Goldwyn-Mayer Studios (M-G-M), where he rose to prominence by directing FURY (1936).