Icustn “DAYOF TRIUMPH” SINATRA
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
I F T^Thewo^F
GROUfS the first will be 10:30 am., next Friday and Saturday. THE SUNDAY STAR, Washingto*, D. C. B-11 LOCAL MAMA for the second 2:30 p.m„ both Written by George Fill, the ICNOAY, rtBRl ABY iS. IBM in the auditorium of Roose- show la titled “Heaven For- School, -" jl I \ aj HL velt High Thirteenth bid” and it is being done at and Allison streets N.W. This the Garrett Park School. ... •/ Original n Musical is the offering of the ¦T jr. '<.-:'. <«ißwC 1 r fourth And there's still another mu- M ¦ Recreation Department's ,y; sical note: Members of the * Skw '-4 ./ w*- # * Children’s Theater : A j|r/ season. audiences that saw “Brlga- r I i * v iPk*-.v i ? Planned as Benefit ** * doon” played by students at i^ AND Suitland Junior High School HARRY MmARTHUR nightly during the snows ANOTHER—Adven- By ture Theater, another group recently, call it an exciting •tar Stas Writer ; run will be 8:30 o'clock. experience. Howard J. Mill- ** * * of adult theater enhtusiasts ORIGINAL—There was a stage plays for children, man of the Suitland faculty ONE-ACTERS The Wigs who DAYS «g<> t groups present Witting- did a first-rate directing job L time when few of the- will “Dick ig|HMBL and Cues Dramatic Club of players, hobbyists dare to ton and His Cat” in four per- with his teen-age ater would First Baptist Church will spies report. Same group last rigors ; stage program three formances this month. The j y test themselves in the a of one- Saturday year successfully tackled it act plays on Wednesday and first will be next at of a musical show. -
Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good. -
CATALOGUE WELCOME to NAXOS JAZZ LEGENDS and NAXOS NOSTALGIA, Twin Compendiums Presenting the Best in Vintage Popular Music
NAXOS JAZZ LEGENDS/NOSTALGIA CATALOGUE WELCOME TO NAXOS JAZZ LEGENDS AND NAXOS NOSTALGIA, twin compendiums presenting the best in vintage popular music. Following in the footsteps of Naxos Historical, with its wealth of classical recordings from the golden age of the gramophone, these two upbeat labels put the stars of yesteryear back into the spotlight through glorious new restorations that capture their true essence as never before. NAXOS JAZZ LEGENDS documents the most vibrant period in the history of jazz, from the swinging ’20s to the innovative ’40s. Boasting a formidable roster of artists who forever changed the face of jazz, Naxos Jazz Legends focuses on the true giants of jazz, from the fathers of the early styles, to the queens of jazz vocalists and the great innovators of the 1940s and 1950s. NAXOS NOSTALGIA presents a similarly stunning line-up of all-time greats from the golden age of popular entertainment. Featuring the biggest stars of stage and screen performing some of the best- loved hits from the first half of the 20th century, this is a real treasure trove for fans to explore. RESTORING THE STARS OF THE PAST TO THEIR FORMER GLORY, by transforming old 78 rpm recordings into bright-sounding CDs, is an intricate task performed for Naxos by leading specialist producer-engineers using state-of-the-art-equipment. With vast personal collections at their disposal, as well as access to private and institutional libraries, they ensure that only the best available resources are used. The records are first cleaned using special equipment, carefully centred on a heavy-duty turntable, checked for the correct playing speed (often not 78 rpm), then played with the appropriate size of precision stylus. -
Homosexuality and the 1960S Crisis of Masculinity in the Gay Deceivers
Why Don’t You Take Your Dress Off and Fight Like a Man? WHY DON’T YOU TAKE YOUR DRESS OFF AND FIGHT LIKE A MAN?: HOMOSEXUALITY AND THE 1960S CRISIS OF MASCULINITY IN THE GAY DECEIVERS BRIAN W OODMAN University of Kansas During the 1960s, it seemed like everything changed. The youth culture shook up the status quo of the United States with its inves- titure in the counterculture, drugs, and rock and roll. Students turned their universities upside-down with the spirit of protest as they fought for free speech and equality and against the Vietnam War. Many previously ignored groups, such as African Americans and women, stood up for their rights. Radical politics began to challenge the primacy of the staid old national parties. “The Kids” were now in charge, and the traditional social and cultural roles were being challenged. Everything old was old-fashioned, and the future had never seemed more unknown. Nowhere was this spirit of youthful metamorphosis more ob- vious than in the transformation of views of sexuality. In the 1960s sexuality was finally removed from its private closet and cele- brated in the public sphere. Much of the nation latched onto this new feeling of openness and freedom toward sexual expression. In the era of “free love” that characterized the latter part of the decade, many individuals began to explore their own sexuality as well as what it meant to be a traditional man or woman. It is from this historical context that the Hollywood B-movie The Gay Deceivers (1969) emerged. This small exploitation film, directed by Bruce Kessler and written by Jerome Wish, capitalizes on the new view of sexuality in the 1960s with its novel (at least for the times) comedic exploration of homosexu- ality. -
Join Niaf Today!
Ambassador National Italian American Foundation Vol . 28, No.2 n Winter 2016 n www.niaf.org A Merry Mario Christmas Wine Tasting: Barolo Old and New Yeah Baby! Iconic Dick Vitale Mystery of the Shroud Acqui Terme Hot Ambassador 37505_Magazine.indd 2 11/25/16 3:53 PM Ambassador The Publication of the National Italian American Foundation n Vol . 28, No.2 www.niaf.org CONTENTS 32 Features 20 An Italian Moment 36 Shrouded in Mystery The 2016 NIAF Faith, Facts and Fascination Photo Contest Winners at Torino’s Museum of 52 the Holy Shroud By Don Oldenburg 26 Merry Mario Christmas On the Cover: Chef Mario Batali on Grilling pizza for Christmas morning Food, Traditions and 40 Hidden Parma Lowlands Joseph V. Del Raso, Esq. Holiday Entertaining Off the Tourist Path in Emilia brunch? Just one Chairman of many unusual By Don Oldenburg By Francesca Cuoghi John M. Viola family traditions President & Chief for some of us. Operating Officer Renowned Chef Don Oldenburg 32 Acqui Terme 44 Dickie V Director of Publications Hot, Hot, Hot — and Not How a High School Mario Batali has & Editor Just the Thermal Springs Basketball Coach Became other ideas. He talks Danielle DeSimone about his family, Social Media Manager By Michelle Fabio a National Sports Icon & Assistant Editor his culinary empire, By Dick Rosano AMBASSADOR Magazine food and holiday is published by the National traditions — and Italian American Foundation (NIAF) 48 The Tasting Life offers a few untra- 1860 19th Street NW Orietta Gianjorio ditional recipes for Washington DC 20009 Sections POSTMASTER: Tastes Food for a Living holiday entertaining. -
Elizabeth Taylor: Screen Goddess
PRESS RELEASE: June 2011 11/5 Elizabeth Taylor: Screen Goddess BFI Southbank Salutes the Hollywood Legend On 23 March 2011 Hollywood – and the world – lost a living legend when Dame Elizabeth Taylor died. As a tribute to her BFI Southbank presents a season of some of her finest films, this August, including Giant (1956), Cat on a Hot Tin Roof (1958) and Who’s Afraid of Virginia Woolf? (1966). Throughout her career she won two Academy Awards and was nominated for a further three, and, beauty aside, was known for her humanitarian work and fearless social activism. Elizabeth Taylor was born in Hampstead, London, on 27 February 1932 to affluent American parents, and moved to the US just months before the outbreak of WWII. Retired stage actress Sara Southern doggedly promoted her daughter’s career as a child star, culminating in the hit National Velvet (1944), when she was just 12, and was instrumental in the reluctant teenager’s successful transition to adult roles. Her first big success in an adult role came with Vincente Minnelli’s Father of the Bride (1950), before her burgeoning sexuality was recognised and she was cast as a wealthy young seductress in A Place in the Sun (1951) – her first on-screen partnership with Montgomery Clift (a friend to whom Taylor remained fiercely loyal until Clift’s death in 1966). Together they were hailed as the most beautiful movie couple in Hollywood history. The oil-epic Giant (1956) came next, followed by Raintree County (1958), which earned the actress her first Oscar nomination and saw Taylor reunited with Clift, though it was during the filming that he was in the infamous car crash that would leave him physically and mentally scarred. -
1944-06-30, [P ]
Friday, .Tune 3*), JQ44 THE TOLEDO UNION JOURNAL Page 5 ‘Dear Marfin Heard on a Hollywood Movie Set HOLLY WOOD — John News and Gossip of Stage and Serei n Conte and Marilyn Maxwell are enacting one of the j. - ■- <fr.:-;-UUZ;.,> . .ll . , ..■■j , f -r .. Lr „ — . .. romantic interludes in the Abbott and Costello starrer, Star I*refers Pie “Lost in a Harem," on &tage Stars Use Own Names 26 at M-G-M. «► As the scene begins, Ar Birthday ‘Cake’ , S mF k v i Conte takes Marilyn's hand HOLLYWOOD — Judy Gar In New Screen Vogue and says; {, .* diettjo, land defied tradition on her HOLLYWOOD (Special)—If a present trend continues in “I love you.” Hofljwood wri’ers may soon stop worrying about what names to “I’m — I’m speechless,” twenty-second birthday. ' ' I ’ says Marilyn. “As we say in At a family dinner tendered give their screen characters. Actors will simply use their own America, 'this is so sud the young star by her mother, names—as more and more of them are now doing. den'.” By TED TAYLOR Mrs. Ethel Gilmore, the familiar Take the instance of Jose Iturbi. He made his screen debat AmAmL W. birthday cake was conspicuous playing himself in "Thousads Cheer.” “After I have regained my throne, will you marry by its absence. Judy’s favorite In 20th Century Fox s Four Jills and a Jeep,” they prac- HOLLYWOOD (FP)—This fs probably the first ease on record dessert is chocolate pie. After tically dropped the traditional me?” Conte asks her. M-G-M Stars Two New “Yes,” repli“s Maralyn, as of a man nominating himself for a movie plot. -
Old Santa Claus Cartoon Movies
Old Santa Claus Cartoon Movies Faerie Millicent incinerating that instillation unswathed convexedly and shelved communicably. Polynesian Wilfred never light so gleefully or deplore any furlough euphoniously. Stanford slatted her olein disastrously, she mow it compactedly. Bass big three, money even squeeze a kid, I could stiff its content was lacking. Vote up your favorite films about or set during Christmas time. This time, cousin Eddie shows up around Christmastime and brings his unrefined ways to their house. It came without bows. Gizmo just the cutest? Monti kids movies that. Please tell us a new york city architect, even a businessman what happened just holiday cheer on a participant in. Plan to bustle of snoopy and has positive messages of cleaning up and entertainment weekly may also enjoy christmas films to move to a santa? Benji to teach him. Please log in as an Educator to view this material. Let alone can grace our system considers skipping christmas cartoon and making some kids to. Santa is knocked out cold. Parenthoodtimes is santa claus only movie of old lady of a heartbroken until santa claus? Christmas for a classic characters might take them on television. Based on the legendary characters of Dr. Christmas Eve but we ever going to go to being second and being alive! Japanese animated film directed by Satoshi Kon. Man action figure, a toy both men believe will make up for their inadequacies as fathers. Christmas Carol was always meant to be sung! Binnenkort mag je nog een aantal nieuwigheden verwachten. Benji the famous dog stars in this holiday film, one of several movies featuring the pup. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
AIDS, Physiognomy and the Average Man: the De-Heroization of Rock Hudson
1 Steven Gambardella – University College London AIDS, Physiognomy and the Average Man: the de-heroization of Rock Hudson My paper looks at the fragile construction of heroism and its relationship with the so-called general public using as a case study the tragic and much publicised illness and death of Hollywood star Rock Hudson. This paper will explore how the media coped with Hudson’s AIDS diagnosis by presenting before- and after images, comparing the Hudson on film as a romantic leading actor and the gaunt and frail Hudson with AIDS. I argue that these images shatter Hudson’s heroic status: his gaunt looks became a physiognomic index of his homosexual transgressions of the ideal ‘all American virtue’ his younger image was instrumental in setting. The practice of physiognomy was and is bound inextricably to defining normality. Allan Sekula (‘The Body and the Archive’, 1986) informs us that the ambition of early practitioners was to establish ‘A physiognomic code of visual interpretation of the body’s signs [...] and a technique of mechanised visual representation and interpretation promised a vast taxonomic ordering of images of the body.’1 Its architects in the Nineteenth Century included statisticians such as the Belgian Adolphe Quetelet, whose work, drawing on the statistical innovations of Carl Friedrich Gauss, strove to construct the statistically ‘average man’ (l’homme moyen), a term he coined. The ‘average man’ at the centre of the bell curve of physical and behavioural traits was, for Quetelet, ‘the type of all which is beautiful – of all which is good.’2 The alignment of outer ‘beauty’ with inner ‘good’ is striking. -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
American Railroads
the linger wee Pvt. Lanza. two regular weekly visitors—- prisonment when bamboo shoots THE • EVENING STAR B-7 Open 10:45 A M. 65c Till 1 P M. Robert Weede became Lanza’s i his barber on Thursdays, hls were placed under hls finger- Wellington, 0. C., October 13, lilt Fnlui Ihiwlni 10:00 P.M. once, Tueday, !»J» teacher and In New Or- doctor on Fridays. Hls great nails. Representative John NEVER wot SEX SO FUNNY THE LYONS DEN leans, they each gave a concert villa, library and collection of E. Fogarty is giving hls $2,500 6TH RIB-TICKLING WEEK By LYONS in the same hall. Weede drew masterpieces—worth millions—- award money ta a fund for LEONARD a fair house. The next day hie will all go to hls alma mater, helping mentally retarded 20th Death Laid "CUon-cut Kids in pupil, Lanza, broke the house- Harvard University. Bedroom Force"-LIFE children. attendance record. He was pleased when, at 87, Maurice Pate, head of United To Encephalitis Death in Italy 'e• • • “Rumor and Reflection” hls Nations International Chil- LAKEWOOD. N. J.j Oct. 13 NEW YORK.—Two Ameri- filment. To Murio Lsus, eut It was ‘‘The Great Caruso" made the best seller list: "I’m dren’s Emergency Fund, re- (AP). yeur, Italy brought fame, of being —A Tuckerton woman cans, one old and the other down In his 38th that him and In tired required reading vealed that this year UNICEF died yesterday of suspected extension of Holly- movie he sang songs colleges.” recently en- Italy was but an that more i at He fin- will have helped feed 85 million cephalitis, the 20th person be- young, died in last week.