Iranian Women's Equality Calendar
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A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:3, 2018 A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh as strength, comfort and expansion. Throughout history, Abstract—Architecture in Iran has a continuous history from at Iranian architecture had its own originality and simplicity. All least 5000 BC to the present, and numerous Iranian pre-Islamic parts of Iran, especially villages and ancient monuments are elements have contributed significantly to the formation of Islamic like a live but old book of art and architecture, history, which art. At first, decoration was limited to small objects and containers in a brief moment, each page of that opens the gates of several and then progressed in the art of plaster and brickwork. They later applied in architecture as well. The art of gypsum and brickwork, thousand years of history to the visitors [7]. which was prevalent in the form of motifs (animals and plants) in Repeat motifs, symbolic role and decorations are one of the pre-Islam, was used in the aftermath of Islam with the art of main subjects in Iranian art. In Iranian architecture, the calligraphy in decorations. The splendor and beauty of Iranian symbolic elements generally embossed with carving and architecture, especially during the Islamic era, are related to painting integrated with elements of construction and decoration and design. After the invasion of Iran by the Arabs and the environmental, which makes it a new and inseparable introduction of Islam to Iran, the arrival of the Iranian classical architecture significantly changed, and we saw the Arabic calligraphy combination. -
The Poetics of Commitment in Modern Persian: a Case of Three Revolutionary Poets in Iran
The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Studies in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Shahwali Ahmadi, Chair Professor Muhammad Siddiq Professor Robert Kaufman Fall 2013 Abstract The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi Doctor of Philosophy in Near Eastern Studies University of California, Berkeley Professor Shahwali Ahmadi, Chair Modern Persian literary histories generally characterize the decades leading up to the Iranian Revolution of 1979 as a single episode of accumulating political anxieties in Persian poetics, as in other areas of cultural production. According to the dominant literary-historical narrative, calls for “committed poetry” (she‘r-e mota‘ahhed) grew louder over the course of the radical 1970s, crescendoed with the monarch’s ouster, and then faded shortly thereafter as the consolidation of the Islamic Republic shattered any hopes among the once-influential Iranian Left for a secular, socio-economically equitable political order. Such a narrative has proven useful for locating general trends in poetic discourses of the last five decades, but it does not account for the complex and often divergent ways in which poets and critics have reconciled their political and aesthetic commitments. This dissertation begins with the historical assumption that in Iran a question of how poetry must serve society and vice versa did in fact acquire a heightened sense of urgency sometime during the ideologically-charged years surrounding the revolution. -
Ideology and the Iranian Revolution1
Ideology and the Iranian Revolution1 Mehdi Shadmehr2 First Draft: May 2008. This Draft: Summer 2011 Comments are welcomed. 1I wish to thank Bing Powell, Charles Ragin, Mehran Kamrava, Bonnie Meguid, Gretchen Helmeke, and participants in the Comparative Politics Workshop at the University of Rochester for helpful suggestions and comments. 2Department of Economics, University of Miami, Jenkins Bldg., Coral Gables, FL 33146. E-mail: [email protected] Abstract Some theories of revolution deny an independent role for ideology in the making of rev- olutions, whereas others grant it an indispensable role. I investigate the role of ideology in the Iranian Revolution by focusing on two periods of Iranian history that witnessed popular uprising: the early 1960's and the late 1970's. While the former uprising was aborted, the latter led to the Iranian Revolution. Contrasting these periods, I argue that the structural and non-agency process factors underwent the same dynamic in both periods, and hence are not sufficient to explain the variation in outcome. I propose that the change in the oppo- sition's ideology accounts for this variation. To establish the causal link, I investigate this ideological change, tracing its role in the actors' decision-making processes. I argue that: (1) Khomeini's theory of Islamic state expanded the set of alternatives to the status quo theory of state, and changed the Islamic opposition's \calculus of protest"; (2) an ideological change is an intellectual innovation/shock, the timing of which is intrinsically uncertain. Therefore, integrating ideology to the theory enhances its explanatory power; (3) an ideological change can serve as an observable intermediate variable that mediates the effect of unobservable cumulative and/or threshold processes. -
See the Document
IN THE NAME OF GOD IRAN NAMA RAILWAY TOURISM GUIDE OF IRAN List of Content Preamble ....................................................................... 6 History ............................................................................. 7 Tehran Station ................................................................ 8 Tehran - Mashhad Route .............................................. 12 IRAN NRAILWAYAMA TOURISM GUIDE OF IRAN Tehran - Jolfa Route ..................................................... 32 Collection and Edition: Public Relations (RAI) Tourism Content Collection: Abdollah Abbaszadeh Design and Graphics: Reza Hozzar Moghaddam Photos: Siamak Iman Pour, Benyamin Tehran - Bandarabbas Route 48 Khodadadi, Hatef Homaei, Saeed Mahmoodi Aznaveh, javad Najaf ...................................... Alizadeh, Caspian Makak, Ocean Zakarian, Davood Vakilzadeh, Arash Simaei, Abbas Jafari, Mohammadreza Baharnaz, Homayoun Amir yeganeh, Kianush Jafari Producer: Public Relations (RAI) Tehran - Goragn Route 64 Translation: Seyed Ebrahim Fazli Zenooz - ................................................ International Affairs Bureau (RAI) Address: Public Relations, Central Building of Railways, Africa Blvd., Argentina Sq., Tehran- Iran. www.rai.ir Tehran - Shiraz Route................................................... 80 First Edition January 2016 All rights reserved. Tehran - Khorramshahr Route .................................... 96 Tehran - Kerman Route .............................................114 Islamic Republic of Iran The Railways -
Tightening the Reins How Khamenei Makes Decisions
MEHDI KHALAJI TIGHTENING THE REINS HOW KHAMENEI MAKES DECISIONS MEHDI KHALAJI TIGHTENING THE REINS HOW KHAMENEI MAKES DECISIONS POLICY FOCUS 126 THE WASHINGTON INSTITUTE FOR NEAR EAST POLICY www.washingtoninstitute.org Policy Focus 126 | March 2014 The opinions expressed in this Policy Focus are those of the author and not necessarily those of The Washington Institute for Near East Policy, its Board of Trustees, or its Board of Advisors. All rights reserved. Printed in the United States of America. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including pho- tocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. © 2014 by The Washington Institute for Near East Policy The Washington Institute for Near East Policy 1828 L Street NW, Suite 1050 Washington, DC 20036 Cover: Iran’s Supreme Leader Ayatollah Ali Khamenei holds a weapon as he speaks at the University of Tehran. (Reuters/Raheb Homavandi). Design: 1000 Colors CONTENTS Executive Summary | V 1. Introduction | 1 2. Life and Thought of the Leader | 7 3. Khamenei’s Values | 15 4. Khamenei’s Advisors | 20 5. Khamenei vs the Clergy | 27 6. Khamenei vs the President | 34 7. Khamenei vs Political Institutions | 44 8. Khamenei’s Relationship with the IRGC | 52 9. Conclusion | 61 Appendix: Profile of Hassan Rouhani | 65 About the Author | 72 1 EXECUTIVE SUMMARY EVEN UNDER ITS MOST DESPOTIC REGIMES , modern Iran has long been governed with some degree of consensus among elite factions. Leaders have conceded to or co-opted rivals when necessary to maintain their grip on power, and the current regime is no excep- tion. -
Introduction
iran ★• by Nayereh Tohidi POPULATION: 73,244,000 GNI PER CAPITA: US$3,998 COUNTRY RATINGS 20041 2009 NONDISCRIMINATION AND ACCESS TO JUSTICE: N/A 1.9 AUTONOMY, SECURITY, AND FREEDOM OF THE PERSON: N/A 2.1 ECONOMIC RIGHTS AND EQUAL OPPORTUNITY: N/A 2.7 POLITICAL RIGHTS AND CIVIC VOICE: N/A 2.1 SOCIAL AND CULTURAL RIGHTS: N/A 2.5 (COUNTRY RATINGS ARE BASED ON A SCALE OF 1 TO 5, WITH 1 REPRESENTING THE LOWEST AND 5 THE HIGHEST LEVEL OF FREEDOM WOMEN HAVE TO EXERCISE THEIR RIGHTS) INTRODUCTION A populist revolution in 1978–79 put an end to Iran’s long-standing tradi- tion of monarchy, replacing it with a unique Islamic republic, wherein reli- gious clerics assumed political control under a supreme leader, Ayatollah Ruhollah Khomeini. Despite massive participation by women in the revo- lution and a subsequent increase in the levels and forms of women’s social presence and educational achievements, the Islamic Republic brought many negative changes to women’s rights and personal freedoms. Sex seg- regation and compulsory veiling, discrimination in penal and civil codes, and setbacks in personal status and family law further institutionalized patriarchal gender relations and cultural attitudes. The discriminatory state ideology and policies of the Islamic Re pub- lic run against the modern socioeconomic and demographic realities in the country, especially with respect to the growing number of urban, educated, middle-class women. Their quest for equal rights and col- lective action to improve their status began during the Constitutional Revolution of 1906–11. Continuous pressure from women’s groups led to government reforms concerning women’s education, employment, suffrage, and family law under the Pahlavi dynasty, which ruled from 1925 until 1979. -
“Transfer” XIV: 1-2 (2019), Pp. 49-72. ISSN: 1886-554
“Transfer” XIV: 1-2 (2019), pp. 49-72. ISSN: 1886-554 “SOMETHING FOREIGN IN IT”: A STUDY OF AN IRANIAN TRANSLATION OF WHITMAN’S IMAGE Behnam M. Fomeshi (ORCID: 0000-0001-6821-9699) TU Dortmund University (Germany) Reception date: 02/02/2018; Acceptance date: 15/03/2018 Introduction What happens to Whitman when he enters Iran? What does the Persian Whitman look like? What does his Persianness or his foreignness tell us about Whitman, Iran, and the interaction between the two? This essay answers these questions to elaborate on the dialogue created between American poetry and contemporary Iran through translating Whitman. Studies of the reception of a writer in another culture primarily deal with the translation of the works into the target language. Such studies usually ignore the translation of the writer’s image. The present essay focuses on the translation of an American writer’s image into a contemporary Iranian context. In this study, “image” refers both to visual representations, such as pictures or photographs, and the mental conceptions held in common by members of a group, such as is the subject of imagology. Walt Whitman (1819-1892), commonly referred to as the father of American free verse and the American poet of democracy, has frequently been studied in terms of his reputation, reception, and influence in other countries. Blodgett’s 1934 book, Walt Whitman in England, the first formal reception study of the poet in an international context, was followed by Betsy Erkkila’s Walt Whitman among the French: Poet and Myth (1980), Walter Grunzweig’s 49 “Transfer” XIV: 1-2 (2019), pp. -
Deciphering Bin Salman's Change of Tone
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 8 Pages Price 50,000 Rials 1.00 EURO 4.00 AED 42nd year No.13932 Saturday MAY 1, 2021 Ordibehesht 11, 1400 Ramadan 18, 1442 Iran closely watching Iran learn fate at Home appliance Claudio Noce’s Tajikistan-Kyrgyzstan FIBA U19 Basketball production increases “Padrenostro” to compete border conflict Page 2 World Cup Page 3 by 36% Page 4 in Fajr filmfest Page 8 Dozens ‘crushed to death’ in See page 3 Israel pilgrimage stampede Deciphering A stampede at a religious festival attended will not give up until the last victim by tens of thousands of ultra-Orthodox is evacuated.” Jews in northern Israel has killed at least Zaki Heller, spokesman for the Magen 44 people and injured about 150 early David Adom, said that among the 150 Friday, medical officials said. people who had been hospitalized, six Magen David Adom, the Israeli were in critical condition. bin Salman’s emergency service, said that at least On social media, Benjamin Netanyahu 44 people were killed during the event called it a “heavy disaster” and added: early on Friday, adding “MDA is fighting “We are all praying for the wellbeing of for the lives of dozens wounded, and the casualties.” change of Water, development projects worth over $619m inaugurated TEHRAN - Iranian President Hassan million) in Khuzestan, Mazandaran and Rouhani on Thursday inaugurated three Hormozgan provinces. water supply projects as well as a dam in The projects were inaugurated under tone three provinces through vide conference, the framework of the Energy Ministry’s IRNA reported. -
Women's Rights in the Middle East and North Africa
HARD-WON PROGRESS AND A LONG ROAD AHEAD: WOMEN’S RIGHTS IN THE MIDDLE EAST AND NORTH AFRICA by Sanja Kelly As the governments of the Middle East and North Africa (MENA) under- take the diffi cult process of enacting social and political change, the unequal status of women presents a particularly formidable challenge. In Iraq, deliberations over women’s legal status have been as contentious as negotiations over how to structure the government. In Jordan, measures to increase penalties for so-called honor crimes faced strong resistance by ultraconservative parliamentarians and ordinary citizens who believe that tradition and religion afford them the right to severely punish and even murder female relatives for behavior they deem immoral. These debates are not just legal and philosophical struggles among elites. They are emo- tionally charged political battles that touch upon fundamental notions of morality and social order. In order to provide a detailed look at the conditions faced by women in the Middle East and understand the complex environment surrounding efforts to improve their status, Freedom House conducted a comprehen- sive study of women’s rights in the region. The fi rst edition of this project was published in 2005. The present edition offers an updated examination of the issue, with a special focus on changes that have occurred over the last fi ve years. Although the study indicates that a substantial defi cit in women’s rights persists in every country in the MENA region, the fi ndings also include notable progress, particularly in terms of economic opportu- nities, educational attainment, and political participation. -
Hosseini, Mahrokhsadat.Pdf
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Iranian Women’s Poetry from the Constitutional Revolution to the Post-Revolution by Mahrokhsadat Hosseini Submitted for Examination for the Degree of Doctor of Philosophy in Gender Studies University of Sussex November 2017 2 Submission Statement I hereby declare that this thesis has not been, and will not be, submitted in whole or in part to another University for the award of any other degree. Mahrokhsadat Hosseini Signature: . Date: . 3 University of Sussex Mahrokhsadat Hosseini For the degree of Doctor of Philosophy in Gender Studies Iranian Women’s Poetry from the Constitutional Revolution to the Post- Revolution Summary This thesis challenges the silenced voices of women in the Iranian written literary tradition and proposes a fresh evaluation of contemporary Iranian women’s poetry. Because the presence of female poets in Iranian literature is a relatively recent phenomenon, there are few published studies describing and analysing Iranian women’s poetry; most of the critical studies that do exist were completed in the last three decades after the Revolution in 1979. -
Simin Behbahani, the “Lioness of Iran” the Economist, Aug 30Th 2014 | from the Print Edition Simin Behbahani, Poet, Died on August 19Th, Aged 87
Simin Behbahani, the “Lioness of Iran” The Economist, Aug 30th 2014 | From the print edition Simin Behbahani, poet, died on August 19th, aged 87 EVEN as a child, she knew how poetry should sound. The rhythm of the rhyme her teacher gave her to recite—“I am a yellow rose, the Sultan of all the flowers, the Sultan of all the flowers”—was wrong. She envied the verse bestowed upon a friend, which scanned so much more sweetly, as much as she coveted the red ruffles of her dress, so much finer than her own yellow organdy. So, at the age of 12, Simin Behbahani began writing her own rhymes. She wrote in the style of the old Persian poets: Hafez, Rumi and Sa’adi. Her contemporaries had abandoned traditional forms such as the ghazal, a sonnet of sorts, with its stiff, restrictive structure. With heads full of modernism they used rhymeless, formless verses to criticise their country and its rulers. But she embraced the old ways. After all, that was the sort of poetry that Iranians knew, the sort they could recite from memory, the cadences of their history. She borrowed the styles of the masters, but not their substance. They wrote of goblets of wine, and nightingales, and laments for their beloved. She wrote of love, too, but also of politics and of life’s darker realities. “O moaning starving masses, what will you do? O poor anguished nation, what will you do?” asked the first line of her first published poem. Later she wrote about prostitutes hustling in the streets of Tehran, and about the pain of a mother unable to afford pistachios for her son. -
Iranian Politics and Religious Modernism
Iranian Politics and Religious Modernism THE LIBERATION MOVEMENT OF IRAN UNDER THE SHAH AND KHOMEINI H. E. CHEHAB! ,. _,:...,~ ·::,~:-- . ,,.;:\.<;;:. I.B.Tauris & Co Ltd Publishers Lon_don Published by For my parents l.B.Tauris & Co Ltd 110 Gloucester Avenue London NW1 8JA Copyright © 1990 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. British Library Cataloguing in Publication Data Chehabi, Houchang E. Iranian politics and religious modernism: the liberation movement of Iran. t. Iran. Politics I. Title 320.955 ISBN 1-85043-198-1 Printed in the United States of America Iranian Polity in Comparative Perspective / 31 ide?logically t~e re~l or imagine.cl _local representatives of powers against N.llillll·ili·;in ,111 .1 1.:\·ligious Modernism which. , all Nahonahsts. were stnvmg·· communism, Bah a ,.ism, z·ionism. · is l·k.ir th.ii 111 tlH' old polities of the non-Western world National- 11 Lmz s observation that the "anti" character of fascism can be t b . .\·lii'H''''• 1111Hkrnism share many affinities. Both strive to make d d . 4 s e 11 un erstoo as anh-mternational and anticosmopolitans also a r t \Sill ,\Ill ,, ' I . N t' l. d . pp ies o tlw l\it1ntn· ,111 d 1h ndture. an equa.l .among equals: the one in the raman a 10na ism an religious modernism. Transnational move- . .• l si1\1t·n· tlll' sl'cond m the spmtual sphere. Religious modern- t'l' 1Ill1 •I · 1 ' .