'68 to Nuit Debout: Shifting Perspectives on France's Anti-Police
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Nuit Debout: a Nova Barricada De Paris?
Nuit Debout: a nova barricada de Paris? Marcia Camargos ontra as minas terrestres, a caça aos animais selva- gens, o abate de bovinos, “que sofrem como nós”, contra o apartheid palestino, a perseguição aos curdos, a insegurança no bairro chinês, a islamo- fobia, a violência de Estado, as guerras, a Lei do Trabalho ou o governo golpista de Michel Temer. Escolha a sua causa e levante a sua bandeira. Na Place de la République, na interseção entre três distritos, os arrondissements da capital francesa, cabem todos os protestos. Local preferido dos insatisfeitos de plantão, ela tornou-se o ponto de partida ou chegada das manifestações cada vez mais frequentes na cidade. Isso, apesar do Estado de urgência em vigor, dando poderes extraordinários à polícia e proibindo as aglomerações. Resposta do governo François Hollande aos atentados terroristas que se abateram sobre a França, e medida preventi- va contra futuros ataques, foi decretado na tarde de 14 de novembro de 2015 em todo o território nacional. Oficialmente ainda em vigor, acabou re- C laxado, pouco a pouco, diante da crescente pres- MARCIA CAMARGOS é jornalista e escritora com pós-doutorado em História pela USP. Revista USP • São Paulo • n. 111 • p. 169-172 • outubro/novembro/dezembro 2016 169 textos / Homenagem são da opinião pública, dos movimentos sociais e e da prosperidade. Na esquerda repousa uma tábua dos sindicatos, que contestam as interdições. Dia com as inscrição “Droits de l’Homme”. sim, dia não, eles fecham o trânsito com passeatas Originalmente Place du Château d’Eau, de todo tipo e tamanho que, não raro, terminam nome derivado da enorme fonte de 1811, saída em confrontos com a polícia, além de detenções da prancheta de Pierre-Simon Girard para trazer e feridos. -
Putting the Policing of Nuit Debout in Context
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Bournemouth University Research Online International Journal of Communication 12(2018), 1887–1907 1932–8036/20180005 Activist Reflexivity and Mediated Violence: Putting the Policing of Nuit Debout in Context ANNA FEIGENBAUM Bournemouth University, UK PATRICK MCCURDY University of Ottawa, Canada To better understand the historical trajectory of the policing of Nuit Debout, in this article we argue that the reflexive relationship between police and protest tactics is heavily mediated by the presence of the press and by the emergence of digital technologies. Our analysis focuses on three sets of reflexive activist practice: (a) challenging media representations—the adaptations and innovations that respond to dominant media framing of police–protester relations; (b) “sousveillance” and police monitoring—the recording and monitoring of police violence and the public education around the police’s use of force; (c) civic forensics and data aggregation—the gathering, analyzing, and collectivizing of citizen-generated data. Although not intended as a taxonomy, these groups of practices are offered as conceptual lenses for critically examining how activists’ tactical repertoires for protesting police adapt and evolve, building on each other to challenge the representational, legal, and material dimensions of state power as it manifests in police–protester relations. Keywords: policing, social movements, riot control, protest, Nuit Debout The riot police—CRS—cut off the march in two, supposedly because there were some dangerous elements in the front—I don’t know if it’s true. They blocked us around 45 minutes. When they finally let us pass, some of the protesters got angry and started throwing things on the police. -
Télécharger L'inventaire En
Intérieur, Comité d’orientation et de sélection des archives orales des préfets, campagne de recueil d'archives orales (2005) Répertoire (20060251/1-20060251/20) Par Anne-Laure Pierret et François Danhiez, ministère de l'Intérieur 2ème édition électronique Archives nationales (France) Pierrefitte-sur-Seine 2006 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_023838 Cet instrument de recherche a été encodé en 2011 par l'entreprise diadeis dans le cadre du chantier de dématérialisation des instruments de recherche des Archives Nationales sur la base d'une DTD conforme à la DTD EAD (encoded archival description) et créée par le service de dématérialisation des instruments de recherche des Archives Nationales 2 Mentions de révision : • 2016: Révisé par Martine Sin Blima-Barru, Archives nationales 3 Archives nationales (France) Sommaire Intérieur, Comité d’orientation et de sélection des archives orales des préfets 5 Jean Brachard 9 Maurice Grimaud 18 Jean Morin 40 Jacques Pelissier 51 Jean-Emile Viè. 61 4 Archives nationales (France) INTRODUCTION Référence 20060251/1-20060251/20 Niveau de description sous-fonds Intitulé Intérieur, Comité d’orientation et de sélection des archives orales des préfets Date(s) extrême(s) 2005 Importance matérielle et support • 32h 29min 19s • 20 fichiers WAV, 17 669 408 670 octets • archives audio-visuelles Localisation physique Fontainebleau Conditions d'accès La consultation des enregistrements se fait conformément au code du Patrimoine, articles L.213-1 à L.213-3. Toute collecte d'archives orales repose sur le recueil du consentement des témoins pour la communication, la reproduction et l'exploitation des entretiens. De ce fait, des contrats ont été signés par chacune des parties interviewées permettant de préciser les conditions d'accès. -
Nuit Debout: Frankreich Gerät in Bewegung!
Felix Syrovatka Nuit Debout: Frankreich gerät in Bewegung! Am frühen Morgen des 11 . April 2016 konstant hohe Arbeitslosigkeit auf, die räumte die Polizei die Place de la Répub- gleichzeitig mit einer Verschärfung der lique im Herzen von Paris und zerstörte räumlichen Ungleichheit beim Zugang zu Zelte und Infrastruktur der noch jungen öffentlichen Dienstleistungen verbunden französischen Bewegung Nuit Debout ist . Ebenso kam es, wie Boltanski und („Die Nacht erhebt sich“) . Doch schon Chiapello (2006) darlegen, seit Ende der am selben Abend protestierten wieder 1980er Jahre zu einem radikalen Wandel Tausende gegen die Arbeitsmarktpolitik der Arbeitsverhältnisse, der mit einem der sozialistischen Regierung . Ausgangs- kontinuierlichen Anstieg von befristeten punkt waren die Demonstrationen Ende Arbeitsverhältnissen und Leiharbeit ver- März, an deren Anschluss mehrere hundert bunden war . Zwischen 1985 und 2001 Menschen die Place de la République be- stieg allein die Anzahl der durch Leiharbeit setzten und anfingen, eine Infrastruktur geleisteten Stunden um 506 Prozent (Del- aufzubauen . Vernetzt über die sozialen bar/Léonard 2002: 6) . Im Jahr 2014 lag der Medien, wie Facebook und Twitter, brei- Anteil befristeter Arbeitsverträge bei Neu- teten sich die Platzbesetzungen in mehr als einstellungen bei 84 Prozent, der höchste 60 französischen Städten, darunter allen Wert in der gesamten EU . Zugleich ist der großen, aus . Selbst in traditionell eher kon- Arbeitsmarkt heute durch eine hohe struk- servativeren Städten wie Nizza existieren turelle Arbeitslosigkeit geprägt und stark Ableger der Nuit-Debout-Bewegung . fragmentiert . Junge Menschen, Frauen Anfang der 1990er Jahre überschritt oder MigrantInnen werden durch dieses die Arbeitslosenquote die Zehn-Prozent- System der prekären Beschäftigung dis- Marke und zementierte die Arbeitslosig- kriminiert und vom Arbeitsmarkt ausge- keit als drängendstes Problem . -
Serious Play: Formal Innovation and Politics in French Literature from the 1950S to the Present
Serious Play: Formal Innovation and Politics in French Literature from the 1950s to the Present by Aubrey Ann Gabel A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Lucey, Chair Professor Debarati Sanyal Professor C.D. Blanton Professor Mairi McLaughlin Summer 2017 Abstract Serious Play: Formal Innovation and Politics in French Literature from the 1950s to the Present By Aubrey Ann Gabel Doctor of Philosophy in French University of California, Berkeley Professor Michael Lucey, Chair Serious Play: Formal Innovation and Politics in French literature from the 1950s to the present investigates how 20th- and 21st-century French authors play with literary form as a means of engaging with contemporary history and politics. Authors like Georges Perec, Monique Wittig, and Jacques Jouet often treat the practice of writing like a game with fixed rules, imposing constraints on when, where, or how they write. They play with literary form by eliminating letters and pronouns; by using only certain genders, or by writing in specific times and spaces. While such alterations of the French language may appear strange or even trivial, by experimenting with new language systems, these authors probe into how political subjects—both individual and collective—are formed in language. The meticulous way in which they approach form challenges unspoken assumptions about which cultural practices are granted political authority and by whom. This investigation is grounded in specific historical circumstances: the student worker- strike of May ’68 and the Algerian War, the rise of and competition between early feminist collectives, and the failure of communism and the rise of the right-wing extremism in 21st-century France. -
Strange Speech: Structures of Listening in Nuit Debout, Occupy, and 15M
International Journal of Communication 12(2018), 1840–1863 1932–8036/20180005 Strange Speech: Structures of Listening in Nuit Debout, Occupy, and 15M JESSICA FELDMAN Stanford University, USA Practices and techniques of listening were at the core of recent social movements that explicitly espoused horizontal direct democracy: 15M, Occupy Wall Street, and Nuit Debout. These movements sought to imagine nonhierarchical structures through which large groups of strangers could speak and listen to each other, considering seriously the coconstruction of communicative form and political values. Drawing on participant observation; 23 long-form interviews with social movement actors in Paris, Madrid, and New York City; and texts such as video documentation and “best practices” literature, this article performs a comparative analysis of internal assembly communications— particularly bodily mediated methods of transmitting and perceiving spoken language— and their relationships to deliberation and decision making. All of these movements struggled to reconcile the mandate to listen with the material and infrastructural challenges of autonomous public space. Nuit Debout’s strong commitment to accommodating those who could not comfortably participate in an occupation (day laborers, sans-papiers, disabled, etc.) caused its internal communication practices to differ in its attempts to conserve time and to prioritize translation. Keywords: social movements, listening, voice, Nuit Debout, Occupy Wall Street, 15M, horizontal democracy In order to enter into political exchange, it becomes necessary to invent the scene upon which spoken words may be audible, in which objects may be visible, and individuals themselves may be recognized. —Rancière, Dissenting Words (Panagia & Rancière, 2000, p. 118) Starting in late 2010, an upsurge of publicly sited social movements, broadly termed “the movements of the squares,” attempted to solve the problems of democratic deliberation, public speaking, and group listening. -
Bibliodebout: a Collaborative Library in a Social Movement Raphaëlle Bats, Marilou Pain
Bibliodebout: a collaborative library in a social movement Raphaëlle Bats, Marilou Pain To cite this version: Raphaëlle Bats, Marilou Pain. Bibliodebout: a collaborative library in a social movement. Bobcatsss 2017, Jan 2017, Tampere, Finland. hal-01496139 HAL Id: hal-01496139 https://hal.archives-ouvertes.fr/hal-01496139 Submitted on 27 Mar 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Title: Bibliodebout: a collaborative library in a social movement Authors: Raphaëlle Bats, Univ.Lyon, Centre Gabriel Naudé, Enssib, Lyon, & Univ Paris Cité, LCSP, Paris 7, Paris, France, [email protected] Marilou Pain, Enssib / Center for Direct Scientific Communication (CCSD), [email protected] An unexpected political mobilisation leads to the occupation of a large number of public squares in French cities from the end of March to July 2016. In those Nuits Debout, a collective starts up BiblioDebout, a participative library working on a gift basis. Trough participative observations and text analysis of the collective’s mailing lists, this paper studies how BiblioDebout expresses a specific relationship between knowledge and power, and, therefore, emancipation. BiblioDebout is utopian, egalitarian, emotional and experimental, and so on could be an inspiration for public libraries willing to renew with their political vocation. -
Aid Consortium for Pakistan Facesl'toughest Job in Ages
University of Nebraska at Omaha DigitalCommons@UNO Kabul Times Digitized Newspaper Archives 5-20-1968 Kabul Times (May 20, 1968, vo. 7, no. 50) Bakhtar News Agency Follow this and additional works at: https://digitalcommons.unomaha.edu/kabultimes Part of the International and Area Studies Commons Recommended Citation Bakhtar News Agency, "Kabul Times (May 20, 1968, vo. 7, no. 50)" (1968). Kabul Times. 1764. https://digitalcommons.unomaha.edu/kabultimes/1764 This Newspaper is brought to you for free and open access by the Digitized Newspaper Archives at DigitalCommons@UNO. It has been accepted for inclusion in Kabul Times by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. .. , " I , . .' . PAGE 4 TH~ KABUL' TIMES MAY Hi; 1968 -,---~..,....~"'-'''''-:''''''';~~-,",-~---,-,----+_'':''''''''''';'. "- --_.:--'---,-- oJ " , : , , ' d # .. J ., ' ,., '. ~ .. ~ ",l . r ~~~<:~,"h~~ ,~~~!.}n ,~~.te~: ~ /--,~ ~ I .. l' ,'" \_ I ,I Attends HouSe~s QU~sfion, ffour E,teinadi~ ", ,L ,t r ' • I FOR'SHEER ~abul.. Since Ia1tlng, the, offi,,!, Ilf Ihe Pri- . By Wakel>een provInces was signed In 'me Mlrilster, Noor, Ahtna<t E'emadl in Iha counlry's dailY life its mem The project is aimed attstlll1ulatlng , .. DE'lOHT endeavour in primary and secondary ES last week atten<1ell tbe,ql/estion hour bera'had heard Ihe'explanations pro A' of the Wolesi Jlrgah, the Tower hou- vided by ministers or governm~"t of- education and adapting education oe of the Afaban Parliamenl for ,the ficiits. mote to the economic. and social fit&t time. 1be Prime- Minister exp- ,Tliere were also Beveral economic n~eils of Ihe people of these areas, lained·.Ibat since recelvjng the vote items of importanf. -
Faculty Achievements 2018
THE AMERICAN UNIVERSITY OF PARIS FACULTY ACHIEVEMENTS 2018 Professor Ziad Majed presenting as part of the student-organized Migration Conference at the Hôtel de Talleyrand, May 2018 1 FOREWORD The many achievements of AUP’s faculty have led to 2018 being another landmark year for the University’s growing academic reputation. This brochure, which presents inspiring interdisciplinary research from across the liberal arts, is evidence of the full depth and breadth of scholarship at AUP. The work produced by faculty compellingly 15 addresses many of the world’s most pressing books issues, most probing questions and most important challenges, while encouraging students to engage with these concerns both inside and outside the classroom. The scholarly output of AUP’s faculty covers a more than wide array of subjects, and their research findings have an impact at both the local and global scale. Their creative endeavors are equally important; 140 AUP’s artists, writers and filmmakers contribute articles at an international level, producing works that tackle major societal questions while maintaining a social conscience. An important element of faculty success is evident in the collaborations that take place between over faculty and students – be this on study trips, via research projects or through mentoring student clubs. An inquisitive and intellectual pedagogical 240 approach, such as the one upheld by our AUP presentations In recent years, AUP has emerged community, allows creativity to flourish. An as a leader in the American emphasis on respecting diverse viewpoints and practicing varied methods of inquiry further allows international university for innovation in this collaborative work. -
Bodies, Spaces, Actions (Steven Cohen, Femen, Nuit Debout) Michel Briand
Choreographic/Political Performances: Bodies, Spaces, Actions (Steven Cohen, Femen, Nuit debout) Michel Briand Abstract:Choreographic activism could be exemplified by three case studies: performances by Steven Cohen, esp. Coq/Cock, 2013; “sextremist” actions by the Femen, since 2012; Nuit debout (“Up all night!”), a democratic forum at the Place de la République, 2016. Some issues are crucial here: “dancing” social and political conflict and ethical/aesthetical interactions; deconstructing/constructing heterotopic spaces and utopian bodies; carnivalesque interplays of irony, critical thinking, spectacular celebration and denunciation; dialectics of discursive and synesthetic pragmatic and negotiation. These performances may also compare to anti-AIDS actions. This paper intends to study choreographic activism or artivism (i.e. art activism) in three context-specific case studies, considered through three main pragmatic perspectives: - Occupying and building up (heterotopic) spaces and times: where? when? - Standing up against and for (esthetic, ethic, and political) values : what? - Queering bodies, discourses, identities, and communities: who? how? But I first would like to state some epistemological and methodological prolegomena about the relation between dance and politics, relying both on ancient, esp. Greek, and recent scholarship on aestheticizing politics and politicizing aesthetics. Politics and dance: humanity and space, dissensus, carnival 1. The Aristotelian definition of human being as phúsei zoon politikón (“a political animal by nature”), in Politics 1253a1-11, implies that a person defines her/himself both as an animal (with a sensitive and practical body as well as embodied psychology, cognition, and thought) and as a part of an organized group (a pólis, not “town”, like ástu, but “city”, that is a “public body” ideally based on eleuthería - freedom, autonomía – self-governance, and koinonía - mutuality). -
Alternative Media Practices: the Case Study of Nuitdebout Giuliana Sorci, University of Catania
Alternative Media Practices: the case study of NuitDebout Giuliana Sorci, University of Catania 1 Abstract With the advent of Web 2.0 and the social media in particular, there has been a "revolution" in terms of cultural and political participation of actors such as the social movements, that often use social networks, blogs, Internet sites, and so they build what Manuel Castells in "Communication and Power" called "a mass self-communication system". The effects of this system have not yet been investigated. Since The Arab Springs in 2011, the overseas movement Occupy Wall Street or the Spanish Indignados movement # 15M, or that which arose against the austerity policies in Greece, to the NuitDebout, social movements, in fact, have experienced new forms of political communication that by using the Network channels were able to involve millions of netcitizen. The movement of NuitDebout was created in opposition to the LoiTravail, drawn up by the Minister of Labour El Khomri, the Socialist government led by President Hollande and the Prime Minister Valls. The LoiTravail, as labor reforms reads that involve other European countries, including Italy and its Job Act, might, in fact, been seen as an exception to the national collective bargaining in favor of the company, with an obvious loss of negotiating power of the part of the workers, and of a company's greater ease to fire its employees. According to therefore with the other anti - austerity movements, since last March, also in France, there was the resumption of a cycle of protests and mobilizations that involved all major cities of the country, with protest actions such as marches and unauthorized demonstrations, direct actions, blockades, strikes, occupations of the squares, but also an alternative use of communication strategies to build an "autonomous dimension of communication". -
Nir Avissar University of Virginia July, 2016
PHOTOACTIVISM: POLITICAL ICONOGRAPHY IN FRANCE, 1944-1968 Nir Avissar Tel Aviv, Israel Master of Arts, Tel Aviv University, 2008 Bachelor of Arts. Tel Aviv University, 2005 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia July, 2016 © 2016 Nir Avissar Abstract The aim of this dissertation is to provide a critical history of French reportage photography in the decades following the Second World War, beginning with the Liberation in 1944 and ending in May ’68. During the Trente Glorieuses, reportage photography became an integral part of the media, which operated as the central platform for engaging the public in political discourse. My research explores how, during this era of mass communication, the photographic medium participated in the nation’s political life in concrete historical circumstances. In the course of this investigation, I inspect both the material, thematic, and formal strategies photographers employed to produce images in different political contexts, and the publication history of their works (who published their images, in what format, and for what purposes). The dissertation thus examines the role reportage photography played in promoting political discourse in France by visually engaging the most critical historical processes the nation was undergoing: modernization, democratization, and decolonization. At the same time, it also analyzes the reciprocal impact that changing political climate had on reportage photography. Specifically, it provides an historical account of the multiple causes that effected during the 1960s the displacement of humanist photography by photojournalism as the medium’s prominent current.