DOCSLIB.ORG

Hearsay19 Brochure W/ Schedule A3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hearsay19 Brochure W/ Schedule A3 INSPIRING CREATIVE AUDIO THINK CONVERSE ENCOUNTER DEEPEN PODCASTS, RADIO FEATURES, FILM SOUND, NEW MUSIC, AUDIO FICTION & SOUND ART EXPERIENCE CELEBRATE PERFORMANCE THINK LIVING THE WHY EXPERIMENT? GONZO STORYTELLING SPACECAMP PRESENTS: THE HEARSAY ANTHROPOCENE: Dylan Gauche (Canada) Mike Williams (Australia) BOOGIE DOWN TO CHOCOLATE BOX OF RETHINKING SOUND & TOPICAL SOUNDS! AURAL DELIGHTS NATURE From workshops, to master-classes, to After a story about a lost cat, this talk Daniel Lewis (Denmark/USA), giving and receiving notes with explores the existential crises facing Various Contributors Robin Parmar (Ireland) collaborators, much of the artistic audio documentary makers. What is it Henrique Hinnerfeldt & Maria WHAT LIES BENEATH - process teaches us how to make clean, that I'm doing here? Who am I in the Dønvang (Denmark) Each 45 minute layer in the HearSay generic works. How can we make art story? Why is it so hard to ‘be myself’ on Chocolate box is curated by a different THE AUDIO MONTAGE We live in The Anthropocene, an epoch without all of the edges sanded off? mic? Using examples from radio and secret HearSay event contributor marked by human influence on species Intrepid DJs, Sound Voyagers and When is following the rules effective? other mediums, Australian digital (chocolatier!) Our Audio chocolatiers Andrea Rangecroft (UK) decline and climate change. As a field Empathetic Earthlings present an How do we know which rules to break? producer and documentary maker Mike have each rummaged through their recordist, Sound artist and composer Evening of Lounge and Boogie We can find the answers by breaking William makes a case for gonzo hard-drives and selected pieces drawn Montage audio features are often Robin Parmar wonders how historical integrating field recordings and open genre, medium, and form, and storytelling; a genre known for its from the best things they have done in credited with giving listeners direct approaches to nature have been conversations recorded in greater taking a hard look at what we're trying to subjectivity. Find out why it suits audio’s their lives (so far) and sounds that have access to an interviewee’s most intimate complicit with these changes. This talk Kilfinane. Featuring DJ and artist Daniel achieve. Dylan Gauche was Winner of the inherent authenticity, what it means to inspired or transported them. Prepare to thoughts, while also allowing will present a sound recording no-one Lewis, DJ, sound and visual artist 2017 HearSay Audio Prize Rising Award. be ‘realer than real’, how to put it all on give time to something beautiful. With interviewees the time and space to tell was meant to hear, the first bird to hit Henrique Hinnerfeldt and audio the line and who to blame when it all Real Artisan Chocolates provided by their story in their own words. But are the Top Ten, and other curiosities. By producer Maria Dønvang. goes wrong. Butlers Chocolate Cafe. the questions we cut out our ‘ghosts’? listening to the past, can we change our Freelance audio producer Andrea future? Rangecroft plays clips from the depths of her own hard drive to open up a discussion on how we shape stories told in montages. CELEBRATE MEMORY, PERSONAL RADIO ATLAS STORY AND TRUTH PRESENTS: THE NIGHT RADIO ATLAS Sophie Townsend (Australia) WATCHMAN PRESENTS: PAPA, WE'RE IN SYRIA Sophie Townsend, senior producer at A rare opportunity to hear the landmark A ROUNDTABLE ON Radio National in Australia, asks: Why do 1971 documentary - 'The Night Christian Lerch (Austria) WHEN EVERYTHING IS we tell our stories, and can we tell them Watchman' from Danish Radio. Made by LEVERAGING YOUR truthfully? What do we gain and what do Stephen Schwartz, the pioneer of a Papa, We’re in Syria is a radio POSSIBLE we lose in the telling of our tales, and highly influential interviewing technique. POWER" documentary about a father searching what is a truth once it's told anyway? Benjamen Walker (USA) AIR (USA) THE HEARSAY AUDIO for his lost sons. It won the Prix CINEMA Europa for Best European Radio Documentary in 2017. Presented by Recently independent radio producer With nearly 200 alumni spanning the In the Dark - Bristol (UK) Geräuschkulisse. and founding member of the Radiotopia past decade, AIR’s New Voices network Benjamen Walker heard a jingle Scholarship has brought bold, fresh from a Canadian commercial radio talent to public media and audio Step into our plush, cosy cinema, and station. It went something like this: storytelling. AIR will gather a selected sink into a comfy chair. Grab a tub of 'Audio content that can't stop being group of New Voices alumni spanning popcorn, and lose yourself in fantastic, radio', or maybe it was 'can't help being the generations of the scholarship for a feature-length audio storytelling. Think radio'. This triggered something that has conversation about how they've cinema without the pictures. With a been gnawing at him for a while about leveraged their skillsets to work toward a packed programme of some of the best 4TH-7TH APRIL 2019 podcasting, radio and formats and sustainable career in storytelling. full-length features, documentaries and THE HEARSAY AUDIO freedom. Join Benjamen as he delves Ariana Martinez, Kyle Norris, Kavita Pillay SOUND OF MY SECRETS dramas the airwaves have to offer, and a PRIZE 2019 AWARDS into these thoughts. (Anthony Martinez & Martina Castro will new show every hour, you'll never have to Ibby Caputo (USA) wait too long for a great story. Look out CEREMONY discuss: How do you navigate the BEG, BORROW, STEAL changing industry while focusing on the for our Director's Cuts Screenings, with KILFINANE, CO. LIMERICK, IRELAND world class audio makers dissecting their HearSay Prize Winners power of underrepresented narratives? Ibby Caputo, the producer of “Losing Jess Bineth (Australia) What have you adjusted about your Yourself” and “Crying Dry Tears”, explores creations and answering your questions. creative practice to protect your own why personal stories can be so The cinemas will also host other events The microphones are warmed up. The A show-and-tell session, where mental wellbeing? compelling in audio, and what you risk in the programme. Jury is in. The Prize winners are known. producers share a piece of someone AIR will host a mingle directly afterward, by sharing them. Hosted by In the Dark, a collaborative The evening will be special. Hear the bringing producers together to mingle, project between a new generation of winning pieces and celebrate with our else’s work that has changed them as an forge new collaborations, or catch up radio producers and radio enthusiasts. nine award winners a very special audio producer. Hosted by Audiocraft with existing connections. ceremony. co-founder Jess Bineth. Our mission is a simple one: To create a home that celebrates and CONVERSE THINK DEEPEN inspires creative audio all around the world. THE HEARSAY PRIZE THE SECRET SOUND OF DOWN WITH MARIMBA THE FULL IRISH OR SHOULD THE LISTENER THE ART OF FOLEY GANBEARLA AWARD SPORT - MAKING MUSIC DO PRINGLES? GETTING WEST CORK: HAVE A VOICE? Caoimhe Doyle & Jean PREMIERES Peregrine Andrews (UK) McGrath (Ireland) THE HEAVY LIFTING YOUR RADIO STORY PRODUCTION & Nicky Birch (UK) In 2019, that home is once again Kilfinane, a GanBearla Nominees & Radio STARTED REPORTING - ACCESS & Atlas (Worldwide) Drawing from his popular podcast Martin Zaltz Austwick (UK) Foley is one of the most subtle, yet THE UNINTENDED episode, sound designer, mixer and radio Traditionally audio is a passive medium, persuasive special effects used in film. It mountain village in Ireland which for the four OPEN HOUSES CHASING DOGS (AND Neil Sandell (Canada/France) HONOUR but increasingly we now do our listening producer Peregrine Andrews will Music is intrinsic to audio, but so is an art of illusion and creativity. Foley Radio Atlas and the HearSay present a CONSEQUENCES OF on devices with computational Mystery Contributors deconstruct the surprisingly complex HUMANS) frequently seems added as an Jennifer Forde & Sam Bungey artists Jean McGrath (The Lovely Bones, premiere screening of the pieces What's the best way to start an audio functionality. The listener now has a magical days of the HearSay19 will be taken EMPATHY soundtrack of live TV sports coverage, afterthought to make a piece feel (UK) Room) and Caoimhe Doyle (The shortlisted for the Gan Bearla Award story? Like a bag of crisps, a good voice. Nicky Birch has been making comparing it to the techniques used in Lu Olkowski (USA) “produced”. What can music do when it’s Favourite, Game of Thrones) will be Held in local peoples living rooms, the (works not in English). Including: A Caixa Eric Nuzum (USA) films and video games. He'll show we beginning should leave the listener experimental audio for smart speakers revealing the tricks of their trade and over by the worlds' finest audio makers. a more intrinsic, or, dare we say it, fun How do two British journalists (and their HearSay Open Houses are becoming the by Sofia Saldanha, Das Lied der sometimes have to "cheat" to tell the wanting more. Join Neil Sandell, for the past two years and will be sharing talking us through the often-surprising Join independent radio producer Lu part of the process? We will hear pieces American producers) tell an authentic stuff of legend and embody the spirit of Salatschleuder by Johanna Fricke, Time truth. independent producer and a winner of examples of her work and hosting a ways sound is produced for film and There is one common trait among all Olkowski, fresh from the Alaskan that set the tone of a show, echo a story and respectful story that is deeply rooted the festival. Just 12 participants and a to Talk by Miriam Arndts, Espera by Sayre Third Coast and Prix Marulic, for a discussion on the value and future television.
Load more

Recommended publications
  • | S a G a M O R E !
    The THIS WEEK 1 IPtrifa | S A G A M O R E ! Vol. 19, No. 22 — THE WEEKLY NEWSPAPER OF INDIANA UNIVERSITY-PURDUE UNIVERSITY AT INDIANAPOLIS — Jan. 22.1990 Tanning First lady speaks salon opens on adult literacy on campus First lady Susan Bayh callsd on than there art students," studsnU to voluntasr thru bins to Bayh next month help illiterate adults during a lac- "The r tura at tha law school last Thurs taring t Tannin* buffs wtD ba able to can dir of knowledge in thru dr sirs minds for thrlr rnbrs future," thr ro US! HoUl food Bayh said to about 50 law stu- first. pn thru college y»ars not functionally liter- nc skills Can tar, said thrrs brtwrrn rrading collrfr for four Today, shr is in charfr of 25 arc- Uons with 18 parucipanu in each sacbon Tha numbrr of sac Uons will increase by two for tha com­ ing fall srmrstrr "People know thry ars not going to makr it if thry canT read," Wolbng said. “A lot of thr stu- drnu we have ars bright, thry just didn't take thr nght rlaasrr in high school * Most of thr students entering thr Access Canter have a low srlf estarm, according to Wolbng Half thr battle is encouraging and sup­ porting tha students an they can t 81 of thr 92 ranch thru goals » have literacy centers where people can go for ood years help at no expense and thr should be For adulta beginning s program, placed < it only takes about 12 months for level, them to learn to read Moat adults For instance, kindergarten ir according to Wolbng because aha did not want her chil­ “1 think her (Bayh’s) attention is dren following tha aama lifestyle.
    [Show full text]
  • ADVOCATE.Fall 2015.FINAL MASTER
    Illustrious Firsts I Monumental Legacies I Scholarships Pay It Forward I Then and Now: Starting Law School TheADVOCATE LEWIS & CLARK LAW SCHOOL I PORTLAND, OREGON I FALL 2015 CENTENNIAL CELEBRATION! Alumni Board of Directors Board of Visitors 2015-16 Table of Contents 2015-16 John E. Bates Features Matthew P. Bergman ’89 Tonya Alexander ’01 Illustrious Firsts: A Timeline . 10 Sidney K. Billingslea ’84 Katheryn Bradley ’86 Monumental Legacies . 16 Bowen Blair ’80 Coby Dolan ’99 Paying It Forward With Scholarships . 20 Monte Bricker Dan Eller ’04, President Then and Now: Starting Law School . 21 Jerry F. Carleton ’07 Courtney Flora ’98 Windows Into the Past . 24 Adina Flynn ’96, Past President Ying Chen ’95 The Right Dean for the Times . 28 David Hittle ’74 Jonathan B. Cole ’76 Three Eminent Ties to Apron Strings . 32 Thomas C. Jensen ’83 Bruce I. Crocker ’76 Centennial Celebration Weekend . 36 Jeannie Lee ’08 Victoria E. Cumings ’04 Honor Roll of Donors . 58 Molly Marcum ’82 Jeffrey B. Curtis ’86 Hon. Keith Meisenheimer ’76 Stephen A. Doherty ’84 Departments Sarah Melton ’08 Barnes H. Ellis Events in the News . 2 Ajit Phadke ’98, Vice President David A. Ernst ’85 Commencement. 6 Justin Sawyer ’01 M. Carr Ferguson Faculty and Staff News . 38 Kenneth “KC” Schefski ’99 Paul T. Fortino Class Notes . 46 Heather Self ’01 Hon. Julie E. Frantz ’75 In Memoriam . 56 Jason Wilson-Aguilar ’96 Hon. Susan P. Graber D. Lawrence Wobbrock ’77 Gary I. Grenley ’75 Volume 38, Number 1, Fall 2015 Edwin A. Harnden The Advocate Recent Graduate Christine Helmer ’74 Lewis &Clark Law School Council Steven J.
    [Show full text]
  • Recovery Plan for the Cook Inlet Beluga Whale (Delphinapterus Leucas)
    Recovery Plan for the Cook Inlet Beluga Whale (Delphinapterus leucas) National Marine Fisheries Service National Oceanic and Atmospheric Administration December 2016 Cover photo is a composite of two photographs and was created specifically for this document. Use by permission only: Anchorage photo: Michael Benson Beluga photo: T. McGuire, LGL Alaska Research Associates, Inc., under MMPA/ESA Research permit # 14210 Cook Inlet Beluga Whale DISCLAIMER Recovery Plan DISCLAIMER Recovery plans delineate such reasonable actions as may be necessary, based upon the best scientific and commercial data available, for the conservation and survival of listed species. Plans are published by the National Marine Fisheries Service (NMFS), sometimes prepared with the assistance of recovery teams, contractors, State agencies, and others. Recovery plans do not necessarily represent the views, official positions, or approval of any individuals or agencies involved in the plan formulation, other than NMFS. They represent the official position of NMFS only after they have been signed by the Assistant Administrator. Recovery plans are guidance and planning documents only; identification of an action to be implemented by any public or private party does not create a legal obligation beyond existing legal requirements. Nothing in this plan should be construed as a commitment or requirement that any Federal agency obligate or pay funds in any one fiscal year in excess of appropriations made by Congress for that fiscal year in contravention of the Anti-Deficiency Act, 31 U.S.C. § 1341, or any other law or regulation. Approved recovery plans are subject to modification as dictated by new findings, changes in species status, and the completion of recovery actions.
    [Show full text]
  • THE UNIVERSITY of TOLEDO the •UNIVERSITY of TOLEDO NOVEMBER 14, 2017 to JULY 27, 2018 1872 PRESERVING YESTERDAY for TOMORROW: the Best of the Ward M
    ,~,, -- :.· II I .... ... .. .... : - - ·, :11M• ~ r --- An Exhibition WARD M. CANADAY CENTER FOR SPECIAL COLLECTIONS UNIVERSITY LIBRARIES • THE UNIVERSITY OF TOLEDO THE •UNIVERSITY OF TOLEDO NOVEMBER 14, 2017 TO JULY 27, 2018 1872 PRESERVING YESTERDAY FOR TOMORROW: The Best of the Ward M. Canaday Center for Special Collections An Exhibition Ward M. Canaday Center for Special Collections University Libraries •The University of Toledo November 14, 2017 to July 27, 2018 Catalog by: Barbara Floyd Tamara Jones Lauren White Sara Mouch Arjun Sabharwal Richard Kruzel Edited by Barbara Floyd TABLE OF CONTENTS Introduction ............................................................................................ 1 Chapter 1 Business & Industry ................................................................................ 5 Chapter 2 Disability History .................................................................................. 13 Chapter 3 Government & the Law ........................................................................ 21 Chapter 4 The University of Toledo .................................................................... 31 Chapter 5 History of Medicine .............................................................................. 39 Chapter 6 Multicultural ........................................................................................... 45 Chapter 7 Gender & Sexuality .............................................................................. 53 Chapter 8 Creative Expression .............................................................................
    [Show full text]
  • Weeding Success: More Than Emptying the Stacks by PAT WAGNER a Similar Strategic Take on the Topic of Cleaning Or Purging a Collection
    » “I have always imagined that Paradise will be a kind of library.” -JORGE LUIS BORGES Issue 39 // May 15, 2017 Weeding Success: More than Emptying the Stacks BY PAT WAGNER a similar strategic take on the topic of cleaning or purging a collection. I think of or some book-loving librarians and this approach as the institutional model: Fassociates, weeding materials from standards that we believe are best for the a circulating library is only about clearing library from the professional librarian’s shelves to buy new books: an endeavor with point of view in terms of collection develop- no more impact on the collection than the ment and the use of space and resources, effects of a brisk spring housecleaning with including budget and staff time. dust cloths and a vacuum cleaner. In addition, I’d like to propose a fourth For others, including many library cus- point of view that focuses on the library tomers, a weeding initiative is an organized user: If a weeding project is successful, how attack on a sacred trust: the sanctity of the does it benefit the library customer? Some- printed word. Removing any book from the times degreed professionals are so intent COLLABORATIVE SOCIAL MEDIA collection is a betrayal, regardless of the on doing things the Right Way according CAMPAIGNS AND SPECIAL condition of the book, the quality of the to their graduate school canon that they COLLECTIONS writing, or, in the case of nonfiction, the forget the viewpoint of the civilian. A Case Study on #ColorOurCollections relevance and veracity of the information.
    [Show full text]
  • SHARP News Spring 2015 24.2
    SHARP NEWS Volume 24, Number 2 2015 der Forschungsbibliothek Gotha.” networks. The assumption of space as being CONFERENCE REVIEWS The first series of papers concentrated on produced or constructed by humans over social aspects of book production. Esther time was made famous by Henri Lefebvre. van Gelder (Utrecht) presented a highly spe- Adrian Johns was probably the first to ex- Books in Motion in Early cialised project of scientific publishing: Jan plicitly transfer the concept to book history. Modern Europe: Christian Sepp’s entomological study of the Following that interpretation, the papers Netherlands’ flora and fauna between 1760 in this session fell into two categories: one Beyond Production, Circulation, and 1811. The publisher teamed up with analysed socio-spatial relations and that the and Consumption Cornelius Nozeman to produce a series of other concentrated on circulation patterns Gotha Research Centre, University of publications that not only depicted insects’ in book production and consumption. Joop Erfurt, Germany habitats but also served to create a com- W. Koopmans (Groningen) emphasized the 28–31 May 2014 munity spirit in the Netherlands through the relationship between publishers and artists establishment of a common understanding by showing their mutual dependency in the More than thirty years ago, Robert Darn- of the Netherlands’ domestic plants and ani- production of illustrated newspapers and ton’s seminal study “What is the History of mals. Kristi Viiding (Tartu) emphasized the periodicals. Newspaper publishers were in Books?” established a model for the study role of women in the Early Modern period need of engravers and illustrators who had of networks of production and the circula- and the absence of research on women in the creative skills to produce illustrations tion and consumption of books in the Early the book trade.
    [Show full text]
  • New Look Coming for Lynn Street
    TUESDAY, SEPTEMBER 29, 2020 New look coming for Lynn street art By Gayla Cawley Told, the two-week initiative will ways that people could still be of Lynn youth, Wilson said Beyond ITEM STAFF kick off on Oct. 11 and consist of brought together to share stories Walls partnered with a variety of the installation of youth-provid- of what they have been experienc- different groups to help collect the LYNN — Beyond Walls has re- ed art and photography, as well ing in 2020. stories or to create the ability for imagined its annual street art as new artwork created by street “For Lynn youth, they’ve experi- the artwork to be installed. festival this year into a downtown artists incorporating elements of enced an awful lot this year,” said In preparation of the initiative, art-installation project that will stories that have been submitted Wilson. “Times have been scary, which runs through Oct. 24, more be inspired by Lynn’s youth. by the city’s youth, according to Al (they) have been challenging, than 300 photographs, drawings, Unlike past years, where events Wilson, founder and CEO of Be- but none more so than for kids. paintings and stories were sub- that typically draw large crowds yond Walls. The idea is this is a way to show mitted by aspiring artists and were held, the sole focus of this As the COVID-19 pandemic be- that the youth were heard in a writers, ages 5 to 21, which were year’s project will be the large- gan to take shape this spring, it time where it’s really necessary reviewed by a panel of profession- scale murals, art installations became apparent fairly quickly to show inclusion, social justice, al artists, designers, educators Artwork by artist and performances created by a di- that a large-scale street festival opportunity and equity.
    [Show full text]
  • The Social Construction of Youth and Mathematics: the Case of a Fifth-Grade Classroom
    7 The Social Construction of Youth and Mathematics: The Case of a Fifth-Grade Classroom Kara J. Jackson “The Dumb Denominator” It is mid-February, and Ms. Ridley (T/R),1 a fifth-grade math teacher at Johnson Middle School, introduces addition and subtraction of fractions with like denomi- nators (e.g., + ) for the first time. She tells the students, “Raise your hand and tell me what dumb people might do. Tell me some stuff people do at Johnson that’s dumb.” The students make comments such as “not studying for a test,” “making stupid noises,” “talking in the cafeteria from table to table,” “starting a food fight,” and “chewing gum.” Ms. Ridley then asks, “What do smart people do?” The stu- dents suggest the following: “thinking before you speak,” “raising hands for every question,” “paying attention in class,” and “not making the same mistakes again.” With her students’ rapt attention, Ms. Ridley says quietly: T/R: I have another little secret to tell you . The denominator in our frac- tion is dumb. Since it’s dumb, it never studies for the test. It comes time for the test— T/R writes on the board: + T/R: Think about a dumb decision. If you didn’t study for the test. M/St 1: 2 Leave your answers blank. T/R: No, think about what happens on test day. M/St 2: I just write down any answer, almost. F/St 1: Cheat. T/R: Yes! If the denominator’s dumb, what do you think it’s going to do? It’s going to copy! The denominators copy because they’re dumb, the numerators are smart, what are they going to do? F/St 2: Add.
    [Show full text]
  • Beinecke Library Annual Report 2018-2019
    BEINECKE ILLUMINATED No. 5, 2018–19 Annual Report Front cover: Rachel Kaufman ’19 at 2019 Yale Students Poetry Reading on the mezzanine Back cover: Professor Jennifer Raab and students in History of Art 705: Representing the American West Contributors The Beinecke Rare Book and Manuscript Library acknowledges the following for their assistance in creating and compiling the content in this annual report. Articles written by, or adapted from, Michael Morand, with editorial assistance from Tubyez Cropper, Dante Haughton, Eva Knaggs, and David Baker. Statistics compiled by Matthew Beacom, Ellen Doon, Moira Fitzgerald, Eric Friede, Audrey Pearson, Allison Van Rhee, and the staff of Technical Services, Access Services, and Administration. Photographs of Beinecke Library events, exhibitions, and materials by Tubyez Cropper and Michael Morand; photograph of library staff by Bill Landis; Windham-Campbell Prize image from YaleNews; Bollingen Prize winner photograph from University of Pennsylvania. Design by Rebecca Martz, Office of the University Printer. Copyright ©2019 by Yale University facebook.com/beinecke @beineckelibrary twitter.com/BeineckeLibrary beinecke.library.yale.edu subsCribe to library news subscribe.yale.edu BEINECKE ILLUMINATED No. 5, 2018–19 Annual Report 4 From the Director 5 Exhibitions and Events Fall Exhibition Explored How Photos Shaped Views of North American West Exhibition Invited Bibliomaniacs to Go Mad for Books Glamour Abounded in Summer 2019 Exhibitions Biography Symposium Showcased Power of Library for Creative Research
    [Show full text]
  • Oversight Hearing Committee on Natural Resources U.S
    EXAMINING IMPACTS OF FEDERAL NATURAL RESOURCES LAWS GONE ASTRAY, PART II OVERSIGHT HEARING BEFORE THE SUBCOMMITTEE ON OVERSIGHT AND INVESTIGATIONS OF THE COMMITTEE ON NATURAL RESOURCES U.S. HOUSE OF REPRESENTATIVES ONE HUNDRED FIFTEENTH CONGRESS FIRST SESSION Tuesday, July 18, 2017 Serial No. 115–16 Printed for the use of the Committee on Natural Resources ( Available via the World Wide Web: http://www.fdsys.gov or Committee address: http://naturalresources.house.gov U.S. GOVERNMENT PUBLISHING OFFICE 26–387 PDF WASHINGTON : 2017 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate Mar 15 2010 08:43 Oct 05, 2017 Jkt 000000 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 J:\115TH CONGRESS\OVERSIGHT & INVESTIGATIONS\07-18-17\26387.TXT DARLEN COMMITTEE ON NATURAL RESOURCES ROB BISHOP, UT, Chairman RAU´ L M. GRIJALVA, AZ, Ranking Democratic Member Don Young, AK Grace F. Napolitano, CA Chairman Emeritus Madeleine Z. Bordallo, GU Louie Gohmert, TX Jim Costa, CA Vice Chairman Gregorio Kilili Camacho Sablan, CNMI Doug Lamborn, CO Niki Tsongas, MA Robert J. Wittman, VA Jared Huffman, CA Tom McClintock, CA Vice Ranking Member Stevan Pearce, NM Alan S. Lowenthal, CA Glenn Thompson, PA Donald S. Beyer, Jr., VA Paul A. Gosar, AZ Norma J. Torres, CA Rau´ l R. Labrador, ID Ruben Gallego, AZ Scott R. Tipton, CO Colleen Hanabusa, HI Doug LaMalfa, CA Nanette Diaz Barraga´n, CA Jeff Denham, CA Darren Soto, FL Paul Cook, CA A.
    [Show full text]
  • Hustle Harder, Hustle Smarter
    Dedication This book is dedicated to the memory of my mother, Sabrina Jackson, and my nana, Beulah Jackson. They might have departed in their physical forms, but their love, support, and guidance continue to inspire me every day. Contents Cover Title Page Dedication Introduction 1. Finding Fearlessness 2. Heart of a Hustler 3. Constructing Your Crew 4. Knowing Your Value 5. Evolve or Die 6. Power of Perception 7. If We Can’t Be Friends 8. Learning from Your Ls 9. The Entitlement Trap Acknowledgments About the Author Copyright About the Publisher Introduction For years people have been encouraging me to pen a self-help book. Even waved a couple of big checks in my face. I always passed. Not that I didn’t come close a few times. I even got as far as coauthoring one (The 50th Law) with the great Robert Greene, but I still never felt totally comfortable writing one on my own. I just didn’t like the idea of presenting myself as an expert on life. That might sound strange coming from the one who has never been shy about telling you how much money he has, how many records he sold, or the TV shows he’s produced. Yes, I’ve been comfortable sharing my successes publicly, but privately I’m sensitive to the fact that those accomplishments haven’t made my life all the way right. There are many things I’ve fucked up: money, relationships, opportunities, friendships . you name it. I’ve absolutely failed as many times as I’ve succeeded.
    [Show full text]
  • Annual Report Fiscal Year 2015
    ANNUAL REPORT ST. VLADIMIR’S ORTHODOX THEOLOGICAL SEMINARY The SVS Vine | VOLUME 8 JULY 1, 2014 – JUNE 30, 2015 The Inside Story I LovE—I HAVE ALWAYS LovED—BooKS. They were instrumental in my conversion from my ethnic Anglo-Saxon religion to the Orthodox Christian faith, and in my embrace of the teachings of the Church. My extensive reading readied me to sacrifice whatever might be required (pension, parish) to possess what I came to look upon as the “Pearl of Great Price” (MATTHEW 13:46). But I soon came to realize that “book-learning” could not provide me with the “inside story” that I’ve come to experience as a member of the body of Christ. Now, within the body of believers, I’ve become part of a larger story that spans more than two millennia, and I realize that all my reading cannot compare to my present status as a character actively participating within the continuing pages of this astounding history! I can say the same for my initial views of St. Vladimir’s Seminary. As an outsider, I knew (and had read) that the Seminary was the home of great minds As you read the that had formed generations of seminarians to serve in Orthodox churches worldwide. I personal stories had knowledge of the Seminary’s spiritual of our students, life and liturgical rhythm, and of its history and mission. I knew it as the renowned alumni, and Academy that had laid the groundwork for Dean Emeritus Studying Theology TAMARA GRDZELIDZE, ALUMNA 1993 an English-speaking, evangelical-minded Protopresbyter Orthodox Church in the New World.
    [Show full text]