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25. Leipziger 47 La Canna * I – Valsamoggia 162 ** Infostand Antiquariatsmesse Vorwort 5 25
25. Leipziger 21.-24. März 2019 Verkaufsausstellung für Bücher, Halle 3 der Leipziger Buchmesse Graphiken und Autographen Literaturmeile der Leipziger Antiquariatsmesse Leipziger der Literaturmeile Ausstellerverzeichnis 23 24 22 25 26 27 28 29 Stand Nr. Katalog Seite Stand Nr. Katalog Seite 21 Notausgang 27 Antikvaristik.sk SK – Banská Štiavnica 4 16 Lehmann Berlin 84 5 antiquariat.de ** Berlin 164 20 Lenzen Düsseldorf 86 30 Bonn Mainburg 8 Antiquarius 35 Lindner 6 90 53 52 51 50 Halle 3 50 Avion * CZ – Liberec 162 49 Lorych Berlin 94 der Leipziger 45 46 47 48 49 Buchmesse 39 Bachmann & Rybicki Dresden 12 33 Walter Markov Bonn 98 Tübingen Lüdenscheid 23 Bader 51 Melzer 18 106 19 20 32 31 Halle * Berlin 13 Bausmann 17 Mertens 20 162 37 39 Bad Nauheim Northeim 31 Bibliophiles.de 29 Nagel 22 110 36 18 * CZ – Praha Thalheim 28 Bretschneider 19 Neubert 162 112 43 44 17 Literaturmeile der Leipziger Antiquariatsmesse Literaturmeile der Leipziger St. Ingbert * Berlin 41 Büchergärtner 26 Niedersätz 24 162 34 33 38 16 35 Kiel * Kuchenheim 18 Carlsen 30 Nosbüsch 28 162 42 41 40 25 Drescher Berlin 30 1 Paulusch Berlin 120 36 Eckert Bremen 34 32 Peter Ibbetson Engelskirchen 124 NL – Den Haag Braunschweig 38 Florisatus 6 Rabenschwarz 38 128 Einlass Café – Ausschank Café – 3 Gruber * Heilbronn 162 34 Rotes Antiquariat Berlin 130 Karlsruhe * Menden 24 Haufe & Lutz 52 Salmen 42 162 1 46 Hill Wiesbaden 44 43 Solder Münster 134 2 Im Hufelandhaus Berlin 46 4 Stader Stade 136 Information Planegg Berlin 11 Husslein 40 Tode 50 140 Café 10 11 12 A – Wien Berlin 48 Jacono 37 Treptower 54 146 3 2 Garderobe 12 KaraJahn Berlin 56 7 Wagner Berlin 152 9 14 Knöll Lüneburg 66 45 Wend Leipzig 154 (Graphik) Leipzig Hannover 21 Koenitz 53 Wilder 70 156 4 (Galerie) Leipzig Bamberg 22 Koenitz 10 Zipprich 72 158 14 15 Ditzingen * Berlin 15 Krak 24 Zeisig 74 162 8 7 6 5 13 Notausgang 9 Krikl A – Wien 76 Literaturmeile der Leipziger Antiquariatsmesse Hallenplan und Standnummern 44 Krüger * Köln 162 * Der Kollege ist ohne Katalogbeitrag vertreten der 25. -
Das 20. Jahrhundert 220
Das 20. Jahrhundert 220 Querschnitt durch unser Lager von L bis Z sowie Neueingänge und El Libro Libre Antiquariat Frank Albrecht · [email protected] 69198 Schriesheim · Mozartstr. 62 · Tel.: 06203/65713 Das 20. Jahrhundert 220 D Verlag und A Querschnitt durch unser Lager von L bis Z S Antiquariat sowie Neueingänge und El Libro Libre 2 Frank 0. J A Albrecht H R Inhalt H 69198 Schriesheim U Querschnitt von L bis Z ................................................. 1 Mozartstr. 62 N Neueingänge ................................................................ 24 Tel.: 06203/65713 El Libro Libre .............................................................. 43 D Register ....................................................................... 46 FAX: 06203/65311 E Email: R [email protected] T USt.-IdNr.: DE 144 468 306 D Steuernr. : 47100/43458 A Die Abbildung auf dem Vorderdeckel S zeigt einen Original-Holzschnitt von Erich Heckel (Nr. 230). 2 0. J A H Spezialgebiete: R Autographen und H Widmungsexemplare U Belletristik in Erstausgaben N Illustrierte Bücher D Judaica Kinder- und Jugendbuch E Kulturgeschichte R Kunst T Unser komplettes Angebot im Internet: Politik und Zeitgeschichte http://www.antiquariat.com Russische Avantgarde D Sekundärliteratur A und Bibliographien S Geschäftsbedingungen Gegründet 1985 2 0. Alle angebotenen Bücher sind grundsätzlich vollständig und, wenn nicht an- J ders angegeben, in gutem Erhaltungszustand. Die Preise verstehen sich in Euro Mitglied im (€) inkl. Mehrwertsteuer. Das Angebot ist freibleibend; -
Sig Process Book
A Æ B C D E F G H I J IJ K L M N O Ø Œ P Þ Q R S T U V W X Ethan Cohen Type & Media 2018–19 SigY Z А Б В Г Ґ Д Е Ж З И К Л М Н О П Р С Т У Ф Х Ч Ц Ш Щ Џ Ь Ъ Ы Љ Њ Ѕ Є Э І Ј Ћ Ю Я Ђ Α Β Γ Δ SIG: A Revival of Rudolf Koch’s Wallau Type & Media 2018–19 ЯREthan Cohen ‡ Submitted as part of Paul van der Laan’s Revival class for the Master of Arts in Type & Media course at Koninklijke Academie von Beeldende Kunsten (Royal Academy of Art, The Hague) INTRODUCTION “I feel such a closeness to William Project Overview Morris that I always have the feeling Sig is a revival of Rudolf Koch’s Wallau Halbfette. My primary source that he cannot be an Englishman, material was the Klingspor Kalender für das Jahr 1933 (Klingspor Calen- dar for the Year 1933), a 17.5 × 9.6 cm book set in various cuts of Wallau. he must be a German.” The Klingspor Kalender was an annual promotional keepsake printed by the Klingspor Type Foundry in Offenbach am Main that featured different Klingspor typefaces every year. This edition has a daily cal- endar set in Magere Wallau (Wallau Light) and an 18-page collection RUDOLF KOCH of fables set in 9 pt Wallau Halbfette (Wallau Semibold) with woodcut illustrations by Willi Harwerth, who worked as a draftsman at the Klingspor Type Foundry. -
Type ID and History
History and Identification of Typefaces with your host Ted Ollier Bow and Arrow Press Anatomy of a Typeface: The pieces of letterforms apex cap line serif x line ear bowl x height counter baseline link loop Axgdecender line ascender dot terminal arm stem shoulder crossbar leg decender fkjntail Anatomy of a Typeface: Design decisions Stress: Berkeley vs Century Contrast: Stempel Garamond vs Bauer Bodoni oo dd AAxx Axis: Akzidenz Grotesk, Bembo, Stempel Garmond, Meridien, Stymie Q Q Q Q Q Typeface history: Blackletter Germanic, completely pen-based forms Hamburgerfonts Alte Schwabacher c1990 Monotype Corporation Hamburgerfonts Engraver’s Old English (Textur) 1906 Morris Fuller Benton Hamburgerfonts Fette Fraktur 1850 Johan Christian Bauer Hamburgerfonts San Marco (Rotunda) 1994 Karlgeorg Hoefer, Alexei Chekulayev Typeface history: Humanist Low contrast, left axis, “penned” serifs, slanted “e”, small x-height Hamburgerfonts Berkeley Old Style 1915 Frederic Goudy Hamburgerfonts Centaur 1914 Bruce Rogers after Nicolas Jenson 1469 Hamburgerfonts Stempel Schneidler 1936 F.H.Ernst Schneidler Hamburgerfonts Adobe Jenson 1996 Robert Slimbach after Nicolas Jenson 1470 Typeface history: Old Style Medium contrast, more vertical axis, fewer “pen” flourishes Hamburgerfonts Stempel Garamond 1928 Stempel Type Foundry after Claude Garamond 1592 Hamburgerfonts Caslon 1990 Carol Twombley after William Caslon 1722 Hamburgerfonts Bembo 1929 Stanley Morison after Francesco Griffo 1495 Hamburgerfonts Janson 1955 Hermann Zapf after Miklós Tótfalusi Kis 1680 Typeface -
New Black Face: Neuland and Lithos As “Stereotypography” by Rob Giampietro
New Black Face: Neuland and Lithos as “Stereotypography” by Rob Giampietro “The Neuland Question comes up regularly, and alas w∂hout much resolution....” –Jonathan Hoefl er 3 4 5 The “Neuland Question” to which of a religious life to his countrymen. delicately interlocking serifs com- Jonathan Hoefl er refers involves not Having experimented w∂h the art of monly used in black letter typography. just Neuland, a “display” typeface calligraphy shortly before enlisting, The result, a font composed of heavy hand-carved in 1923 by Rudolf Koch Koch returned to the art after WWI black forms, was visible from great (fi g. 1), but also Lithos, another “dis- with the intention of making bold, no- distances and easily distinguishable play” typeface digitally created in ticeable typefaces that would shout to from lighter-weight typefaces on a 1989 by Carol Twombly (fi g. 2). other Germans that f∞lowing God’s page. These qual∂ies made Neuland path would help them fi nd comfort suitable to advertising. Koch even at- 1 from the trauma of war. Yale Univer- tempted to set a classifi ed ad in Neu- sity Printer John Gambell suggests land at the end of the German speci- 2 that Koch designed the face with the men book (fi g. 5). The Question can be put simply: How intent of making a modern version of By the time Neuland reached the did these two typefaces come to signi- the German black letter (or black face) United States, its distributor, the Con- fy Africans and African-Americans, style. Black letter fonts were used at tinental Typefounder’s Association, regardless of how a designer uses the time for the setting of important had little interest in Neuland’s uses as them, and regardless of the purpose texts, especially Bibles and church- a modern black letter, and the speci- for which their creators originally in- related documents. -
Das 20. Jahrhundert 252
Das 20. Jahrhundert 252 Prominent 2 ! Bekannte Schriftsteller, Kritiker und Künstler Antiquariat Frank Albrecht · [email protected] 69198 Schriesheim · Mozartstr. 62 · Tel.: 06203/65713 Das 20. Jahrhundert 252 D Verlag und A Prominent 2 ! Bekannte Schriftsteller, S Antiquariat Kritiker und Künstler 2 Frank 0. J A Albrecht H Inhalt R H Belletristik ....................................................................... 1 69198 Schriesheim U Sekundärliteratur ........................................................... 31 Mozartstr. 62 N Kunst ............................................................................. 35 Register ......................................................................... 55 Tel.: 06203/65713 D FAX: 06203/65311 E Email: R [email protected] T USt.-IdNr.: DE 144 468 306 D Steuernr. : 47100/43458 Die Abbildung auf dem Vorderdeckel A zeigt eine Original-Zeichnung von S Joachim Ringelnatz (Katalognr. 113). 2 0. J A H Spezialgebiete: R Autographen und H Widmungsexemplare U Belletristik in Erstausgaben N Illustrierte Bücher D Judaica Kinder- und Jugendbuch E Kulturgeschichte R Unser komplettes Angebot im Internet: Kunst T http://www.antiquariat.com Politik und Zeitgeschichte Russische Avantgarde D Sekundärliteratur und Bibliographien A S Gegründet 1985 2 0. Geschäftsbedingungen J Mitglied im Alle angebotenen Bücher sind grundsätzlich vollständig und, wenn nicht an- P.E.N.International A ders angegeben, in gutem Erhaltungszustand. Die Preise verstehen sich in Euro und im Verband H (€) inkl. Mehrwertsteuer. -
Chronik Der Schriftgiesserei Gebr. Klingspor
CHRONIK DER SCHRIFTGIESSEREI GEBR. KLINGSPOR Frankfurt am Main 2002 Karl Klingspor 1868–1950 1892 Karl Klingspor (Vater) aus Gießen erwirbt am 26. Juli die Rudhardsche Gießerei in Offenbach am Main. Diese Firma geht auf eine Gründung von Johann Peter Nees, Philipp Rudhard und Johann Michael Huck zurück im Jahre 1842. Als Prokurist leitet zunächst Karl Klingspor (Sohn) allein das Ge- schäft. 1899 Die Walthari von Heinz König wird herausgegeben Walthari 1900 Die Eckmann Schrift von Otto Eckmann wird herausgegeben, Eckmann Schrift ebenso die Offenbacher Schwabacher von dem Leipziger Offenbacer Scwabacer Stempelschneider Kurt Wanschura. 1901 Offenbacher Fraktur und Behrensschrift von Peter Behrens er- Behrens Schrift scheinen. 1904 Karl und Wilhelm Klingspor übernehmen als alleinige Inhaber die Rudhardsche Gießerei. Die Munthe Schrift von dem Maler Gerhard Munthe in Norwegen wird als Privatschrift herge- stellt. Sie ist heute für den Computersatz verfügbar. Informationen unter home.no.net/toeng/fries/friesianus.html (Das Font ist erhältlich bei www.luth.no) 1905 Die König Antiqua von Heinz König erscheint, ebenso eine Breitkopf Fraktur. 1906 Die Firma wird in Gebr. Klingspor umbenannt. Die Liturgisch Liturgis¡ von Otto Hupp wird vorgestellt. Die Schriftprobe ist eine der schönsten und umfassendsten Einzelproben die jemals für eine einzelne Schrift erstellt wurde (148 Seiten stark). 1908 Neue Schrift: Behrens Antiqua von Peter Behrens 1909 Hupp Antiqua Hupp Antiqua, Hupp Unziale von Otto Hupp und Tiemann Tiemann Mediäval Mediäval von Walter Tiemann kommen heraus. 1910 Die Deutsche Schrift von Rudol Koch wird herausgegeben. Deutsce Scrift Weiter Schnitte erscheinen in den folgenden Jahren. Die Hupp Fraktur wird herausgegeben. Óupp Fraktur 1913 Neue Schrift: Behrens Mediaeval von Peter Behrens 1914 Frühling Neue Schriften: Frühling, Maximilian Gotisch, Maximilian Maximilian Goti‚ch von Rudolf Koch und Peter Schlemihl von Walter Tiemann Maximilian Peter Sªlemihl 1915 Die Firmen F. -
SDC Books Jun2010 Updated Jan2012
Société des calligraphes de Montréal Livres - Books Livres qui appartiennent à la Société des calligraphes de Montréal. La majorité a été donnée à la Société par Mme Fred Felsky et Mme Eddie Prévost en mémoire de leurs époux. Les commentaires ont été rédigés par d’anciens membres de la Société (anglophones). Books belonging to the Société des Calligraphes de Montréal. Most were given to the Société by Mrs. Fred Fesky and Mrs. Eddie Prévost, in memory of their husbands. All comments were written by past members of the Society. Note: Vivien Lappa et Saskia Latendresse ont révisé la liste en 2010; les titres en rouge sont ceux dont la Société pourrait se départir. Les livres achetés par la Société en 2011 ont été ajoutés. Auteur / Author Titre / Title Éditeur, ville / Publisher, City Année de publication / Nombre de pages / Description Langue / Publication year Number of pages Language - Calligrapher's Handbook, New Burlington Books, London 1987 English The AARON, W.M. Italic Writing: A Concise Alec Tiranti, London 1971 110 pages A complete guide to learning Italic from materials through English Guide letterforms to cursive. Good-looking calligraphy examples throughout with some interesting letter-combination exercises. A useful alternative for learning or improving your Italic. (K. Poulsen) ALEXANDER, J.J.G. Decorated letter, The Thames & Hudson, London 1978 The Decorated Letter is a sketchy but scholarly discussion English of some of the decorated letters to be found in European manuscripts from the 4th to 15th Centuries. There are forty excellent coloured reproductions of initial letters from the Lindesfarne Gospels to Miroir de la Salvation Humaine by Jean Mielot (1448-49). -
| S a G a M O R E !
The THIS WEEK 1 IPtrifa | S A G A M O R E ! Vol. 19, No. 22 — THE WEEKLY NEWSPAPER OF INDIANA UNIVERSITY-PURDUE UNIVERSITY AT INDIANAPOLIS — Jan. 22.1990 Tanning First lady speaks salon opens on adult literacy on campus First lady Susan Bayh callsd on than there art students," studsnU to voluntasr thru bins to Bayh next month help illiterate adults during a lac- "The r tura at tha law school last Thurs taring t Tannin* buffs wtD ba able to can dir of knowledge in thru dr sirs minds for thrlr rnbrs future," thr ro US! HoUl food Bayh said to about 50 law stu- first. pn thru college y»ars not functionally liter- nc skills Can tar, said thrrs brtwrrn rrading collrfr for four Today, shr is in charfr of 25 arc- Uons with 18 parucipanu in each sacbon Tha numbrr of sac Uons will increase by two for tha com ing fall srmrstrr "People know thry ars not going to makr it if thry canT read," Wolbng said. “A lot of thr stu- drnu we have ars bright, thry just didn't take thr nght rlaasrr in high school * Most of thr students entering thr Access Canter have a low srlf estarm, according to Wolbng Half thr battle is encouraging and sup porting tha students an they can t 81 of thr 92 ranch thru goals » have literacy centers where people can go for ood years help at no expense and thr should be For adulta beginning s program, placed < it only takes about 12 months for level, them to learn to read Moat adults For instance, kindergarten ir according to Wolbng because aha did not want her chil “1 think her (Bayh’s) attention is dren following tha aama lifestyle. -
ADVOCATE.Fall 2015.FINAL MASTER
Illustrious Firsts I Monumental Legacies I Scholarships Pay It Forward I Then and Now: Starting Law School TheADVOCATE LEWIS & CLARK LAW SCHOOL I PORTLAND, OREGON I FALL 2015 CENTENNIAL CELEBRATION! Alumni Board of Directors Board of Visitors 2015-16 Table of Contents 2015-16 John E. Bates Features Matthew P. Bergman ’89 Tonya Alexander ’01 Illustrious Firsts: A Timeline . 10 Sidney K. Billingslea ’84 Katheryn Bradley ’86 Monumental Legacies . 16 Bowen Blair ’80 Coby Dolan ’99 Paying It Forward With Scholarships . 20 Monte Bricker Dan Eller ’04, President Then and Now: Starting Law School . 21 Jerry F. Carleton ’07 Courtney Flora ’98 Windows Into the Past . 24 Adina Flynn ’96, Past President Ying Chen ’95 The Right Dean for the Times . 28 David Hittle ’74 Jonathan B. Cole ’76 Three Eminent Ties to Apron Strings . 32 Thomas C. Jensen ’83 Bruce I. Crocker ’76 Centennial Celebration Weekend . 36 Jeannie Lee ’08 Victoria E. Cumings ’04 Honor Roll of Donors . 58 Molly Marcum ’82 Jeffrey B. Curtis ’86 Hon. Keith Meisenheimer ’76 Stephen A. Doherty ’84 Departments Sarah Melton ’08 Barnes H. Ellis Events in the News . 2 Ajit Phadke ’98, Vice President David A. Ernst ’85 Commencement. 6 Justin Sawyer ’01 M. Carr Ferguson Faculty and Staff News . 38 Kenneth “KC” Schefski ’99 Paul T. Fortino Class Notes . 46 Heather Self ’01 Hon. Julie E. Frantz ’75 In Memoriam . 56 Jason Wilson-Aguilar ’96 Hon. Susan P. Graber D. Lawrence Wobbrock ’77 Gary I. Grenley ’75 Volume 38, Number 1, Fall 2015 Edwin A. Harnden The Advocate Recent Graduate Christine Helmer ’74 Lewis &Clark Law School Council Steven J. -
Spring 2011 Supplying Calligraphers, Lettering Artists, Illuminators
spring 2011 Supplying calligraphers, lettering artists, illuminators, bookbinders and papercraft enthusiasts worldwide with books, tools, and materials since 1981. 61 5 64 50 61 61 ORDER NOW! toll free: 800-369-9598 v web: www.JohnNealBooks.com Julie Eastman. B&L 8.2 “...an informative, engaging, Bill Waddington. B&L 8.2 and valued resource.” Need something new to inspire you? –Ed Hutchins Subscribe to Bound & Lettered and have each issue – filled with practical information on artists’ books, bookbinding, calligraphy and papercraft – delivered to your mailbox. Bound & Lettered features: how-to articles with helpful step-by-step instructions and illustrations, artist galleries featuring the works of accomplished calligraphers & book artists, useful articles on tools & materials, and book & exhibit reviews. You will find each issue filled with wonderful ideas and projects. Subscribe today! Annie Cicale. B&L 8.3 Every issue of Bound & Lettered has articles full of practical information for calligraphers, bookbinders and book artists. Fran Watson. B&L 8.3 Founded by Shereen LaPlantz, Bound & Lettered is a quarterly magazine of calligraphy, bookbinding and papercraft. Published by John Neal, Bookseller. Now with 18 color pages! Subscription prices: USA Canada Others Four issues (1 year) $26 $34 USD $40 USD Eight issues (2 years) $47 $63 USD $75 USD 12 issues (3 years) $63 $87 USD $105 USD mail to: Bound & Lettered, 1833 Spring Garden St., First Floor, Sue Bleiwess. B&L 8.2 Greensboro, NC 27403 b SUBSCRIBE ONLINE AT WWW .JOHNNEALBOOKS .COM B3310. Alphabeasties and Other Amazing Types by Sharon Werner and Sarah Forss. 2009. 56pp. 9"x11.5". -
Recovery Plan for the Cook Inlet Beluga Whale (Delphinapterus Leucas)
Recovery Plan for the Cook Inlet Beluga Whale (Delphinapterus leucas) National Marine Fisheries Service National Oceanic and Atmospheric Administration December 2016 Cover photo is a composite of two photographs and was created specifically for this document. Use by permission only: Anchorage photo: Michael Benson Beluga photo: T. McGuire, LGL Alaska Research Associates, Inc., under MMPA/ESA Research permit # 14210 Cook Inlet Beluga Whale DISCLAIMER Recovery Plan DISCLAIMER Recovery plans delineate such reasonable actions as may be necessary, based upon the best scientific and commercial data available, for the conservation and survival of listed species. Plans are published by the National Marine Fisheries Service (NMFS), sometimes prepared with the assistance of recovery teams, contractors, State agencies, and others. Recovery plans do not necessarily represent the views, official positions, or approval of any individuals or agencies involved in the plan formulation, other than NMFS. They represent the official position of NMFS only after they have been signed by the Assistant Administrator. Recovery plans are guidance and planning documents only; identification of an action to be implemented by any public or private party does not create a legal obligation beyond existing legal requirements. Nothing in this plan should be construed as a commitment or requirement that any Federal agency obligate or pay funds in any one fiscal year in excess of appropriations made by Congress for that fiscal year in contravention of the Anti-Deficiency Act, 31 U.S.C. § 1341, or any other law or regulation. Approved recovery plans are subject to modification as dictated by new findings, changes in species status, and the completion of recovery actions.