Concepts of Metapragmatic Discourse (Discourse About the Practical Role and Purpose 3 from the National Community (Temple 2000)
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Holocene Environmental Changes Disclosed from Anoxic Fjord Sediments by Biomarkers and Their Radiocarbon Content
GEOLOGICA ULTRAIECTINA Mededelingen van de Faculteit Geowetenschappen Universiteit Utrecht No. 227 Holocene environmental changes disclosed from anoxic fjord sediments by biomarkers and their radiocarbon content Rienk H. Smittenberg Holocene environmental changes disclosed from anoxic fjord sediments by biomarkers and their radiocarbon content Holocene milieuveranderingen gereconstrueerd uit anoxische fjord sedimenten middels biomarkers en hun radio-aktief koolstof gehalte (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de Rector Magnificus, Prof. Dr. W.H. Gispen, ingevolge het besluit van het College voor Promoties in het openbaar te verdedigen op maandag 15 september 2003 des middags te 4.15 uur door Rienk Hajo Smittenberg geboren op 23 maart 1973 te Eck en Wiel Promotor: Prof. Dr. J.W. de Leeuw Department of Geochemistry Utrecht University Utrecht, The Netherlands Copromotores: Dr. Ir. J.S. Sinninghe Damsté Department of Geochemistry Utrecht University Utrecht, The Netherlands Dr. S. Schouten Department of Marine Biogeochemistry and Toxicology Royal Netherlands Institute of Sea Research Texel, The Netherlands The research described in this thesis was carried out at the Department of Biogeochemistry and Toxicology of the Royal Netherlands Institute of Sea Research, P.O. Box 59, 1790 AB Den Burg, The Netherlands. The investigations were supported by the Research Council for Earth and Life Science (ALW) with the financial support from the Netherlands -
Sea Monsters in Antiquity: a Classical and Zoological Investigation
Sea Monsters in Antiquity: A Classical and Zoological Investigation Alexander L. Jaffe Harvard University Dept. of Organismic and Evolutionary Biology Class of 2015 Abstract: Sea monsters inspired both fascination and fear in the minds of the ancients. In this paper, I aim to examine several traditional monsters of antiquity with a multi-faceted approach that couples classical background with modern day zoological knowledge. Looking at the examples of the ketos and the sea serpent in Roman and Greek societies, I evaluate the scientific bases for representations of these monsters across of variety of media, from poetry to ceramics. Through the juxtaposition of the classical material and modern science, I seek to gain a greater understanding of the ancient conception of sea monsters and explain the way in which they were rationalized and depicted by ancient cultures. A closer look at extant literature, historical accounts, and artwork also helps to reveal a human sentiment towards the ocean and its denizens penetrating through time even into the modern day. “The Sea-monsters, mighty of limb and huge, the wonders of the sea, heavy with strength invincible, a terror for the eyes to behold and ever armed with deadly rage—many of these there be that roam the spacious seas...”1 Oppian, Halieutica 1 As the Greek poet Oppian so eloquently reveals, sea monsters inspired both fascination and fear in the minds of the ancients. From the Old Testament to Ovid, sources from throughout the ancient world show authors exercising both imagination and observation in the description of these creatures. Mythology as well played a large role in the creation of these beliefs, with such classic examples as Perseus and Andromeda or Herakles and Hesione. -
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BOOK REVIEWS David M. Williams and Andrew P. White as well as those from the humanities. The (comp.). A Select Bibliography of British and section on Maritime Law lists work on Irish University Theses About Maritime pollution and the maritime environment, and History, 1792-1990. St. John's, Newfound• on the exploitation of sea resources. It is land: International Maritime Economic particularly useful to have the Open Univer• History Association, 1992. 179 pp., geo• sity and the C.NAA. theses listed. graphical and nominal indices. £10 or $20, The subjects are arranged under twenty- paper; ISBN 0-969588-5. five broad headings; there are numerous chronological geographic and subject sub• The establishment of the International and divisions and an author and geographic British Commissions for Maritime History, index to facilitate cross referencing. Though both of which have assisted in the publica• it is mildly irritating to have details some• tion of this bibliography, illustrates the times split between one column and the steadily growing interest in maritime history next, the whole book is generally convenient during the last thirty years. However, the and easy to use. The introduction explains increasing volume of research in this field the reasons for the format of the biblio• and the varied, detailed work of postgradu• graphy, its pattern of classification and the ate theses have often proved difficult to location and availability of theses. This has locate and equally difficult to consult. This recently much improved and an ASLIB bibliography provides access to this "enor• number is helpfully listed for the majority of mously rich resource" (p. -
The Trouble with Bulls: the Cacce Dei Tori in Early4modern Venice
The Trouble with Bulls: The Cacce dei Tori in Early-Modern Venice ROBERT C. DAVIS* The city of Venice has been historiographically identified with festival. Venetians staged regular symbolic enactments of the city’s piety, beauty, unity, military valour, connection with the sea, and sense of justice, usually exploiting Venice’s public squares, boats, bridges, and canals to give these occasions a unique character. One festival, however, the cacce dei tori or baiting of bulls, celebrated none of these virtues and had nothing to do with the sea. Usually found in cities with strong feudal and economic ties to the countryside, such events would seem out of place in a city with no such ties and an impractical environment for large animals. The roots of the cacce dei tori, however, lay more in Venice’s intense neighbourhood and factional rivalries than in urban-rural tensions. Sur le plan historiographique, on identifie la ville de Venise aux festivals. Les Vénitiens faisaient régulièrement des mises en scène symboliques de la piété, de la beauté, de l’unité, de la vaillance militaire, du lieu avec la mer et du sens de la justice de la ville, exploitant habituellement les places publiques, les bateaux, les ponts et les canaux de Venise pour conférer un cachet unique à ces occasions. Un festival, toutefois, le cacce dei tori, ou l’appâtage des taureaux, ne célébrait aucune de ces vertus et n’avait rien à voir avec la mer. De tels événements, qui se dérou- laient normalement dans des villes ayant de solides liens féodaux et économiques avec la campagne, paraîtraient incongrus dans une ville ne présentant aucuns liens de la sorte et offrant un milieu inhospitalier pour des animaux de grande taille. -
The Pirates' Who's Who, by Philip Gosse 1
The Pirates' Who's Who, by Philip Gosse 1 The Pirates' Who's Who, by Philip Gosse The Project Gutenberg EBook of The Pirates' Who's Who, by Philip Gosse This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Pirates' Who's Who Giving Particulars Of The Lives and Deaths Of The Pirates And Buccaneers Author: Philip Gosse Release Date: October 17, 2006 [EBook #19564] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE PIRATES' WHO'S WHO *** Produced by Suzanne Shell, Christine D. and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's note. Many of the names in this book (even outside quoted passages) are inconsistently spelt. I have chosen to retain the original spelling treating these as author error rather than typographical carelessness. THE PIRATES' The Pirates' Who's Who, by Philip Gosse 2 WHO'S WHO Giving Particulars of the Lives & Deaths of the Pirates & Buccaneers BY PHILIP GOSSE ILLUSTRATED BURT FRANKLIN: RESEARCH & SOURCE WORKS SERIES 119 Essays in History, Economics & Social Science 51 BURT FRANKLIN NEW YORK Published by BURT FRANKLIN 235 East 44th St., New York 10017 Originally Published: 1924 Printed in the U.S.A. Library of Congress Catalog Card No.: 68-56594 Burt Franklin: Research & Source Works Series 119 Essays in History, Economics & Social Science -
Oceans - Geography - Oxford Bibliographies
Oceans - Geography - Oxford Bibliographies http://www.oxfordbibliographies.com/view/document/obo-9780199... Oceans Philip E. Steinberg Introduction Until the beginning of the 21st century there were few studies of the ocean, or the world’s seas, in geography. Although cultural and political ecologists who studied coastal communities considered the watery spaces in which people worked, economic and transportation geographers considered the shipping routes that people (and commodities) crossed, and political and military geographers considered the ocean surfaces across which people fought, the ocean itself was generally conceived as a space beyond the boundaries of society, a space used by society, not of society. Physical geographers, meanwhile, while developing a robust literature in coastal geomorphology, tended to leave study of the deep sea to oceanographers. In recent years, physical geographers have made significant contributions to interdisciplinary oceanographic research, primarily through the application of remote sensing and GIS expertise and through climatological research on ocean-atmosphere interactions, but the explosion of ocean-related research in geography since the 1990s has primarily been in human and environmental geography. Much of the increase in human geographic studies of the ocean is due to influences from outside the discipline, including the turn in history to studying ocean basin–defined regions, the turn in cultural studies toward understanding the ocean as a space of cultural hybridity, and, more broadly, a growing environmental awareness of the ocean as a space that is exceptionally vulnerable to (and an indicator of) environmental transformation. Furthermore, as human geographers have turned their attention to such concepts as affect, mobility, nonterrestrial materialities, nonhuman agency, heterotopic spaces of resistance, and global spaces of exchange, the ocean has been embraced as an ideal space for thinking with, and thinking through the limits of, these emergent epistemologies. -
Caribbean Studies
Caribbean Studies: Bibliographic Access and Resources for the Past, Present, and Future @ Estudios caribeños: acceso y recursos bibliográficos para el pasado, presente y futuro SEMINAR ON THE ACQUISITION OF LATIN AMERICAN i LIBRARY MATERIALS XLIII HAROLD B. I r:.^i,,,^^f BRIGHAM YOUNG UMVERSTff PROVO, UTAH Caribbean Studies/Estudios caribeños SALALM Secretariat Benson Latin American Collection The General Libraries The University of Texas at Austin Caribbean Studies: Bibliographic Access and Resources for the Past, Present, and Future Estudios caribeños: acceso y recursos bibhográficos para el pasado, presente y futuro Papers of the Forty-Third Annual Meeting of the SEMINAR ON THE ACQUISITION OF LATIN AMERICAN LIBRARY MATERIALS San Juan, Puerto Rico May 23-27, 1998 Gayle Ann Williams Editor SALALM Secretariat Benson Latin American Collection The General Libraries The University of Texas at Austin ISBN: 0-917617-64-9 Copyright © 2002 by SALALM. Inc. All rights reserved Printed in the United States of America LTBRAWT HAROLD B. LEE _.^ BRIGHAM YOUNG UN1VI.B SITT' PROVO,UTAH Contents PREFACE Vil I. Cuba: Collections, Publishing, and Research 1. Situación actual de las publicaciones seriadas cubanas Alina Calzada Bobak 3 2. The Femando Ortiz Archive: 500 Years of Transculturation in Cuba María del Rosario Díaz Rodríguez 20 3. Libros y editoriales de Cuba vistos desde el Uruguay Luis A. Retía 28 4. Preservation Needs of Collections in Cuba: An Island Apart Ann Russell 34 5. Research in Cuba: A Scholar's Notebook Pamela Smorkaloff 40 6. Panorama de la información científico técnica para las ciencias sociales Iris L. Suárez Jiménez 46 II. Documents 7. -
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MARINE. ECOLOGY PROGRESS SERIES Vol. 188: 123-132,1999 Published November 3 Mar Ecol Prog Ser Tolerance of the barnacle Balanus amphitrite amphitrite to salinity and temperature stress: effects of previous experience Jian-Wen Qiu, Pei-Yuan Qian* Department of Biology. The Hong Kong University of Science and Technology, Clear Water Bay, Kowloon, Hong Kong ABSTRACT: We conducted 4 experiments to study the effects of salinity and temperature on the bar- nacle Balanus amphtrite amphitrite Darwin, with particular focus on the effects of stress experienced in one life-stage on the performance of the next Life-stage. At 1S0C,typical winter water temperature in Hong Kong, larvae exlubited low survivorship, adults molted infrequently, and only a low percentage of in&viduals had developing ovaries and embryos However, at 30°C, typical summertime tempera- ture in Hong Kong, larvae developed rapidly, survivorshp was hgh, adults molted frequently, and a high percentage of individuals had developing ovanes and embryos. These results suggest that low winter temperature may be a limiting factor responsible for cessation of recruitment, whereas high summer temperature is unlikely to be the cause for the dechne in recruitment. Salinity produced sig- nificant detrimental effects on both survival and development at 510%. In the 15 to 35% S range, how- ever, none of the stages tested exhibited signs of stress. Salinity is a limiting factor for the survival and development of B. a. amphrh.te in Hong Kong only during mid-summer when salinity in the surface water can drop to below look.Exposing embryos to different salinities produced differential effects on larvae. -
A Sea Full of Civilization the Value of the Sea in Time and History
A Sea full of Civilization The Value of the Sea in Time and History Unit 1st: Myths and Culture regarding the Sea Did you know that… Sea was deified by various ancient cultures. In Etruscan Mythology we find God Nethuns, who was incorporated into Roman mythology and the Greek one by the gods Neptune and Poseidon respectively. They appear to have common symbols: trident, horses, dolphins etc. These deities were the beacon of inspiration for many artists, in world famous monuments, which have survived to this day, testifying the importance of the sea in civilization. Goals Become acquainted with the value of the sea through ancient myths To meet world monuments with reference to the gods Linguistic or deities of the sea Arts Create original texts and stories Environmental studies Material Images from the Annex Recommended Activities δρ Ερ Activity 1st: Introductory: Travelling…… on paper 2 teaching hours We observe the photos of the monuments (see the Photographs Appendix). We locate on a map of Europe where we can find them. As we can see the same mythological person has been the source of inspiration for many artists. Can we recognize this figure? It’s Poseidon, the descendant of Nethuns and Neptune. It’s the God of the Sea. Poseidon Activity 2nd: Let me introduce you to Poseidon! We ask from the children to bring information about the history of Poseidon, his symbols, as well as other mythical figures associated with the sea (for example, Nereids, Oceanids, and others). In the case of cooperative learning, we assign each group to find information regarding a separate aspect of the subject: History groups - symbols - Gods and Sea - monuments and sea etc. -
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A Dividing Sea The Adriatic World from the Fourth to the First Centuries BC By Keith Robert Fairbank, Jr. B.A. Brigham Young University, 2010 M.A. Brigham Young University, 2012 Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Program in Ancient History at Brown University PROVIDENCE, RHODE ISLAND MAY 2018 © Copyright 2018 by Keith R. Fairbank, Jr. This dissertation by Keith R. Fairbank, Jr. is accepted in its present form by the Program in Ancient History as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date _______________ ____________________________________ Graham Oliver, Advisor Recommended to the Graduate Council Date _______________ ____________________________________ Peter van Dommelen, Reader Date _______________ ____________________________________ Lisa Mignone, Reader Approved by the Graduate Council Date _______________ ____________________________________ Andrew G. Campbell, Dean of the Graduate School iii CURRICULUM VITAE Keith Robert Fairbank, Jr. hails from the great states of New York and Montana. He grew up feeding cattle under the Big Sky, serving as senior class president and continuing on to Brigham Young University in Utah for his BA in Humanities and Classics (2010). Keith worked as a volunteer missionary for two years in Brazil, where he learned Portuguese (2004–2006). Keith furthered his education at Brigham Young University, earning an MA in Classics (2012). While there he developed a curriculum for accelerated first year Latin focused on competency- based learning. He matriculated at Brown University in fall 2012 in the Program in Ancient History. While at Brown, Keith published an appendix in The Landmark Caesar. He also co- directed a Mellon Graduate Student Workshop on colonial entanglements. -
Utilizing the Mosaic of Neptune and Amphitrite to Identify Its Patron's
Title: Utilizing the Mosaic of Neptune and Amphitrite to Identify its Patron’s Status Author: Isabella Jasas-Montinaro Source: Prandium - The Journal of Historical Studies, Vol. 8, No. 1 (Fall, 2019). Published by: The Department of Historical Studies, University of Toronto Mississauga Stable URL: http://jps.library.utoronto.ca/index.php/prandium/article/view/16211/ The House of Neptune and Amphitrite in Herculaneum displays one of the most eloquent and intact mosaics from the ancient world, preserved after the eruption of Mount Vesuvius in AD 79 (Figure 1), and is one of, “the best testimonies to the continuity of the art mosaic wall revetment from the Alexandrian and Roman periods to the Christian and Byzantine era”.1 The House of Neptune and Amphitrite is in the eastern part of the city, and is one of the few houses where the upper level has been preserved.2 The mosaic is found on the main floor, in the southeastern corner of the house, in a summer triclinium, depicting the sea god Neptune (otherwise known in the Greek world as Poseidon) standing beside his wife Amphitrite, a sea- goddess. 3 The mosaic from the House of Neptune and Amphitrite can inform us about the identity of the patron, based on: 1) the choice of depiction, 2) by looking at the construction details of the mosaic itself, 3) the context surrounding the mosaic, and 4) how the mosaic fits within public and private functions of a Roman house. While past scholarship elaborated on the aesthetic qualities of the mosaic, in order to identify the reason for this specific depiction and identify the status of the patron, I shall consider the importance of the historical context surrounding it. -
The Jolly Jack Tar and Eighteenth-Century British Masculinity
CARNEGIE MELLON UNIVERSITY Three Sheets to the Wind: The Jolly Jack Tar and Eighteenth-Century British Masculinity by Juliann Elizabeth Reineke A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy 2018 i Abstract My dissertation traces the development of the Jolly Jack Tar, a widespread image of the common British sailor, beginning with the formal establishment of Royal Navy in 1660 and ending in 1817 with the publication of Jane Austen’s Persuasion, a novel devoted to presenting a new model of the professional seaman. I also analyze Daniel Defoe’s Robinson Crusoe (1719), Charles Johnson’s A General History of the Robberies and Murders of the Most Notorious Pyrates (1724), Tobias Smollett’s Roderick Random (1748), and Olaudah Equiano’s The Interesting Narrative (1789) in conjunction with ephemeral cultural artifacts like songs, cartoons, newspapers, and miscellany to fill in the variable, uneven history of the novelistic Jack Tar over the course of the long eighteenth century. My analysis seeks to answer the following questions: How do fictionalized accounts of sailors (like those found in novels) reflect, challenge, or reinforce the portrayal of sailors in other cultural texts, like songs or plays? How does print culture inflect the construction of Jack Tar, particularly regarding the figure’s connection to Britain and an emergent national identity? How do literary and cultural texts represent seamen’s complicated relationship to the home and the family, particularly when seamen were, by the nature of their profession, typically far from Britain? To answer these questions, I bring together print history, performance studies, post-colonial studies, maritime history, and disability studies.