Swr2 Programm Kw 31
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Daily #26 Als PDF Downloaden
DailyNr. 26, 25. August 2009 Riccardo Muti in Salzburg Demnächst wieder Mozart SALZBURGER FESTSPIELE 2009 Foto: Silvia Lelli, © www.riccardomuti.com SALZBURGER FESTSPIELE 2009Daily Nr. 26, 25. August 2009 Mischa Maisky, Helga Rabl-Stadler, Markus Oggenfuss (Generaldirektor Nestlé Österreich), Adam Fischer und Ö1 Klassik-Treffpunkt mit Haide Tenner, Helga Rabl-Stadler, Jürgen Flimm und vielen Festspielkünstlern Landeshauptfrau Gabi Burgstaller nach dem Konzert des Attersee Institute Orchestra Fotos: wildbild.at er Wiener Klang, der an den Interpretationen der Wiener Philharmoniker so sehr ge- he Viennese sound, which is so highly praised in the Vienna Philharmonic’s interpretations, is schätzt wird, ist keine Chimäre – das haben wissenschaftliche Untersuchungen bewiesen. not a chimera – as scientific investigations have proven. The specific characteristics of sound can DDer spezifische Klangcharakter lässt sich mit digitalen Methoden messen und liegt nicht Tbe measured digitally, and the difference lies not only in the orchestra’s instruments either. The nur im Instrumentarium des Orchesters begründet. Hauptanteil am Orchesterklang hat die tra- main element that goes into the orchestra’s sound is the sound ideal of its members. To convey this to dierte Klangvorstellung der Musiker. Diese jungen Musikern näher zu bringen ist Ziel des Inter- young musicians is the goal of the International Attergau Orchestra Institute. The curriculum is taught nationalen Orchesterinstituts Attergau. Der Lehrstoff wird zunächst in Einzel- sowie Gruppenun- -
Diszkográfia Az Első Kötethez
© Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus -
Opera Festivals
2012 Festivals Opera JMB Travel Consultants - Opera specialists for 26 years, sharing your passion DestinationsAix-en-Provence Opera Festival ...........................4 Salzburg Opera Festival .......................................8 Bregenz Opera Festival ........................................5 Puccini Opera Festival .........................................9 Bayreuth Opera Festival .......................................5 Puccini Opera and Wine Escorted Tour ................9 Munich Opera Festival .........................................6 Verona Opera Festival........................................10 Macerata Opera Festival ......................................6 Wexford Opera Festival .....................................11 Pesaro – The Rossini Opera Festival .....................7 Wexford Opera Festival Escorted Tour ................11 Savonlinna Opera Festival ...................................7 Call to discuss your requirements with our specialists on 01242 221300 JMB Travel is one of the leading UK tour operators specialising solely in Opera, and has 26 years’ unrivalled Introductionexperience in catering to the particular needs of the Opera lover. We couple that professionalism and care of the individual’s requirements with a huge choice that covers over 10 different Music Festivals noted for their Opera, where well over 50 different productions will be performed during the season. The holidays include virtually in every case, the best grade The air holidays and flights in this brochure are ATOL protected opera ticket, -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Laurence Equilbey Announces Insula Orchestra's First Season at Their New
Laurence Equilbey announces Insula orchestra’s first season at their new home La Seine Musicale with further multi-media stagings of Beethoven’s Egmont and Mozart’s Thamos, King of Egypt, plus a celebration of Louise Farrenc at the Barbican for International Women’s Day Opening of Season in Paris - 21 & 22 September Theater an der Wien, Vienna – 15 December Beethoven/Goethe Egmont (staged by Séverine Chavrier) La Seine Musicale Paris - 16 & 17 February Barbican, London – 8 March Louise Farrenc and International Women’s Day Celebration La Seine Musicale, Paris - 22 – 26 June Festival Mozart Maximum with Mozart Thamos, King of Egypt Laurence Equilbey announces Insula orchestra’s first season at their critically-acclaimed new home La Seine Musicale celebrating the multi- media capabilities of their Shigeru Ban-designed concert hall to their full potential. The season opens with a rarely staged version of Goethe’s play Egmont with musical interludes by Beethoven directed by Séverine Chavrier on 21 and 22 September, which will tour to Vienna in December. Opened in spring, Insula orchestra’s 1,150-seater concert hall at La Seine Musicale was met with enthusiasm by audiences and press. Equilbey’s mission is to reform the entire experience of classical music with bite-size, multi-media concerts, flash-mobs and themed weekends with Insula orchestra and by programming guest performances. Neue Zuricher Zeitung’s reaction to “the promised This is the future” was “it was difficult to contradict, but in the south-west of Paris there was not only another fabulous concert hall, but the first evening demonstrated with a lightness of touch how good old classical music can look like today.” (Christian Berzins). -
Fritz Wunderlich Greatest Successes & Rarities
Labelcopy Fritz Wunderlich Greatest Successes & Rarities 3. Welch ein grau’nvolles Bild / Fliehe, Verräter CD1 Elisabeth Grümmer (Donna Anna) 4. Nur ihrem Frieden weih‘ ich mein Leben FRITZ WUNDERLICH Die zentrale Partie: Tamino 5. O seht, gnäd’ger Herr, dort die allerliebsten Masken / Mög‘ Gott zu unserm Werke uns Kraft und Mut verleih’n (1756 – 1791) Wolfgang Amadeus Mozart Karl Kohn (Leporello), Hermann Prey (Don Giovanni), Elisabeth DIE ZAUBERFLÖTE – as Tamino – Grümmer (Donna Anna), Hildegard Hillebrecht (Donna Elvira) 1. Dies Bildnis ist bezaubernd schön Berliner Symphoniker / Hans Zanotelli - 3-5: 1960 2. Zum Ziele führt dich diese Bahn / Die Weisheitslehre dieser Knaben ZAIDE – as Gomez – Drei Wiener Sängerknaben 6. Ja, nun lass das Schicksal wüten 7. Kannst, Geliebter, du vergeben 3. Wo willst du, kühner Fremdling, hin? / O ew’ge Nacht 8. Wack’rer Freund, voll tiefer Scham Eberhard Wächter (Sprecher) 9. O selige Wonne 4. Wie stark ist nicht dein Zauberton Maria Stader (Zaide), Horst Günter (Allazim) - Sinfonieorchester des 5. Soll ich dich, Teurer, nicht mehr seh’n? Süddeutschen Rundfunks / Alfons Rischner - 6-9: 1956 Lieselotte Fölser (Pamina), Gottlob Frick (Sarastro) DIE GÄRTNERIN AUS LIEBE – as Graf von Belfiore – 6. Der, welcher wandelt diese Straße 10. Welch ein Glück 7. Tamino mein, o welch ein Glück! 11. Nein! Geh ich fort? / Im Park hier gibt es eigenart’ge Grotten Lieselotte Fölser (Pamina), Robert Charlesbois, Alois Pernerstorfer Gustav Grefe (Nardo / Roberto) (Geharnischte) - Chor der Wiener Staatsoper - Wiener Philharmoniker/ Orchester der Württembergischen Staatsoper / Josef Dünnwald Joseph Keilberth - 1-7: 1960 (Live, Salzburger Festspiele) 10,11: 1956 (Live, Ludwigsburg, Barocktheater des Schlosses) 8. -
The Little Match Girl, Choral Music by Gordon Getty
FOR IMMEDIATE RELEASE NEW PENTATONE CLASSICS CD: THE LITTLE MATCH GIRL CHORAL WORKS BY GORDON GETTY A new recording of choral music by composer Gordon Getty, The Little Match Girl, has just been released on the PentaTone Classics label (PTC 5186 480). Four of Getty’s choral works are performed by the Münchner Rundfunkorchester (Munich Radio Orchestra) and Chor des Bayerischen Rundfunks (Bavarian Radio Choir), with soloists Nikolai Schukoff, Melody Moore and Lester Lynch. The world premiere recordings of The Little Match Girl, after the story by Hans Christian Andersen, and A Prayer for My Daughter, based on the Yeats poem, are coupled with Poor Peter, with text by the composer (a premiere recording of this arrangement), and Joan and the Bells, Getty’s cantata for soprano, baritone, chorus and orchestra. Contents of the CD PentaTone Classics (PTC 5186 480) THE LITTLE MATCH GIRL COMPOSER GORDON GETTY (b. 1933) 2 Nikolai Schukoff, tenor Melody Moore, soprano Lester Lynch, baritone Chor des Bayerischen Rundfunks Chorus Masters: Jörn Hinnerk Andresen (tracks 1-5) and Robert Blank (6-8) Münchner Rundfunkorchester Conducted by Asher Fisch (1-5) and Ulf Schirmer (6-8) A PRAYER FOR MY DAUGHTER* (TRACK 1) For Chorus and Orchestra Text by William Butler Yeats POOR PETER* (TRACKS 2-4) For Tenor, Chorus and Orchestra Text by Gordon Getty THE LITTLE MATCH GIRL* (TRACK 5) For Chorus and Orchestra Text by Hans Christian Andersen (English translation by H. B. Paull) From the short story The Little Match Girl JOAN AND THE BELLS (TRACKS 6-8) Cantata for Soprano, Baritone, Chorus and Orchestra Text by Gordon Getty Total playing time = 66:59 * World Premiere Recording About Gordon Getty (Composer) The music of the American composer Gordon Getty has been widely performed in North America and Europe in such prestigious venues as New York’s Carnegie Hall and Lincoln Center, London’s Royal Festival Hall, Vienna’s Brahmssaal, and Moscow’s Tchaikovsky Hall and Bolshoi Theatre, as well as at the Aspen, Spoleto, and Bad Kissingen festivals. -
2013·2014Eview Season Pr a MESSAGE from GENERAL DIRECTOR ALEXANDER NEEF Be Part of the Experience!
winter 2013 | volume 20 | number 2 The SellArS/violA World of TrisTan und isolde divided loyAlTieS Mozart’s la clemenza di TiTo WelCoMeS ANd fAreWellS tHE CoC BOARD ShooTiNg starS MiCHaEl CoopEr's 30 yEars as CoC proDuCtion pHotograpHEr ial spEC 2013·2014EviEw Season pr A MESSAGe FROM GENERAl DIRECTOR ALEXANDER NEEF Be PArT of The eXPerieNCe! or better or worse, we live in an age when virtually any form of Fentertainment can be downloaded directly onto your computer, beamed into your television or your local cinema, or experienced on your smartphone as you are walking down the street; an age that has drastically altered how quickly and easily we can consume culture. And, as convenient as that is, the sheer ease of it serves to remind us how vital it is to be an active participant in culture and the arts. Because, in the end, it is the electric exchange between artists and the audience that makes the art come alive. There is simply nothing like being A gift to our friends in a great opera house and hearing a phenomenal singer live; you get goose Editorial Board: robert lamb, bumps, you are moved in body and soul Speaking of relationships, I am very Managing Director by the immediate, emotional core of the pleased and proud that Johannes’s contract roberto mauro, work. The very fact that you share the has been extended through the 2016/2017 Artistic Administrator space with the artists makes you become season. He brings such energy, talent and Jeremy elbourne, Director of Marketing part of the action, part of the work, leadership to our company, there is no limit Claudine Domingue, and finally, part of the art itself. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Malin Hartelius Årets Schymberg-Stipendiat
2012-06-12 15:31 CEST Malin Hartelius årets Schymberg- stipendiat Hjördis Schymberg (1909-2008) tillhörde Operans fasta ensemble till 1959 men gästspelade regelbundet till 1968. Det är tredje gången som stipendiet delas ut; i fjol gick det till Marianne Hellgren-Staykov och dessförinnan till Elin Rombo. Stiftelsen Hjördis Schymbergs Minnesfond förvaltas av Stiftelsen Kungliga Teaterns Solister. Malin Hartelius, som är född i Malmö och uppvuxen i Tingsryd, är en av Sveriges främsta operasångerskor med en framgångsrik internationell karriär, inte minst i de tyskspråkiga länderna. Efter studier i tonåren för Sylvia Mang- Borenberg i Växjö kom hon till musikkonservatoriet i Wien där hon studerade för Margarethe Bence. Efter fast engagemang pà Wiener Staatsoper 1990-91 ingår hon i den fasta ensemblen vid operan i Zürich. 1990 gjorde hon debut som Blondchen i Mozarts Enleveringen ur Seraljen vid festspelen i Ludwigsburg, en roll som hon också gjorde året därpå vid festspelen i Schwetzingen samt i Salzburg 1997. Till höjdpunkterna i början pà karriären räknas konserterna med John Elliot Gardiner under Bach-året, engagemang vid festspelen i Salzburg, rollen som Marzelline i Beethovens Fidelio vid Bayerische Staatsoper, Sophie i Rosenkavaljeren på Wiener Staatsoper och den kvinnliga huvudrollen i Schuberts Alfonso och Estrella i Zürich. Under de gångna säsongerna har Malin Hartelius samarbetat med Accademia Santa Cecilia, Philharmonia Orchestra, London Symphony Orchestra, Bayerska radions orkester, Tonhalle-orkestern i Zürich och Cleveland Orchestra. Hon blev också återinbjuden till Bastiljoperan, Bayerische Staatsoper och Wiener Staatsoper. Bland aktuella roller kan nämnas Adina i Kärleksdrycken, Grevinnan i Mozarts Figaros bröllop, Donna Elvira i Don Giovanni, Fiordiligi i Cosi fan tutte och Armida i Händels Rinaldo – alla på Zürichoperan. -
Download Biography
HAYDN RAWSTRON LIMITED Kammersänger EIKE WILM SCHULTE was surrounded by music from the beginning as both parents were passionate choral singers. The young Schulte began serious piano studies aged 7, before a singing career crystalized, a decade later. At the age of 17, Schulte made his preparatory studies for the Cologne Music Conservatorium in Schloss Morsbroich in Leverkusen and in the Salzburg Mozarteum. At the time, the entrance age for the Cologne Conservatorium was 21 and so he required special permission to enter the Conservatorium as a nineteen year old. His studies lasted 4 years, in the final year of which he was engaged by General Manager Grisha Barfuss for a beginner’s company contract with the Deutsche Oper am Rhein, Düsseldorf’s renowned opera company. His first role in Düsseldorf was Sid in Benjamin Britten’s Albert Herring. In the German system, a young singer’s ambition is however to achieve a ‘Fach’-contract, a contract Eike Wilm Schulte guaranteeing him a certain repertoire, with which he can develop his vocal potential. Schulte was offered Baritone such a contract two year later, with the opera company of the city of Bielefeld where, in the following three years, he was given the opportunity to perform almost all the principal roles of a lyric baritone’s standard repertoire, from Papageno to Germont. After a successful audition for the Hessen State Opera Company, he moved from Bielefeld to Wiesbaden where, under the guidance of Musical Directors, Heinz Wallberg and later Siegfried Köhler, he was able to expand his repertoire by a total of 75 additional roles. -
Lucia Di Lammermoor GAETANO DONIZETTI MARCH 3 – 11, 2012
O p e r a B o x Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .9 Reference/Tracking Guide . .10 Lesson Plans . .12 Synopsis and Musical Excerpts . .44 Flow Charts . .49 Gaetano Donizetti – a biography .............................56 Catalogue of Donizetti’s Operas . .58 Background Notes . .64 Salvadore Cammarano and the Romantic Libretto . .67 World Events in 1835 ....................................73 2011–2012 SEASON History of Opera ........................................76 History of Minnesota Opera, Repertoire . .87 così fan tutte WOLFGANG AMADEUS MOZART The Standard Repertory ...................................91 SEPTEMBER 25 –OCTOBER 2, 2011 Elements of Opera .......................................92 Glossary of Opera Terms ..................................96 silent night KEVIN PUTS Glossary of Musical Terms . .101 NOVEMBER 12 – 20, 2011 Bibliography, Discography, Videography . .105 werther Evaluation . .108 JULES MASSENET JANUARY 28 –FEBRUARY 5, 2012 Acknowledgements . .109 lucia di lammermoor GAETANO DONIZETTI MARCH 3 – 11, 2012 madame butterfly mnopera.org GIACOMO PUCCINI APRIL 14 – 22, 2012 FOR SEASON TICKETS, CALL 612.333.6669 620 North First Street, Minneapolis, MN 55401 Kevin Ramach, PRESIDENT AND GENERAL DIRECTOR Dale Johnson, ARTISTIC DIRECTOR Dear Educator, Thank you for using a Minnesota Opera Opera Box. This collection of material has been designed to help any educator to teach students about the beauty of opera. This collection of material includes audio and video recordings, scores, reference books and a Teacher’s Guide. The Teacher’s Guide includes Lesson Plans that have been designed around the materials found in the box and other easily obtained items. In addition, Lesson Plans have been aligned with State and National Standards.