Western Michigan University ScholarWorks at WMU Early Drama, Art, and Music Medieval Institute 2021 03 Il Doge and the Liturgical Drama in Late Medieval Venice Nils Holger Petersen Follow this and additional works at: https://scholarworks.wmich.edu/early_drama Part of the Medieval Studies Commons, and the Theatre History Commons WMU ScholarWorks Citation Petersen, Nils Holger, "03 Il Doge and the Liturgical Drama in Late Medieval Venice" (2021). Early Drama, Art, and Music. 11. https://scholarworks.wmich.edu/early_drama/11 This Essay is brought to you for free and open access by the Medieval Institute at ScholarWorks at WMU. It has been accepted for inclusion in Early Drama, Art, and Music by an authorized administrator of ScholarWorks at WMU. For more information, please contact wmu-
[email protected]. Il Doge and the Liturgical Drama in Late Medieval Venice Nils Holger Petersen The Quem queritis ceremony on Easter Day from the basilica of San Marco of the Venetian Republic as it took place in the sixteenth century was conventional in a number of ways.1 However, it incorporated some interesting and special features combining political and civic ceremonial with traditional liturgical interests. Until recently, the San Marco tradition was strangely unnoticed by scholars of liturgical drama, although its special features deserve examination and interpretation. The modern nine-volume standard edition of the texts of the Quem queritis ceremonies and other so-called dramatic or quasi-dramatic Easter ceremonies by the late Walther Lipphardt prints three sources from Venice. The first two texts (nos. 429 and 429a) are identical and constitute one ceremony, compiled by the liturgiologist Alberto Castellani (1480–1522) and included in the third edition of his Liber Sacerdotalis that was printed in Venice in 1523 (reprinted, 1537) and in the edition of 1560.