Introduction: Reproducing Englishness 1 in Pursuit of An
Notes Introduction: Reproducing Englishness 1. Samuel Taylor Coleridge, “The Nightingale,” in Wordsworth and Coleridge: Lyrical Ballads, eds. R. L. Brett and A. R. Jones (London and New York: Routledge, 1991), pp. 84–8, ll. 49–59. 2. Susan Buck-Morss’s The Dialectics of Seeing: Walter Benjamin and the Arcades Project elaborates upon Walter Benjamin’s “dialectical image,” the notion that the juxtaposition of contradictory images or of contradictions within a single image can itself be pedagogical; see especially, “Natural History: Fossil” (Cambridge, MA: The MIT Press, 1991). 3. G. R. Hibbard, “The Country House Poem of the Seventeenth Century,” Journal of the Warburg and Courtauld Institutes 19, no. 1/2 (January–June, 1956): 159–74. 4. Thomas Hardy, “Memories of Church Restoration,” in Public Voice: The Essays, Speeches, and Miscellaneous Prose, ed. Michael Millgate (Oxford: Oxford University Press, 2001), p. 253. 5. Walter Scott, “Lay of the Last Minstrel,” in The Complete Works of Sir Walter Scott; with a Biography and His Last Additions and Illustrations, vol. 1 (New York: Connor and Cooke, 1833), p. 324. 1 In Pursuit of an English Style: The Allure of Gothic 1. Thomas Rickman, An Attempt to Discriminate the Styles of Architecture in England, From the Conquest to the Reformation: With a Sketch of the Grecian and Roman Orders, ed. John Henry Parker, 7th edn (London: John Henry Parker, 1848), p. 37. 2. Robert Willis, Report of a Survey of the Dilapidated Portions of Hereford Cathedral in the Year 1841 (London: Minet, 1842). 3. John Ruskin, The Seven Lamps of Architecture (1849; reprint, London: Century, 1988), p.
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