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STEFAN HARKOV Musicologist CURRICULUM VITAE STEFAN HARKOV musicologist Address: 14 Lermontov Street, 8000 Burgas, Bulgaria Phone: + 359 (0) 44 622 817; Mobile: +359 (0) 888 131 449 E-mail: [email protected] RESEARCH AND TEACHING INTERESTS: Historical Musicology, Music Analysis, Church Music, Chamber Music, Piano, Music Education, Music for Children EDUCATION / QUALIFICATIONS: 1998-2004 Bulgarian Academy of Sciences, Institute of Art Studies: D.Sc. (Musicology) 1995 Amsterdam Summer University: Diploma (Cultural Policy & Management) 1988-1994 Bulgarian Academy of Sciences, Institute of Art Studies: Ph.D. (Musicology) 1979-1984 National Academy of Music Sofia: Master of Music (Major: Musicology) 1972-1977 National School of Music Burgas: High School Diploma (Major: Piano) POSITIONS HELD: Full-time positions: 1989- University of Shumen, Music Department: University Professor 1983-1989 Sliven Opera & Symphony Orchestra: Musicologist Part-time positions: 2009- University of Sofia, Faculty of Theology: University Professor 1998-2000 Varna Free University, Faculty of Arts: University Lecturer 1995-1997 New Bulgarian University, Music Department: University Lecturer Management positions: 2001-2007 University of Shumen, Music Department: Chair of Department 1994-1999 University of Shumen, Faculty of Arts: Chair of Faculty Assembly 1991-1993 Sliven Opera & Symphony Orchestra: Director EDITORIAL ROLES: Scientific / Professional Journals: Bulgarian Musicology, Sofia, Bulgaria: Guest Editor Musicology, Belgrade, Serbia: Ad hoc Reviewer PLENARY TALKS / TUTORIALS / SPEAKING INVITATIONS: 2014 Ivan Zajc Conference, Zagreb, Croatia: Invited Speaker (expected) 2013 Cyrillo-Methodian Conference, Thessaloniki, Greece: Invited Speaker 2011 National Academy of Music Anniversary Conference, Sofia, Bulgaria: Invited Plenary Speaker 2011 The Heritage of Father Neophyte of Rila Conference, Sofia, Bulgaria: Invited Speaker 2010 The Most Holy Mother of God Seminar, Pomorie, Bulgaria: Chair and Plenary Tutorial 2009 Czechs in Bulgaria International Scientific Conference, Sofia, Bulgaria: Invited Speaker 2007 2nd International Conference on Orthodox Church Music, Joensuu, Finland: Invited Speaker 2002 Byzantine Music Symposium, Piatra Neamț, Romania: Invited Speaker 1999 7th Summer International Scientific Meeting, Varna, Bulgaria: Invited Speaker 1998 Gaude Mater Seminar, Czȩstochowa, Poland: Invited Tutorial ACADEMIC SUPERVISION: Habilitation Supervision: 2014 Co-Chair of Thesis Committee: Stefanka Georgieva (Bulgaria), Trakia University 2014 Member of Thesis Committee: Todorka Malcheva (Bulgaria), University of Shumen 2013 Member of Thesis Committee: Konstantin Kukuschev (Bulgaria), Varna Free University Doctoral Student Supervision: 2013 Ad hoc Referee: Fr Zotic Gaevski (Russia), University of Sofia 2013 Ad hoc Referee: Stefan Ruskov (Bulgaria), University of Shumen 2012 Ad hoc Referee: Elitza Hristova (Bulgaria), University of Sofia 2011 Member of Thesis Committee: Fr George Despodov (Bulgaria), Institute of Art Studies, Sofia 2010 Ad hoc Referee: Klara Mechkova (Bulgaria), University of Veliko Tarnovo 2009 Ad hoc Referee: Maria Kapetaniou (Cyprus), Institute of Art Studies, Sofia 2008 Member of Thesis Committee: Vesna Sara Peno (Serbia), Institute of Musicology, Belgrade 2006 Member of Thesis Committee: Denitsa Mihailova (Bulgaria), Institute of Art Studies, Sofia 2005 Scientific Supervisor: Lazarinka Nasteva (Bulgaria), University of Shumen 2000 Ad hoc Referee: Mariana Dimitrova (USA), Institute of Art Studies, Sofia MEMBERSHIP IN PROFESSIONAL SOCIETIES: International Musicological Society (Basel, Switzerland) International Society for Orthodox Church Music (Joensuu, Finland) Union of Bulgarian Composers (Sofia, Bulgaria) Verein zur Erforschung der Monodie (Vienna, Austria) LIST OF PUBLICATIONS (selection): Liturgy and Music: Cyrillo-Methodian Impact on the Christian Epigraphy (Preslav Ceramic Plate from the late 9th – early 10th c.). In: Cyril and Methodius: Byzantium and the World of the Slavs. Proceedings of the International Scientific Conference dedicated to the 1150th Anniversary of the Christian Mission in Great Moravia of the Holly Brothers St Cyril and St Methodius. Thessaloniki, Greece, 28-30 November 2013 [approved pending]. Manuscript Iaşi 160/IV-34: a new look at the history of the codex. In: Eastern European Studies in Musicology (Marciej Golab ed.). Proceedings of the International Musicological Conference “Musical Romania and the Neighboring Cultures: traditions, influences, identities”, Iaşi, Romania, 4-7 July 2013. Peter Lang International Academic Publishers [in press]. An attempt to interpret the original title of the Brandenburg concertos by Johann Sebastian Bach (BWV 1046-1051) [Article in Bulgarian]. Musical horizons. Journal of the Union of Bulgarian Musicians and Dancers. Sofia, 2013, No. 5, 13-15. Musical manuscripts from Sozopolis. In: Byzantium without borders: hymnography and music in the Byzantine world. Proceedings of the 22nd International Congress of Byzantine Studies, Sofia, 22- 27 August 2011. Bulgarian Musicology. Journal of the Institute of Art Studies of the Bulgarian Academy of Sciences. Sofia, 2012, No. 3-4, 71-78. Chants in Honour of St Nahum of Preslav and Ochrid [Article in Bulgarian]. In: Proceedings of the International Scientific Conference “Development of the Practical and Moral Theology: Traditions, Problems, Perspectives”. Sofia, 2012, 186-194. An enigmatic hymn for St Petka-Paraskeva: the canon and its interpretation in the thematic replacement of chants. Musicology. Journal of the Institute of Musicology of the Serbian Academy of Sciences and Arts. No. 11. Belgrade, 2011, 63-74. Μεγάλαι ϋρποστάσεις in MS Zagreb HAZU V d/I [Article in Bulgarian]. In: Theorie und Geschichte der Monodie. Band 3. (herausg. von Martin Czernin und Maria Pischlöger). Festschrift für Bozhidar Karastoyanov Anläßlich seines 70. Geburtstages. Brno-Wien, 2011, 129-140. Two Conceptions on the Development of the Bulgarian Orthodox Church Music During the Nineteenth Century: Hieromonk Neophyte of Rila and Angel Sevlievets [Article in Bulgarian]. In: The Heritage of Father Neophyte of Rila: Art Historical, Theological and Philosophical Aspects. Proceedings from the conference dedicated to the celebration of the 130th anniversary of the death of Hieromonk Neophyte of Rila. Sofia, 14-15 April 2011. Sofia, 2012, 89-106. European Type of Music Education in Bulgaria: Ideas and Realizations during the 19th - 20th cc. [Article in Bulgarian]. In: Ars Musica and the Art of Education. 90 Years of Higher Music Education in Bulgaria. Proceedings of the International Musicological Conference dedicated to the 90th Anniversary of the Bulgarian National Academy of Music in Sofia, 10-11 November 2011. Sofia, 2012, 31-47. František Švestka as composer and conductor in the light of new discoveries [Article in Bulgarian]. In: Czechs in Bulgaria. The role of the Czechs for the Bulgarian National Revival. Sofia, 2009, 81- 88. Breitkopf's influence: a Balkan way of musical publishing. In: Composing and Chanting in the Orthodox Church. Proceedings of the Second International Conference on Orthodox Church Music. The International Society of Orthodox Church Music & University of Joensuu, Finland. Joensuu, 2009, 199-202. Orthodox Schools of Chanting in Bulgaria during the National Revival [Article in Bulgarian]. Bulgarian Musicology. Journal of the Institute of Art Studies of the Bulgarian Academy of Sciences. Sofia, 2007, No. 3-4, 210-220. Slavonic names of the musical neumes: new observations [Article in Bulgarian]. In: New Ideas in Musicology. Union of Bulgarian Composers. Sofia, 2006, 195-201. Sava Dobroplodni (Σάββας Ευκαρπίδης) and the art of music [Article in Bulgarian]. In: Proceedings of the International Scientific Conference in Honour of Sava Dobroplodni's 185th Anniversary. Sliven, 2005, 159-170. To create an orchestra: the beginning of the first Bulgarian orchestra [Article in Bulgarian]. In: Education and Arts. Volume II. Shumen, 2004, 504-507. Polyphonic Music and Cultural Identity during the Bulgarian National Revival [Article in Bulgarian]. Bulgarian Musicology. Journal of the Institute of Art Studies of the Bulgarian Academy of Sciences. Sofia, 2003, No. 4, 84-91. Musical works for children and adolescents: examples from Johann Sebastian Bach's musical heritage [Article in Bulgarian]. In: Proceedings of the International Scientific Conference “The Education: Global Identity and Cultural Diversity”. Volume 3. Stara Zagora, 2003, 186-191. Μεγάλα σημάδια during the 17th - 18th cc.: observations on the Byzantine chant and notation. In: XXe Congrès International des Études Byzantines. Paris, du 19 au 25 août 2001. Communications III. Paris, 2001, 160. Newly discovered documents about John Harmosinos of Ochrid. Macedonian Music. Journal of the Composers Association of Macedonia (FYROM). No. 2 (Special Edition). Skopje, 2001, 69-78. Mutual Cooperation Among the Balkan Orthodox People in the field of Church Music During the 17th - 19th cc. [Article in Bulgarian]. In: Proceedings of the International Musicological Conference “Balkan Musical and Cultural Interactions”. Stara Zagora, 2000, 94-100. Karel Maháň about the Byzantine Music [Article in Bulgarian]. In: Proceedings of the International Scientific Conference “Cultural Integration Between Czechs and Bulgarians in the European Tradition”. Sofia, 2000, 106-112. Chants in Honour of St Nicetas the Goth in Musical Manuscripts from the 13th - 14th and the 18th cc. [Article in Bulgarian]. Bulgarian Musicology. Journal
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