DOCSLIB.ORG

Collection of Works Published by Antonio Vanegas Arroyo, Chiefly Illustrated by José Guadalupe Posada

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Collection of Works Published by Antonio Vanegas Arroyo, Chiefly Illustrated by José Guadalupe Posada http://oac.cdlib.org/findaid/ark:/13030/c8m90f5t No online items Finding Aid to the Collection of works published by Antonio Vanegas Arroyo, chiefly illustrated by José Guadalupe Posada Ramón Hernandez-Somoza and Michele Loran, with James Eason. The Bancroft Library 2016 The Bancroft Library University of California Berkeley, CA 94720-6000 [email protected] URL: http://bancroft.berkeley.edu/ BANC PIC 2010.025 1 Language of Material: Spanish Contributing Institution: The Bancroft Library Title: Collection of works published by Antonio Vanegas Arroyo, chiefly illustrated by José Guadalupe Posada. creator: Posada, José Guadalupe creator: Vanegas Arroyo, Antonio Identifier/Call Number: BANC PIC 2010.025 Physical Description: 390 items(approximately 390 prints in 2 pamphlet boxes, 2 clamshell boxes, 2 oversize boxes, and 4 oversize folders): etchings, engravings, lithographs, or woodcuts with letterpress; approximately 40 x 60 cm or smaller. Date (inclusive): approximately 1890s-1925? Abstract: Mexican chapbooks, broadsides, single-fold pamphlets, handbills and other printed ephemera, chiefly issued by Mexico City's leading penny press publisher, Antonio Vanegas Arroyo. Most are illustrated, by José Guadalupe Posada. Language of Material: Spanish; Castillian Many of the Bancroft Library collections are stored offsite and advance notice may be required for use. For current information on the location of these materials, please consult the library's online catalog. Conditions Governing Access Collection is open for research. Conditions Governing Use Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, the reproduction of some materials may be restricted by terms of University of California gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head of Public Services, The Bancroft Library, University of California, Berkeley 94720-6000. See: http://bancroft.berkeley.edu/reference/permissions.html. Preferred Citation Collection of works published by Antonio Vanegas Arroyo, chiefly illustrated by José Guadalupe Posada, BANC PIC 2010.025, The Bancroft Library, University of California, Berkeley. Immediate Source of Acquisition The Collection of works published by Antonio Vanegas Arroyo, chiefly illustrated by José Guadalupe Posada were purchased by The Bancroft Library from Ricker Gallery, Spring 2010. Processing Information Collection processed in 2015. Biographical / Historical José Guadalupe Posada was born in Aguascalientes on February 2, 1852. He was a Mexican printmaker famous for his politically satirical cartoons and sketches. He used skulls, calaveras, and skeletons to make political and cultural critiques. Content Description Mexican chapbooks, broadsides, single-fold pamphlets, handbills and other printed ephemera, chiefly issued by Mexico City's leading penny press publisher, Antonio Vanegas Arroyo. Most are illustrated, many by José Guadalupe Posada. Included are songbooks; single-sheet corridos (popular ballads); booklets on writing love letters, cooking, etc.; gameboards; and devotional texts and images. Posada's signature "calaveras" (humorous skeletal figures) are well represented. Boxes 1-2: cuadernillos (chapbooks). Boxes 3-4: hojas chicas (small sheets). Box 5 (and oversize C folders): broadsides and single-fold sheets grouped as calaveras, cancioneros populares, gacetas politicas y callejaera [i.e. callejera?], and hojas chicas dobles. Box 6 (and oversize C folders): broadsides and single-fold sheets grouped as loterias, Menudencias (pages from three issues of newspaper El Boletín de Menudencias), gacetas religiosas, and varia (various genres, including sheet music and chapbooks on unfolded sheets). Collection contents were categorized by the seller (a dealer in Latin Americana), as 55 Calaveras, 36 Hojas Chicas Dobles, 24 Cancionero Popular, 155 Hojas Chicas, 19 Gacetas Religiosas, 27 Gaceta Politica y Callejaera, 4 Loteria, 6 Varia, and 56 Cuadernillo. Related Materials [José Guadalupe Posada chapbook collection], The Bancroft Library (NE546.P6 A4 1880.) BANC PIC 2010.025 2 Subjects and Indexing Terms Popular literature -- Mexico Art, Mexican Ephemera -- Mexico Handbills--Mexico Broadsides--Mexico Chapbooks -- Mexico Prints Relief prints Corridos -- Mexico Mexican wit and humor, Pictorial Death in art -- Mexico Mexico--Social life and customs Mexico -- History -- Revolution, 1910-1920. Posada, José Guadalupe Vanegas Arroyo, Antonio Cuadernillos [between 1890 and 1925] Box 1 BANC PIC 2010.025:Cu1--PIC Teatro infantil: Perico es incorregible: Colección de comedias para representarse por niños o títeres [between 1890 and 1925] Physical Description: 1 item(cover sheet without text inside); 15 x 11 cm Scope and Content Cover illustration with theater curtain. Hand colored internal illustrations of soldiers. Note Publication statement: Editor Propietario A. Vanegas Arroyo. Note Form/Genre keywords: Cuadernillos; Teatro infantil Box 1 BANC PIC 2010.025:Cu2--PIC Galería del teatro infantil: Colección de comedias para niños o títeres: Los celos del negro con D. Folias / C. Suarez [between 1890 and 1925] Physical Description: 1 item(booklet, 8 pages); 14 x 10 cm Note Publication statement: Propiedad del Editor A. Vanegas Arroyo. Mexico. Scope and Content Cover illustration of comic scene of a man stabbing another man with policeman standing in the background. Printed signature of Posada, lower right. Note Form/Genre keywords: Cuadernillos; Teatro infantil BANC PIC 2010.025 3 Cuadernillos [between 1890 and 1925] Box 1 BANC PIC 2010.025:Cu3--PIC Galería del Teatro Infantil: La Cola del Diablo / C. Suarez 1918 Physical Description: 1 item(booklet, 8 pages); 16 x 10 cm Note Publication statement: Propietario A. Vanegas Arroyo. Mexico. Scope and Content Cover illustration of four people in a room with one man holding a tail. Printed signature of Posada, lower right. Note Form/Genre keywords: Cuadernillos; Teatro infantil Note Unopened. Dated 1918, this was published after Jose Guadalupe Posada's death. Box 1 BANC PIC 2010.025:Cu4--PIC Teatro infantil: El casamiento de Bato: colección de comedias para representarse por niños o títeres. 1918 Physical Description: 1 item(booklet, 9 pages); approximately 15 x 10 cm Scope and Content Cover illustration with theater curtain. Note Publication statement: Tip. de la Testa de A.V. Arroyo. Mexico. Prop, Juan Lechuga. Note Dated 1918, this was published after Jose Guadalupe Posada's death. Note Form/Genre keywords: Cuadernillos; Teatro infantil Box 1 BANC PIC 2010.025:Cu5--PIC Segunda parte: Galería del teatro infantil: colección de comedias para niños o títeres / Arreglado por C.S. Suarez. 1904 Physical Description: 1 item(booklet, 8 pages); 15 x 10 cm Note Publication statement: Publicadas por A. Vanegas Arroyo. Mexico. Scope and Content Cover illustration of two men fighting with swords on stage with row of four people in the audience visible. Printed signature of Posada, lower right. Note Form/Genre keywords: Cuadernillos; Teatro infantil. Box 1 BANC PIC 2010.025:Cu6--PIC La diva Mexicana: Para el Siglo XX nueva serie de canciones modernas año de 1901. Contiene: la zarzuela por tandas. la revoltosa, (duo.) - la despedida. las tentaciones de San Antonio, (serenatas). Las grandes fiestas presidenciales 1901 Physical Description: 1 item(1 booklet, 8 pages); 14 x 9 cm Note Publication statement: Cuarto Cuaderno Publicado por Antonio Vanegas Arroyo Scope and Content Cover illustration of woman holding an album. Note Form/Genre keywords: Cuadernillos; Canciones modernas. BANC PIC 2010.025 4 Cuadernillos [between 1890 and 1925] Box 1 BANC PIC 2010.025:Cu9--PIC Relatos de ultratumba: "Amor" narración medianimica por Luis Kortey: Las pesadillas y sueños con sus verdaderas explicaciones / C.S. Suarez; Luis Kortey [between 1895 and 1925] Physical Description: 1 item(booklet, 10 pages); 14 x 10 cm Scope and Content Cover illustration of a woman sitting at a table with handkerchief in her hand crying. Woman having a vision of a ghost. Note Form/Genre keywords: Cuadernillos; Oculto; Mistisimo Box 1 BANC PIC 2010.025:Cu10--PIC Galería de teatro infantil: los novios [1913] Physical Description: 1 item(booklet, 10 pages); 15 x 10 cm Note Publication statement: Propiedad A. Vanegas Arroyo. Mexico. Scope and Content Cover illustration of man holding a guitar serenading a woman on a balcony. Another man stading with hands on his hips appears to be confronting the man serenading. Note Form/Genre keywords: Cuadernillos; Teatro infantil. Box 1 BANC PIC 2010.025:Cu11--PIC Cartas amorosas: colección No. 1 [between 1890 and 1925] Physical Description: 1 item(booklet, 16 pages); 15 x 11 cm Note Publication statement: Mexico. A. Vanegas Arroyo Editor. Scope and Content Cover illustration of a woman with butterfly wings holding a letter with a flaming heart crossed by an arrow. Printed signature of Posada, lower right. Note Form/Genre keywords: Cuadernillos; Cartas amorosas. Box 1 BANC PIC 2010.025:Cu12--PIC Colección de cartas amorosas cuaderno No. 2 /
Load more

Recommended publications
  • @ Copyrighted by Ward Sloan Albro, Iii 1967
    Ricardo Flores Magón and the Liberal Party: an inquiry into the origins of the Mexican revolution of 1910 Item Type text; Dissertation-Reproduction (electronic) Authors Albro, Ward S. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 11:00:40 Link to Item http://hdl.handle.net/10150/565157 @ COPYRIGHTED BY WARD SLOAN ALBRO, III 1967 RICARDO FLORES MAGON AND THE LIBERAL PARTY: AN INQUIRY INTO THE ORIGINS OF THE MEXICAN REVOLUTION OF 1910 by Ward Sloan Albro, III A Dissertation Submitted to the Faculty of the DEPARTMENT OF HISTORY In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 7 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE I hereby recommend that this dissertation prepared under my direction by Ward Sloan Albro. Ill____________________________ entitled ftir.ardo Flores Maron and the Liberal Party: An Inquiry into the Origins of the Mexican Revolution of 1910 be accepted as fulfilling the dissertation requirement of the degree of Doctor of Philosophy_________________________________ After inspection of the dissertation, the following members of the Final Examination Committee concur in its approval and recommend its acceptance:* f + 6 7 Q/Aa. 1/ / 9&7 /?& .V, pa z Z *This approval and acceptance is contingent on the candidate's adequate performance and defense of this dissertation at the final oral examination.
    [Show full text]
  • Water, Capitalism, and Urbanization in the Californias, 1848-1982
    TIJUANDIEGO: WATER, CAPITALISM, AND URBANIZATION IN THE CALIFORNIAS, 1848-1982 A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History By Hillar Yllo Schwertner, M.A. Washington, D.C. August 14, 2020 Copyright 2020 by Hillar Yllo Schwertner All Rights Reserved ii TIJUANDIEGO: WATER, CAPITALISM, AND URBANIZATION IN THE CALIFORNIAS, 1848-1982 Hillar Yllo Schwertner, M.A. Dissertation Advisor: John Tutino, Ph.D. ABSTRACT This is a history of Tijuandiego—the transnational metropolis set at the intersection of the United States, Mexico, and the Pacific World. Separately, Tijuana and San Diego constitute distinct but important urban centers in their respective nation-states. Taken as a whole, Tijuandiego represents the southwestern hinge of North America. It is the continental crossroads of cultures, economies, and environments—all in a single, physical location. In other words, Tijuandiego represents a new urban frontier; a space where the abstractions of the nation-state are manifested—and tested—on the ground. In this dissertation, I adopt a transnational approach to Tijuandiego’s water history, not simply to tell “both sides” of the story, but to demonstrate that neither side can be understood in the absence of the other. I argue that the drawing of the international boundary in 1848 established an imbalanced political ecology that favored San Diego and the United States over Tijuana and Mexico. The land and water resources wrested by the United States gave it tremendous geographical and ecological advantages over its reeling southern neighbor, advantages which would be used to strengthen U.S.
    [Show full text]
  • TIEMPO MUERTO Number 5A| Year 2018
    TIEMPO MUERTO Number 5a| Year 2018 1 TIEMPO MUERTO #5 INDEX 3 EDITOr’s nOTE TO TIEMPO MUERTO 5 Juan Pablo Macías 5 CHICOMEXOCHITL & THE ORIGIN OF CORN IN THE NAHUA ORAL TRADITION OF THE HUASTecA MAIZE AND Anuschka van´t Hooft (2008) 9 THE PeOPLE OF LA HUASTecA DO NOT ANARCHISM – CONCEIVE LIFE AWAY FROM THE MILPA Alfredo Zepeda (2012) 11 MAIZE & COMMUNALITY A CORRELATION Kiado Cruz (2014) 15 COMMUNITY & COMMUNALITY OF THOUGHT, Floriberto Díaz Gómez (2004) 19 THE INDIAN & THE INDIGENOUS IN THE MAGÓNIST ANARCHISM ORDER AND Benjamín Maldonado Alvarado (2000) 27 FeRNANDO PALOMAREZ, MAYO INDIAN. LIBERTY ON LIBERTARIAN EPISTLES & OTHER TEXTS. Alfonso Torúa Cienfuegos (2016) 31 MAGÓNISM & INDIGENOUS MOVEMENT THE EXTENSION Juan Carlos Beas and Manuel Ballesteros (1986) 43 THE MeXICAN ReVOLUTION Voltairine de Cleyre (1911) TIEMPO MUERTO Authors Graphic project Publisher Thanks to #5a | 2015 Anuschka van´t Hooft, Alfredo Zepeda, Brice Delarue Zirkumflex WORD+MOIST PRESS Bruna e Matteo Viglietta, Eva Brioschi, Kiado Cruz, Floriberto Díaz Gómez, www.zirkumflex.com Manuela Galliano, Marco Scotini, Andris Editor | Editorship Benjamín Maldonado Alvarado, Printed in May 2018, China Brinkmanis, Shuai Yin, Paolo Caffoni, Juan Pablo Macías Alfonso Torúa Cienfuegos, Juan Carlos Visual content Chen Jianxin, Liu Pei, Brice Delarue, Beas, Manuel Ballesteros, Plotino Juan Pablo Macías stills from “Museum Produced by Alessandra Poggianti, Rodrigo Villasmil, Rhodakanaty, Julio López Chávez, pieces, a 6000 year-old corn fossil, two Yinchuan Biennale Yu Hsiao-hwei, Evelyne Jouanno, Hou Emiliano Zapata, Voltairine de Cleyre agronomists and a geneticist,” 2018 Hanru, Pengpeng Wang, Alberto Paredes With the support of Sánchez, Abel Muñoz Orozco, Abel Gil- Translations Cover Collezione La Gaia Muñoz, José Regalado, Kiado Cruz, Lucia Rodrigo Villasmil, Yu Hsiao-hwei Juan Pablo Macías “Teocintle, the Giardino e Chico Bacci.
    [Show full text]
  • The Manifestation of Total War in the Mexican Revolution”
    Phi Alpha Theta Pacific Northwest Conference, 8–10 April 2021 Craig J. Verniest, Seattle University, undergraduate student, “The Manifestation of Total War in the Mexican Revolution” Abstract: The concept of total war is typically conceived of as the entirety of a nation’s or other belligerent’s resources and the spheres of non-combatant, civilian-centered life being drawn into the conflict. Total war also includes the methods of warfare being conducted with the intent of exhibiting complete destruction on an enemy’s forces and moral. Although total war in the Mexican Revolution is not typically, if ever, discussed in its historiography, I am arguing that the Mexican Revolution exhibited implementation of total war in its warfare, and therefore should be discussed in its historiography to similar degrees as that of the political and social aspects of the Revolution, which are generally focused on to a much greater degree. The form of total war exhibited in the Mexican Revolution manifests in three primary aspects: extreme, unnecessary violence perpetrated by and against the combatants of a conflict, the failure-either intentional or unintentional-to distinguish between combatants and non-combatants in the warfare, and the often-coerced involvement of civilian resources, supplies, and lives in the conflict, resulting in great resource, material, and psychological drain on non-combatants. Verniest 0 The Manifestation of Total War in the Mexican Revolution Craig J. Verniest Verniest 1 La Decena Trágica, or the “Ten Tragic Days”, was a period of extreme violence and wanton destruction that occurred in México City between February 9 and 19, 1913.
    [Show full text]
  • Mexican Revolution (1910-20)
    Mexican Revolution (1910-20), The Mexican Revolution was a long and bloody struggle among several factions in constantly shifting alliances, which resulted ultimately in the end of the 30-year dictatorship in Mexico and the establishment of a constitutional republic. The revolution began against a background of widespread dissatisfaction with the elitist and oligarchical policies of Porfirio Díaz that favoured wealthy landowners and industrialists. When Díaz in 1908 said that he welcomed the democratization of Mexican political life and appeared ambivalent about running for his Porfirio Díaz seventh reelection as president in 1910, Francisco Madero emerged as the leader of the Antireeleccionistas and announced his candidacy. Díaz had him arrested and declared himself winner after a mock election in June, but Madero, released from prison, published his Plan de San Luis Potosí from San Antonio, Texas, calling for a revolt on November 20. The revolt was a failure, but it kindled revolutionary hope in many quarters. In Madero, c. 1910 the north, Pascual Orozco and Pancho Villa mobilized their ragged armies and began raiding government garrisons. In the south, Emiliano Zapata waged a bloody campaign against the local caciques (rural political bosses). In the spring of 1911 the revolutionary forces took Ciudad Juárez, forced Díaz to resign, and declared Madero president. Madero's regime faltered from the start. Zapata turned against him, angered at his failure to effect the immediate restoration of land to dispossessed Indians. Orozco, initially a supporter of Madero, was also dissatisfied with the slow pace of reform under the new government and led a revolutionary movement in the north.
    [Show full text]
  • Porfirismo During the Mexican Revolution
    University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2012-01-01 Porfirismo during the Mexican Revolution: Exile and the Politics of Representation, 1910-1920 Nancy Alexandra Aguirre University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the History Commons, Latin American Languages and Societies Commons, and the Latin American Studies Commons Recommended Citation Aguirre, Nancy Alexandra, "Porfirismo during the Mexican Revolution: Exile and the Politics of Representation, 1910-1920" (2012). Open Access Theses & Dissertations. 1773. https://digitalcommons.utep.edu/open_etd/1773 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. PORFIRISMO DURING THE MEXICAN REVOLUTION: EXILE AND THE POLITICS OF REPRESENTATION, 1910-1920 NANCY ALEXANDRA AGUIRRE Department of History APPROVED: Samuel Brunk, Ph.D., Chair Cheryl E. Martin, Ph.D. Sandra McGee Deutsch, Ph.D. Frank G. Pérez, Ph.D. Benjamin C. Flores, Ph.D. Dean of the Graduate School Copyright © by Nancy Alexandra Aguirre 2012 PORFIRISMO DURING THE MEXICAN REVOLUTION: EXILE AND THE POLITICS OF REPRESENTATION, 1910-1920 by NANCY ALEXANDRA AGUIRRE, B.A., M.A. DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Department of History THE UNIVERSITY OF TEXAS AT EL PASO December 2012 Acknowledgements Writing this dissertation has been a dream of mine since I found my passion for history as a seventh-grade Texas History student.
    [Show full text]
  • OCTAVIO PAZ, and the Wars BATTLE for CULTURAL MEMORY
    Uncivil War S Sandra Messinger Cypess OCTAVIO PAZ, AU AND THE % I I FOR ) A, .1000 . otU Uncivil Wars Uncivil JOE R. AND TERESA LOZAND LONG SERIES IN LATIN AMERICAN AND LATINO ART AND CULTURE JUN0 ELENA GARRO, OCTAVIO PAZ, AND THE Wars BATTLE FOR CULTURAL MEMORY Sandra Messinger Cypess UNIVERSITY OF TEXAS PRE88 AUSTIN Copyright 2012 by Sandra Messinger Cypess All rights reserved Printed in the United States of America First edition, 2012 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 utpress.utexas.edu/about/book-permissions The paper used in this book meets the minimum requirements of ANSI/NISO Z39.48-1992 (R1997) (Permanence of Paper).@ Library of Congress Cataloging-in-Publication Data Cypess, Sandra Messinger. Uncivil wars : Elena Garro, Octavio Paz, and the battle for cultural memory / by Sandra Messinger Cypess. - 1st ed. p. cm. - (Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture) Includes bibliographical references and index. ISBN 978-0-292-75428-7 1. Garro, Elena-Criticism and interpretation. 2. Paz, Octavio, 1914-1998-Criticism and interpretation. 3. National characteristics, Mexican, in literature. 4. Collective memory-Mexico. I. Title. PQ7297.G3585Z64 2012 868'.64o9-dc23 2012010950 First paperback printing, 2013 DEDICATED TO Raymond (everyone knows why) and to Aaron and Leah, Josh and Rebecca, and their wonderful contributions to our happiness: Benjamin Joey Shoshana Sally Hadassah David e e e CONTENTS PREFACE / iX i. Introduction: Uncivil Wars / 1 2. All in the Family: Paz and Garro Rewrite Mexico's CulturalMemory / 13 3.
    [Show full text]
  • Mexican Revolution at Age 100
    University of Texas Rio Grande Valley ScholarWorks @ UTRGV History Faculty Publications and Presentations College of Liberal Arts 2014 Mexican Revolution at age 100 Irving W. Levinson The University of Texas Rio Grande Valley, [email protected] Follow this and additional works at: https://scholarworks.utrgv.edu/hist_fac Part of the History Commons Recommended Citation Levinson, Irving W., "Mexican Revolution at age 100" (2014). History Faculty Publications and Presentations. 41. https://scholarworks.utrgv.edu/hist_fac/41 This Article is brought to you for free and open access by the College of Liberal Arts at ScholarWorks @ UTRGV. It has been accepted for inclusion in History Faculty Publications and Presentations by an authorized administrator of ScholarWorks @ UTRGV. For more information, please contact [email protected], [email protected]. THE MEXICAN REVOLUTION AT AGE 100 Thank you, Xavier for the invitation to join you, your colleagues, and other members of the Weslaco community here today. To use a phrase employed by many traditional Native American speakers, I hope that my presentation will do honor to the audience and on a related note, I hope that I can cover in one hour a topic that usually takes half a semester. For many, the Mexican Revolution that began in 1910 was the most important event in Mexican history. Although the immediate causes of that revolution were the conditions brought about by the 1876 to 1910 dictatorship of Porfirio Diaz causes far older that those need to be considered. So, I’ll spend the next five minutes on a quick review of early Mexican history.
    [Show full text]
  • Mexican Revolution Photographs
    http://oac.cdlib.org/findaid/ark:/13030/c8707zv4 No online items Mexican Revolution photographs Finding aid prepared by Carlota Ramirez, Student Processing Assistant. Special Collections & University Archives The UCR Library P.O. Box 5900 University of California Riverside, California 92517-5900 Phone: 951-827-3233 Fax: 951-827-4673 Email: [email protected] URL: http://library.ucr.edu/libraries/special-collections-university-archives © 2017 The Regents of the University of California. All rights reserved. Mexican Revolution photographs MS 026 1 Descriptive Summary Title: Mexican Revolution photographs Date (inclusive): circa 1910-1920 Collection Number: MS 026 Extent: 3.42 linear feet(4 boxes) Repository: Rivera Library. Special Collections Department. Riverside, CA 92517-5900 Abstract: The collection contains black and white photographs taken during the Mexican Revolution in the early 20th century. Photographs in the collection cover various locations, battles, soldiers, and important figures such as Álvaro Obregón, Francisco Madero, Pancho Villa and Pascual Orozco. Languages: The collection is in Spanish and English. Access The collection is open for research. Publication Rights Copyright Unknown: Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, the reproduction, and/or commercial use, of some materials may be restricted by gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing agreement(s), and/or trademark rights. Distribution or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. To the extent other restrictions apply, permission for distribution or reproduction from the applicable rights holder is also required.
    [Show full text]
  • Powerhouse Chihuahua: Electricity, Water, and the State in the Long Mexican Revolution
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2018 Powerhouse Chihuahua: Electricity, Water, and the State in the Long Mexican Revolution Jonathan Hill Jr The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2539 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] POWERHOUSE CHIHUAHUA: ELECTRICITY, WATER, AND THE STATE IN THE LONG MEXICAN REVOLUTION by JONATHAN M. HILL JR. A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 JONATHAN M. HILL JR. All Rights Reserved ii Powerhouse Chihuahua: Electricity, Water, and the State in the Long Mexican Revolution by Jonathan M. Hill Jr. This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirements for the degree of Doctor of Philosophy _________________ __________________________________ Date Herman L. Bennett Chair of Examining Committee _________________ __________________________________ Date Helena Rosenblatt Executive Officer Supervisory Committee: Mary Roldán Michael J. Rawson THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Powerhouse Chihuahua: Electricity, Water, and the State in the Long Mexican Revolution by Jonathan M. Hill Jr. Advisor: Herman L. Bennett State formation has for decades been a major analytical focus for historians of Mexico, especially during the armed Mexican Revolution (1910–20) and the “long” political and social revolution which continued for decades thereafter.
    [Show full text]
  • The Manifestation of Total War in the Mexican Revolution
    SUURJ: Seattle University Undergraduate Research Journal Volume 5 Article 20 2021 The Manifestation of Total War in the Mexican Revolution. Craig Verniest Seattle University Follow this and additional works at: https://scholarworks.seattleu.edu/suurj Recommended Citation Verniest, Craig (2021) "The Manifestation of Total War in the Mexican Revolution.," SUURJ: Seattle University Undergraduate Research Journal: Vol. 5 , Article 20. Available at: https://scholarworks.seattleu.edu/suurj/vol5/iss1/20 This Full-Length Research Article is brought to you for free and open access by the Seattle University Journals at ScholarWorks @ SeattleU. It has been accepted for inclusion in SUURJ: Seattle University Undergraduate Research Journal by an authorized editor of ScholarWorks @ SeattleU. The Manifestation of Total War in the Mexican Revolution Craig Verniest, History and Spanish Faculty Mentor: Tom Taylor, PhD, History Faculty Content Editor: Nova Robinson, PhD, International Studies and History Student Editor: Emma Hyman, English 180 Abstract This manuscript examines the manifestation of total war in the Mexican Revolution and analyzes why such an extreme form of warfare occurred. “Total war” refers to a mass armed conflict that is unrestricted in the weapons used, the territory or combatants involved, and the objectives pursued, as well as involving the complete mobilization of civilian and military resources for the war effort. In the Mexican Revolution, this was expressed in three main aspects: the implementation of excessive force by and against combatants, the perpetration of extreme violence, whether intentionally or unintentionally, against non-combatants, and the appropriation of civilian resources, which damaged civilian livelihood and threatened resource supplies. The essay cites specific examples of these aspects of total war, including the use of chemical warfare, the deliberate murder of civilians by combatants, and the pillaging of civilian property.
    [Show full text]
  • A Local Prison Transformed Into a National Archive: Lecumberri's Past
    136 Tales from the Archive 137 Traces: Te UNC-Chapel Hill Journal of History USCT. After I asked if it was possible to open it, he disappeared for several minutes to A Local Prison Transformed into a consult with the head archivist as to how we should proceed. Fortunately, they were able José Moreno to open the envelope and brought it back to me to photograph and place back in the National Archive: Lecumberri’s Past and pension fle. It felt as though I stared at his face for hours, taking in every detail I could, Present though in reality it was only a few minutes. My hands shook so much that it took several As historians, we study change over time. Unfortunately, tries to get a clear picture. change over time does not always mean progress. Mexico’s As I continue my research, I hope to fnd more photographs of the men that I study. National Archive (AGN) exemplifes this challenge. I frst Tey endured unimaginable hardships to secure their freedom and rights, and their visited the archive in 2013 because the main sources for my stories must be told as part of the diverse and complicated history of the United States. Master’s thesis were housed in its collections. Last summer, It was an indescribable feeling to say hello to Richard French, veteran of the 44th USCI, I went back to do research for my dissertation project. Te father of fourteen children, husband to Ardelia Garrett French, former slave, free man, archive had changed. I was concerned and upset when I no- and United States citizen.
    [Show full text]