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Manuel Patricio Rodriguez Garcia (1805- 1906): the ‘Inventor of the Laryngoscope’ and World-Renowned Singing Teacher

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Manuel Patricio Rodriguez Garcia (1805- 1906): the ‘Inventor of the Laryngoscope’ and World-Renowned Singing Teacher ENT FEATURE Manuel Patricio Rodriguez Garcia (1805- 1906): The ‘inventor of the laryngoscope’ and world-renowned singing teacher BY NEIL WEIR Paris was the birthplace of the laryngoscope, invented by Manuel Garcia. As we are in Paris for IFOS 2017, Neil Weir tells us about this fascinating man, who travelled the world and was a renowned singer and laryngologist. anuel Patricio Rodriguez Garcia was born on 17 March 1805, either in Madrid or MZafra in Badajoz Province in southwestern Spain, the son of Manuel del Pópulo Vicente Garcia (1775-1832), known as ‘the Senior’; a famous tenor, impresario, composer, and singing teacher. Both his sisters, Maria Malibran (1808-1836) and Pauline Viardot (1821-1910), were to enjoy distinguished operatic careers. Manuel Garcia’s gravestone at St Edward the Confessor Church, Sutton Park, Guildford. Manual Garcia Junior spent most of his early life with his grandparents in Madrid, Queen of England (1815) and the Barber and cows and, with the aid of a set of sheltered from the Napoleonic wars, of Seville (1816). In response to a request bellows, blew air through them, producing a whilst his father established his singing from Lorenzo Da Ponte - the librettist and surprising variety of sounds. career in Paris, Naples and London and professor of Italian at Columbia College, Thus, the first stage of Manuel Junior’s composed his own light operas - over 40 in New York - the two Manuels, Maria Garcia, long life was completed: he had sung in all (17 in Spanish, 19 in Italian and seven in and Manuel Senior’s second wife, Joaquina opera and in the concert hall; he had started French). In Naples, he was befriended by Sitchez, formed the core of a company that teaching singing; and he had attempted Gioachino Rossini (1792-1868) who wrote sang the first performances of Italian opera to seek out some scientific understanding in New York (1825-1826). Da Ponte insisted of the voice. In 1830, two years before the for him the leading tenor roles in Elizabeth, on billing Mozart’s Don Giovanni for which death of his father, he established himself he had written the libretto. From New York, as a scientific singing master and in 1835 the troupe travelled to Mexico where they was appointed a professor at the Paris had hoped to settle. This was not to be as Conservatory. His reputation grew rapidly they were robbed of most of the takings and young ambitious singers saved their from their New York shows. money to apply to be his pupils. Among By this time it was beginning to be these was Johanna Maria (Jenny) Lind apparent to Manuel Junior that his baritone (1820-1887) who was to become one the voice lacked strength and, on returning to most famous sopranos of the middle of the Paris in the autumn of 1827, he decided that 19th century. She had had a meteoric start he wanted to explore his growing interest in to her career in Sweden. Educated at the science and, in particular, anatomy. An initial expense of the directors of the Stockholm impulse to go to sea to learn astronomy and theatre, without regard as to whether her navigation was thwarted by the family so, voice was suited to her ambitious repertoire, for a while, Manuel Junior joined his father’s she had strained her voice. This was found teaching classes. Now 25 years old, he to be very apparent at her first performance decided to leave Paris and his overbearing in a Paris salon, at which Manuel Garcia parents for a short military career in Algiers. was present. Still only 21 years old, she With further unrest in Paris, Manuel Junior sought his help. He asked her to sing a piece used his military connections to attach from Donizetti’s Lucia di Lammermoor. She himself to a military hospital where, in an broke down despite having performed the Manuel Garcia, age 100, by John Singer Sargent RA. This picture is displayed in the Duke’s Hall, Royal Academy of attempt to learn the science of singing, he work in Stockholm. Garcia recommended a Music, London. collected the larynges of chickens, sheep six-week total voice rest and then gradually ent and audiology news | MAY/JUNE 2017 | VOL 26 NO 2 | www.entandaudiologynews.com ENT FEATURE helped her to rebuild her voice and the Republicans and the National Guard refine her technique. She undertook two in late June, to move to London where he “The manner in which the one-hour lessons a week for a year at the had, over many years, established good glottis silently opened and cost of 20 francs per hour. Having been connections. He was quickly appointed to advised by Garcia not to attempt a debut the staff of the Royal Academy of Music shut and moved in the act at the Paris Grand Opera for five years, and remained in England for the rest of she returned home to Stockholm in even his very long life. of phonation, filled me with better voice and, in 1847, made her debut Manuel Garcia had, for years, wonder.” in London, where she was named the harboured a desire to see a ‘healthy ‘Swedish Nightingale’. glottis exposed in the very act of singing’. Meanwhile, Garcia had enhanced His discovery of autolaryngoscopy was his academic status with a publication included in a paper, entitled ‘Physiological submitted in 1840 to the Académie des Observations on the Human Voice’, which Sciences de France entitled, Mémoire sur was communicated to the Royal Society la Voix Humain. In this paper he revealed on his behalf by the physiologist, William that the head voice did not necessarily Sharpey, on 24 May 1855. begin where the chest voice ended – How he made his discovery is now there was a transition where a certain legend. It was related by Garcia himself in number of notes could be produced in 1881: “One September day in 1854, I was either register. This well-received paper strolling in a garden of the Palais Royal, was followed by the publication Ecole preoccupied with the ever-recurring de Garcia: Traité Complet de l’Art du Chant wish so often repressed as unrealisable, (part one 1840; part two 1847) in which when suddenly I saw the two mirrors Garcia cleared up the confusion that had of the laryngoscope in their respective hitherto existed between ‘timbres’ and positions, as if actually present before ‘register’. my eyes”. He had observed the sun In February 1848, revolution flared up flashing on the window panes of the 17th again in Paris, with the result that King century quadrangle. “I went straight Louis-Phillipe fled to England disguised to Charrière [Joseph (1803-1876)], the as ‘Mr Smith’, and the Second Republic surgical instrument maker” - on the was proclaimed. Manuel Garcia, who had recommendation, it is said, of his friend witnessed the political unrest before, Cavaillé-Col, the Parisian organ builder The original menu card for the huge banquet given to honour Manuel decided after an intense battle between […] “and, asking if he happened to possess Garcia on his 100th birthday. It runs to 11 courses and coffee! ent and audiology news | MAY/JUNE 2017 | VOL 26 NO 2 | www.entandaudiologynews.com ENT FEATURE “He had never meant to become the founder of a new medical specialty, and he protested that the mirror had only cost him six francs.” Manuel Garcia’s gravestone with names of his famous pupils. Manuel Garcia’s gravestone with fibreoptic nasolaryngoscope. a small mirror with a long handle, was see the glottis is in function, I hope indeed informed that he had a little dentist’s mirror, soon to be in a positon to repeat it myself.” which had been one of the failures of the Manuel Garcia’s discovery shared the London Exhibition of 1851. I bought it for six same fate as befell the London physician, francs. Having obtained also a hand mirror, Benjamin Babington’s, ‘glottiscope’ in I returned home at once, very impatient to 1829; it was treated with apathy and even begin my experiments. I placed against the incredulity. Recognition eventually came uvula the little mirror (which I had heated from the medical profession in 1862 when in warm water and carefully dried) and by the degree of Doctor of Medicine was flashing upon its surface with a hand mirror conferred upon him by the University of Neil Weir with his fibreoptic nasolaryngoscope at the a ray of sunlight, I saw at once, to my great Königsberg. He became a director of the graveside of Manual Garcia. joy, the glottis wide open before me, and so Royal Academy of Music in 1878 and, when fully exposed that I could perceive a portion he reached the age of 100 on 17 March 1905, of the trachea. When my excitement had Sir Felix Semon organised a celebration somewhat subsided, I began to examine in his honour at the premises of the Royal what was passing before my eyes. The Medical and Chirurgical Society, London. manner in which the glottis silently opened Delegates were present from universities, and shut, and moved in the act of phonation, medical schools, colleges of music and AUTHOR filled me with wonder.” scientific societies from all over the world. How was it that Manuel Garcia succeeded In the morning, King Edward VII invested where all the extensive attempts to view the him with the insignia of Commander of the glottis before had failed? The answer lies Royal Victorian Order. At the reception, the in the fact that Manuel Garcia was himself Spanish Ambassador decorated him with a singer with a trained voice, accustomed the Royal Order of Alfonso XII and Professor to controlling his pharyngeal muscles, Bernhard Fraenkel of Berlin handed him and that he chose a simple instrument the Great Gold Medal for Science, awarded to introduce into his throat.
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