DOCSLIB.ORG

The Spiee Girls Are Not in This Issue!?!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Spiee Girls Are Not in This Issue!?! The Spiee Girls Are Not in This Issue!?! Un-Exclusive Interview] Dan Aykroyd and John Cusack's Advice lo YOU! P i l i « Porno for Pyros Nexus and Artists: Dishwalla Photo Pull-out Un-inked 2 A Thursday, April 24,1997 Daily Nexus Check Out Our Jullar^QimeronTriiebesr11''!^^^? —¿hotographerof the VictoriatHUK worked to push photography to the leve Used Sale Bin of other fine wts, while champi -•ili need for recondition of wome Her exhibjgfon at^he Museum of f it, Annals Wisher,find V. Mers M l whicl House, is a cpilectioj^ha work ty po: ideal si ses jòf.kmo- tire career. H ||p h o tf lH B s 9 H ^ p o r - icence, beauty d a ste; st di^W ito traits of her mily, m elt» anWfemoi iexcel. a contempora igures such For tjpse interested in ¡evolution of John Hersc' Different s _ hotogpphy or lifeinJhfil Victorian. era, 10 CDs and compos^pggyge prevalent if this exhibit in de&aiielplàl-th the $1.50 her work, ranging front admission. Unfortunately, it lacks the ogy to simple portrait^ mass appeal that might be prevalent in a One of her most s' ig pieces, ‘The Stieglitz or Weston retrospective. Al ¡Young Endymion,’| iicts a young though her subject matter sometimes be­ [Greek prince sleep:' le forest. This comes repetitive, Cameron’s reputation [piece incorporates in’s soft-focus as one of the finest photographers of her [approach as well experimental era is well deserved. i techniques, render!! ierious diffuse Annals of My Glass House will run [forms above the sleep through June 1. For more information call I highlights include “The Da the SBMA at 963-4364. - scene uf embracing sistewy^ ".............. Hanson abstract train slices dia­ In celebration of the Emiliano Zapata, a man of centenary birth of artist gonally through the pic­ action and a peasant Get up to $4.50 in cash or and political activist Da­ ture, cutting across the vid Alfaro Siqueiros, the whole frame. A black en­ leader who is poignantly $6.00 in credit for each CD! Santa Barbara Museum of gine pulls a long caravan of portrayed between walls. Art presents Portrait of a cars so rapidly that it ap­ His huge moustache and Decade: David Alfaro Si­ pears as one blurred stripe face dominate the tableau, queiros 1930-1940. This of fierce red. And on these and the color of the floor art exhibition is the most flatbed cars stand scores of matches his reddish- extensive collection of Si­ soldiers in formation and brôwn skin tone. morninglory queiros to be shown state­ at attention while moving side, featuring 75 of his through the darkness. Portrait of a Decade: paintings, watercolors, They appear ready to jump David Alfaro Siqueiros, woodcuts and litho­ into combat at any 1930-1940 runs through usic May 11 at the SBMA. Also, graphs, and is well worth moment. the trip downtown. Each shape is reduced for those interested in The work shown in this to its most minimal form, learning more about the .. _ Isla Vista collection is made up of re­ and here the dark palette history pf Siqueiros, the flections on the visions of imposes a feeling of vola­ museum will host a panel |y 5 j§ | % 910 Emb. del Norte his lifetime. “Tren militar,” tility upon the image. The discussion featuring scho­ (Troop Train), from 1930, spectre of death and fight­ lars and curators April 27 968-4665 43885 is one of these reflections. ing could come down un­ from 1-5 p.m. For more in­ It addresses the theme of formation call the SBMA expectedly at any time. at 963-4364. His 1931 “Zapata” is —Todd A. Hovanec just that —■ a portrait of PRIZES:0””CBs *“ HOW TO GET YOUR TICKETS: Other SJEE Swag • At Reggae Tuesday at Calypso - 514 s t a t e St. • Spring Fever at SBCC • By Listening A ll Day Long!! Daily Nexus Thursday, April 24,1997 3 A Battery Acid Blues Re t u r n in g t o . rder Stadium j u m p a m Good day, folks. was silent. They craned to hear his wis­ This is a rock ’n’ roll column, and I dom. “Yeah, there was a heart attack, but thought I’d inaugurate it with an excerpt so what? With all the smack that gets in­ from a documentaiy video release from jected around here, she was lucky to get the summer 1996 tour of a band called away with just a heart attack!” The Clap, quite possibly one of the great­ The congregation was stupefied. est blues bands to ever rock the world. “Yeah, uh, yeah,” he continued, but that Unfortunately, the band is no longer with was as far as he got before collapsing into us; the death of their lead singer in the in­ a coughing fit that during its course depo­ cident described below relegated the re­ sited at his feet his left lung, which, as maining members of the band to playing soon as its nicotine-darkened sliminess backup gigs on the oldies circuit. Still, hit the floor, slid down the ramp, gaining The Clap was a phenomenal band during velocity until it sped along the tile and out its two-month heyday, and the following the door before screeching to a halt and is but a slice of its meteoric career. disintegrating from exhaustion, nearly 183 feet from its gasping owner. “Yeah, yeah it’s like that!” The bass All along its path the black lung had player looked up at the crowd after the caused silent, open-mouthed stares from band took the bottom out of the last song the entire press corps. As the lung guigled of the set. “The last song, dammit,” he its last piece of oxygen it was beheld with thought to himself. intense curiosity by all, none of whom “There, you dupes,” he thought. “You thought for a second about the man from wanted your stupid hit song, didn’t you? whence it spewed — including himself, Well, tough shit. We wanted to play some until he realized he could not hold his other stuff first, songs that you didn’t like breath any longer. The loud gagging of the and didn’t want to hear, even though it’s singer brought eveiyone backfrom their on the same album as that hit song, ever own personal surreal universes, but not though it’s been on all of our last five re­ quickly enough for anyone to save him cords that none of you bought, so youi from his own excess. sorry selves had to sit through the whole The guitarplayerspoke first. “Well, evi­ TICKETS ON SALE two-hour show and six encores before dently we’ll be needing a new vocalist, you got to hear that song. Happy now?! preferably a nonsmoker. For all preening Ja-heez-us, who’d have thought that a jjjrima^lonnasmterestedjjjm CAJMUP LO AND SPGCl Al SUR PR JSC QUGSTS May 4 •8:30pm University Center Hub Tickets for Spearhead and Camplo on sale now at the AS Ticket Office, Mominglory Music in Isla Vista or at all Ticketmaster locations including the Wherehouse, Blockbuster Music, Robinsons-May and the Arlington Theater. Or charge by phone 893-2064. For more information call 893-2833. Buy your tickets in advance. V I General Admisson prices for everyone at the door. 9J silly knockoff called ‘Your Mama’s a Ho’ ditions will be held tomorrow. Right would be a million seller? Yeah, it was guys?” l i v e m u s i c nice to beat the crap out of that Boyz II This evoked muffled affirmation from Men album and have them publicly kiss his band mates. Gradually the reporters our asses and all, but it’s a song, for cryin’ went back to their previous buzzing activ­ out loud, just a song, and we get to be im­ ity, and as the body was removed, the mortal musicians of the world? God, we questions came again, and the room now Acoustic can’t even read music.” regained the decibel level of the dull roar In the dressing room he looked in the it had achieved prior to the incident. mirror and tried hard to avoid the image While the other two band members and in th e Hub in the comer of his eye of the drummer on their legal and managerial cronies began the floor behind him being smothered by spin control in earnest, the bass player three groupiés at once. “Well,” quipped quietly slipped out. the bassist to his reflection, “if we are im­ “Wow”, he thought. “This is what we mortal musicians of the world, we should get for opening a tour in Las Vegas.” He The Giirl & I at least get our own dressing rooms.” recalled the maniacal antics of the prom­ Outside, his brother the guitarist was oter. Sure, they could fill Sam Boyd Sta­ W ednesday April 3D 4!3D-fi3D pm tfl signing his extended name onto the left dium on the strength of one hit song, a Great Food & Drink Specials at C h ilit@ S . cheek of a female fan. The fact that she fluke b-side from a neglected single, sure. Presented hy ASPB. UCen Dining Services. & Coca Cola was screaming with ecstasy while he was It’ll happen when Hootie flies. trying to do it severely hampered his That evening they were all baffled to penmanship. see the members of Hootie on TV fly and When the deed was done she promptly subsequently crash and burn in quite pos­ fainted in his lap.
Load more

Recommended publications
  • I .Concert Theatre Tonight!
    FIL™ n r a "WS ■ J O 3 : BOYS îîS*!9â k IWâ S 7A FEATURE 3 A | REVIEW Actors Ricky From the Ricardo's London Logical Stage Heir The Arts and Entertainment Section of the Daily Nexus/For the Week of Oct.25-Nov.2 1989 Syllabus OF NOTE THIS WEEK MUSIC Top 5 This Week at Rockhouse Records: 1. Camper Van Beethoven Key Lime Pie 2. Erasure Wild 3. Jesus & Mary Chain Automatic 4. Kate Bush The Sensual World 5. Aerosmith Pump at The Wherehouse: 1. Rolling Stones Steel Wheels 2. Milli Vanilli Girl You Know It’s True 3. Janet Jackson Rhythm Nation 1814 4. Tears For Fears The Seeds of Love 5. Fine Young Cannibals The Raw and the Cooked FILM Tonight: Mr. Smith Goes To Washington, at Campbell Hall, 8 p.m.; $3/students Saturday: 21st Tournament of Animation, at I.V. Theater, 7,9,11 p.m.; $3 Sunday: King of the Children, at Campbell Hall, 8 p.m.; $3/students □ PERFORMANCE Which, too, Tonight: about. Music/Rally Phranc, as part of Take ■By Doug Arellane Back the Night, Storke Plaza, 7 p.m. ^ ¡§ ta ff Writer Phranc also dgjeys Free She says so on tie title Friday: Music 8th Annual World Music Festi­ new album, I Enjoy Being A val, at the Multicultural Center, 3 ^ s c r i b e s which is a cover of ah old Ro p.m.; Until Saturday; Free your average lesbian Jewis f ^ a*M ^ Poetry Ana Castillo, at the Women’s and Hammerstein number Yo Center, 12 p.m.; Free ger,” andgpsses it o^yitl for being a lesbian Jewish folks! Saturday:Afusic Udan Asih Gamelan kind of jinchalanceas ifllhe wHS & dance concert, at Campbell Hall, 8 Phranic$8ias a sense of humg p.m.; $10/students, $15/non-students P h ra n y “just your^ average sharp a! her flattop.
    [Show full text]
  • The Musicares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405
    The MusiCares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405 ***TIP SHEET FOR FRIDAY, MAY 9, 2008*** BLIND MELON AND CAMP FREDDY — WITH SPECIAL GUESTS CHESTER BENNINGTON, WAYNE KRAMER, DUFF MCKAGAN, CHAD SMITH, STEVEN TYLER AND ROBIN ZANDER — TO PERFORM AT FOURTH ANNUAL MUSICARES MAP FUNDSM BENEFIT CONCERT ON MAY 9 HONORING ALICE COOPER AND SLASH Sold-Out Concert Event — Sponsored In Part By Gibson Foundation — At The Music Box @ Fonda Will Raise Funds For MusiCares® Addiction Recovery Services WHO: Honorees: Legendary artist Alice Cooper to receive the Stevie Ray Vaughan Award and GRAMMY®-winning guitarist Slash to receive the MusiCares® From the Heart Award. Host: Actor, stand-up comedian, musician and singer Tommy Davidson. Presenters: Bernie Taupin will present the Stevie Ray Vaughan Award to honoree Alice Cooper; Steven Tyler will present the MusiCares® From the Heart Award to honoree Slash. Performers: Blind Melon (Glen Graham, Brad Smith, Rogers Stevens, Christopher Thorn and Travis Warren) and Camp Freddy (Chris Chaney, Donovan Leitch, Billy Morrison and Matt Sorum) with Slash on guitar, along with special guests Chester Bennington (Linkin Park), Wayne Kramer (MC5), Duff McKagan (Velvet Revolver), Chad Smith (Red Hot Chili Peppers), Steven Tyler (Aerosmith) and Robin Zander (Cheap Trick). The evening will also feature special performances by Alice Cooper and Slash. Attendees: MusiCares Foundation Board Chair John Branca; Gilby Clarke (Guns N' Roses); Bob Forrest (Celebrity Rehab); Anthony Kiedis (Red Hot Chili Peppers); Dave Kushner (Velvet Revolver); Martyn LeNoble (Jane's Addiction and Porno For Pyros); and President/CEO of The Recording Academy® and President of the MusiCares Foundation Neil Portnow.
    [Show full text]
  • Dave Navarro - Beyond Addiction "Guitar World" (N°? - Février 1994) - Alan Di Perna
    Dave Navarro - Beyond Addiction "Guitar World" (n°? - Février 1994) - Alan di Perna Clean and Sober Dave Navarro lives for today with the Red Hot Chili Peppers. L.A. is burning. A series of wickedly devastating brushfires have encircled the City of Angels, turning the surrounding hills into a raging inferno. But Dave Navarro looks implacably cool as he pilots his black Harley down Ventura Boulevard. The guitarist's newly sprouted goatee gives him a conquistador's air of stony self-possession as he glides along the wide thoroughfare. A bandanna and shades protect his hair and eyes from the pall of smoke and cinders that have made the city's air seem like the mouth of a badly vented fireplace. Angelenos have learned not to let castastrophe interrupt their daily lives, and Navarro is no exception. His bike safely stashed in a "Loading Only" zone, the guitarist enters a trendy coffeehouse--one of those self-consciously bohemian places that could only exist in L.A.'s San Fernando Valley. Settling onto a worn antique sofa, he orders a cup of black decaf and a bowl of cereal moistened with fruit juice. "I don't eat dairy," he explains. "No caffeine either. Right now, this is my only vice..." He smiles as he lights the first of many cigarettes. Studying the self-confident, purposeful guy seated at my side, I can't help but contrast him with the Dave Navarro I interviewed two years ago [GW, September '91]. At that time, he was a slavering, incoherent wreck, badly strung out on heroin and unable to even locate his shoes.
    [Show full text]
  • Mike Watt: on and Off Bass Online
    s4xC1 [DOWNLOAD] Mike Watt: On and Off Bass Online [s4xC1.ebook] Mike Watt: On and Off Bass Pdf Free From Three Rooms Press DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #349587 in Books 2012-05-02Original language:EnglishPDF # 1 9.98 x .28 x 7.92l, .87 #File Name: 0983581304112 pages | File size: 15.Mb From Three Rooms Press : Mike Watt: On and Off Bass before purchasing it in order to gage whether or not it would be worth my time, and all praised Mike Watt: On and Off Bass: The New Yorker calls it “unusual and beautiful.rdquo; The LA Weekly raves, “the photos are strikingly inventive, revealing yet another side of this modern-day Renaissance man.rdquo; MTV calls it “a charming, well-shot document of a the legendary punk rockerrsquo;s photographic dabbling.rdquo; Detroit Metrotimes: “A unique insight into Wattrsquo;s mind.rdquo;“Mike Watt: On and Off Bassrdquo; is getting a lot of buzz. And for good reason, considering the author and photographer is the legendary punk bassist himself.Mike Watt got his musical start thumping the bass with legendary San Pedro punk trio, The Minutemen in 1980 and he has been at it ever since. Over the years, hersquo;s toured with Dos, fIREHOSE, his own The Black Gang, The Secondmen, The Missingmen, and others, and he has worked bass as a sideman for Porno for Pyros, J Mascis and the Fog, as well as punk godfathers The Stooges.Off the road, at his beloved San Pedro, CA home base, Watt developed a deep interest in photography.
    [Show full text]
  • Concerttalk: a Weekend with a Portable Audio Space Henry B
    61 ConcertTalk: A Weekend With a Portable Audio Space Henry B. (Hank) Strub Interval Research Corporation ISOI-C Page Mill Rd. Palo Alto, CA 94304 U.S.A. + 1-415 -842 -6088 [email protected] ABSTRACT This paper describes a study of the ConcertTalk system, a portable audio space that was used for two days. Two-way radios were provided to attendees at Lollapalooza rock concerts, and their use was recorded and analyzed. The study's participants quickly began using the system, used it throughout the day, and found many creative ways for the radios to improve the Lollapalooza concert experience. ConcertTalk's results suggest the utility of studying CHI technologies outside of work places, both to validate and expand the foundational theory of Our growing domain of knowledge in practice. KEYWORDS Portable user interfaces, Speech & voice, Social issues, Audio space, Observational study. 1. INTRODUCTION school have been the assumed domains for the media The ConcertTalk system involved giving two-way radios space since its inception [3]: this is one belief about to Lollapalooza concert attendees. The motivation for media spaces that is challenged in this study. this study was to explore a different setting for a media space, which was specifically implemented as a portable Most of the previous studies on media spaces have either audio space. Lollapalooza brings together national and been directly related to work of some sort or have local alternative rock in outdoor venues that hold 20,000 simulated work situations ([3, 11] both include reviews). - 30,000 people [13]. The data for this study are Rather than look at a media space as a work tool that recordings of ConcertTalk traffic and interviews of functioned as a "medium for social activity" ([3], p.
    [Show full text]
  • JANE's ADDICTION Strays (Hard Rock)
    JANE'S ADDICTION Strays (Hard Rock) Année de sortie : 2003 Nombre de pistes : 11 Durée : 48' Support : CD Provenance : Acheté Révélé par son album Nothing’s Shocking en 1988, JANE’S ADDICTION obtient un impact considérable avec la sortie de Ritual De Lo Habitual deux ans plus tard. Certifié platine, ce disque consacre le groupe comme l’une des figures majeures du Rock alternatif. En pleine gloire, le chanteur Perry FARRELL, absorbé par le festival itinérant Lollapalooza qu’il a créé, décide pourtant de dissoudre JANE’S ADDICTION en 1991. Une longue parenthèse le voit alors s’impliquer dans cet événement, aujourd’hui une institution en matière de contre-culture sur les plans artistique, mais aussi politique voire religieux. Il revendra finalement ses parts en 1996. Sur le plan musical, il monte PORNO FOR PYROS avec le batteur Steve PERKINS, alors qu’Eric AVERY et Dave NAVARRO sont engagés respectivement comme bassiste de INFECTIOUS GROOVE et guitariste des RED HOT CHILI PEPPERS. A partir de 1998, le chanteur entreprend de reformer JANE’S ADDICTION. La renaissance du groupe donne lieu à un album homogène et de belle facture, Strays, qui paraît en 2003. Après plus d’une décennie de silence, cette nouvelle collection de titres montre un groupe impatient d’en découdre. Par un tonitruant « here we go », Perry FARRELL donne le signal de l’attaque massive du morceau d’ouverture True Nature. L’album est traversé par le Hard Rock, marque de fabrique du groupe. L’énorme succès Just Because, illuminé par les riffs acérés de Dave NAVARRO, explose en un refrain extrêmement accrocheur.
    [Show full text]
  • Vol. 45, No. 4, February 2, 1995 University of Michigan Law School
    University of Michigan Law School University of Michigan Law School Scholarship Repository Res Gestae Law School History and Publications 1995 Vol. 45, No. 4, February 2, 1995 University of Michigan Law School Follow this and additional works at: http://repository.law.umich.edu/res_gestae Part of the Legal Education Commons Recommended Citation University of Michigan Law School, "Vol. 45, No. 4, February 2, 1995" (1995). Res Gestae. Paper 27. http://repository.law.umich.edu/res_gestae/27 This Article is brought to you for free and open access by the Law School History and Publications at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Res Gestae by an authorized administrator of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. The RG returns, and now, every two weeks! Law School Gets Webbed By Jason Gull RG Writer charge through the University (see sidebar). The LawSchool's getting wired, and it is But only a fractionhave signed up, and even not because of the rancid snack-bar coffee fewer use their accounts on a regular basis. we seem to consume by the gallon. No, One groupof studentsis hoping to change we're getting our own on-ramp to the infor­ that Andrew Boer (2L), David Paulson mation superhighway. (lL), and Jason Gull (lL-yes, that's me'/; . The Law School already has extensive along with Frank Potterof the Development connections to electronic information re­ and Alumni Office, are currently assem­ OF w THE UNIVERSl'IY MICHIGAN L\ ScHOOL sources through the commercial services bling a World Wide Web site for the Law Vol.
    [Show full text]
  • Graham Nash Lou Reed
    NOTE: new hi res in file PORTFOLIO Clockwise An untitled PORTFOLIO from here: shot from Fleetwood shot Johnny Cash, Lou Reed’s this field of New York. 1969; Joni Musical legacy: Leader of the Velvet Underground, poppies with a Perry Farrell’s Mitchell, © GRAHAM NASH (4) godfather of punk and alternative rock. Photog- 35mm SLR. photo of 1969; Neil his wife, Etty. Young, 1970; raphy publications: Emotion in Action (2003), Lou Nash, 1974. Reed’s New York (2006). ★ Perhaps no single rock-and-roll figure is more closely associated Mick with New York City than Lou Reed. Spanning five Graham decades, Reed’s observant, provocative songwrit- ing has delineated the city’s street life in all its FLEETWOOD grit and glory. Since the late 1980s, Reed has NASH also been photographing on the wild side, usually focusing on urban scenes with various cameras, his favorites being Contax 35mm SLRs with wide- angle Zeiss lenses. “I have this really beautiful jewel lens that I treated myself to finally, after much wondering whether I should just wear it as jewelry or actually use it,” says Reed. “I’m a big fan of great engineering.” Having been published in a lavish 2006 book by Steidl (see Books, page 26), Reed’s photography is featured in an exhibi- tion that has traveled from Milan to Madrid to Pittsburgh’s Andy Warhol Museum—fittingly, as Warhol was an early mentor. Like much of his music, Reed’s visual work tends to be bold and Greatest hits: Multi-platinum albums Rumours experimental, melding dreamlike moods with (1977), Fleetwood Mac (1975), and Tusk swashes of streaming lights and dramatic sky- (1979).
    [Show full text]
  • Air Vents Breed Fear on Campus
    0111 tr4 SPARTAN DAILY 4* Vol.97, \r) Published for San lose State University since 1934 Friday, September 20, 1991 Some faculty left out of nomination voting Fairness presidential selection process questioned again of By Robert Drueck hammer hers that are not part of a faculty union. committee. ballot are there only because their names are ty representatives. Daily suitl writer The ballot contains 19 names, all of And while she said she got a letter back widely known," Holstrom added. According to university policy, these whom were nominated by other administra- from Munitz telling her about the process, But Kitagawa says that all faculty mem- other committee representatives do not need SJSU administrative and support staff tive and support staff members, said Human she claimed that she never heard anything bers should have heard about the nomina- to be elected. members have until Sept. 23 to vote for a Resources Manager Celeste Kiuigawa. else. tions. The faculty members on the committee representative to sit on the presidential Kitagawa, who is helping to coordinate "I looked on bulletin boards every day Nomination forms were sent to all vice will be the chair, vice chair and immediate selection advisory committee, but not every- the election, said that ballots must be turned for announcements on how to nominate presidents, deans, directors and administra- past chair of the Academic Senate, and the one is happy with the nomination process. in by 5 p.m. on Monday. She expects a win- someone, and I never saw anything. I'm a tive heads. student representative will be appointed by The committee, which will give recom- ner to be announced on Tuesday or secretary in two departments, and I sec a lot These individuals then distributed the the Associated Students.
    [Show full text]
  • Total Tracks Number: 1108 Total Tracks Length: 76:17:23 Total Tracks Size: 6.7 GB
    Total tracks number: 1108 Total tracks length: 76:17:23 Total tracks size: 6.7 GB # Artist Title Length 01 00:00 02 2 Skinnee J's Riot Nrrrd 03:57 03 311 All Mixed Up 03:00 04 311 Amber 03:28 05 311 Beautiful Disaster 04:01 06 311 Come Original 03:42 07 311 Do You Right 04:17 08 311 Don't Stay Home 02:43 09 311 Down 02:52 10 311 Flowing 03:13 11 311 Transistor 03:02 12 311 You Wouldnt Believe 03:40 13 A New Found Glory Hit Or Miss 03:24 14 A Perfect Circle 3 Libras 03:35 15 A Perfect Circle Judith 04:03 16 A Perfect Circle The Hollow 02:55 17 AC/DC Back In Black 04:15 18 AC/DC What Do You Do for Money Honey 03:35 19 Acdc Back In Black 04:14 20 Acdc Highway To Hell 03:27 21 Acdc You Shook Me All Night Long 03:31 22 Adema Giving In 04:34 23 Adema The Way You Like It 03:39 24 Aerosmith Cryin' 05:08 25 Aerosmith Sweet Emotion 05:08 26 Aerosmith Walk This Way 03:39 27 Afi Days Of The Phoenix 03:27 28 Afroman Because I Got High 05:10 29 Alanis Morissette Ironic 03:49 30 Alanis Morissette You Learn 03:55 31 Alanis Morissette You Oughta Know 04:09 32 Alaniss Morrisete Hand In My Pocket 03:41 33 Alice Cooper School's Out 03:30 34 Alice In Chains Again 04:04 35 Alice In Chains Angry Chair 04:47 36 Alice In Chains Don't Follow 04:21 37 Alice In Chains Down In A Hole 05:37 38 Alice In Chains Got Me Wrong 04:11 39 Alice In Chains Grind 04:44 40 Alice In Chains Heaven Beside You 05:27 41 Alice In Chains I Stay Away 04:14 42 Alice In Chains Man In The Box 04:46 43 Alice In Chains No Excuses 04:15 44 Alice In Chains Nutshell 04:19 45 Alice In Chains Over Now 07:03 46 Alice In Chains Rooster 06:15 47 Alice In Chains Sea Of Sorrow 05:49 48 Alice In Chains Them Bones 02:29 49 Alice in Chains Would? 03:28 50 Alice In Chains Would 03:26 51 Alien Ant Farm Movies 03:15 52 Alien Ant Farm Smooth Criminal 03:41 53 American Hifi Flavor Of The Week 03:12 54 Andrew W.K.
    [Show full text]
  • The Empire Strikes Back His Master's Voice Art FLIPP Ballet British
    You’re crossing the border between sight and sound, realty and imagination • this week in ~ Inside: The Empire Strikes Back His Master’s Voice Art FLIPP Ballet British Columbia Longpigs 2 A Thursday, February 27,1997 Daily Nexus instance. Han: You blaspheme! Leia: Leia’s the chick. Did you see her in that scene where she takes over the ship and yells “Goooool”? Luke: Did you notice the rebel scene where they are fighting the Empire Mm on Hoth and Rogue 3 helps out Luke? The cam­ era focuses on Rogue 3, nim m then Luke, and back to Rogue 3, and Rogue 3 all pisode V: Having of a sudden has a bloody found success two nose? Eweeks ago with a Han: Maybe it was part hosted panel on S ta r of the whole altitude fight­ Wars: Special Edition, ing thing. the Artsw eek staff decided Luke: Did you think to continue with the dis­ Luke figured out that cussion group. The latest Leia was his sister in the installment begins as the film ? theme to Star Wars blares Chewie: while the four cast mem­ Yeeeeeaaawwww. bers otThe Empire Strikes Leia: I think he got a Back: Special Edition feeling. panel filter into the room — a room that the evil Lord Chewie: I think when Vader watches from on high. Darth Vader says “I’m Davia Gray, features editor, returns to reclaim her your father,” I think he be­ rightful space in the panel as Han Solo; and Will Banks, gins to piece it together. At foreign-exchange student and Artsw eek writer, steps up the end he calls out her as her counterpart Chewbacca.
    [Show full text]
  • Book < Mike Watt: on and Off Bass # Download
    Mike Watt: on and off Bass « PDF \ BDU5DBWJNO Mike W att: on and off Bass By Mike Watt Three Rooms Press. Paperback. Book Condition: new. BRAND NEW, Mike Watt: on and off Bass, Mike Watt, The New Yorker calls it "unusual and beautiful." The LA Weekly raves, "the photos are strikingly inventive, revealing yet another side of this modern-day Renaissance man." MTV calls it "a charming, well-shot document of a the legendary punk rocker's photographic dabbling." Detroit Metrotimes: "A unique insight into Watt's mind." "Mike Watt: On and Off Bass" is getting a lot of buzz. And for good reason, considering the author and photographer is the legendary punk bassist himself. Mike Watt got his musical start thumping the bass with legendary San Pedro punk trio, The Minutemen in 1980 and he has been at it ever since. Over the years, he's toured with Dos, fIREHOSE, his own The Black Gang, The Secondmen, The Missingmen, and others, and he has worked bass as a sideman for Porno for Pyros, J Mascis and the Fog, as well as punk godfathers The Stooges. Off the road, at his beloved San Pedro, CA home base, Watt developed a deep interest in photography. In Spring 2010, Track 16 Gallery in Santa Monica, CA hosted an exhibit of his photos: "Mike Watt: Eye-Gifts... READ ONLINE [ 9.42 MB ] Reviews Extremely helpful to all type of folks. It is among the most awesome pdf i actually have study. I found out this pdf from my dad and i recommended this pdf to discover.
    [Show full text]