I .Concert Theatre Tonight!

Total Page:16

File Type:pdf, Size:1020Kb

I .Concert Theatre Tonight! FIL™ n r a "WS ■ J O 3 : BOYS îîS*!9â k IWâ S 7A FEATURE 3 A | REVIEW Actors Ricky From the Ricardo's London Logical Stage Heir The Arts and Entertainment Section of the Daily Nexus/For the Week of Oct.25-Nov.2 1989 Syllabus OF NOTE THIS WEEK MUSIC Top 5 This Week at Rockhouse Records: 1. Camper Van Beethoven Key Lime Pie 2. Erasure Wild 3. Jesus & Mary Chain Automatic 4. Kate Bush The Sensual World 5. Aerosmith Pump at The Wherehouse: 1. Rolling Stones Steel Wheels 2. Milli Vanilli Girl You Know It’s True 3. Janet Jackson Rhythm Nation 1814 4. Tears For Fears The Seeds of Love 5. Fine Young Cannibals The Raw and the Cooked FILM Tonight: Mr. Smith Goes To Washington, at Campbell Hall, 8 p.m.; $3/students Saturday: 21st Tournament of Animation, at I.V. Theater, 7,9,11 p.m.; $3 Sunday: King of the Children, at Campbell Hall, 8 p.m.; $3/students □ PERFORMANCE Which, too, Tonight: about. Music/Rally Phranc, as part of Take ■By Doug Arellane Back the Night, Storke Plaza, 7 p.m. ^ ¡§ ta ff Writer Phranc also dgjeys Free She says so on tie title Friday: Music 8th Annual World Music Festi­ new album, I Enjoy Being A val, at the Multicultural Center, 3 ^ s c r i b e s which is a cover of ah old Ro p.m.; Until Saturday; Free your average lesbian Jewis f ^ a*M ^ Poetry Ana Castillo, at the Women’s and Hammerstein number Yo Center, 12 p.m.; Free ger,” andgpsses it o^yitl for being a lesbian Jewish folks! Saturday:Afusic Udan Asih Gamelan kind of jinchalanceas ifllhe wHS & dance concert, at Campbell Hall, 8 Phranic$8ias a sense of humg p.m.; $10/students, $15/non-students P h ra n y “just your^ average sharp a! her flattop. " is what shelf all about. See PHRANC, p.5A 2A Thursday, October 26,1989 Daily Nexus through the production (Who says mime has to be silent?), the Troupe uses every technique available in its theatrical arsenal to coax, tease, cajole and prod its audiences. In Seeing Double, the Tony J- 147a s Award-winning troupe takes two Americans, one of < & > Jewish descent, the other of Palestinian background, places them on the same plane bound for Israel and promptly revs up the farce level by employing your basic case of mistaken identities, switched briefcases, increasingly confused characters all the better to present an introduction to a myriad of points of view about the explosive situation in the Middle East, and to offer a possible solution to the seemingly endless pattern of hatred, mistrust, and bloodshed. Tickets for UCSB students are $12/$10/$8. Dancing Across the Planet One of the methods dance master Remy Charlip uses to communicate his artistic messages is the Air Mail Dance, in which he sends drawings of dancing figures to companies throughout thè world; it is then up to the dancers to the interpret the drawings and translate them into dance movements. More than 100 Air Mail Dances have been performed in Australia, Europe, and Latin America. Visiting UCSB for three weeks this quarter as a Regents’ Lecturer in Dance, the multi-talented dancer, choreographer, artist, author and teacher A World’s Worth of participates in a free multi-faceted program, “An Afternoon with a Dance Master,” on Monday, October 30, at 4:30 PM in UCSB Girvetz Hall, Room 1004. The program includes a talk by Cultural Events Charlip, an audio tape, Remy Charlip's Imaginary Dances, and a video tape presentation, Remy Charlip East Meets West in a Finely Dances. Tuned String Quartet In the coining weeks" UCSB Arts & Lectures is offering, a bounty of programs to delight and entertain, to challenge and inspire you. First on the list is the appearance of the Shanghai String Quartet. East does indeed meet West when die group The New York Times describes as “among the finest young foursomes of the day” appears for the first time at UCSB. Growing up in the People’s Republic of China, the original members of the Quartet experienced firsthand the turmoil of the Cultural Revolution, yet they found the strength to Once Upon a Time in China.. continue their studies in Western music. Formed in You’ll have the chance to gain a sense of the turmoil 1983 at the Shanghai Conservatory, the Quartet was that has intermittendy shaken China over the past selected to represent their country at the 30 years when King of the Children (1987) screens South of the Border, Down Portsmouth International String Quartet Sunday, October 29 at 8 PM. Director Chen Kaige Guatemala Way Competition. Subsequently the ensemble came to (Yellow Earth) tells his autobiographical story of a The term “illegal aliens” can be quite misleading, the United States, debuted in a critically young man sent to the countryside for ‘rustication’ acclaimed New York Town Hall performance, and implying that those who secretly enter the United (reindoctrination of university students by peasant States are somehow less human, less deserving of has been giving stirring performances to laborers). Tickets are $3 for UCSB students. appreciative audiences around the country ever freedom than those of us fortunate enough to haVe since. The Shanghai Quartet plays Beethoven’s been bom in this country. In El Norte —the odyssey String Quartet in F Major, Op. 18, No. 1, Brahms’ On to the Middle East of two young people struggling to make their way String Quartet in C Minor, Op. 52, No. 1, and a new Get ready for the rambunctious, the broadly funny, from the jungles of Guatemala to what they \ work by contemporary Chinese composer Zhou the intentionally rebellious San Francisco Mime imagine is a better life (with electric lights, flush Long entitled “Song of the Ch’in” on Friday, Troupe, which is bringing to town the most toilets, and big cars) in “el norte,” the promised land of the United States — filmmakers Gregory November 3 at 8 PM in UCSB Campbell Hall. challenging production of their 29-year history, Tickets for UCSB students are $10/$8/$6. During Seeing Double, on Monday, November 6 at 8 PM Nava and Anna Thomas achieve a humanized their visit to UCSB, the Quartet will give a free in UCSB Campbell Hall. Their mission: to tackle portrayal of the forgotten, the ignored, the lost. The bilingual (Mandarin'English) lecture- one of the most complicated issues in modem husband/wife team will make a special demonstration that includes a performance of politics — the entrenched conflict between the appearance with the screening of their film, which selected musical pieces for the Chinese Students’ Israelis and the Palestinians — and induce their received an Academy Award Nomination for Best Association in UCSB Music Room 1145 on audiences to laugh and drink at the same time. Original Screenplay, on Monday, October 30 at 8 Thursday, November 2 from 7 PM to 8:30 PM. PM in UCSB Campbell Hall. Tickets are $3 for Students, professors and staff are invited to attend. Talking, singing, dancing and rapping their way UCSB students. For tickets or information Monday Tuesday Wednesday Thursday Friday Saturday Sunday call: 961-3535 26 27 28 29 M r. Sm ith G oes King o f the to Washington C hildren UCSB 8 P M 8 P M Campbell Hall Campbell Hall 30 31 1 2 3 4 5 R em y Charlip Stagecoach Shanghai D escendant o f the 4 :3 0 PM 8 PM 1 Campbell Hall String Q uartet Snow Leopard G äv ei* 1004 Bobbie AnnM ason 8 P M 8 P M "E l N o rte" 8 PM Campbell Hall Campbell Hall 8 PM Lotte Lehmann Campbell Hall Concert Hall ARTS & LECTURES Daily Nexus Thursday, October 26,1989 3A The Londoner sat Indian- most of the audience was style on a square chair in a ^ still around after interims- small reception room in sion to see the finish. Of South Hall. In a subtle, course, since the five actors * P n P P a . proper accent, she told her PERFORMANCE creatively managed the name. play’s twenty characters be­ “Annie. I like Annie. My tween them, it would have T-SHIRTS 11 name is Ann, but A-double- been a crime not to. Espe­ Will be given out to N-I-E,” she said. cially when Simpson per­ the first 75 people The personable, India- formed a dance written for born “Annie” Firbank was twelve all by himself. who volunteer to relaxing with her cohorts, Despite the occasional help clean up on members of the troupe Ac­ confusion of deciphering tors from the London Stage, who was who, The Winter’s The Day »IJter.. who tour various American Tale worked. The success of universities with the mis­ Actors the performance was un­ Halloween sion of popularizing FROM THE LONDON STAGE mistakably due to the ac­ Meet at the I.V: Shakespearean theatre. Be­ tors’ capabilities. The Ac­ tween her visits to English tors From the London Parks District and Drama classes, she had H i by ChadfeDeany, Reporter Stage, without benefit of Office at 961 Emb. the time to let her act down, costumes or makeup, man­ Del Mar at 10:00 but her powerful presence aged to convey numerous was still evident. characters with only a hat or a.m. on Nov. 1st. While the troupe was in Visiting Thespians Use Finely Tuned a scarf. Sign up today in the town to perform two plays The distinguishing trait of C.A.B.
Recommended publications
  • Shanghai Quartet 2020-21 Biography
    SHANGHAI QUARTET 2020-21 BIOGRAPHY Over the past thirty-seven years the Shanghai Quartet has become one of the world’s foremost chamber ensembles. The Shanghai’s elegant style, impressive technique, and emotional breadth allows the group to move seamlessly between masterpieces of Western music, traditional Chinese folk music, and cutting-edge contemporary works. Formed at the Shanghai Conservatory in 1983, soon after the end of China’s harrowing Cultural Revolution, the group came to the United States to complete its studies; since then the members have been based in the U.S. while maintaining a robust touring schedule at leading chamber-music series throughout North America, Europe, and Asia. Recent performance highlights include performances at Carnegie Hall, the Metropolitan Museum of Art, the Freer Gallery (Washington, D.C.), and the Festival Pablo Casals in France, and Beethoven cycles for the Brevard Music Center, the Beethoven Festival in Poland, and throughout China. The Quartet also frequently performs at Wigmore Hall, the Budapest Spring Festival, Suntory Hall, and has collaborations with the NCPA and Shanghai Symphony Orchestras. Upcoming highlights include the premiere of a new work by Marcos Balter for the Quartet and countertenor Anthony Roth Costanzo for the Phillips Collection, return performances for Maverick Concerts and the Taos School of Music, and engagements in Los Angeles, Syracuse, Albuquerque, and Salt Lake City. Among innumberable collaborations with eminent artists, they have performed with the Tokyo, Juilliard, and Guarneri Quartets; cellists Yo-Yo Ma and Lynn Harrell; pianists Menahem Pressler, Peter Serkin, Jean-Yves Thibaudet, and Yuja Wang; pipa virtuoso Wu Man; and the vocal ensemble Chanticleer.
    [Show full text]
  • A Chronology of All Artists' Appearances with the Chamber
    75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 ​ Season, 1938 – 1939 ​ Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 ​ Season, 1939 – 1940 ​ The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 ​ Season, 1940 – 1941 ​ Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian Piano­String Quartet The Coolidge Quartet th 4 ​ Season, 1941 – 1942 ​ The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 ​ Season, 1942 – 1943 ​ The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 ​ Season, 1943 – 1944 ​ The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 ​ Season, 1944 – 1945 ​ The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 ​ Season, 1945 – 1946 ​ The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 ​ Season, 1946 – 1947 ​ The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 ​ Season, 1947 – 1948 ​ Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 ​ Season, 1948 – 1949 ​ The Alma Trio
    [Show full text]
  • 255-Interview.Pfeiffer.Pdf
    INTERVIEW Face Michelle Forward Pfeiffer is that rare breed of Hollywood actress who has managed to maintain a level head while balancing fame with family life. Now, as the older-woman seductress in her upcoming filmChéri , she isn’t afraid to act her age — and make it sexy. By Matt Mueller Ever since her initial burst of stardom in the 1980s, coloured cardigan. She is the definition of graceful ageing. Michelle Pfeiffer has been graced with a fitting Thus, it seems fitting that her most significant starring nickname: ‘The Face’. Now, at 50, entering the latest role since 2000’s Hitchcockian thriller What Lies Beneath phase of her illustrious career, she looks as striking — as a retired courtesan in Stephen Frears’ Chéri — is all and luminous as she was at her A-list pinnacle. Those about facing up to encroaching age. The film, based on aqua-blue eyes are still piercing; and her cliff-edge the novel by Colette, is set in the luxurious, decadent cheekbones, flawless skin and pert nose still rank demimonde of 1920s Paris, where glamorous, powerful, among the most sought-after celebrity body parts, wealthy courtesans were the lovers of princes, kings and according to polls of Beverly Hills plastic surgeons. heads of state — and the most influential celebrities of Meeting Pfeiffer in person at the Berlin Film Festival, their day. Pfeiffer’s sensual, mesmerising Lea de Lonval she radiates an impeccably groomed lustre and a embarks on a doomed love affair with Rupert Friend’s birdlike fragility, sporting tortoiseshell glasses and an Chéri, who is 20 years her junior and the dissolute son of open-necked grey silk blouse underneath a charcoal- her old rival (Kathy Bates).
    [Show full text]
  • 上海四重奏 2020年2月12日至13日 Board of Program Book Contact Directors Credits Us
    上海四重奏 2020年2月12日至13日 BOARD OF PROGRAM BOOK CONTACT DIRECTORS CREDITS US James Reel Arizona Friends of Editor President Chamber Music Jay Rosenblatt Post Office Box 40845 Paul Kaestle Tucson, Arizona 85717 Vice-President Contributors Robert Gallerani Phone: 520-577-3769 Joseph Tolliver Holly Gardner Email: [email protected] Program Director Nancy Monsman Website: arizonachambermusic.org Helmut Abt Jay Rosenblatt Recording Secretary James Reel Operations Manager Cathy Anderson Wes Addison Advertising Treasurer Cathy Anderson USHERS Philip Alejo Michael Coretz Nancy Bissell Marvin Goldberg Barry & Susan Austin Kaety Byerley Paul Kaestle Lidia DelPiccolo Laura Cásarez Jay Rosenblatt Susan Fifer Michael Coretz Randy Spalding Marilee Mansfield Dagmar Cushing Allan Tractenberg Elaine Orman Bryan Daum Susan Rock Alan Hershowitz Design Jane Ruggill Tim Kantor Openform Barbara Turton Juan Mejia Diana Warr Jay Rosenblatt Printing Maurice Weinrobe & Trudy Ernst Elaine Rousseau West Press Randy Spalding VOLUNTEERS Paul St. John George Timson Dana Deeds Leslie Tolbert Beth Daum Ivan Ugorich Beth Foster Bob Foster Traudi Nichols Allan Tractenberg Diane Tractenberg 2 FROM THE PRESIDENT Our celebration of Beethoven’s 250th anniversary The argument in favor is that there is no single right continues this week with a pair of concerts by the way to play Beethoven, and each score offers a wealth Shanghai Quartet, presenting nearly one-third of of interpretive options. Each ensemble we present has Beethoven’s string quartet output. The Jerusalem its own distinctive approach to the music—free- Quartet will have its turn in April, and we’ll conclude wheeling, or elegant, or intense. Opening your ears to the festivities in the fall with double concerts by the multiple interpretations can lead you to hear new Auryn, Juilliard, and Pacifica Quartets.
    [Show full text]
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007
    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
    [Show full text]
  • THE FABULOUS BAKER BOYS" an Original Screenplay by Steve Kloves
    "THE FABULOUS BAKER BOYS" An Original Screenplay by Steve Kloves WARNER BROS.INC. 4000 Warner Boulevard Burbank, California 91522 April, 1985 (C) 1985 WARNER BROS. INC. All Rights Reserved "THE FABULOUS BAKER BOYS" FADE IN: JACK BAKER is standing before a dirty window, looking out at a dirty city street. He is wearing a tuxedo. VOICE (O.S.) Hey. WIDEN ANGLE It's the GIRL from this afternoon. JACK Hey. Jack looks at the Girl, sleepy and warm under the bedcovers, then at the rest of the apartment. Not good. GIRL Whatcha doin' over there? JACK Gotta go. GIRL How come? JACK Job. The Girl glances at the bedside clock. GIRL Funny hours. JACK Funny job. GIRL Will I see you again? Jack looks out at the dirty street again. JACK No. The Girl doesn't appear terribly unnerved by this. GIRL (at the tux) You weren't wearing that, were you? Earlier. Jack shakes his head, taps a brown paper bag on the sill. JACK Brought it. GIRL Shit, thank God. You look like a creep. JACK Thanks. GIRL I mean, I'd hate to think I'd pick up someone who wore that shit. Jack smiles, grabs the paper bag, and moves to the door. GIRL (continuing) Hey. (as he stops) You got great hands. EXT. STREET - JACK Jack ain't exactly Cary Grant, but any guy wearing a tux on these streets doesn't exactly mesh with the milieu. Pausing for a flask of whiskey at an all-night liquor store, he breaks the seal before he hits the sidewalk and moves on, drinking as he goes.
    [Show full text]
  • Gorinski2018.Pdf
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both.
    [Show full text]
  • Grant Recognition Reception
    Grant Recognition Reception April 16, 2013 Celebrating Research, Scholarship and Service Offi ce of Research and Sponsored Programs/University Advancement April 16th, 2013 Dear Colleagues On behalf of Vice President Jack Shannon and myself, I’m pleased to welcome you to the 1st Annual Grant Recognition Reception. During the calendar years 2011 and 2012, Montclair State University faculty and staff received over 185 grant awards through the Office of Research and Sponsored Programs and the Division of University Advancement. These grants were awarded by a growing list of external sponsors to include federal, state and local agencies, and private foundations, corporations and international organizations. In a time of increased competition for external funding for research and program support, the success of University faculty and staff in receiving external sponsorship to carry out their research, scholarly and service activities is a true testament to the innovative, creative and impactful work being conducted here at Montclair State. Our faculty and staff are forging collaborations across disciplines, institutions, communities and, increasingly, nations. They also are sharing ideas, maximizing creative energy and innovation to create new knowledge and address societal challenges. To all of those who have applied for and received support, we congratulate you and wish you the best for continued success. To those who will revise and resubmit, we applaud your persistence and determination and wish you better fortune going forward. To all of
    [Show full text]
  • Nimal Dunuhinga - Poems
    Poetry Series nimal dunuhinga - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive nimal dunuhinga(19, April,1951) I was a Seafarer for 15 years, presently wife & myself are residing in the USA and seek a political asylum. I have two daughters, the eldest lives in Austalia and the youngest reside in Massachusettes with her husband and grand son Siluna.I am a free lance of all I must indebted to for opening the gates to this global stage of poets. Finally, I must thank them all, my beloved wife Manel, daughters Tharindu & Thilini, son-in-laws Kelum & Chinthaka, my loving brother Lalith who taught me to read & write and lot of things about the fading the loved ones supply me ingredients to enrich this life's bitter-cake.I am not a scholar, just a sailor, but I learned few things from the last I found Man is not belongs to anybody, any race or to any religion, an independant-nondescript heaviest burden who carries is the Brain. Conclusion, I guess most of my poems, the concepts based on the essence of Buddhist personal belief is the Buddha who was the greatest poet on this planet earth.I always grateful and admire him. My humble regards to all the readers. www.PoemHunter.com - The World's Poetry Archive 1 * I Was Born By The River My scholar friend keeps his late Grandma's diary And a certain page was highlighted in the color of yellow. My old ferryman you never realized that how I deeply loved you? Since in the cradle the word 'depth' I heard several occasions from my parents.
    [Show full text]
  • The Shanghai Quartet with Eugenia Zukerman
    University of Richmond UR Scholarship Repository Music Department Concert Programs Music 10-30-1995 The hS anghai Quartet with Eugenia Zukerman Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "The hS anghai Quartet with Eugenia Zukerman" (1995). Music Department Concert Programs. 590. https://scholarship.richmond.edu/all-music-programs/590 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND DEPARTMENT OF MUSIC CONCERT SERIES THE SHANGHAI QUARTET Quartet-in-Residence Weigang Li, violin Yi-Wen Jiang, violin Honggang Li, viola James Wilson, cello ~ith Guest Artist Eugenia Zukerman, flute October 30, 1995, 8:15 PM Cannon Memorial Chapel An extraordinary flutist whose communicative gifts extend to other media, Eugenia Zukerman is in great demand worldwide as she appears regularly with orchestras, in solo and duo recitals, and in chamber music ensembles in North America, Europe, Asia and the Middle East over the past twenty-five years. Ms. Zukerman is also a successful writer and television commentator. As a recording artist, Ms. Zukerman is embarlcing on a series for Delos, of which the first album, Music for a Sunday Morning, has just been released. In this recording, Ms. Zukerman teams up with her frequent concert collaborators, the Shanghai Quartet and keyboardist Anthony Newman for a delightful program including music of Mozart, Bach, American composers Amy Beach and Arthur Foote, and finally South American composer Alberto Ginastera.
    [Show full text]
  • Sábado,26Demarzode2005
    MUNDO DEPORTIVO Sábado, 26 de marzo de 2005 PROGRAMACION 45 ELABORACIÓN: INFOCABLE EDITORIAL, SL. (www.infocable.biz) > TVE 1 La 2 Tele 5Antena 3 TV Canal + TV3 K3/33 Citytv 6.00 Canal 24 horas (noticias). 6.00 Euronews. 6.50 Alias (serie): 'La huida'. 6.15 Mi gorda bella 7.05 Cine: 'Inspector Gadget'. 7.00 Notícies 3/24. 7.01 El mirall primigeni. 7.40 Molt animats. Incluye 'Les 8.00 La hora Warner. Incluye 7.30 Tierra viva (documental): 7.30 El mundo mágico de (telenovela): capítulo 164. EE.UU., 1999. Dir.: David 8.00 Club Super 3. Incluye: 'El 8.01 Paradisos vivents: tortugues ninja'. '¿Qué hay de nuevo, Mares y oceános (I). Brunelesky (infantil). (ST) Kellogg. Int.: Matthew turó d'Aiguanau,' 'Deixa-ho 'Madagascar. Un món a 10.00 La pel·lícula: 'Jo vigilo el Scooby Doo?', 'Tom y Jerry' 8.00 Los conciertos de La 2. (E) 7.45 Birlokus Klub. Incluye: 7.00 Megatrix (infantil). Broderick, Rupert Everett. per Mi-Mi' (8.30), part'. camí' (I Walk the Line). y 'Vaca y Pollo'. (ST) 9.30 Agrosfera. Presentadora: 'Invasión América', Presentadores: Enric Escudé (C) 'Marsupilami' (8.56), 'Les 8.56 La muntanya dels cavalls EE.UU., 1970. Dir.: John Mañana 9.05 Zon@Disney. Incluye: Lourdes Zuriaga Perruca. 'Hamtaro', 'Winx Club', 'Los y Natalia. Incluye: 'Power 8.22 Cine: 'El Cid, la leyenda'. caçaguineus' (9.24), salvatges (naturaleza). Frankenheimer. Int.: 'House of Mouse', 'Kim 10.30 En otras palabras padrinos mágicos' y 'Las Rangers especial España, 2003. Dir.: José 'Doraemon, el gat còsmic' 9.25 Agenda accents.
    [Show full text]
  • Conflict with Locals Results in Student Injuries
    (Hlnher 26. Viilume 71. NUHIIHT 21 feft Fordham University. New York Conflict with Locals Results in Student Injuries By MIA FRABOTTA "At first it seemed like we wanted to press place," Toutain said, "and we continue to be holes" and drink until morning, and expect to ; J Three Fordham students were assaulted with charges and they [the police] took our side of the very concerned about that kind of incident, walk home in an inebriated state unbothered. : 'weapons in an altercation with two men, believ-r story down," Riordan said, "but if they find the whether it occurs on Webster Avenue or in the "The days of duking it out on the streets with -ed to be local residents, on Webster Avenue early others, [the two unidentified men] they may have Belmont area." fists are long gone," Henshaw said. "Outsiders last Sunday morning. their own stories, and who knows if they'll tell Toutain said that the increasing level of pro- will use whatever type of weapon they have ac- The incident occurred as a group of approx- the truth." blems off-campus in the past year stems partly cess to." \ • imately six Fordham students was crossing 193rd Smith said the students were told by an of- from misbehavior on the part of university Henshaw also warned against the' 'Fordham [ street and Decatur Avenue at 4:25 a.m. A red ficer at the 52nd precinct that both parties would students. only" nights at local bars. He said that these ; sports car driven by a black male sped by the be charged with assault and the judge would "They [students] need to understand that establishments appear to offer a safe haveu for group, nearly striking them.
    [Show full text]