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Shanghai Quartet 2020-21 Biography
SHANGHAI QUARTET 2020-21 BIOGRAPHY Over the past thirty-seven years the Shanghai Quartet has become one of the world’s foremost chamber ensembles. The Shanghai’s elegant style, impressive technique, and emotional breadth allows the group to move seamlessly between masterpieces of Western music, traditional Chinese folk music, and cutting-edge contemporary works. Formed at the Shanghai Conservatory in 1983, soon after the end of China’s harrowing Cultural Revolution, the group came to the United States to complete its studies; since then the members have been based in the U.S. while maintaining a robust touring schedule at leading chamber-music series throughout North America, Europe, and Asia. Recent performance highlights include performances at Carnegie Hall, the Metropolitan Museum of Art, the Freer Gallery (Washington, D.C.), and the Festival Pablo Casals in France, and Beethoven cycles for the Brevard Music Center, the Beethoven Festival in Poland, and throughout China. The Quartet also frequently performs at Wigmore Hall, the Budapest Spring Festival, Suntory Hall, and has collaborations with the NCPA and Shanghai Symphony Orchestras. Upcoming highlights include the premiere of a new work by Marcos Balter for the Quartet and countertenor Anthony Roth Costanzo for the Phillips Collection, return performances for Maverick Concerts and the Taos School of Music, and engagements in Los Angeles, Syracuse, Albuquerque, and Salt Lake City. Among innumberable collaborations with eminent artists, they have performed with the Tokyo, Juilliard, and Guarneri Quartets; cellists Yo-Yo Ma and Lynn Harrell; pianists Menahem Pressler, Peter Serkin, Jean-Yves Thibaudet, and Yuja Wang; pipa virtuoso Wu Man; and the vocal ensemble Chanticleer. -
A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
255-Interview.Pfeiffer.Pdf
INTERVIEW Face Michelle Forward Pfeiffer is that rare breed of Hollywood actress who has managed to maintain a level head while balancing fame with family life. Now, as the older-woman seductress in her upcoming filmChéri , she isn’t afraid to act her age — and make it sexy. By Matt Mueller Ever since her initial burst of stardom in the 1980s, coloured cardigan. She is the definition of graceful ageing. Michelle Pfeiffer has been graced with a fitting Thus, it seems fitting that her most significant starring nickname: ‘The Face’. Now, at 50, entering the latest role since 2000’s Hitchcockian thriller What Lies Beneath phase of her illustrious career, she looks as striking — as a retired courtesan in Stephen Frears’ Chéri — is all and luminous as she was at her A-list pinnacle. Those about facing up to encroaching age. The film, based on aqua-blue eyes are still piercing; and her cliff-edge the novel by Colette, is set in the luxurious, decadent cheekbones, flawless skin and pert nose still rank demimonde of 1920s Paris, where glamorous, powerful, among the most sought-after celebrity body parts, wealthy courtesans were the lovers of princes, kings and according to polls of Beverly Hills plastic surgeons. heads of state — and the most influential celebrities of Meeting Pfeiffer in person at the Berlin Film Festival, their day. Pfeiffer’s sensual, mesmerising Lea de Lonval she radiates an impeccably groomed lustre and a embarks on a doomed love affair with Rupert Friend’s birdlike fragility, sporting tortoiseshell glasses and an Chéri, who is 20 years her junior and the dissolute son of open-necked grey silk blouse underneath a charcoal- her old rival (Kathy Bates). -
上海四重奏 2020年2月12日至13日 Board of Program Book Contact Directors Credits Us
上海四重奏 2020年2月12日至13日 BOARD OF PROGRAM BOOK CONTACT DIRECTORS CREDITS US James Reel Arizona Friends of Editor President Chamber Music Jay Rosenblatt Post Office Box 40845 Paul Kaestle Tucson, Arizona 85717 Vice-President Contributors Robert Gallerani Phone: 520-577-3769 Joseph Tolliver Holly Gardner Email: [email protected] Program Director Nancy Monsman Website: arizonachambermusic.org Helmut Abt Jay Rosenblatt Recording Secretary James Reel Operations Manager Cathy Anderson Wes Addison Advertising Treasurer Cathy Anderson USHERS Philip Alejo Michael Coretz Nancy Bissell Marvin Goldberg Barry & Susan Austin Kaety Byerley Paul Kaestle Lidia DelPiccolo Laura Cásarez Jay Rosenblatt Susan Fifer Michael Coretz Randy Spalding Marilee Mansfield Dagmar Cushing Allan Tractenberg Elaine Orman Bryan Daum Susan Rock Alan Hershowitz Design Jane Ruggill Tim Kantor Openform Barbara Turton Juan Mejia Diana Warr Jay Rosenblatt Printing Maurice Weinrobe & Trudy Ernst Elaine Rousseau West Press Randy Spalding VOLUNTEERS Paul St. John George Timson Dana Deeds Leslie Tolbert Beth Daum Ivan Ugorich Beth Foster Bob Foster Traudi Nichols Allan Tractenberg Diane Tractenberg 2 FROM THE PRESIDENT Our celebration of Beethoven’s 250th anniversary The argument in favor is that there is no single right continues this week with a pair of concerts by the way to play Beethoven, and each score offers a wealth Shanghai Quartet, presenting nearly one-third of of interpretive options. Each ensemble we present has Beethoven’s string quartet output. The Jerusalem its own distinctive approach to the music—free- Quartet will have its turn in April, and we’ll conclude wheeling, or elegant, or intense. Opening your ears to the festivities in the fall with double concerts by the multiple interpretations can lead you to hear new Auryn, Juilliard, and Pacifica Quartets. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
THE FABULOUS BAKER BOYS" an Original Screenplay by Steve Kloves
"THE FABULOUS BAKER BOYS" An Original Screenplay by Steve Kloves WARNER BROS.INC. 4000 Warner Boulevard Burbank, California 91522 April, 1985 (C) 1985 WARNER BROS. INC. All Rights Reserved "THE FABULOUS BAKER BOYS" FADE IN: JACK BAKER is standing before a dirty window, looking out at a dirty city street. He is wearing a tuxedo. VOICE (O.S.) Hey. WIDEN ANGLE It's the GIRL from this afternoon. JACK Hey. Jack looks at the Girl, sleepy and warm under the bedcovers, then at the rest of the apartment. Not good. GIRL Whatcha doin' over there? JACK Gotta go. GIRL How come? JACK Job. The Girl glances at the bedside clock. GIRL Funny hours. JACK Funny job. GIRL Will I see you again? Jack looks out at the dirty street again. JACK No. The Girl doesn't appear terribly unnerved by this. GIRL (at the tux) You weren't wearing that, were you? Earlier. Jack shakes his head, taps a brown paper bag on the sill. JACK Brought it. GIRL Shit, thank God. You look like a creep. JACK Thanks. GIRL I mean, I'd hate to think I'd pick up someone who wore that shit. Jack smiles, grabs the paper bag, and moves to the door. GIRL (continuing) Hey. (as he stops) You got great hands. EXT. STREET - JACK Jack ain't exactly Cary Grant, but any guy wearing a tux on these streets doesn't exactly mesh with the milieu. Pausing for a flask of whiskey at an all-night liquor store, he breaks the seal before he hits the sidewalk and moves on, drinking as he goes. -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
Grant Recognition Reception
Grant Recognition Reception April 16, 2013 Celebrating Research, Scholarship and Service Offi ce of Research and Sponsored Programs/University Advancement April 16th, 2013 Dear Colleagues On behalf of Vice President Jack Shannon and myself, I’m pleased to welcome you to the 1st Annual Grant Recognition Reception. During the calendar years 2011 and 2012, Montclair State University faculty and staff received over 185 grant awards through the Office of Research and Sponsored Programs and the Division of University Advancement. These grants were awarded by a growing list of external sponsors to include federal, state and local agencies, and private foundations, corporations and international organizations. In a time of increased competition for external funding for research and program support, the success of University faculty and staff in receiving external sponsorship to carry out their research, scholarly and service activities is a true testament to the innovative, creative and impactful work being conducted here at Montclair State. Our faculty and staff are forging collaborations across disciplines, institutions, communities and, increasingly, nations. They also are sharing ideas, maximizing creative energy and innovation to create new knowledge and address societal challenges. To all of those who have applied for and received support, we congratulate you and wish you the best for continued success. To those who will revise and resubmit, we applaud your persistence and determination and wish you better fortune going forward. To all of -
Nimal Dunuhinga - Poems
Poetry Series nimal dunuhinga - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive nimal dunuhinga(19, April,1951) I was a Seafarer for 15 years, presently wife & myself are residing in the USA and seek a political asylum. I have two daughters, the eldest lives in Austalia and the youngest reside in Massachusettes with her husband and grand son Siluna.I am a free lance of all I must indebted to for opening the gates to this global stage of poets. Finally, I must thank them all, my beloved wife Manel, daughters Tharindu & Thilini, son-in-laws Kelum & Chinthaka, my loving brother Lalith who taught me to read & write and lot of things about the fading the loved ones supply me ingredients to enrich this life's bitter-cake.I am not a scholar, just a sailor, but I learned few things from the last I found Man is not belongs to anybody, any race or to any religion, an independant-nondescript heaviest burden who carries is the Brain. Conclusion, I guess most of my poems, the concepts based on the essence of Buddhist personal belief is the Buddha who was the greatest poet on this planet earth.I always grateful and admire him. My humble regards to all the readers. www.PoemHunter.com - The World's Poetry Archive 1 * I Was Born By The River My scholar friend keeps his late Grandma's diary And a certain page was highlighted in the color of yellow. My old ferryman you never realized that how I deeply loved you? Since in the cradle the word 'depth' I heard several occasions from my parents. -
The Shanghai Quartet with Eugenia Zukerman
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 10-30-1995 The hS anghai Quartet with Eugenia Zukerman Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "The hS anghai Quartet with Eugenia Zukerman" (1995). Music Department Concert Programs. 590. https://scholarship.richmond.edu/all-music-programs/590 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND DEPARTMENT OF MUSIC CONCERT SERIES THE SHANGHAI QUARTET Quartet-in-Residence Weigang Li, violin Yi-Wen Jiang, violin Honggang Li, viola James Wilson, cello ~ith Guest Artist Eugenia Zukerman, flute October 30, 1995, 8:15 PM Cannon Memorial Chapel An extraordinary flutist whose communicative gifts extend to other media, Eugenia Zukerman is in great demand worldwide as she appears regularly with orchestras, in solo and duo recitals, and in chamber music ensembles in North America, Europe, Asia and the Middle East over the past twenty-five years. Ms. Zukerman is also a successful writer and television commentator. As a recording artist, Ms. Zukerman is embarlcing on a series for Delos, of which the first album, Music for a Sunday Morning, has just been released. In this recording, Ms. Zukerman teams up with her frequent concert collaborators, the Shanghai Quartet and keyboardist Anthony Newman for a delightful program including music of Mozart, Bach, American composers Amy Beach and Arthur Foote, and finally South American composer Alberto Ginastera. -
Sábado,26Demarzode2005
MUNDO DEPORTIVO Sábado, 26 de marzo de 2005 PROGRAMACION 45 ELABORACIÓN: INFOCABLE EDITORIAL, SL. (www.infocable.biz) > TVE 1 La 2 Tele 5Antena 3 TV Canal + TV3 K3/33 Citytv 6.00 Canal 24 horas (noticias). 6.00 Euronews. 6.50 Alias (serie): 'La huida'. 6.15 Mi gorda bella 7.05 Cine: 'Inspector Gadget'. 7.00 Notícies 3/24. 7.01 El mirall primigeni. 7.40 Molt animats. Incluye 'Les 8.00 La hora Warner. Incluye 7.30 Tierra viva (documental): 7.30 El mundo mágico de (telenovela): capítulo 164. EE.UU., 1999. Dir.: David 8.00 Club Super 3. Incluye: 'El 8.01 Paradisos vivents: tortugues ninja'. '¿Qué hay de nuevo, Mares y oceános (I). Brunelesky (infantil). (ST) Kellogg. Int.: Matthew turó d'Aiguanau,' 'Deixa-ho 'Madagascar. Un món a 10.00 La pel·lícula: 'Jo vigilo el Scooby Doo?', 'Tom y Jerry' 8.00 Los conciertos de La 2. (E) 7.45 Birlokus Klub. Incluye: 7.00 Megatrix (infantil). Broderick, Rupert Everett. per Mi-Mi' (8.30), part'. camí' (I Walk the Line). y 'Vaca y Pollo'. (ST) 9.30 Agrosfera. Presentadora: 'Invasión América', Presentadores: Enric Escudé (C) 'Marsupilami' (8.56), 'Les 8.56 La muntanya dels cavalls EE.UU., 1970. Dir.: John Mañana 9.05 Zon@Disney. Incluye: Lourdes Zuriaga Perruca. 'Hamtaro', 'Winx Club', 'Los y Natalia. Incluye: 'Power 8.22 Cine: 'El Cid, la leyenda'. caçaguineus' (9.24), salvatges (naturaleza). Frankenheimer. Int.: 'House of Mouse', 'Kim 10.30 En otras palabras padrinos mágicos' y 'Las Rangers especial España, 2003. Dir.: José 'Doraemon, el gat còsmic' 9.25 Agenda accents. -
Conflict with Locals Results in Student Injuries
(Hlnher 26. Viilume 71. NUHIIHT 21 feft Fordham University. New York Conflict with Locals Results in Student Injuries By MIA FRABOTTA "At first it seemed like we wanted to press place," Toutain said, "and we continue to be holes" and drink until morning, and expect to ; J Three Fordham students were assaulted with charges and they [the police] took our side of the very concerned about that kind of incident, walk home in an inebriated state unbothered. : 'weapons in an altercation with two men, believ-r story down," Riordan said, "but if they find the whether it occurs on Webster Avenue or in the "The days of duking it out on the streets with -ed to be local residents, on Webster Avenue early others, [the two unidentified men] they may have Belmont area." fists are long gone," Henshaw said. "Outsiders last Sunday morning. their own stories, and who knows if they'll tell Toutain said that the increasing level of pro- will use whatever type of weapon they have ac- The incident occurred as a group of approx- the truth." blems off-campus in the past year stems partly cess to." \ • imately six Fordham students was crossing 193rd Smith said the students were told by an of- from misbehavior on the part of university Henshaw also warned against the' 'Fordham [ street and Decatur Avenue at 4:25 a.m. A red ficer at the 52nd precinct that both parties would students. only" nights at local bars. He said that these ; sports car driven by a black male sped by the be charged with assault and the judge would "They [students] need to understand that establishments appear to offer a safe haveu for group, nearly striking them.