(Tjedan 04/2014.) 1. Donna Psihomodo Pop Dallas Records 2

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20. – 26. siječnja 2014. (tjedan 04/2014.) 1. Donna Psihomodo pop Dallas Records 2. Suze nam stale na put Massimo Aquarius Records 3. Postoji li mjesto Kristijan Rahimovski Hit Records 4. Gdje sam bio Željko Bebek Aquarius Records 5. Nikad Nola Menart 6. Ispod tvog kaputa Buđenje Croatia Records 7. Čuvaj me Pavel Dallas Records 8. Anđela, anđele Neno Belan & Fiumens feat. Hal Dallas Records 9. Neka se živi Davor Radolfi & Ritmo Loco Hit Records 10. Pravo vrijeme Boa feat. Massimo Menart 11. Ispod kože Radio Luksemburg feat. Mladen Bodalec Croatia Records 12. Zoven se jugo Dalmatino Dancing Bear 13. Ljubavnici Sinovi ravnice & Colonia Menart 14. Samo s tobom Adastra Croatia Records 15. Che Guevara i Manistra u suvo Tonči Huljić & Madre Badessa Tonika 16. Tragovi Opća opasnost Croatia Records 17. Volim te još Leteći odred Croatia Records 18. Kad je dosta, dosta je Pamela Ramljak Menart 19. Grijeh Natali Dizdar Agapa 20. Ljubav je Franka Batelić Karpo Media 21. Očekivanja Belfast food Dallas Records 22. Snijeg Detour Aquarius Records 23. Outta My Mind (album version) Zebra Dots Universal Music 24. Škripi veza Ivan Zak Menart 25. Alkina kafana Alka Vuica Hit Records 26. Bilo koji broj Hladno pivo Menart 27. Prokleta ljubav Elemental Menart 28. Pokvareni telefon Zebra Dots Universal Music 29. 1000 milja Vanna Mediteran film 30. Budi tu Mario Huljev Sipa Music/Menart 31. Još jednom Silente Aquarius Records 32. Tamo da putujem Zebrax feat. Arsen Dedić Aquarius Records 33. Noć bez riječi Leo Hit Records 34. Dobrodošla mi u sjećanje Baruni Hit Records 35. Lagana stvar Boris Novković Hit Records 36. Tvrđava Colonia Menart 37. Cirkus Jelena Rozga Tonika 38. Nizbrdo od ljubavi Davorin i Bogovići Croatia Records 39. Zar malo to je Tony Cetinski Aquarius Record 40. Dobrodošao u klub Severina Dallas Records .

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Sveučilište U Zagrebu Filozofski Fakultet Odsjek
SVEU ČILIŠTE U ZAGREBU FILOZOFSKI FAKULTET ODSJEK ZA POVIJEST UMJETNOSTI Diplomski rad VIZUALNI IDENTITET SUVREMENE HRVATSKE GLAZBENE ROCK I POP PRODUKCIJE (1990.-2010.) Mateja Pavlic Mentor: dr.sc. Frano Dulibi ć Zagreb, 2014. Temeljna dokumentacijska kartica Sveu čilište u Zagrebu Filozofski fakultet Odsjek za povijest umjetnosti Diplomski studij Diplomski rad VIZUALNI IDENTITET SUVREMENE HRVATSKE GLAZBENE ROCK I POP PRODUKCIJE (1990.-2010.) Mateja Pavlic Rad se bavi vizualnim identitetom suvremene hrvatske glazbene rock i pop produkcije od 1990. do 2010. godine. Prikazana je povijesni razvoj prakse formiranja omota albuma plo ča/CD-a kao vizualne prezentacije glazbenih djela, što rezultira vrijednim likovnim ostvarenjima. Predmet zanimanja je usmjeren na rock pop omote albuma, koji proizlaze iz supkulturnog miljea te se za njih veže odre đena estetika i ikonografija. Pokušalo se naglasiti vrijednost omota, kao umjetni čkih djela, čija vrijednost nadilazi omote marketinških proizvoda, čemu u prilog ide i uklju čivanje etabliranih umjetnika u dizajn omota. Drugi dio rada bavi se konkretno situacijom u Hrvatskoj od 1990. do 2010. godine, odnosno kako su odre đeni čimbenici, s jedne strane jugoslavensko naslje đe oblikovanja omota, raspad Jugoslavije, ratna i poslijeratna situacija, nova društveno-politi čka klima, potiskivanje rock žanra na marginu, s druge strane promjene na tehnološkoj razini, zamjena plo ča s CD-ovima, odnosno digitalizacija glazbe te razvoj profesionalne dizajnerske djelatnosti, utjecali na oblikovanje omota rock pop albuma glazbenika koji prevladavaju na glazbenim ljestvicama i dodjelama nagrada. U radu su navedeni najdominantniji predstavnici rock pop glazbe i njihova poetika, dizajneri albuma te pojedina čni omoti. Prezentirani su i primjeri valorizacije rock pop albuma kao umjetni čke prakse na podru čju Hrvatske.
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Theorising Return Migration
MAX WEBER PROGRAMME EUI Working Papers MWP 2011/20 MAX WEBER PROGRAMME THE SILENT REPUBLIC: POPULAR MUSIC AND NATIONALISM IN SOCIALIST CROATIA Dean Vuletic EUROPEAN UNIVERSITY INSTITUTE, FLORENCE MAX WEBER PROGRAMME The Silent Republic: Popular Music and Nationalism in Socialist Croatia DEAN VULETIC EUI Working Paper MWP 2011/20 This text may be downloaded for personal research purposes only. Any additional reproduction for other purposes, whether in hard copy or electronically, requires the consent of the author(s), editor(s). If cited or quoted, reference should be made to the full name of the author(s), editor(s), the title, the working paper or other series, the year, and the publisher. ISSN 1830-7728 © 2011 Dean Vuletic Printed in Italy European University Institute Badia Fiesolana I – 50014 San Domenico di Fiesole (FI) Italy www.eui.eu cadmus.eui.eu Abstract This paper explores the development of popular music and its relationship to the political situation in Croatia and Yugoslavia from 1945 to 1991, and how global musical trends were used to construct and reinvent Croatian and Yugoslav cultural and political identities. It begins with a discussion of the suppression of patriotic music in the early decades of socialist Yugoslavia, when the regime attempted to create a supranational culture that would unify Yugoslavia’s constituent nations. It then analyses the national cultural revival in Croatia in the late 1960s that prompted a political movement known as the Croatian Spring, when the pop singer Vice Vukov incorporated Croatian patriotic themes into his songs. In the years following the crushing of the Croatian Spring in 1971, Croatian nationalism was again suppressed in politics and music, and because of this stifling of political opposition Croatia was dubbed “the silent republic.” For the rest of the 1970s the political function of pop and rock music was reflected in its glorification of Yugoslavia and its leader, Josip Broz Tito.
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