OWER — Man's Greatest Weakness
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Matthew Brannon matthew brannon As the literary form of the new bourgeoisie, the biography is a sign of escape, or, to be more precise, of evasion. In order not to expose themselves through insights that question the very existence of the bourgeoisie, writers of biographies remain, as if up against a wall, at the threshold to which they have been pushed by world events. - SIGFRIED KRACAUER, The Biography as an Art Form of the New Bourgeoisie, 1930 in The Mass Ornament: Weimar Essays, Oxford University Press, 2002 Call yourself an actor? You’re not even a bad actor. You can’t act at all, you fucking stupid hopeless sniveling little cunt-faced cunty fucking shit-faced arse-hole… - LAURENCE OLIVIER to Laurence Havery from Robert Stephen’s Knight Errant: Memoirs of a Vagabond Actor, Hodder and Stoughton, 1995 In show business, it’s folly to talk about what the future holds. Things change so fast. Today’s project so easily becomes tomorrow’s disappointment… The world of the film star is an obstacle race against time. The pitfalls and wrong turnings you can make are devastating. Often I fear for the sanity of some of my friends… The dice are loaded against you. There’s so much bitchery around, you really have to fight hard to survive. Everybody is against you… you have to fight for… success, sell your soul for it even. And when one finally achieved success, it was resented. Not by the great stars like Frank Sinatra, but by the little, frustrated people. They’re the ones to look out for, because brother, they’re gunning for you. -
FLEISCHER STUDIOS V. AVELA
FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT FLEISCHER STUDIOS, INC., Plaintiff-Appellant, v. No. 09-56317 A.V.E.L.A., INC., DBA Art & D.C. No. Vintage Entertainment Licensing 2:06-cv-06229- Agency; ART-NOSTALGIA.COM, INC.; FMC-MAN X ONE X MOVIE ARCHIVE, INC.; OPINION BEVERLY HILLS TEDDY BEAR CO.; LEO VALENCIA, Defendants-Appellees. Appeal from the United States District Court for the Central District of California Florence-Marie Cooper, District Judge, Presiding Argued and Submitted November 2, 2010—Pasadena, California Filed February 23, 2011 Before: J. Clifford Wallace and Susan P. Graber, Circuit Judges, and Richard Mills, Senior District Judge.* Opinion by Judge Wallace; Dissent by Judge Graber *The Honorable Richard Mills, Senior United States District Judge for the Central District of Illinois, sitting by designation. 2765 2768 FLEISCHER STUDIOS v. A.V.E.L.A., INC. COUNSEL Robert P. LoBue (argued), Gloria C. Phares, A. Leah Vickers, Patterson Belknap Webb & Tyler LLP, New York, New York, and Rex S. Heinke, Akin Gump Strauss Hauer & Feld LLP, Los Angeles, California, for appellant Fleischer Studios, Inc. Douglas D. Winter (argued), The Ball Law Firm, LLP, Los Angeles, California, for appellees A.V.E.L.A., Inc., DBA Art & Vintage Entertainment Licensing Agency, et al. OPINION WALLACE, Senior Circuit Judge: This appeal stems from the district court’s summary judg- ment dismissing Fleischer Studios, Inc.’s (Fleischer) copy- right and trademark infringement action. The district court ruled that Fleischer held neither a valid copyright nor a valid trademark in the Betty Boop cartoon character and thus lacked standing to sue. -
Commercials Issueissue
May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era. -
Miptv 2020 Producers to Watch Contents
MIPTV 2020 PRODUCERS TO WATCH CONTENTS DOC & FACTUAL 3 DRAMA / FICTION 36 FORMATS 112 KIDS & TEENS 149 DOC & FACTUAL DOC & FACTUAL PRODUCERS LISTED BY COUNTRY AUSTRIA FINLAND HUNGARY SOUTH AFRICA COLLABORATE: IDEAS & IMAGES GS FILM FILM-& FERNSEHPRODUKTION AITO MEDIA SPEAKEASY PROJECT HOMEBREW FILMS Lauren Anders Brown E.U. Erna AAlto László Józsa Jaco Loubser EMPORIUM PRODUCTIONS Gernot Stadler GIMMEYAWALLET PRODUCTIONS OKUHLE MEDIA Emma Read Phuong Chu Suominen IRELAND Pulane Boesak IMPOSSIBLE DOC & FACTUAL BELGIUM RAGGARI FILMS FELINE FILMS Adam Luria CLIN D’ŒIL Minna Dufton Jessie Fisk SPAIN WOODCUT MEDIA Hanne Phlypo BRUTAL MEDIA Matthew Gordon FRANCE JAPAN Raimon Masllorens BELGIUM COLLABORATION INC 4TH DOC & FACTUAL TAMBOURA FILMS UNITED STATES EKLEKTIK PRODUCTION Bettina Hatami Toshikazu Suzuki Xaime Barreiro CREATIVE HEIGHTS ENTERTAINMENT Tatjana Kozar Jaswant Dev Shrestha BLEU KOBALT KOREA ZONA MIXTA CANADA Florence Sala GINA DREAMS PRODUCTION Robert Fonollosa GALAXIE Sunah Kim DBCOM MEDIA SWITZERLAND Nicolas Boucher Thierry Caillibot GEDEON PROGRAMMES PERU SLASH PRODUCTION TORTUGA Jean-Christophe Liechti Adam Pajot Gendron Maya Lussier Seguin PACHA FILMS URBANIA MÉDIAS HAUTEVILLE PRODUCTIONS Luis Del Valle UNITED KINGDOM Philippe Lamarre Karina Si Ahmed POLAND ALLEYCATS ILLEGITIME DEFENSE Desmond Henderson CHINA Arnaud Xainte KIJORA FILM Anna Gawlita BIG DEAL FILMS - UNSCRIPTED DA NENG CULTURE MEDIA YUZU PRODUCTIONS Thomas Stogdon Hengyi Zhi Christian Popp PORTUGAL CHALKBOARD TV ENCOUNTER MEDIA Simon Cooper Qi Zhao PANAVIDEO Diana Nunes SHUTTER BUG STUIO(BEIJING) Hongmiao Yu GS FILM FILM-& FERNSEHPRODUKTION E.U. AUSTRIA My previous works & partners : We have produced over 70 documentaries/docu-dramas and documentary series on various topics such as human interest, history, culture and nature. -
Resource Center New 2012
St. Mary of the Hill Resource Center Page 1 of 24 5-11-05 Inventory Bible Adult Book Beginning Biblical Studies Frigge, Marielle, OSB Card/label Bible Adult Book How Do Catholics Read the Bible? Harrington, Daniel J S.J. Card/label Bible Adult Book Introduction to Old Testament Wisdom Cresko, Anthony R. Card/label Bible Adult Book Making Sense of Paul Wiles, Virgina Card/label Bible Adult Book People of the Covenant- An Invitation to the Old Testament Bergant, Dianne CSA Card/label Bible Adult Book Psalms and Readings for Every Season Kraus S.T.D., James Card/label Bible Adult Book The Bible Blueprint- A Catholic's Guide to God's Word Paprocki, Joe Card/label * Bible Adult Book The Gospel of Matthew- Volume 2 Barclay, William Card/label Bible Adult BOok The Letters of Paul Roetzel, Calvin Card/label Bible Adult Book Who is Jesus? Why is He Important Harrington, Daniel J S.J. Card/label Church History Adult Book A History of Christian Tradition McGonigle, Thomas D. and Quigley, James F. Card/label Church History Adult Book Archbishop Timothy M. Dolan Lucero, Sam Card/label Church History Adult Book Shrine of Our Lady of Guadalupe- includes map Mueller Media, Inc. includes map Card/label Church History Adult Book Sisters Fialka, John J. Card/label Church History Adult Video St. Mary of the Hill 75th Anniversary St Mary of the Hill Card/label Church History Adult Book The Forgotten Desert Mothers Swan, Laura Card/label Church Teaching Adult Book Immaculate Conception:Panorama of the Marian Doctrine Piacentini, Ernesto, O.F.M. -
USCOURTS-Ca9-09-56317-1.Pdf
Case: 09-56317 08/19/2011 ID: 7863802 DktEntry: 83-1 Page: 1 of 22 FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT FLEISCHER STUDIOS, INC., Plaintiff-Appellant, v. No. 09-56317 D.C. No. A.V.E.L.A., INC., DBA Art & Vintage Entertainment Licensing 2:06-cv-06229- FMC-MAN Agency; ART-NOSTALGIA.COM, INC; X ONE X MOVIE ARCHIVE, INC; ORDER AND BEVERLY HILLS TEDDY BEAR CO.; OPINION LEO VALENCIA, Defendants-Appellees. Appeal from the United States District Court for the Central District of California Florence-Marie Cooper, District Judge, Presiding Argued and Submitted November 2, 2010—Pasadena, California Filed August 19, 2011 Before: J. Clifford Wallace and Susan P. Graber, Circuit Judges, and Richard Mills, Senior District Judge.* Opinion by Judge Wallace; Dissent by Judge Graber *The Honorable Richard Mills, Senior United States District Judge for the Central District of Illinois, sitting by designation. 11031 Case: 09-56317 08/19/2011 ID: 7863802 DktEntry: 83-1 Page: 2 of 22 FLEISCHER STUDIOS v. A.V.E.L.A., INC. 11035 COUNSEL Robert P. LoBue (argued), Gloria C. Phares, A. Leah Vickers of Patterson Belknap Webb & Tyler LLP, New York, New York, and Rex S. Heinke of Akin Gump Strauss Hauer & Feld LLP, Los Angeles, California, for appellant Fleischer Studios, Inc. Douglas D. Winter (argued) of The Ball Law Firm, LLP, Los Angeles, California, for appellees A.V.E.L.A., INC., DBA Art & Vintage Entertainment Licensing Agency; et al. ORDER The Opinion filed February 23, 2011, and published at 636 F.3d 1115 (9th Cir. -
Film Marketing and the Creation of the Hollywood Blockbuster Colton J
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2015 Film Marketing and the Creation of the Hollywood Blockbuster Colton J. Herrington University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Public Relations and Advertising Commons Recommended Citation Herrington, Colton J., "Film Marketing and the Creation of the Hollywood Blockbuster" (2015). Honors Theses. 219. https://egrove.olemiss.edu/hon_thesis/219 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. FILM MARKETING & THE CREATION OF THE HOLLYWOOD BLOCKBUSTER by Colton Jordan Herrington A thesis submitted to the faculty of the University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford 2015 Approved by _____________________________________________ Advisor: Dr. James Lumpp _____________________________________________ Reader: Professor Scott Fiene _____________________________________________ Reader: Dr. Victoria Bush © 2015 Colton Jordan Herrington ALL RIGHTS RESERVED ii This thesis is dedicated to my favorite fellow cinephile - my brother and best friend Brock. iii ACKNOWLEDGEMENTS I want to thank both Dr. James Lumpp for his constant guidance, advice, and insight and my family for their unwavering love, support, and encouragement. iv ABSTRACT COLTON JORDAN HERRINGTION – Film Marketing and American Cinema: The Creation of the Hollywood Blockbuster The purpose of this study is to trace the Hollywood blockbuster from its roots, gain insight into how Steven Spielberg’s Jaws and George Lucas’ Star Wars ushered in the “Blockbuster Era”, and explore how the blockbuster has evolved throughout the subsequent decades into its current state. -
Children's Horror, PG-13 and the Emergent Millennial Pre-Teen
Children Beware! Children’s horror, PG-13 and the emergent Millennial pre-teen Filipa Antunes A thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies December 2015 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Filipa Antunes “Children beware!” Abstract This thesis is a study of the children’s horror trend of the 1980s and 1990s focused on the transformation of the concepts of childhood and horror. Specifically, it discusses the segmentation of childhood to include the pre-teen demographic, which emerges as a distinct Millennial figure, and the ramifications of this social and cultural shift both on the horror genre and the entertainment industry more broadly, namely through the introduction of the deeply impactful PG-13 rating. The work thus adds to debates on children and horror, examining and questioning both sides: notions of suitability and protection of vulnerable audiences, as well as cultural definitions of the horror genre and the authority behind them. The thesis moreover challenges the reasons behind academic dismissal of these texts, pointing out their centrality to on-going discussions over childhood, particularly the pre-teen demographic, and suggesting a different approach to the -
Operator Name Location REALTOR Y/N FAA Exemption # Date Granted
Operator Name Location REALTOR FAA Date Granted Purpose Data Entry Date Y/N Exemption # Running Realty California Y 11699 5/28/15 conduct aerial videography for realtors and private homeowners. 16-Jun 11771 Laurelwood Drive Studio City CA 91604 Direct: 818-267-7375 Ian Sebastian Ms. Mickie Barnett Mr. Toby Barnett Washington Y 11717 5/29/15 operate an unmanned aircraft system (UAS) to conduct aerial photography and 16-Jun Barnett Associates Real Estate Team video for advertising real estate and homes. Keller Williams Realty Inc. - Marysville 1027 State Avenue, #102 Marysville, WA Douglas Trudeau Tierra Antigua Realty Arizona Y 11138 1/6/15 Real estate photography 11-May-15 1650 E River Road Suite #202 Capital Aerial Video LLC Alston Boyd Texas Y 11174 2/13/15 Aerial photography of real property 11-May-15 Capital Aerial Video, LLC 14607 Bear Creek Pass Austin, TX 78737 The Sokoler Medley Team RE/MAX Kentucky Y 11341 4/16/15 conduct aerial imaging and video of Louisville Landmarks and homes the team 11-May-15 Properties East Mr. Bob Sokoler lists for sale The Sokoler Medley Team RE/MAX NickProperties Patillo East Mr. Nick 10525Patillo TimberwoodRealtor Texas Y 11340 4/16/15 conduct aerial videography and cinematography to enhance academic 11-May-15 Coldwell Banker Lenhart 1100 community awareness for those individuals and companies unfamiliar with the Judson Road, Suite 400 Longview, TX geographical layout of the East Texas area and augment real estate listing videos 75601 Nick Patillo Mr. Nick Patillo Realtor Texas Y 11340 4/16/15 conduct aerial videography and cinematography to enhance academic 11-May-15 Coldwell Banker Lenhart 1100 community awareness for those individuals and companies unfamiliar with the Judson Road, Suite 400 Longview, TX geographical layout of the East Texas area and augment real estate listing videos 75601 Mr. -
Marketing Violent Entertainment to Children: a Review of Self-Regulation and Industry Practices in the Motion Picture, Music Recording & Electronic Game Industries
Marketing Violent Entertainment to Children: A Fourth Follow-up Review of Industry Practices in the Motion Picture, Music Recording & Electronic Game Industries A Report to Congress Federal Trade Commission July 2004 FEDERAL TRADE COMMISSION Timothy J. Muris, Chairman Mozelle W. Thompson, Commissioner Orson Swindle, Commissioner Thomas B. Leary, Commissioner Pamela Jones Harbour, Commissioner Report Contributors Richard F. Kelly, Bureau of Consumer Protection, Division of Advertising Practices Elizabeth Delaney, Bureau of Consumer Protection, Division of Advertising Practices Kial Young, Bureau of Consumer Protection, Division of Advertising Practices Mark Eichorn, Bureau of Consumer Protection, Division of Advertising Practices Lesley A. Fair, Bureau of Consumer Protection, Division of Advertising Practices Mary K. Engle, Associate Director, Bureau of Consumer Protection, Division of Advertising Practices. Assistants Sallie Schools, Bureau of Consumer Protection, Division of Advertising Practices Katherine Zownir, Bureau of Consumer Protection, Division of Advertising Practices Kerry Constabile, Bureau of Consumer Protection Stefano Sciolli, Bureau of Economics Interns Chadwick Crutchfield, Bureau of Consumer Protection, Division of Advertising Practices Jamie Gentry, Bureau of Consumer Protection, Division of Advertising Practices Nicholas A. James, Bureau of Consumer Protection, Division of Advertising Practices Jonathan Longobardi, Bureau of Consumer Protection, Division of Advertising Practices Marketing Violent Entertainment to Children: -
Breaking the Rules: Hollywood and the Limits of Propaganda in Nazi Germany, 1933-1939
Breaking the Rules: Hollywood and the Limits of Propaganda in Nazi Germany, 1933-1939. by William Gregory Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by William Gregory, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “Breaking the Rules: Hollywood and the Limits of Propaganda in Nazi Germany, 1933-1939” by William Gregory in partial fulfilment of the requirements for the degree of Master of Arts. Dated: 25 August 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: 25 August 2011 AUTHOR: William Gregory TITLE: Breaking the Rules: Hollywood and the Limits of Propaganda in Nazi Germany, 1933-1939 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission -
Using Internet Buzz As an Early Predictor of Movie Box Office By
Theory and Evidence… You Talkin’ to Me?: Using Internet Buzz as an Early Predictor of Movie Box Office By Anthony Versaci An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2009 Professor Marti G. Subrahmanyam Professor Samuel Craig Faculty Advisor Thesis Advisor 1 Abstract In this study, I attempt to capture prerelease Internet buzz for movies through the use of variables like trailer views, message board comments, and votes of desire. By utilizing these buzz variables, my objective was to determine whether Internet buzz provides additional predictive information in terms of a film’s box office revenues beyond a film’s individual characteristics like genre, star power, budget, and rating. For the 62 films in my sample, I tracked their Internet buzz three weeks prior to each of their release dates. Then, through linear regression, I assessed the statistical significance of the buzz variables in predicting opening weekend box office gross. In my analysis, my findings suggest that three of my four buzz variables, those corresponding to interest and desire, are statistically significant and positively related to opening weekend box office. I also find that including the buzz measures considerably increases the explanatory power of the model. After incorporating user and critic ratings as measures corresponding to film quality, I find that neither is significantly related to opening weekend box office. Lastly, I provide an initial attempt at evaluating what factors may contribute to buzz and find that budget, categorization as a sequel, and the action genre are positively related to buzz.