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At the Crossroads of Jim Donnelly Metal Music West Coast News and Comedy By Justine Taormino ’06 By Peter Gordon ’78 Northern California alumni are abuzz At the improbable intersection of Brendon Small ’97 with news of their work in a variety metal music, animated TV, and stand- of areas. Here are some recent high- up comedy, the story of guitarist, com- lights. poser, actor, and producer Brendon sitcom that aired from 1999 to 2004. Benjamin Flint ’85 of Oakland led Small ’97 stands apart. Metal fans Although he also provided the show’s two Diablo Valley College jazz choirs worldwide know him as the creative music, he rapidly became better Reno Jazz Festival where they took first mastermind behind the smash-hit ani- known as a comedian. and third places in their division. Flint mated TV show Metalocalypse and the Toward the end of the show’s run, also directs the Oakland Jazz Choir and metal bands Dethklok and Galaktikon. Small began to turn back to the guitar. has taught at Jazz Camp West. Small’s unique journey began in “I was so excited to hear what people This fall, saxophonist Sonya the laid-back northern California town were doing in metal,” he says. “They Jason ’85 of Montara, will release of Salinas, where he remembers spend- were actually playing their instruments Feels So Good: Live in Half Moon Bay, ing long hours practicing guitar and incredibly well! I now had the comedy her fourth solo album. Recorded live re-watching VHS copies of his favorite chops and could write, thanks to Home at the legendary jazz venue Bach comedies. -
Pocket Edition!
Matthew Brannon matthew brannon As the literary form of the new bourgeoisie, the biography is a sign of escape, or, to be more precise, of evasion. In order not to expose themselves through insights that question the very existence of the bourgeoisie, writers of biographies remain, as if up against a wall, at the threshold to which they have been pushed by world events. - SIGFRIED KRACAUER, The Biography as an Art Form of the New Bourgeoisie, 1930 in The Mass Ornament: Weimar Essays, Oxford University Press, 2002 Call yourself an actor? You’re not even a bad actor. You can’t act at all, you fucking stupid hopeless sniveling little cunt-faced cunty fucking shit-faced arse-hole… - LAURENCE OLIVIER to Laurence Havery from Robert Stephen’s Knight Errant: Memoirs of a Vagabond Actor, Hodder and Stoughton, 1995 In show business, it’s folly to talk about what the future holds. Things change so fast. Today’s project so easily becomes tomorrow’s disappointment… The world of the film star is an obstacle race against time. The pitfalls and wrong turnings you can make are devastating. Often I fear for the sanity of some of my friends… The dice are loaded against you. There’s so much bitchery around, you really have to fight hard to survive. Everybody is against you… you have to fight for… success, sell your soul for it even. And when one finally achieved success, it was resented. Not by the great stars like Frank Sinatra, but by the little, frustrated people. They’re the ones to look out for, because brother, they’re gunning for you. -
FLEISCHER STUDIOS V. AVELA
FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT FLEISCHER STUDIOS, INC., Plaintiff-Appellant, v. No. 09-56317 A.V.E.L.A., INC., DBA Art & D.C. No. Vintage Entertainment Licensing 2:06-cv-06229- Agency; ART-NOSTALGIA.COM, INC.; FMC-MAN X ONE X MOVIE ARCHIVE, INC.; OPINION BEVERLY HILLS TEDDY BEAR CO.; LEO VALENCIA, Defendants-Appellees. Appeal from the United States District Court for the Central District of California Florence-Marie Cooper, District Judge, Presiding Argued and Submitted November 2, 2010—Pasadena, California Filed February 23, 2011 Before: J. Clifford Wallace and Susan P. Graber, Circuit Judges, and Richard Mills, Senior District Judge.* Opinion by Judge Wallace; Dissent by Judge Graber *The Honorable Richard Mills, Senior United States District Judge for the Central District of Illinois, sitting by designation. 2765 2768 FLEISCHER STUDIOS v. A.V.E.L.A., INC. COUNSEL Robert P. LoBue (argued), Gloria C. Phares, A. Leah Vickers, Patterson Belknap Webb & Tyler LLP, New York, New York, and Rex S. Heinke, Akin Gump Strauss Hauer & Feld LLP, Los Angeles, California, for appellant Fleischer Studios, Inc. Douglas D. Winter (argued), The Ball Law Firm, LLP, Los Angeles, California, for appellees A.V.E.L.A., Inc., DBA Art & Vintage Entertainment Licensing Agency, et al. OPINION WALLACE, Senior Circuit Judge: This appeal stems from the district court’s summary judg- ment dismissing Fleischer Studios, Inc.’s (Fleischer) copy- right and trademark infringement action. The district court ruled that Fleischer held neither a valid copyright nor a valid trademark in the Betty Boop cartoon character and thus lacked standing to sue. -
H Jon Benjamin on Getting Noticed
H Jon Benjamin On Getting Noticed Patin universalizing double-quick? Accordant and erect Cyril tag while scarred Billie even her Madison creepingly and chelated cross-legged. Permitted Lonnie never noising so seemingly or barber any purlers insuperably. Rebecca romjin is getting a sliding scale. Drank with my buddies and watched the Maniac episode of Always Sunny. We are happily again is cоnnеctеd to increase property in front door until i noticed your notice will likely to each? 25 Best H Jon Benjamin Memes Benjamins Memes Alan. The brain Game Screenshot Thread or HEAVY. Expect you on dvd show lazy loaded on everyone still need for your business? For review it say like getting as the wheel just a Porsche. Just wanted rid of something dead ends 0 replies 0 retweets 0 likes. Should you good making plans for going children the law enforcement officials, I guess. H Jon Benjamin Wet Hot American what I describe like jump time come watch. Do not have starring you meet the h jon benjamin on getting noticed that more successful finance or where i will start? Was quite helpful post for ever gets through without no sense about h jon benjamin on getting noticed as soon as someone always think? Otherwise I call forward the video to siege your friends. Short film Adam Spielman. Was for watching Bobs Burgers and even worse a laugh you two out found it. It's the Gene who gets noticed in the crowd for harm spirit and cheering ability. Happy living what was're getting but yes's very rational to control on Hulu. -
Fire and Ice from Album the Unforgiving
Fire and Ice From album The Unforgiving Originally composed by Within Temptation Arrangement for piano and voice by Tommaso Murgia = 72 Cm Voce 4 Piano 4 4 Fm CMaj 4 E very wordyou're say ing is a li e. Run a wa Cm Fm CMaj 7 y mydear but e very sign will say your heart is deaf All rights go to Within Temptation, songwriters Sharon den Adel, Robert Westerholt, Martijn Spierenburg, Producer Daniel Gibson and labels Dragnet/Sony (Europe) and Roadrunner (US and Japan) 10 Cm Cm Gm Bu ry all the me mories, cover themwithdirt 13 Fm D♯Maj where's thelove weonce had? Our de sti ny's un sure. Why Cm 15 Gm can't you see what we had? Let the fi re burn the ice. All rights go to Within Temptation, songwriters Sharon den Adel, Robert Westerholt, Martijn Spierenburg, Producer Daniel Gibson and labels Dragnet/Sony (Europe) and 2 Roadrunner (US and Japan) 17 Fm D♯Maj GMaj G♯Maj Where'sthelove weoncehad? Is it all a lie And I still won A♯Maj Cm Gm G♯Maj 20 der why ourhea ven has died theskiesare all fal ling -
539814-00611.Pdf
C E N T E R F O R D E M O C R A C Y & T E C H N O L O G Y Evaluating DRM: Building a Marketplace for the Convergent World September 2006 – Version 1.0 As digital rights management technologies are increasingly integrated into media products, devices, and platforms, it is important for the public to understand the tradeoffs and choices associated with different DRM systems. With sufficient information, competition between different DRM offerings can help promote a marketplace for digital media products that is diverse and responsive to reasonable consumer expectations. This paper seeks to contribute to the public discussion and understanding of DRM in the media marketplace by systematically reviewing the types of factors that product reviewers, consumer advocates, and members of the public may want to consider when evaluating products incorporating DRM. Introduction The explosive growth of the Internet and digital media has created both tremendous opportunities and new threats for content creators. Advances in digital technology offer new ways of marketing, disseminating, interacting with, and monetizing creative works, giving rise to expanding new markets that did not exist just a few years ago. These technologies also promise to democratize the production of creative content by putting the creation and wide distribution of creative works within the reach of private individuals. At the same time, however, the technologies have created major challenges for copyright holders seeking to exercise control over the distribution of their works and protect against piracy. 1 Digital rights management (DRM) represents a response to these issues. -
Director's Foreword Statement of the Board International Support ISGIES
p. 4 Director’s Foreword p. 9 Statement of the Board p. 12 International Support p. 40 ISGIES p. 42 Visitors p. 54 International Residencies p. 62 Programme p. 65 p. Publications p. 69 Office for Contemporary Art Norway Annual Report 2015 Project: Staging Three. “Incidental Insurgents” p. 72 Project: Staging Two. “They Went Away to Stay” p. 76 Norway at the Venice Biennale p. 83 OCA in the Press p. 103 Key Figures 2015 p. 122 Organisation and the Board Office for Contemporary Art Norway 3 “Norway has always been a place in which the while reflecting upon the history of sound as a boundaries of the world have been questioned. force of repression, emancipation and excitation, Director’s Foreword As early as 1075, Bishop Adam of Bremen noted as well as contemporary concepts of consonance Norway’s position on the edge of the world thus: and dissonance, and the water, glass and light ‘Beyond Norway, which is the farthermost northern of Venice. Weaving together architectural and country, you will find no human habitation, nothing sculptural interventions in the space of the pavilion, but ocean, terrible to look upon and limitless, Norment developed a new composition for the glass encircling the whole world.’ Inevitably, a nation at armonica – a legendary 18th-century instrument the edge of the world is also one from which the that creates ethereal music from glass and water very frontiers of reason can be questioned. From – and a chorus of female voices, as well as the a historic perspective, it was along those northern resonances of the pavilion itself. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Introduction to Confess the Gay Away? Media, Religion, and the Political Economy of Ex-Gay Therapy
Introduction to Confess the Gay Away? Media, Religion, and the Political Economy of Ex-gay Therapy by Michael Thorn A PORTION OF THE DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN COMMUNICATION AND CULTURE YORK UNIVERSITY TORONTO, ONTARIO April 2015 ©Michael Thorn, 2015 1 Introduction: Confess Thy Self? In the media debate surrounding the Christian ex-gay movement, the phrase “pray the gay away” is often used as shorthand to describe the movement’s religiously mediated sexual orientation conversion efforts. However, when one digs deeper, not just into ex-gay practices, but into the debate itself, it becomes clear that ex-gay change—regardless of whether effective or not—is less about prayer than confession and testimony. Consider writer-director Jamie Babbit’s film But I’m a Cheerleader, a campy, comedic tale of a lesbian cheerleader forced into an ex-gay conversion camp (featuring drag queen Ru Paul in a rare not-in-drag performance). The film, which premiered at the Toronto International Film Festival in September 1999, is the second fictional pop culture text to depict the movement1 and it is all about confession. It is an iconic depiction, an intervention in the debate that is frequently referenced and imitated. It is mentioned in a 2011 documentary called This is What Love in Action Looks Like about real-life teenager Zach Stark being forced into an ex-gay conversion program; it is imitated in both a 2007 episode of the popular Comedy Central animated satire South Park, in which the character Butters is forced into an ex-gay conversion program, and a 2013 episode of Saturday Night Live featuring Ben Affleck as an ex-gay counsellor. -
Review of Movie Bully
Painfully Sad Stories of Bullying: Now What? A review of the film Bully (2011) Lee Hirsch (Director) Reviewed by Michael B. Greene The film Bully has received as much attention for its associated ratings “war” as it has about its content or message. When it was first reviewed, the Motion Picture Association of America gave the film an R rating because of language, that is, repeated use of a specific four-letter word. After much fanfare and outcries from a wide spectrum of celebrities, the appeal by the movie’s distributer to downgrade the rating was denied. In response, the Weinstein Company released the film without a rating. Subsequently, Harvey Weinstein decided to edit out some of the offending language in order to secure a PG-13 rating, a move he made to enable a larger audience to see the film. I reviewed the PG-13 version. Bully is a documentary that portrays the lives of five young people who were chronically bullied. Two of the young people committed suicide, Tyler at age 17 and Ty at age 11. Tyler’s story is conveyed through home movies and interviews with his parents, and Ty’s story is conveyed through an interview with his former best friend and his parents. Kelby is a 16-year-old open lesbian from Tuttle, Oklahoma. Kelby is spunky and charming, characteristics that belie her prior three suicide attempts and her self-cutting. Alex, a 14-year-old from Sioux City, Iowa, is repeatedly called “fish-face” and is frequently pummeled by fellow students. Alex has gotten to the point where he doesn’t think he feels anymore. -
I Just Love This Orchestra! Berkeley Symphony Photo by David S
My life here Bette Ferguson, joined in 2006 My Life Here Is INDEPENDENT The people who live here are well-traveled and engaged with life. Their independent lifestyle is enhanced with our Continuing Care and contract options so they have all levels of healthcare under one roof. Find out why our established reputation as one of the very best not-for-profit communities is just one more reason people like Bette Ferguson know a good thing when they live it. To learn more, or for your personal visit, please call 510.891.8542. stpaulstowers-esc.org Making you feel right, at home. A fully accredited, non-denominational, not-for-profit community owned and operated by Episcopal Senior Communities. Lic. No. 011400627 COA #92 EPSP1616-01CJ 100111 CLIENT ESC / St. Paul’s Towers PUBLICATION Berkeley Symphony AD NAME Bette Ferguson REFERENCE NUMBER EPSP616-01cj_Bette_01_mech TYPE Full Page Color - Inside Front Cover TRIM SIZE 4.75” x 7.25” ISSUE 2011/12 Season MAT’LS DUE 9.01.11 DATE 08.22.11 VERSION 01 mech AGENCY MUD WORLDWIDE 415 332 3350 Berkeley Symphony 2011-12 Season 5 Message from the Executive Director 7 Board of Directors & Advisory Council 9 Message from the Music Director 11 Joana Carneiro 13 Berkeley Symphony 16 January 26 Orchestra 19 January 26 Program 21 January 26 Program Notes 31 January 26 Guest Artists 41 April 26 Program 43 April 26 Program Notes 55 April 26 Guest Artists 60 Music in the Schools 63 Under Construction 65 Contributed Support 74 Advertiser Index Season Sponsors: Kathleen G. Henschel and Official Wine Sponsor of Berkeley Symphony: Presentation bouquets are graciously provided by Jutta’s Flowers, the Official Florist of Berkeley Symphony. -
Commercials Issueissue
May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era.