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Melanie Lynskey. Height 178 Cm
Actor Biography Melanie Lynskey. Height 178 cm Awards. 2001 New Zealand Film Awards - Nomination - Best Actress - Snakeskin 1994 New Zealand Film Awards - Winner - Best Actress - Heavenly Creatures Film. 2017 1 Mile to you Coach Rowan Dir. Leif Tilden (Lead) Prd. Scott William Alvarez, Tom Butterfield, Peter Holden, F. X. Vitolo Feature Film. 2017 The Changeover Kate Chant Changeover Films Limited Dir. Miranda Harcourt and Stuart McKenzie Prd. Emma Slade 2017 Sadie Rae Dir. Megan Griffiths (Lead) Prd. Megan Griffiths 2017 And Then I Go Janice Dir. Vince Grashaw Prd. Vince Grashaw 2017 I Don 't Feel At Home In This World Ruth Netflix Anymore Dir. Macon Blair Prd. Mette-Marie Kongsved, Neil Kopp, Vincent Savino, Anish Savjani 2016 The Intervention Annie Burn Later Productions Dir. Clea DuVall 2016 The Great & The Small Margaret Cervidae Films Dir. Dusty Bias PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Melanie Lynskey. Page 2 Feature continued... 2016 Folk Hero & Funny Guy Becky Spitfire Studios Dir. Jeff Grace 2016 Little Boxes Gina Kid Noir Productions Dir. Rob Meyer 2016 Rainbow Time Lindsay Duplass Brothers Productions Dir. Linas Phillips 2015 Digging for Fire Squiggy Garrett Motion Pictures Dir. Joe Swanberg 2014 We'll Never Have Paris Devon Bifrost Pictures Dir. Simon Helberg, Jocelyn Towne 2014 Goodbye to All That Annie Wall Epoch Films Dir. Angus MacLachlan Prd. Anne Carey, Mindy Goldberg 2014 Happy Christmas Kelly Lucky Coffee Productions Dir. Joe Swanberg 2014 Chu and Blossom Miss Shoemaker Baked Industries Dir. -
Welcome to the 44Th Annual Seattle International Film Festival!
BETH BARRETT SARAH WILKE Artistic Director Executive Director DEAR MEMBERS OF THE PRESS: Welcome to the 44th annual Seattle International Film Festival! We are so happy to have you join this year as a partner at the Festival. It's your work that helps bring filmmakers and audiences together around the powerful stories of film. We could never have become the SIFF we are today without the knowledge, skill, and passion you bring to your work. Our 2018 Media Guide is filled with all the pertinent information you'll need to navigate the next 25 days: media guidelines and contacts, film listings, forums, and events. Many of you are already familiar with SIFF's extensive Festival offerings. For those of you who are attending for the first time, we are here to help you discover the depth and range of our programming. The greater press community has always been an integral part of the Festival and we look forward to sharing with you all that SIFF has to offer over the Festival. Sincerely, SIFF.NET · 206.464.5830 · PRESS OFFICE 206.315.0690 · [email protected] 1 TABLE OF CONTENTS 3 . PRESS INFORMATION 5 . SIFF STAFF 10 . BOARD OF DIRECTORS 11 . ABOUT SIFF 12 . SIFF BY THE NUMBERS 13 . SIFF FACT SHEET 14 . EVENT SCHEDULE 18 . MEDIA GUIDELINES 19 . HOLD REVIEWS 23 . VENUES 24 . TICKETING 27 . FEATURE FILMS BY MOOD 39 . FEATURES BY COUNTRY/REGION 44 . TOPICS OF INTEREST 57 . AWARDS & COMPETITIONS 64 . 360/VR STORYTELLING 65 . EDUCATION 67 . SPECIAL GUESTS 69 . SPOTLIGHT PRESENTATIONS 70 . 2017 RECAP 73 . FESTIVAL 2017 HIGHLIGHTS 74 . -
Alien : Covenant
TWENTIETH CENTURY FOX présente Une production Scott Free/Brandywine Un film de Ridley Scott ALIEN : COVENANT Michael Fassbender Katherine Waterston Billy Crudup Danny McBride Demián Bichir Scénario : John Logan, Dante Harper Histoire : Jack Paglen, Michael Green Image : Dariusz Wolski Décors : Chris Seagers Costumes : Janty Yates Un film produit par Ridley Scott, Mark Huffam, Michael Schaefer, David Giler, Walter Hill Sortie nationale : 10 mai 2017 Durée : 2 h 02 Photos et dossier de presse sont téléchargeables sur : www.foxpresse.fr Site officiel : Distribution Presse film TWENTIETH CENTURY FOX Alexis RUBINOWICZ 241 boulevard Pereire Tél. : 01 58 05 57 90 75017 PARIS [email protected] Tél. : 01 58 05 57 00 Giulia GIE Tél. : 01 58 05 57 79/94 [email protected] 1 L’HISTOIRE Le vaisseau spatial Covenant est en route pour la lointaine planète Origae-6 afin d’y établir une colonie, un nouvel avant-poste pour l’humanité. À bord, tout est calme. L’équipage et les 2000 passagers sont en hypersommeil, et seul Walter, le synthétique, arpente les coursives. Mais lorsqu’une explosion stellaire détruit les capteurs d’énergie du vaisseau, les avaries et les pertes humaines sont énormes… Heureusement, les survivants découvrent à proximité ce qui semble être un paradis vierge, une planète aux immenses montagnes couronnées de nuages et aux magnifiques forêts qui pourrait être tout aussi viable qu’Origae-6. Pourtant, très vite, le paradis va révéler sa réalité infernale. Ce monde regorge de dangers inconnus et mortels. Les survivants vont tout tenter pour échapper à une menace qui dépasse l’entendement… 2 NOTES DE PRODUCTION Dans l’espace, personne ne vous entend crier… Près de quarante ans après, ces mots évoquent toujours avec autant de force l’intensité oppressante d’ALIEN, LE HUITIÈME PASSAGER, le chef-d’œuvre de l’horreur futuriste signé Ridley Scott. -
Ira Finkelstein's Day of the Dead
FEATURE FILM IRA FINKELSTEIN’S DAY OF THE DEAD A TIMELESS COMING-OF-AGE COMEDY ADVENTURE CONNECTING GENERATIONS AND CULTURES Story by The Von Piglet Sisters Sue Corcoran & Angie Louise Written by Angie Louise Produced by Deborah Moore & Jane Charles Directed by Sue Corcoran LogLine Ira J. Finkelstein is afraid of growing up. At 13, Ira is expected to “be a man”. All Ira really wants is to get close to Maria, the beautiful Mexican-American girl who is his scene partner in 8th grade drama class. When Maria’s family is unexpectedly deported, Ira hits the road with his Grandpa Sam to find her. Ira learns what it really means to be a man and stand up for what he believe in: family, adventure, and love without borders. Synopsis Ira J. Finkelstein is afraid of growing up. At 13, Ira is expected to “be a man”. All Ira really wants is to get close to Maria, the beautiful Mexican-American girl who is his scene partner in 8th grade drama class. When Maria’s mother is unexpectedly deported, Maria follows her back to Mexico. Panicked, Ira ditches school to search for her but is busted by Grandpa Sam. When Ira begs for his help, Grandpa Sam is unable to resist Ira’s plea as well as his own longing for a youthful adventure. Grandfather and Grandson hit the road in Grandpa’s ’67 Chevy, bound for Mexico and Maria. In Mexico, things go wrong fast. Sam and Ira are robbed by a gang of teen punks, have a run-in with the police and land in jail after a midnight Day of the Dead festival. -
Sxsw Film Festival Announces 2018 Features and Opening Night Film a Quiet Place
SXSW FILM FESTIVAL ANNOUNCES 2018 FEATURES AND OPENING NIGHT FILM A QUIET PLACE Film Festival Celebrates 25th Edition Austin, Texas, January 31, 2018 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9-18, 2018 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 132 features will be shown, with additional titles yet to be announced. The full lineup will include 44 films from first-time filmmakers, 86 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,458 feature-length film submissions, with a total of 8,160 films submitted this year. “2018 marks the 25th edition of the SXSW Film Festival and my tenth year at the helm. As we look back on the body of work of talent discovered, careers launched and wonderful films we’ve enjoyed, we couldn’t be more excited about the future,” said Janet Pierson, Director of Film. “This year’s slate, while peppered with works from many of our alumni, remains focused on new voices, new directors and a range of films that entertain and enlighten.” “We are particularly pleased to present John Krasinski’s A Quiet Place as our Opening Night Film,” Pierson added.“Not only do we love its originality, suspense and amazing cast, we love seeing artists stretch and explore. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
BOD-Update-3.7.13-FINAL.Pdf
______________________________________________________________________________ MEMORANDUM To: Board of Directors From: Amy Lillard Date: March 7, 2013 Re: Bi-Weekly Update March has arrived and I’m heading to SxSW tomorrow. We have dinners planned and meetings arranged, and we’re looking forward to Austin! Incentive Projects New Applications Pat Peach, Line Producer, and three Producers associated with the Hallmark TV pilots scouted Washington locations last week. We expect their application shortly, and when I receive their paperwork, I will update the Board. We are still waiting for the complete application for the feature film Tokarev (Hannibal Pictures). Amy and Julie had a conference call with the Production Attorney and the Director of Development from Hannibal Pictures. We remain optimistic that their finances will be secured, however they do not have their financing complete at this time. Once the funds are secured, we will post the project for the full board’s review. Amy spoke with Nick Morton and Rick Rosenthal from Whitewater Films, about the feature film, Seven Minutes, which they want to begin filming in May. We expect application paperwork shortly. Current Projects Laggies Amy spoke with Anonymous Content about a new start date for Laggies. The delay is due to talent availability, and when I have more details I will update the Board. Lucky Them Lucky Them wrapped principal photography on 2/28. Staff invited Tacoma legislators to visit the set, but they all declined due to the current legislative session. Past Projects Safety Not Guaranteed The 28th Independent Spirit Awards named Safety Not Guaranteed, the year's Best First Screenplay. -
Newsletter 14/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17. -
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009). -
New Bfi Research Reveals Representation of Black Actors in Uk Film Over Last 10 Years
NEW BFI RESEARCH REVEALS REPRESENTATION OF BLACK ACTORS IN UK FILM OVER LAST 10 YEARS 13% of UK films have a black actor in a leading role; 59% have no black actors in any role Noel Clarke is most prolific black actor in UK film, followed by Ashley Walters, Naomie Harris and Thandie Newton Decade sees little change in the number of roles for black actors; only 4 black actors feature in the list of the 100 most prolific actors 50% of all lead roles played by black actors are clustered in 47 films, potentially limiting opportunities for audiences to see diverse representation; these 47 films represent LESS than 5% of the total number of films Horror, drama and comedy films LEAST likely to cast black actors Crime, sci-fi and fantasy films MOST likely to cast black actors LONDON – Thursday 6 October, 2016: The BFI today announced ground-breaking new research that explores the representation of black actors in UK films over the last 10 years (January 2006 - August 2016) and reveals that out of the 1,172 UK films made and released in that period, 59% (691 films) did not feature any black actors in either lead or named roles1. The proportion of UK films2,3 which credited at least one black actor4 in a lead role was 13%, or 157 films in total. The new research provides an early indicator of what is set to be the most comprehensive set of data about UK films from 1911 to the present day – the BFI Filmography, launching in 2017. -
MARTIN BRINKLER, ACE Editor
(3/17/21) MARTIN BRINKLER, ACE Editor FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “BECOMING ELIZABETH” Udayan Prasad Starz! George Faber (Series) The Forge George Ormond Anya Reiss “47 METERS DOWN: Johannes Roberts The Fyzz Facility James Harris UNCAGED” Robert Jones Mark Lane “BECOMING” Omar Naim Traverse Media Cole Payne (Supervising Editor) Fearless Productions Michael Philip Glen Reynolds “BRUNO” Karl Golden Angry Bear Karl Golden Ipso Facto Productions Katie Hodgkin “STRANGERS: PREY AT Johannes Roberts The Fyzz Facility Wayne Mark Godfrey NIGHT” James Harris Robert Jones Mark Lane “BOARDING SCHOOL” Boaz Yakin Gigantic Pictures Jonathan Gray Maven Pictures Scott Floyd Lochmus Storyland Pictures Celine Rattray Trudie Styler “47 METERS DOWN” Johannes Roberts Dimension Films James Harris The Fyzz Facility Mark Lane “DAMASCUS COVER” Daniel Zelik Berk Relativity Media Huw Penallt Jones Cover Films Hannah Leader H Films Joe Thomas “THE OTHER SIDE OF THE Johannes Roberts 42 Rory Aitken DOOR” (Additional editor) Fire Axe Pictures Alexandre Aja TSG Entertainment Ben Pugh “SECOND ORIGIN” Sergi Lara Antàrtida Produccions Carles Porta Carles Porta Canal+ España Óscar Rodríguez “ALPHA ALERT” * Matthew Thompson Millbrook Productions Christine Alderson Format Films Thomas Sterchi Ipso Facto Films Lars Wiebe “OMAR” * Hany Abu-Assad ZBROS Hany Abu-Assad Winner: Cannes Film Festival Jury Award David Gerson Nomination: Academy Award for Best Foreign Film Waleed F. Zuaiter (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com -
Mary & Elizabeth
MARY & ELIZABETH FREE DOWNLOAD Emily Purdy | 384 pages | 16 Sep 2011 | HarperCollins Publishers | 9781847562371 | English | London, United Kingdom Deadly rivals: Elizabeth I and Mary, Queen of Scots Maria of Aragon. Yet Mary was uncompromising: she refused the right of the commissioners to try her, argued against Mary & Elizabeth legality of the trial, and maintained that, as a foreign anointed queen, she had never been an English subject and thus could not be convicted of treason. Mary & Elizabeth Theatres. Mary & Elizabeth from the original on August 9, Disappointed at the lack of a male heir, and eager to remarry, Henry attempted to have his marriage to Catherine annulledbut Pope Clement VII refused his request. Margaret Beauchamp of Bletso [] 2. Phase9 Entertainment. Travel With Us. Given her precarious hold on the throne and the subsequent paranoia that plagued her reign, she had little motivation to name a successor who could threaten her own safety. Archived from the original on April 23, Further, under the English common law doctrine of jure uxoristhe property and titles belonging to a woman became her husband's upon marriage, and it Mary & Elizabeth feared that any man she married would thereby become King of England in fact and in name. It was a convenient fiction. Guided by John Dudley, 1st Duke of Northumberlandand perhaps others, Edward excluded both from the line of succession in his Mary & Elizabeth. Dread Central. Archived from the original on November 3, Governess Kat Ashley would be like a mother to Elizabeth, taking "great labor Mary & Elizabeth pain in bringing me up in learning and honesty.