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Manual De Buenas Prácticas Restauración De Madera, Yeso Y Cerámica

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Manual De Buenas Prácticas Restauración De Madera, Yeso Y Cerámica Manual de Buenas Prácticas Restauración de madera, yeso y cerámica Manual de Buenas Prácticas Restauración de madera, yeso y cerámica EDICIÓN Patronato de la Alhambra y Generalife DIRECCIÓN María del Mar Villafranca Jiménez DIRECTORA GENERAL DIRECCIÓN CIENTÍFICA Francisco A. Lamolda Álvarez JEFE DE SERVICIO DE CONSERVACIÓN Y PROTECCIÓN COORDINACIÓN GENERAL Elena Correa Gómez JEFA DEL DEPARTAMENTO DE RESTAURACIÓN Ramón Rubio Domene JEFE DEL TALLER DE RESTAURACIÓN DE YESERÍAS Y ALICATADOS COORDINACIÓN ADJUNTA creARTE. Gestión y Cultura S.L. AUTORES DE LOS TEXTOS El Patronato de la Alhambra y Generalife ha hecho lo posible por identificar las fuentes de algunos documentos fotográficos, María José Estremera Linares no habiendo sido podido en todos los casos, pedimos disculpas, quedando todos sus derechos reservados a sus autores y Elena Correa Gómez legítimos propietarios. Ramón Rubio Domene Eva Carreño Robles Soledad Gómez Vílchez El Patronato de la Alhambra y Generalife quiere expresar su profundo agradecimiento a las siguientes instituciones, entidades Emilio Caro Rodríguez y personas: TRADUCCIÓN AL ÁRABE Dirección Regional de Cultura de la Región de Tánger-Tetuán, Escuela de Artes y Oficios de Tetuán, Escuela Taller de Tetuán, Waddah Mahmoud Museo de la Kasbah de Tánger, Departamento de Conservación y Mantenimiento, Departamento de Informática del Patronato de la Alhambra y Generalife, Talleres de carpintería, cerámica y yeso de la provincia de Granada y de la Región de Tánger- DISEÑO Y MAQUETACIÓN Catálogo Publicidad Tetuán participantes en el proyecto y Centro Albayzín. Mohamed Ettakkal, Mehdi Zouak, Anass Sordo,Brahim Salimi, Bouzaid Bouabid, Abdellatif El Boudjay, Ahmed el Hakim, Larbi IMPRIME Mesbahi, Charafdine Majdouline, Larbi Mesbahi, Brahim Mlilou, Fatima Bouchmal, Ali Bekkouri, Ilias Toub, Abdeljalil Rourou, Imprenta Luque Jamila Derrazi, Jamila Edderraz, Nazha Ahmed Outahar,Tarik Moujoud, Anas Sedrati,Touria Mehdaoui, Carmen de los Reyes, D.L.: GR 1569-2014 Alicia Rodríguez, Napoleón Morillas, Patricia Bellamy, María José Domene, Antonio Zubeldía, Emilia López, Roberto Porcel, Antonio Urquízar, Bachar Okdeh. © de la edición: Patronato de la Alhambra y Generalife © de los textos: sus autores y Patronato de la Alhambra y Generalife © de las imágenes: sus autores y propietarios legales Este Manual de Buenas Prácticas ha sido subvencionado por la Unión Europea dentro del Programa de Cooperación Trans- fronteriza España-Fronteras Exteriores, dentro de las Actividades 3 y 4 del proyecto REDALH. PATRIMONIO CULTURAL CRÉDITOS FOTOGRÁFICOS TRANSFRONTERIZO: CREACIÓN DE REDES DE GESTIÓN DE PROFESIONALES DEL PATRIMONIO. Pepe Marín Studiosur Producciones S.L. Juan Carlos Fernández Ramón Rubio Elena Correa Taller de Restauración de Maderas Taller de Restauración de Yeserías y Alicatados Antonio Hidalgo Ana López Archivo de la Alhambra Imágenes de Wikipedia Índice Innovando la tradición. Tendiendo puentes para la conservación del patrimonio andalusí ............................................................................................................ 5 Prólogo: Artesanía y restauración. El proyecto REDALH ............................................... 7 Capítulo I: La restauración científica y la figura del conservador-restaurador ......... 15 1. Introducción .................................................................................................................................................. 17 2. Aproximación a los conceptos de restauración, conservación y preservación .............................................. 19 3. Principios generales que deben regir la intervención en las obras de arte .................................................... 23 4. La figura del conservador-restaurador y el equipo multidisciplinar ............................................................... 28 Capítulo II: La madera. Carpintería de lo blanco en época nazarí ........................... 33 1. Introducción .................................................................................................................................................. 35 2. El uso de la madera en el mundo islámico .................................................................................................... 35 3. Técnicas constructivas en la carpintería de lo blanco ................................................................................... 39 Capítulo III: El yeso. Las decoraciones de yeso en época nazarí ............................... 43 1. Historia del uso del yeso ............................................................................................................................... 45 2. El yeso .......................................................................................................................................................... 46 3. Técnicas del trabajo de la yesería .................................................................................................................. 48 Capítulo IV: La cerámica. Elementos arquitectónicos en época nazarí .................. 53 1. Historia del material cerámico ....................................................................................................................... 55 2. La cerámica ................................................................................................................................................... 56 3. Técnicas de producción cerámica ................................................................................................................. 57 Capítulo V: Metodología en la intervención de conservación-restauración ........ 65 Fase I: La investigación o estudio del monumento. Las etapas de la investigación ......................... 67 1. La investigación: el análisis histórico-artístico y el científico-técnico ............................................................ 68 Etapa 1: El análisis histórico-artístico ................................................................................................................................. 68 Etapa 2: El análisis científico-técnico .................................................................................................................................. 71 2. La composición material de la obra .............................................................................................................. 75 3. Recursos técnicos para la caracterización de materiales y alteraciones ........................................................ 84 4. La datación ................................................................................................................................................... 87 5. Los factores de deterioro en las obras. Principales patologías en la madera, la cerámica y el yeso .............. 92 6. El informe del estado de conservación ........................................................................................................ 126 Fase II: El tratamiento ........................................................................................................................................... 129 1. Introducción y criterios prácticos de intervención ...................................................................................... 129 2. ¿Cuándo intervenir? Criterios para la selección .......................................................................................... 133 3. La elección del tratamiento y los ensayos preliminares .............................................................................. 136 4. El proyecto de intervención ......................................................................................................................... 146 Capítulo VI. La memoria final de intervención ............................................................ 153 Capítulo VII. La difusión del proyecto y la transferencia del conocimiento ........ 159 1. Introducción ................................................................................................................................................ 161 2. Interpretación .............................................................................................................................................. 165 3. La musealización. Estudio de caso .............................................................................................................. 168 4. La difusión a través de medios sociales ...................................................................................................... 171 Bibliografía ................................................................................................................................ 175 Manual de Buenas Prácticas 5 Innovando la tradición. Tendiendo puentes para la conservación del patrimonio andalusí l proyecto “Redalh. Patrimonio Cultural Transfronterizo: Creación de Redes de Gestión de Profesionales del Patrimonio (2012-2013)” nació con el objetivo de crear y fortalecer redes de gestión de profesionales E para recuperar, preservar y poner en valor el patrimonio artesanal del legado común andalusí y magrebí en las regiones de Tánger-Tetuán y en la provincia de Granada. Liderado por el Patronato de la Alhambra y Generalife ha contado con la financiación procedente de la Unión Europea (FEDER) a través del programa de Desarrollo Regional de cooperación transfronterizo España-Fronteras Exteriores (POCTEFEX). Así mismo ha contado con la participación y el respaldo de la Dirección Regional de Cultura de Tánger-Tetuán del Reino de Marruecos que ha sumado esfuerzos
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