MTV's Tabitha Soren Visits VMI G;M on Hiursday
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Himmlischer Crash
Kultur Up“, dem Hit der britischen Tanzkrawall- nicht sehr weit kommt, übersiedelte das POP band The Prodigy, ist gar als rüde Sex- Quintett nach Malmö, in die drittgrößte Attacke berüchtigt. Stadt Schwedens. Himmlischer Für „My Favourite Game“ läßt Aker- Zu ihrem eigenen Erstaunen bekamen lund nun Nina Persson in einem offenen sie einen Plattenvertrag und stießen auch Cadillac als Rock-Schlampe durch die Mo- außerhalb Schwedens auf begeisterte Crash jave-Wüste fahren, auf dem Oberarm trägt Zuhörer. Perssons Kleinmädchen-Geträl- sie eine eklige Riesentätowierung und im ler zu luftiger Gute-Laune-Musik schaffte Netter Träller-Pop bescherte der Blick die schiere Mordlust. Jeden, der ihr es in halb Europa in die Hitparaden. Das in die Quere kommt, räumt sie brutal aus zweite Cardigans-Album „Life“ galt bald schwedischen Band The Cardigans dem Weg. Schließlich kracht sie in einen als Schlüsselwerk des sogenannten Easy-Li- einen Welterfolg – nun ver- Kleinbus, in dem die Rest-Cardigans sit- stening-Revivals: Im Zeichen der Ironie blüfft das Quintett mit wunderbar zen; der Aufprall schleudert die Schweden- entdeckte die Jugend der Welt die Fahr- schwermütigen Liebesliedern. Barbie in die Luft, blutüberströmt knallt sie stuhlmusik der sechziger Jahre neu. Dann auf den Asphalt. folgte der Superhit „Lovefool“ mit dem n ein paar Millionen Platten allein „Einen himmlischen Spaß“ nennt Nina millionenfach nachgesummten Refrain ist Erfolg in der bunten Welt der Persson diesen Schockerfilm. Der Musik- „Love me, love me, say that you love me“ APopmusik längst nicht mehr zu sender MTV allerdings nahm das 600000 – und machte die Cardigans endgültig zum messen. Zumindest in Japan gilt heute erst Mark teure Werk nur in einer zusammen- Inbegriff der Leichtigkeit des Seins. -
The Example of Swedish Independent Music Fandom by Nancy K
First Monday Online groups are taking new forms as participants spread themselves amongst multiple Internet and offline platforms. The multinational online community of Swedish independent music fans exemplifies this trend. This participant–observation analysis of this fandom shows how sites are interlinked at multiple levels, and identifies several implications for theorists, researchers, developers, industry and independent professionals, and participants. Contents Introduction Fandom Swedish popular music The Swedish indie music fan community Discussion Conclusion Introduction The rise of social network sites is often taken to exemplify a shift from the interest–based online communities of the Web’s “first” incarnation to a new “Web 2.0” in which individuals are the basic unit, rather than communities. In a recent First Monday article, for instance, boyd (2006) states, “egocentric networks replace groups.” I argue that online groups have not been “replaced.” Even as their members build personal profiles and egocentric networks on MySpace, Facebook, BlackPlanet, Orkut, Bebo, and countless other emerging social network sites, online groups continue to thrive on Web boards, in multiplayer online games, and even on the all–but–forgotten Usenet. However, online communities are also taking a new form somewhere between the site-based online group and the egocentric network, distributing themselves throughout a variety of sites in a quasi–coherent networked fashion. This new form of distributed community poses particular problems for its members, developers, and analysts. This paper, based on over two years of participant–observation, describes this new shape of online community through a close look at the multinational online community of fans of independent rock music from Sweden. -
Record Collector Magazine
The Year of the HOBSE hat Mark Linkous of priated lyrical inspiration from south Waits, Grandaddy and Mercury Rev, Sparklehorse once briefly Virginian novelists, Ohio-born cinematog- Sparklehorse cut through their off-kilter died is probably the least raphers and film-makers, l6th Century music with almost perverse experimenta- interesting thing about him. English dramatists, esoteric American tion. They are as likely to create vigorous, In 1997, the American musician troubadors, a French poet and music critic feedback-enfettered rock songs as they collapsed in the en suite bathroom of and a deadpan American songlrrriter. He's are drowsy instrumentals; as likely to a London hotel with his legs pinned also sung about: pigs, horses, butchered forge fragile, debilitated ballads as beneath him for 14 hours. He was cows, "painbirds" and "pianobirds", esoteric, sample-heavy interludes. eventually found by a maid and rabbits, spiders, insects, leeches, hum- For the most part, this music is taken to St. Mary's Hospital, where, mingbirds, "hundreds of sparrows", poignant, melancholic and touching. On for two minutes, his heart stopped wolves, crows, snails, dogs, tigers and their first album, Viuadixiesubmarine- beating. It reads like a meta "more yellow birds". transmissionplot, Linkous even sang rock'n'roll story for a man who like Mark Linkous and his more or less about rescuing an iniured hawk: "I chased kindred spirits Grandaddy - anon)"rnous -has co-conspirators crush guitars, him round, tried to pick him up." Linkous tried to circumvent rock'n'roll clich6. tape loops, organs and frequently distort- has explained, "but he kept biting Nearly dying isn't cool. -
FULL BAND SONGLIST 2021/2022 1. Get Em Going Adore You- Harry
FULL BAND SONGLIST 2021/2022 On the average, the full band usually performs 3 forty (40) minute dance sets in any 4 hour Reception. During the breaks and the final half hour is almost always DJ music. You can always expect continuous music, with no breaks. These are all songs we perform, but there is way more here than we would usually play. You can tell us what you like and prefer and we can tailor our sets to your preferences to some degree. For example, some people don’t love country music, so we can leave the country tunes out and do mostly the rock material. Also, we perform these sets as medleys that are designed to keep people dancing. We usually always start the sets with a slow song to get everyone up, but then it’s all upbeat and the songs blend together with very few stops or slow downs. 1. Get Em Going https://open.spotify.com/playlist/1y3E69rNhcdkrIaU3VDyln?si=63c0fadb1a3d45e1 Adore You- Harry Styles Are you Gonna Be My Girl- JET Take Me Out-Franz Ferdinand Just What I Needed –The Cars Go Your Own Way-Fleetwood Mac Lonely Boy- The Black Keys I'm So Excited -Pointer Sisters Your Love Lifting Me Higher –Jackie Wilson Rolling on the River/Proud Mary-Ike & Tina Turner 2. Country / 80's Rock Set https://open.spotify.com/playlist/35QWJ0Mw5rObv1GyNcqkSa?si=327f233937b34f48 One Man Band – Old Dominion Love Story - Taylor Swift Dirt on My Boots –Jon Pardi Country Girl –Luke Bryan Man, I Feel Like A Woman – Shania Twain I Was Made For Loving You- Kiss Call Me 142 -Blondie Chicken Fried –Zac Brown You May Be Right - Billy Joel Love is A Battlefield –Pat Benatar 3. -
Recommended Picture Books
Picture books for p4c Copyright: www.p4c.com Version 1 (September 2008) In this document, you will find 50 picture books that we Additional Contributors recommend for use in p4c sessions. In each case, we have given: Steve Williams (The Important Book) • Details of the story including title, author, publisher and short synopsis • A rough idea of the age range the story is suitable for, plus a few questions that we think children might ask • A list of the possible concepts that might be teased out of the story • A link to Amazon (UK) to help you identify the right book, plus links to other resources on p4c.com, where available So that this list might grow, please send us your recommendations. All accepted contributions will be awarded contributor points and your name will appear in the ‘additional contributors’ list in subsequent editions. Either contribute a full resource based on your chosen book(s) (eg Dragons and Giants), or email us your suggestion(s) using the same format that appears throughout this Picture books for p4c document, and we will do the rest Email: [email protected] Jill and James Nottingham Picture books for p4c (Sept 08) Front cover Book details Concepts Ages Overview and potential questions Links A story about a spider who wants to be a family pet. She tries to get Aaaarrgghh, Appearance 5 to 13 everyone to like her and to prove that she would be a better pet than the Belonging other pets, but she keeps scaring them. By the end of the story, the spider’s Spider webs have impressed the family so much that they embrace her as one of Fears the family. -
October 2015
October 13, 2015 - Producer Reinvention In The New Music Economy NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on Big Jim Wright Does It Good: An Interview With Big Jim Wright By Soul Jones Around the mid-nineties, at the Flyte Tyme building in Minneapolis, The President’s Corner whenever owner Jimmy Jam - one half of mega-platinum production duo Jam & Lewis – would take a new superstar client on a tour of the “Happy Birthday.” We know the song, we’ve all sung it but who studio he would make the following introduction. “And in here we owns the rights? Most members of the public didn’t realize Warner/ have Big Jim Wright, he’s one of our writer/producers here at Flyte Chappell was claiming the copyright on this iconic song, although Tyme and he just happens to sing.” Jam would then nod his we in the music business did. Who would have thought one of the trademark trilby towards the young vocalist. “Say Big Jim … just most recognizable songs in the world would not be PD? There has give ‘em a little something.” It would be at that point that he’d mosey been much confusion as to ownership and rights since the recent over to the nearest keyboard. Just so happens that Big Jim Wright, ruling, but what does it all really mean? CCC past President Steve speaking from a phone at his home in Los Angeles California, is sat Winogradsky is here to discuss this important copyright update. -
2019Teenbeatcatalogue.Pdf
TEEN — BEAT TEENBE.AT INSTRUCTIONS: SHIPPING: TEENBEATRECORDS . COM Find T E E N — B E AT at this location: £ • ALL OUR PRICES INCLUDE POSTAGE DISTRIBUTION: TEENBEATRECORDS . COM PAYMENT: WITHIN THE U.S.A. Teen-Beat is distributed world-wide Cambridge, Massachusetts Select any and all items of interest to • YES, WE TAKE PAYPAL. • TO CANADA OR MEXICO: by our pals R E V O LV E R . Write to HI THERE: ARLINGTON¸ VIRGINIA you and we will ship them to you with NEWSLETTER: • CREDIT CARDS: WE ACCEPT VISA, COSTS JUST A LITTLE MORE. [email protected] he will hook INSTAGRAM : teenbeat U.S. of A. a nice friendly note and a free sticker. Sign up for our way cool informative MASTERCARD, AMERICAN EXPRESS, • Everywhere Else AIRMAIL: you up. Our Arlington, Va. friends, TWITTER : teenbeat463 [EXPECT A FEW WEEKS FOR DELIVERY]. newsletter at teenbeatrecords.com. & DISCOVER VIA PAYPAL. EVEN MORE. DISCHORD , also carry Teen-Beat. FACEBOOK : facebook.com/teenbeat X. X. O. O. 3 WILLIAM & VIVIAN 134 BUTCH WILLIS & THE ROCKS 459 UNREST 512 Teen-Beat Records {SET OF TWO BADGES} Fly to France {ALBUM} Repeats {CD} {ORIGINAL TEE-SHIRT, RE-ISSUE} 460 hollAnd I Blow Up {CD} {POSTER} 7 UNREST {EP} 136 EGGS Genetic Engineering {7"} 521 TEENBEAT GRAPHICA 340 horse ing TWO=HIT 462 UNREST Newcastle, 1993 {ALBUM} Fake Laugh {TYPEFACE} 8 Kim Says {POSTER} 137 CATH CARROLL My Cold Heart {7"} Tilt {ALBUM} + 9 FLOWERS OF DISCIPLINE {EP} 142 VERSUS The Stars are Insane {ALBUM} 463 Teen-Beat on Twitter {@TEENBEAT463} 523 /- {PLUS/MINUS} 343 +/- {PLUS/MINUS} Jumping the Tracks -
How to Make Anyone Fall in Love with You.PDF
Page iii How to Make Anyone Fall in Love with You Leil Lowndes CONTEMPORARY BOOKS A TRIBUNE COMPANY Page iv Library of Congress Cataloging-in-Publication Data Lowndes, Leil. How to make anyone fall in love with you / Leil Lowndes. p. cm. Includes bibliographical references and index. ISBN 0-8092-3211-1 1. Love. 2. Man-woman relationships. 3. Intimacy (Psychology) 4. Sexual excitement. I. Title. HQ801.L69 1996 306.7—dc20 96-14502 CIP Jacket design by Scott Rattray Interior design by Mary Lockwood Excerpt from Obsession: Copyright © 1995 by Debra McCarthy-Anderson and Carol Bruce-Thomas. All rights reserved. Reproduced with the permission of the publisher, Harlequin Books S.A. Copyright © 1996 by Leil Lowndes All rights reserved Published by Contemporary Books An imprint of NTC/Contemporary Publishing Company Two Prudential Plaza, Chicago, Illinois 60601-6790 Manufactured in the United States of America International Standard Book Number: 0-8092-3211-1 10 9 8 7 6 5 4 3 2 1 Page v To fulfill the promise of the title, How to Make Anyone Fall in Love with You offers 85 techniques based on scientific studies into the nature of romantic love. Page vii CONTENTS 1 1 Anyone? Yes, Practically Anyone Science "Discovers" Sex 2 How More Research Was Compiled 4 How the Techniques Were Developed 5 How I Tested the Techniques 7 2 9 What Makes People Fall in Love? The Six Elements What Makes People Fall in Love? The Six Elements I. First Impressions 9 II. Similar Character, Complementary Needs 10 III. Equity 11 IV. Ego 12 V. -
Music Collection
collection! 2573 songs, 6:19:50:59 total time, 9.72 GB Artist Album # Songs Total Time The Arcade Fire 2001 Demos 10 51:06 Arcade Fire EP 7 32:52 Funeral 14 1:06:04 The Arcade Fire/David Bowie Live EP 3 14:28 Audioslave Audioslave 9 39:54 Out of Exile 16 1:10:20 The Beatles A Hard Day's Night 13 30:30 Abbey Road 17 47:22 Alternate Abbey Road 7 25:44 Beatles For Sale 14 34:13 Help 15 37:30 Let It Be 10 28:15 Magical Mystery Tour 10 32:51 Past Masters - Volume One 18 42:28 Past Masters - Volume Two 13 40:02 Please Please Me 13 30:23 Revolver 13 32:19 Rubber Soul 14 35:48 Sgt. Pepper's Lonely Hearts Club Band 13 39:50 The White Album CD1 17 46:21 The White Album CD2 14 54:17 With The Beatles 14 33:24 Yellow Submarine 13 40:07 Bob Dylan Blood On The Tracks 10 51:53 Bob Dylan 14 41:07 Highway 61 Revisited 8 45:24 Love And Theft 8 36:34 Nashville 1 2:17 Shot of Love 10 44:55 The Best of Bob Dylan 6 31:31 The Essential Bob Dylan 26 1:47:02 The Freewheeling Bob Dylan 13 50:07 The Rolling Thunder Revue CD1 11 51:02 The Rolling Thunder Revue CD2 11 51:12 Bob Dylan/Johnny Cash Nashville 20 59:45 Buffalo Springfield Retrospective: The Best of Buffalo Springfield 12 40:21 The Cardigans First Band on the Moon 11 39:06 Life 14 48:07 Super Extra Gravity 14 47:57 Clap Your Hands Say Yeah Clap Your Hands Say Yeah 12 38:41 Coldplay A Rush of Blood To The Head 12 58:47 Live 2003 14 1:17:35 Live at Glastonbury 2005 15 1:17:26 Parachutes 10 35:51 X&Y 14 1:05:53 Danny Elfman Big Fish OST 22 57:39 Dave Matthews Band Before These Crowed Streets 11 1:10:21 Busted -
Love Stories: a Narrative Look at How Couples Jointly Construct Love in Romantic Relationships
ABSTRACT LOVE STORIES: A NARRATIVE LOOK AT HOW COUPLES JOINTLY CONSTRUCT LOVE IN ROMANTIC RELATIONSHIPS The goal of this thesis was to understand how love in romantic relationships is constituted through the stories couples tell. Two research questions were asked: How do couples co-construct love? And, how do couples narratively define love? The stories were collected through open-ended dyadic interviews with 15 heterosexual couples. Couples ranged in ages and relationship length and some were dating, some were married. Narrative theory was used to understand how couples make sense of their love through the stories they told together. Amanda Elizabeth Rowen May 2018 LOVE STORIES: A NARRATIVE LOOK AT HOW COUPLES JOINTLY CONSTRUCT LOVE IN ROMANTIC RELATIONSHIPS by Amanda Elizabeth Rowen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Communication in the College of Arts and Humanities California State University, Fresno May 2018 APPROVED For the Department of Communication: We, the undersigned, certify that the thesis of the following student meets the required standards of scholarship, format, and style of the university and the student's graduate degree program for the awarding of the master's degree. Amanda Elizabeth Rowen Thesis author Falon Kartch (Chair) Communication Kathy Adams Communication Jennifer Randles Sociology For the University Graduate Committee: Dean, Division of Graduate Studies AUTHORIZATION FOR REPRODUCTION OF MASTER’S THESIS X I grant permission for the reproduction of this thesis in part or in its entirety without further authorization from me, on the condition that the person or agency requesting reproduction absorbs the cost and provides proper acknowledgment of authorship. -
GAVIN PICAS Denzil Foster and Thomas Tinue to Hold Their Place on Fax: (415) 495-2580 Mcelroy, En Vogue Also That Dwindling List
Vogue's trademark harmonies the anthemic sing -a -long intact on what will undoubt- "Prisoners of Rock & Roll." edly be the group's third Our rock & roll living leg- AVIN mega -commercial success. ends are few and far Miller Freemen Entertainment Group 140 Second Street Though once again teamed between these days, but Neil San Francisco, CA 94105 with mainstay producers Young and Crazy Horse con- Phone: (415) 495-1990 GAVIN PICAS Denzil Foster and Thomas tinue to hold their place on Fax: (415) 495-2580 McElroy, En Vogue also that dwindling list. Year of the http://www.gavin.com branches out to include work Horse is another notch in the e-mail: editorialegavin.com produced by David Foster King of Rust's belt. CHIEF EXECUTIVE OFFICER DAVID DALTON COMMERCIAL DIRECTOR BOB GALUANI (the Diane Warren -penned -ROB BLEETSTEIN "Too Gone, Too Long,") and MANAGING EDITOR BEN FoNG-TORRES K -CI & JO JO ASSISTANT EDITOR ALEXANDRA HASLAM Babyface (their current DESIGN DIRECTOR/PRODUCTION CONTROLLER Love Always smash, "Whatever"). Other Doom SHOEMAKER producers/songwriters con- (MCA) ART DIRECTOR PETER GRAME tributing to EV3 include AJl/JAZZ/SMooni JAZZ & VOCALE - KENT ZIMMERMAN Editor Organized Noize ("Don't Let KEITH ZIMMERMAN Editor Go [Love]"), Ivan Matias, and VINNIE ESPARZA Assistant Andrea Martin. Aside from the ADULT CONTEMPORARY -Roe FEIL Editor, ANNE-rim M. LAT Associate Editor two hits to its credit already, ALTERNATIVE -MAX ToIROPP Editor other favorite tracks include (213) 913-2691, FAx: (213) 913-2693 the aforementioned Diane SPENCE AReorr -
The Empire Strikes Back His Master's Voice Art FLIPP Ballet British
You’re crossing the border between sight and sound, realty and imagination • this week in ~ Inside: The Empire Strikes Back His Master’s Voice Art FLIPP Ballet British Columbia Longpigs 2 A Thursday, February 27,1997 Daily Nexus instance. Han: You blaspheme! Leia: Leia’s the chick. Did you see her in that scene where she takes over the ship and yells “Goooool”? Luke: Did you notice the rebel scene where they are fighting the Empire Mm on Hoth and Rogue 3 helps out Luke? The cam era focuses on Rogue 3, nim m then Luke, and back to Rogue 3, and Rogue 3 all pisode V: Having of a sudden has a bloody found success two nose? Eweeks ago with a Han: Maybe it was part hosted panel on S ta r of the whole altitude fight Wars: Special Edition, ing thing. the Artsw eek staff decided Luke: Did you think to continue with the dis Luke figured out that cussion group. The latest Leia was his sister in the installment begins as the film ? theme to Star Wars blares Chewie: while the four cast mem Yeeeeeaaawwww. bers otThe Empire Strikes Leia: I think he got a Back: Special Edition feeling. panel filter into the room — a room that the evil Lord Chewie: I think when Vader watches from on high. Darth Vader says “I’m Davia Gray, features editor, returns to reclaim her your father,” I think he be rightful space in the panel as Han Solo; and Will Banks, gins to piece it together. At foreign-exchange student and Artsw eek writer, steps up the end he calls out her as her counterpart Chewbacca.