FULL BAND SONGLIST 2021/2022 1. Get Em Going Adore You- Harry

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FULL BAND SONGLIST 2021/2022 1. Get Em Going Adore You- Harry

FULL BAND SONGLIST 2021/2022 On the average, the full band usually performs 3 forty (40) minute dance sets in any 4 hour Reception. During the breaks and the final half hour is almost always DJ music. You can always expect continuous music, with no breaks. These are all songs we perform, but there is way more here than we would usually play. You can tell us what you like and prefer and we can tailor our sets to your preferences to some degree. For example, some people don’t love country music, so we can leave the country tunes out and do mostly the rock material. Also, we perform these sets as medleys that are designed to keep people dancing. We usually always start the sets with a slow song to get everyone up, but then it’s all upbeat and the songs blend together with very few stops or slow downs. 1. Get Em Going https://open.spotify.com/playlist/1y3E69rNhcdkrIaU3VDyln?si=63c0fadb1a3d45e1 Adore You- Harry Styles Are you Gonna Be My Girl- JET Take Me Out-Franz Ferdinand Just What I Needed –The Cars Go Your Own Way-Fleetwood Mac Lonely Boy- The Black Keys I'm So Excited -Pointer Sisters Your Love Lifting Me Higher –Jackie Wilson Rolling on the River/Proud Mary-Ike & Tina Turner 2. Country / 80's Rock Set https://open.spotify.com/playlist/35QWJ0Mw5rObv1GyNcqkSa?si=327f233937b34f48 One Man Band – Old Dominion Love Story - Taylor Swift Dirt on My Boots –Jon Pardi Country Girl –Luke Bryan Man, I Feel Like A Woman – Shania Twain I Was Made For Loving You- Kiss Call Me 142 -Blondie Chicken Fried –Zac Brown You May Be Right - Billy Joel Love is A Battlefield –Pat Benatar 3. 90s Medley https://open.spotify.com/playlist/3cihUaTQJtPf3AIVgi43vz?si=5f051b17e8114326 MMM Bop 106 G -Hanson Island in the Sun -Weezer Lovefool- The Cardigans She’s So High –Tal Bachman You Oughta Know- Alanis Morissette Get What You Give –New Radicals Follow You Down –Gin Blossoms Basketcase –Green Day 4. Finale Songs https://open.spotify.com/playlist/1kx29peupgMBV3nVCmvEKx?si=0267bc90d3154658 Thank You For Being a Friend –Golden Girls Theme Song Mr. Brightside –The Killers 500 Miles-The Proclaimers Shipping Up to Boston -Dropkick Murphy’s What Do You Do with a Drunken Sailor (Irish Drinking Song) We Are Young -FUN 5. Owls & Lions Staples (tunes we have been playing for a while which always rock) https://open.spotify.com/playlist/3Dvowwfpd61vY8Mj2b0m6P?si=005537acd82a470a Wish I Knew You –The Revivalists Black Horse & a Cherry Tree- KT Tunstall Valerie –Amy Winehouse Home –Edward Sharpe & the Magnetic Zeros No Roots- Alice Merton Wake Me Up –Aloe Blacc/Avicci Your Love- The Outfield Handclap –Fitz & Tantrums Feel It Still – Portugal. The Man .

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Clark 1 Maureen Clark Senior Thesis Dr. Paul Schuette 3/24/2019 Girls Just Wanna Have Equality: Sexism in the 1980’s Music Industry By the 1980s, women were finally making their way into the American workforce. One can see that in many aspects of 1980s pop culture from the shoulder pads in women's suits in an attempt to make them appear more masculine and powerful as well as female empowerment movies like “Working Girl”. However, this rise in female empowerment was definity experienced most within the music, where female artist like Madonna to The Go-Go's were dominating the charts and the workplace. Despite the success that they were achieving, however, most women were still struggling to be seen as authentic or genuine, and most importantly they were fighting to be on an equal playing field as men. Webster's Dictionary defines marginalized as: “(of a person, group, or concept) treated as insignificant or peripheral”. Women have always been a marginalized group within the music industry since its conception, just like in almost every aspect of history. However, by the 1980s, women were entering the workforce at a more rapid rate than ever before, this affected every aspect of American culture along with its music. Despite more representation within the workforce, women in music were still often dismissed, despite the fact that many women and girl groups were making some of the most successful music during that decade. One reason for Clark 2 this had to do with the rise of MTV along with the sexism that has always existed in the music industry.
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